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Pokken Tournament photo
Pokken Tournament

Pokken Tournament is a fun, deep little brawler

Hands-on during TGS
Sep 21
// Chris Carter
I'm still out here in Japan to cover TGS, and even though this is just my first time in the country, I'm already itching to come back. You only need to walk a few blocks to see video game and anime references everywhere, as T...
Disney Magical World 2 photo
Disney Magical World 2

Disney Magical World 2 is pushing the Frozen property pretty hard

Much to my chagrin
Sep 19
// Chris Carter
So, Frozen. I must be one of the only people on the planet who doesn't like it. I mean, I love Elsa -- it's about time Idina Menzel and her amazing voice got the respect she deserves -- but the rest, including most of th...
Monster Hunter Spirits photo
Monster Hunter Spirits

Monster Hunter Spirits is housed in a really cool arcade cabinet

With premium 1000 yen lockets
Sep 19
// Chris Carter
One of the biggest reasons for wanting to visit Japan as a kid was the prospect of setting foot into a Japanese arcade. The flashing lights, the sounds emanating throughout the street, the cavalcade of new games fresh on the ...

Monster Hunter Diary contains pure silliness, with plenty of cats

Sep 18 // Chris Carter
Diary DX is very much like Animal Crossing, or in a more relevant but more obscure comparison, Disney's Magical World. It's part simulator in the sense that you can roam around talking to other Palicos in the Monster Hunter universe, but the end goal is to participate in a bunch of mini-games located within each micro hub. The hub itself is made of different spokes, with the ability to fast travel instantly with the tap of the bottom screen. Palicos are front and center here, inhabiting each realm and going along for the mini-game rides. During my time with the demo I was able to play two such micro-games -- a pig race, and a Patapon-like sidescrolling adventure sequence. The former sees players betting on pig-riding Palicos, with the power to control a single rider, jumping over logs and other obstacles in the race for first. It's simple, and not something I'd likely want to do more than a few times in total. The Patapon bit was a tad more enjoyable, as it provides options as you follow a set path, like the choice to eat a mushroom, ignore it, or harvest the ingredients -- likewise, enemies can be approached with a stealth or combat option. For the most part, this seems really geared towards Monster Hunter fans, and it's something that the younger audience would enjoy more than a seasoned veteran of the franchise. Monster Hunter Diary DX was recently released this past week in Japan, with Mario and Tom Nook costumes. There's still no word on a localization, but it might be possible if the series continues to sell like gangbusters in the US.
Monster Hunter Diary DX photo
Did I mention the cats?
Monster Hunter Diary DX for the Nintendo 3DS is a silly game. That much is evident from watching the series of commercials presented on a nearby TV screen at TGS, which shows a variety of cats in a variety of different k...

If you enjoyed Resident Evil HD, you'll probably like the Zero remake

Sep 18 // Chris Carter
As for my hands-on session with the game, I ended up coming away satisfied. As a whole it looked even more detailed than Resident Evil HD (the fur on spiders was particularly impressive, as were the flame and steam effects), and the action was incredibly smooth, especially when coupled with the updated control scheme. You're still going to brave the unknown with Rebecca and Billy, and in addition to a quick switching mechanic, you can also control the non-playable character with the right analog stick -- so, just like the original, there's no dumb, meandering AI that sits there while an enemy gets carte blanche to lay into them. Some people probably aren't going to take to a lot of the legacy features though. Like the last remaster there's still the same "door opening" sequences (originally built for tension, but are now admittedly a tad dated), there's still cheesy cutscenes done in the style of the original game (in other words, they aren't upgraded in any way), and although the controls have been given a makeover, it's still very much an old school Resident Evil game. According to Tsukasa Takenaka that's completely ok. When asked if he considered Resident Evil Zero an essential title in the series, he responded, "of course! The thing about Resident Evil is the more you play, the more you get out of it. So with Zero, you're really getting that whole backstory on the first game, such as Wesker's motivations, the story of the mansion, and more. It's unfortunately one of the less played games in the series, but I think it's really important and essential to the overall big picture." I went on to ask about Capcom's strategy to focus more on remasters and remakes, and how that was going for them. Takenaka noted that "overall yes it's been a positive move. We really want to respond to fan feedback, and those fans asked for more remasters. It's a priority for us to answer that call." I immediately followed that up with asking him what Resident Evil game would be his ideal remaster project, to which he replied, "Outbreak, definitely." Good man. As a fan of Wesker I definitely wanted to ask for more information on the upcoming Wesker Mode in Zero, and Takenaka had a few things to say on that front -- "yes, Wesker Mode is going to be the toy you play with after you're done with the game. It's a stress reliever, a lot like the rocket launcher or infinite ammo options in some of the other games. Here, Billy is replaced with Wesker. He has kinetic powers, and a powerful dash, but Rebecca is unchanged. He's kind of like a power-up, and he's based on the Resident Evil 5 version of the character, which is voiced by DC Douglas. Puzzled as to why the remakes haven't featured a full-on Mercenaries mode in the style of the newer entries, Takenaka said that he really wanted the team to add new features, and not tread on old ground again. Going on, he stated, "well if you remember, Zero had a mode called 'Leech Hunter,' and we're of course keeping that in with the remake. But we wanted to do something new too, so Wesker Mode was born. Also, the camera angles don't really work very well with Mercenaries, since we're going by the old game's camera." Takenaka then shared his vision for these remakes (with a reminder that Resident Evil 2 is being remade as well -- sadly, he wouldn't respond to my inquiry for details on that project), noting that his main motivation was to allow younger fans to "catch up" if they missed out on the older entries or didn't own the hardware necessary to play them. "This is not a signpost of a future direction" he added. Really, if every old Resident Evil game up to the fourth main iteration is remade, I'll be happy. I'd love to try out Resident Evil 3 in HD, and if Takenaka has his way, Outbreak HD on a modern online network. Capcom is trying a whole lot of things right now with mixed success, but this seems to be working, and the fans seem to want it.
Resident Evil Zero photo
Hands-on with producer Tsukasa Takenaka
Resident Evil HD was pretty freaking great. Finally, Capcom stopped fumbling around with the franchise (I liked some parts of 6 well enough, but could have done without it), and went back to its roots. It's a polari...

PSO 2 photo

After playing the PS4 version, PSO 2 needs to come out right now overseas

Do it, Sega
Sep 18
// Chris Carter
It's no secret that I've been pining for a western release for Phantasy Star Online 2 for quite a while now. I'm hesistant to install the international version of the game, mostly because all of my friends are waiting on true...
Phoenix Wright 6 photo
Phoenix Wright 6

Phoenix Wright 6's setting marks the biggest departure for the core series

Also, dead people vision
Sep 18
// Chris Carter
I'm pretty happy that Phoenix Wright has permeated throughout the gaming industry. He has a full-on combat appearance in Marvel vs. Capcom 3, his own live-action film, a crossover with Professor Layton, and now, as a summon i...
Street Fighter V Karin photo
Street Fighter V Karin

It'll take some time for me to warm up to Street Fighter V's Karin

I'm rusty since playing her in Alpha 3
Sep 18
// Chris Carter
I couldn't be happier with the injection of all things Alpha into Street Fighter V. I had the chance to talk to a Capcom representative about it lately, and they were in complete agreement, hinting that perhaps there will be more to come in terms of the Alpha comparisons. Excellent. Having said that, it took me a few rounds to acclimate to Karin. Hot damn am I rusty with her!

Rashid is easily one of my favorite new Street Fighter characters

Sep 17 // Chris Carter
To my surprise, Rashid's command moves were actually simple to execute. He has a few abilities that are done with the simple touch of two buttons at once, and most of his other moves can be done with one directional movement. Maneuverability is key with Rashid, as he has the power to do a front flip (which can cancel into multiple moves, Vega style), a roll (that can dodge projectiles), and even a wall jump. He's the personification of "easy to learn, tough to master." For those who aren't aware, Street Fighter V features V-Triggers (triggered by HP + HK), which basically function as a unique ability of sorts that exemplifies the type of fighter each character is. For instance, Ryu is known for his projectiles, so his V-Trigger Denjin Renki boost his moves, including a boost to his Shinku Hadoken. Rashid's V-Trigger is "Ysaar," a whirlwind that moves slightly forward and blocks the screen. The key here is that Rashid can move through the wall, slightly boosting his movement speed and altering his attacks. Players will have to be lightning quick to take advantage of this, because the effect fades rather quickly. Similarly, his Critical Art (super) Altair is an anti-air whirlwind, which looks and feels like Ken's Shouryuu Reppa. When combined with his dodges and rolls, Rashid becomes a very technical character that has an answer to almost everything, but will take a great deal of skill to use. A Capcom rep informed me that Street Fighter V would be taking a MOBA-style approach to DLC, offering up new content on a monthly or bi-monthly basis. As previously announced, players can earn in-game currency to pay for the DLC without having to fork over real cash. When asked about how much work would have to go into buying a single character, Capcom noted that they were still "testing the waters." As for my general thoughts on Street Fighter V, they are still very much positive. Although I had fun fighting my friends in IV, it just didn't feel like it captured the essence of so many classic games in the series. I see a lot of Alpha in Street Fighter V, and that makes me very happy.
Street Fighter photo
Hands-on with Street Fighter V
Street Fighter V has been pretty well received by the fighting game community, and it's not even slated to come out until early 2016. I enjoyed my time with the beta, and now, I got my hands on the latest build here at TGS, which includes a playable Rashid. I certainly didn't expect it, but I may have found a new main.

Odin Sphere: Leifthrasir photo
Odin Sphere: Leifthrasir

Odin Sphere: Leifthrasir is like a whole new game

A massive framerate upgrade from PS2
Sep 17
// Chris Carter
Odin Sphere was one of the first games I played with my wife, and we had a perfect system. She would play a lot of the core areas during the day, and at night, I would plant seeds, gather food, and level up while she took a n...
Exist Archive preview photo
Exist Archive preview

Exist Archive looks great, but it has a lot to prove

It's nothing special so far
Sep 17
// Chris Carter
When Spike Chunsoft and tri-Ace announced Exist Archive: The Other Side of the Sky, I was supremely impressed with the visual style. As it turns out it looks even better in person, as I witnessed during my hands-on time with the TGS build. From a gameplay standpoint though I have some concerns, mostly stemming from the repetitive nature of the flow.

Sword Art Online plays so much better when you can fly

Sep 17 // Chris Carter
When I first started my demo session with Lost Song, it felt far too familiar for its own good. It has a very similar presentation, right down to the simplistic combo system (that's basically built on two attack types, dodging, and a few abilities), and the extremely samey zone that was almost a copy and paste job from its predecessor. However, there are a few minor enhancements along the way that Sword Art fans will recognize after digging in a bit, like the addition of a three-party group, and most notably, flying. With the touch of a button, players can soar up in the air, swooping about, or opt for a more deliberate glide maneuver, with a control scheme that's extremely precise in nature. It opens up your exploration options considerably, and cuts down on some of the monotony of traveling long distances. Plus, plenty of enemies inhabit the skies, so you'll be able to do some fighting along the way, alongside of tactical dodges and pursuit situations. By that same token, the world still feels a bit hollow and uninspired, showing its PS3-era roots. Flying is fun, but the areas that I could actually fly to in my demo weren't exactly riveting, mostly consisting of high-up vistas with no flair or unique rewards. Still, everything looks a tad more impressive on the PS4 in comparison to Hollow Fragment, which initially launched on the Vita before heading to the current generation just a few months ago. Sword Art Online: Lost Song will arrive in the US on November 17, 2015, on PS4 and Vita.
SAO preview photo
Other than that, it's par for the course
I had mixed thoughts on Sword Art Online: Hollow Fragment last year, but ultimately I came away happy. Funnily enough, as someone who absolutely hated the second arc of the anime, I actually found the follow-up, Lost Song, to be a little more enjoyable based on my hands-on session at TGS. As it turns out, flying around in the world of ALfheim Online is quite a bit of fun.

My time with Bloodborne: The Old Hunters felt far too familiar

Sep 17 // Chris Carter
[embed]310920:60384:0[/embed] Based on this build, if I saw someone playing The Old Hunters, I wouldn't have really been able to tell that it took place in new areas. In short, the demo location is very similar to Central Yharnam, outside of one particular landmark hill that hosts a striking view of the sun. Even the enemies look and feel the same, down to the werewolves that you've encountered since the beginning of the core adventure, and of course Hunters, the humanoid foes that sport the same weaponry choices as the player character. The map itself felt rather linear, which may be a result of paring things down for a fast-paced TGS demo, but so far it lacks the sprawling feel of most of the Souls DLC. At the end of the demo I encountered a boss (Ludwig, who plays a role in the central lore) that looked like a demonic cross between a horse and an abomination of some sort, complete with features that felt similar to the Cleric Beast. The creature had a grand opening, as usual, with unconventional movement animations to boot, bringing it inline with the rest of the big bads in Bloodborne. It's not jaw-dropping or particularly difficult, but it fits nicely into the lore. Hopefully this horse-thing was just a palette cleanser. That lack of excitement kind of sums up my time with The Old Hunters. I mean, it's more Bloodborne so of course it's going to be good to an extent (there's nothing directly wrong here), but I'm not sure I'm sold on the prospect of paying $20 for it. When I first played Artorias of the Abyss or the three Dark Souls II DLCs, I was immediately swept into another world, which is how a paid expansion should feel. Stay tuned on our thoughts on the finished version later this year.
Bloodborne photo
It doesn't feel like a $20 expansion
When Bloodborne: The Old Hunters was announced, I was ecstatic to get back into the world of Yharnam again. After all, I beat Bloodborne three times after just one week with it, and thoroughly enjoyed the more action-oriented gameplay compared to its predecessors. Based on my playthrough of a demo at TGS however, my excitement has been curbed a bit.

Rexxar photo

Quick thoughts on Heroes of the Storm's Rexxar

Bear is driving! How can that be?
Sep 08
// Chris Carter
Heroes of the Storm is stepping away from the Diablo event as of today, and is focusing more on Warcraft and Starcraft in the coming months. The Treasure Goblins are out, and Rexxar, the half-orc half-ogre is in, with his partner Misha the bear (albeit with some launch issues for some). Here's some quick thoughts on whether or not he's worth your 15,000 gold.
Inside Out photo
Inside Out

Disney Infinity 3.0's Inside Out Play Set is the most child-oriented one yet

Good with kids
Sep 08
// Chris Carter
I was finally able to see Inside Out in theaters recently, and although I enjoyed it more than I thought I would, I mostly came away unimpressed. While I loved the internal bits with the emotions themselves (albeit, with...

I wish my dreams were as delightful as Dropsy

Sep 06 // Zack Furniss
Dropsy was once a beloved clown and hometown celebrity, and his discomforting visage was overridden by his ability to bring joy to all. He performed with his parents in a Big Top circus not far from a small town, until a horrible fire tarnished his life and reputation. Following his mother's death, Dropsy, his dog Eughh, and his father live in the remnants of the circus tent, trying to scrape together change via odd jobs to stay alive. Now that I've got you all good and sad, I want you to know that despite the tragedy Dropsy has endured, his primary motivation is to love everyone the way he wants to be loved. Even though he looks like an overall-clad specter caked in greasepaint, he wants to go around town and hug anyone who will let him. Problem is, most people aren't receptive to a damp, creepy clown getting any where near them. Dropsy's inability to speak to humans doesn't help, either. This is where the point & click puzzles come into play. Each character you meet has small cartoon bubbles over their heads that give you some hint as to what they want. A little girl might be upset that her flower isn't growing, or a homeless woman might be cold and starving. After interpreting these hints and solving a light puzzle (usually involving handing someone the correct item), you'll be able to hug them. I get the warm fuzzies each time I figure out what someone wants and earn that damn hug that Dropsy so desperately deserves. Surreal dreams and initial objectives (starting with placing a picture on your mother's grave) provide context for Dropsy's actions. A game where you're earning hugs might seem directionless to some, but the non-linear exploration in Dropsy punctuated by meaningful story beats was enough to keep me going through this beta. Whether I was getting closer to my father and learning how to deal with our new lives or fist-bumping a bouncer to earn his respect, my time as a clown felt well-spent. A day/night cycle brings in new people and challenges to interact with. I'm already becoming intimately familiar with these digital strangers as I find out what they want most. The lack of dialogue and text (which makes the game playable in any region!) add to this dreamlike world. Instead of listening to vocal perfomances, I'm interpreting people's needs based on small pictures and my surroundings, and so far the solutions always feel within reach and never far-fetched. Dropsy definitely isn't The Longest Journey, but I don't think I'd have it any other way. Chris Schlarb's music deserves special mention, as I rarely feel as optimistic as I do while playing Dropsy. The musical styles change from area to area and range from smooth jazz to a sort-of prog rock. Regardless of genre, it's always brimming with the earnestness you feel when you're about to tell someone you love them for the first time. The corners of my mouth felt like magnets of the same polarity of my chin, where no matter how bad my day was, a smile was going to happen. I'm probably a tad more than halfway through Dropsy now, but I'll have more to say in a review after the game's release on September 10.
Dropsy photo
More hugs, please
Dropsy: A Point & Click Hugventure is impossible to play without thinking of the phantasmagorical adventures we embark upon when we go to sleep. Its technicolor dreamscape and overwhelming positivity just might negate any coulrophobia you might harbour. There's a certain sentimentality that makes Dropsy a more compelling adventure game than I would have suspected.

Pokemon Shuffle Mobile photo
Pokemon Shuffle Mobile

Here's how Pokemon Shuffle Mobile stacks up to the 3DS version

Pros and cons
Sep 04
// Darren Nakamura
After about my 50th hour into Pokémon Shuffle for the 3DS, I regretted getting into it late. When it released, I did what most people do when they hear "free-to-play;" I tuned it out without giving it a second thought....

Tearaway Unfolded faithfully breaks the DualShock 4th wall

Sep 02 // Steven Hansen
Tearaway used fourth-wall breaking about as much as Metal Gear Solid, which still, with the recently released Phantom Pain, has a character tell you to, "use the stance button to stand up." That you are playing a video game is addressed, here through the physicality of the thing. Your own face in the sky, representations of your fingers popping up in the world. Unfolded's entire opening is new. It plays off the home console's position as a living room box, likely hooked up to a television with some kind of cable network. The two voices that narrate the story switch through a fake cable TV guide, hastily bypassing shows called "Rubbish" and flicking through commercials before coming to the conclusion that there's nothing to watch, that there's no good story. So we'll have to make our own. Actually, it's almost like the beginning of Metal Gear Solid 4. The first new PS4 feature is light. The triggers produced a beam of light in the world that reflects the light emitted by the DualShock 4. It even keeps the same triangle shape and shows up in the world as if you were pointing to the front of the controller like a flashlight. So far it's one of the only useful reasons for that light existing, save for draining battery life and then blinding me every time I tilt the thing up to find the charge port. [embed]308798:60230:0[/embed] The You's -- that's you -- light has different effects, from simply illuminating the new, dim intro to making plants grow to scraping inky newspaper Scraps from the construction paper world to hypnotizing enemies that will follow the beam of light off a cliff. It doesn't have the same punchy feel as poking at them with giant fingers from below, but it does its job of grounding the player in both the game world and real world in a novel way. It's too hell with immersion and that's fine. Due to my lack of the PlayStation camera, I did find myself wanting with regard to my self-portrait showing up in the hole in the sky. Even if on the Vita it was grainy and always the least flattering angle (I never held my arms parallel to the ground when I played), it is missed, here. Same with the ability to, say, reupholster an elk by taking a picture of my cat. Of course, if lower case you have a camera, it's possible to sustain these touches, or if you have a mic at the ready you can record an intimidating yell for your scarecrow. A new gust of wind ability replaces your ability to physically leaf through the environment. Instead of swiping a platform down on the Vita screen, you swipe the DualShock 4 touchpad in the desired direction you want to the wind to blow. Atoi, the messenger you guide through Tearaway, can also throw enemies and items up "through" the TV screen and into your controller, and then you can aim a reticle and swipe forward on the touchpad to shoot the projectile back onto the map, whether to bash an enemy or solve a puzzle. The touchpad is also used for the paper craft segments where you're tasked with making wings for the local butterflies or snow flakes to pepper your mountain climb (I went again with some nice pink cherry blossoms). It works alright, but the lack of real estate makes precision hard. You might consider the companion app, which would give you (or a friend) a larger drawing surface, but, again, I don't want to be fiddling with three extra pieces of technological accessories just to get the same effect the Vita bundled up. Tearaway Unfolded isn't as elegant or holistic an experience as it was on Vita because of additional technical needs, but significant effort has gone to reproducing the same effects in new ways. It's pretty as hell, too, holding its own with anything on the PS4 despite its humble beginnings. New areas have been built from scratch, parts extended, others cut. No more log rolling troubles, which is the only Vita feature that bugged the hell out of me. A lot of care went into Unfolded. It may be another tacit admission that the Vita is dead, but at least this incredible, surprising game did not die with it.
Tearaway PS4 port photo
Challenging PS4 port flashes Metal Gear
Tearaway was the zenith of the PlayStation Vita. While many fine games have hit the platform since, few have been exclusive and original, and none used every inch of the Vita's additional capabilities to as good effect. That ...

So, how's Gears of War's multiplayer at launch?

Aug 25 // Brett Makedonski
Between last night and this afternoon, I have a fair sample size of matches under my belt. I'm maybe one percent of the way toward the "Seriously..." Achievement, which doesn't sound like much, but it is. The only issue I've encountered was about five seconds of lag at the beginning of one match. Otherwise, everything's been silky smooth. There's one non-performance issue that I have a problem with, however. The War Journal offers multiplayer statistics, but not on how close you are to earning the different Achievements. (If I'm not mistaken, this is a feature that Gears of War 3 implemented quite nicely.) Likewise, Xbox One's "snap an app" feature doesn't track that progress either. The sole indicator is a counter that pops up after a match in which you've hit a milestone toward that Achievement. Hopefully a fix is coming for that. That one insignificant complaint aside, this game holds up its end of the bargain with regard to multiplayer. After the Halo: The Master Chief Collection snafu (that may still be on-going to some degree), it was important for Microsoft to emphatically stick the landing on this one. Fortunately, it lives up to the excellent standard set by the rest of Gears of War Ultimate Edition.
Gears of War photo
Silky smooth so far
I have a novel concept for you: What if a major video game releases and its multiplayer component just works? Like, there isn't a bunch of drama and patches and updates and apologies; instead, you get to play the game immedia...

Superhot is more of a turn-based puzzle RTS than an FPS

Aug 19 // Laura Kate Dale
As someone who sucks at first-person shooters due to their twitch reaction nature, this focus on a slower, almost puzzle-based approach to combat really suited me. I got to feel like the potential to be a badass gun-wielding VR murderer was truly within me. One of the aspects of the game I had managed to stay completely oblivious to before playing Superhot was the narrative and plot presentation. Everything is presented to you as being part of a hacked video game that seems to be taking over people's minds and devouring some innate part of them. The creepy glitch aesthetic of the presentation, alongside the slow build of a maddening descent into complicity really gave a creepy weight to the gameplay systems at hand. I was in control of the gameplay, but I was certainly not in control of the plot. That juxtaposition was really interesting and something I had no idea Superhot was planning to throw at me. My biggest take away from finally getting my hands on Superhot was simply that it seems to be living up to the potential that it's early, eye-catching trailers promised. The gameplay system is polished, level design is tightly refined and the narrative presentation around that core is intriguing and uniquely presented. Superhot looked cool in trailers, and the chunk of time I've spent with it reassures me that this is going to be something special when it launches.
Superhot preview photo
Take it slow and steady
Superhot has been the talk of the town ever since it was first shown off to the world. A first person shooter where the action slows to a near stop unless you're currently moving, the game's visual style and odd momentum are ...

Revelations 2 Vita photo
Revelations 2 Vita

Resident Evil: Revelations 2 is not so great on Vita, stick to the console version

Framerate issues
Aug 18
// Chris Carter
Despite the polarized reception, I loved Resident Evil: Revelations 2. It might have something to do with the fact that I beat the entire core game, as well as every Raid Mode level with a co-op partner, but I had a blast ev...

You don't need a GamePad to play ZombiU

Aug 18 // Brett Makedonski
[embed]306573:60033:0[/embed] Still, it's not anywhere near a deal-breaker. The Xbox One controller and DualShock 4 are serviceable in their one-button press menu summoning. It all just requires a little bit more care. Honestly, if you're playing Zombi carelessly, menu navigation is the least of your concerns. There are some other slight drawbacks in the Xbox One version of Zombi. Textures and character models seem a bit outdated, which can be expected from a game that launched before current consoles released. Also, the frame-rate tends to dip when action gets too thick. Those annoyances are nothing too detrimental to Zombi, though. The captivating environment and the unique survivor-after-survivor gameplay easily overshadow the flaws. And, we shouldn't view the switch from GamePad to regular controllers as a downgrade; we should view it as a fantastic opportunity for a wider audience to experience everything Zombi has to offer.
Zombi impressions photo
Well, just 'Zombi' now
To date, ZombiU has been one of the best (and only) non-Nintendo published Wii U exclusives. It has turned into something of a cult classic, as many have praised the way that it felt more like a survival game and resiste...

Rocket League DLC photo
Rocket League DLC

Rocket League's Supersonic Fury DLC is cooler than I expected

Love that new pearlescent paint finish
Aug 14
// Darren Nakamura
Rocket League just released two DLC packs: Utopia Coliseum is a new arena to play in and is available for free while Supersonic Fury contains a host of new car customization options and runs about four bucks. The two new cars...
Gathering Sky impressions photo
Gathering Sky impressions

Gathering Sky is out today on Steam and mobile, and it's quite relaxing

I want to fly like an eagle
Aug 13
// Ben Davis
Gathering Sky, a game from indie studio A Stranger Gravity about controlling a flock of birds, released on Steam, iOS, and Android today. I got a chance to play around with the Steam version this week, and it's a pretty neat ...

Turns out I'm still in love with Brothers - A Tale of Two Sons

Aug 13 // Brett Makedonski
Yet, the controls -- a scheme that's supposed to represent the bond between the siblings -- is as ineffective as ever. Again, I never got a consistent feel for how to operate the two in tandem. Everything would be fine for a moment until one veered into the wall, meaning I'd have to stop controlling one to focus on another and the whole harmony was ruined. I've felt this way the entire time, but it's such a testament to the rest of Brothers that a central mechanic can be this broken, yet the game is still superb. Brothers' relative ease softens the blow, but the vast majority of titles in this situation would be immediately relegated to a mediocre score and a short-lived legacy. Brothers has far exceeded that fate. With regard to improvements in this version, I'm not sure there are many. If memory serves correctly, I believe this re-release has a deeper palette of hues. Everything seems richer in color which enhances the experience. More notably, the Xbox One and PS4 re-release includes director's commentary, the soundtrack, and a gallery of concept art. Inessentials, but a nice addition for some people. [embed]305002:59971:0[/embed] The rub here is that nothing in the re-release is far and away better than the versions on legacy consoles or PC. That's sort of how it goes with games that launched later in the last-gen life-cycle -- there's a fair parity across those versions. Brothers doesn't feel like a game you need to play on current consoles. This investment is better reserved for those who missed it the first time 'round, or those who have a burning desire to shell out extra money in hopes that it encourages more titles like this to be made. For more in-depth analysis of Brothers - A Tale of Two Sons, read my review from the summer of 2013. If you need help with the game's Achievements or Trophies, check out my guide.
Brothers impressions photo
Impressions of the re-release
I may not have picked it up in two years, but I still remember every second of Brothers - A Tale of Two Sons. It's just that kind of game. It leaves you in a more fragile mindset than when you started. I don't care if that so...

Heroes new map/Monk photo
Heroes new map/Monk

Quick thoughts on Heroes of the Storm's Monk and new Infernal Shrines level

Currently on PTR
Aug 11
// Chris Carter
Blizzard has unleashed a host of new changes onto the public test realm (PTR) for Heroes of the Storm, including a new character (Kharazim the Monk) and a new map (Infernal Shrines). I had a chance to take them both for a spi...

Panic! Dark Souls III is so easy I didn't die by the boss once

Aug 05 // Steven Hansen
[embed]297197:59811:0[/embed] Site Souls-expert Chris Carter reckons this slice of Dark Souls III was about five hours into the game, so it's no first boss gimme that I took down casually and without a sweat. Also, henceforth, I am Destructoid's resident Souls expert. Chris was the first to beat the boss out of everyone (I came in a close second), but not even he managed to do it first try and so he is usurped. In fact, I almost made it all the way to the boss without dying until I got stuck investigating a corner and some malnourished dogs attacked me. My attacks got caught on the shelves and wall on either side, interrupting the animation, and I was pinned. Streak nixed, I explored a bit more, fought a black tendril-y roof monster, and so on. My natural investigative nature is probably the only reason Chris beat me to the boss, if you think about it. Even to a handsome newbie like myself, Dark Souls III was instantly familiar. Despite matching Bloodborne's speed, it doesn't have that same novelty learning curve that came with playing sans shield, with a giant transforming axe scythe thing and a gun. The big new addition, Weapon Arts, are activated by holding L2 and then doing attacks for alternate strikes, but I never put them into play during combat. The skill went from unlimited to a cap of 20, refueled at bonfires, which should help undercut my joking fear mongering regarding the difficulty level of the game. All of this could change and likely will. We were shown a stage and system that feels completely final (art, animation, etc.) save for the most important thing: balance and tuning to feel. [Disclosure: Bandai Namco provided local travel to the event, as well as dinner.]
Dank souls photo
Hands-on preview
When I wrote about why Souls games are not that hard earlier this year, I told you all that I was neither expert (under 30 series hours total) nor savant (not skilled at anything). And yet, this lumbering galoot, after quite ...

Dark Souls III wears its Bloodborne influences on its sleeve

Aug 05 // Chris Carter
Our demo started out in an era called the "Wall of Lodeleth," which to me, looks like a mix between the Undead Burg and Boletarian Palace. The layout was fairly linear, but offered up a ton of surprises like the standard "dragon guarding loot" offshoot, and a mini-boss of sorts. Lodeleth was multi-tiered, and featured a number of side rooms accessed by way of ladders, as well as some rooftop shenanigans. It was par for the course, but still felt right. Combat as a whole is quicker, which is likely a direct response to Bloodborne changing the game. Rolls and dodges are faster, and enemies as a whole feel faster, too. It's not quite "fighting game" fast, but it's a comfortable medium between Souls and Bloodborne, which I'm more than okay with. One big addition is "Battle Arts," which are basically super moves triggered by different equipment combinations. "Not all shields parry now," I was told by Bandai Namco producer Brandon Williams, and you can see that distinction by way of an icon on the item itself in the lower-left equipment corner. A shield icon denotes a defensive action, and a sword icon is more aggressive. In this instance, it allowed my axe to power up for a short period, granting me a damage boon, which was depicted by a glowing aura on my weapon. In essence, it's a more "on-demand" spell system for folks who prefer direct combat -- I say bring it on. My personal style for Souls games involves using the shield as blocking insurance, but not necessarily for parrying, so I'm all for this change. As a note, these are limited-use abilities, and will recharge at a bonfire much like flasks. As I made my way through the demo, I eventually encountered the only boss, the Dancer of the Frigid Valley (1:45 in the trailer). Based on my experience, it was very similar to Bloodborne's Vicar Amelia fight -- for the most part attacks are easy to dodge, but if you get caught up, you're going to get punished, and possibly one-shotted. The boss also sports a flaming sword, which produces chip damage even if you block, forcing you to be more aggressive. It was a standard but fun fight. [embed]296887:59812:0[/embed] One problem area I noticed during my hands-on session however was the frame rate. There was often times a lot of enemies on-screen, but it chugged on all of those occasions. Bloodborne was 30fps as well, but it's high-time that the series moved on without needing a re-release to bring us into higher territory -- Scholar of the First Sin is incredibly smooth at 60fps. For reference, the build we played with seemed to be PC-based, using an Xbox One controller. Another sort of more personal issue I had was the fact that it felt a little too samey. As I mentioned above, Lodeleth felt like an amalgamation of existing areas in past Souls games. Even something like Huntsman's Copse in Dark Souls II, which is for all intents and purposes a "forest area" that had been done before, felt like something completely different. Bloodborne was a breath of fresh air, providing a unique perspective with a harrowing blight and a darker tone in general. With Dark Souls III, I'm distinctly getting the feeling of "more Souls," which for the most part is a good thing, but did wear on me a bit even during my brief time with the game. It took me roughly 30 minutes to make my way through the demo area and defeat the Dancer -- of which I was the first in the group to do (though Steven beat the boss in one shot!). At the end of it all, amidst the claps from my colleagues and the Namco Bandai reps, I felt that sense of accomplishment that I've felt since downing the Phalanx boss in Demon's Souls. I think Dark Souls III will be fine. [Disclosure: Bandai Namco provided travel to the event, as well as dinner.]
Dark Souls III preview photo
I also see a few problem areas
It's crazy to think that we're on the verge of yet another Souls game right after Bloodborne and Scholar of the First Sin. From Software doesn't seem to rest, and as soon as the studio has wrapped up one project, it's on...

Heroes of the Storm's Leoric is another unique addition to the entire MOBA genre

Jul 21 // Chris Carter
Leroic's Q is a simple bash called Skeletal Swing, and would be extremely boring if it didn't do double damage to minions and cause a slow. Because of this, it has a lot of utility in terms of clearing waves and chasing or escaping. It also has a much longer range than I thought it would with a giant modified cone (you can spec it to reach even more distance!), and can go through gates/walls. Not to mention the fact that it's perfect for clearing out smaller creeps in the mines and garden. Drain Hope (W) is a bolt of sorts that allows him to heal, which helps his viability as a warrior class and adds some range to his kit. It only works on heroes, just like Thrall's wolves, so he can't just heal himself in any circumstance -- plus, he needs to maintain a specific distance to channel. Wraith Walk (E) is a really cool teleport, which lets Leoric become unstoppable for a few seconds and phase shift a short distance. He's much more mobile than a lot of other heroes because of this, but his body is vulnerable while he uses it. As you can see, most of his abilities can be countered. In terms of his Heroics, Entomb is a good way in theory to guarantee a single enemy death (it literally causes an impassable tomb to appear), but after extensive testing, I'm going to say that it's just straight-up not very good. It's a little tougher to aim than Butcher's Lamb to the Slaughter, and it's easily countered with a quick Bolt of the Storm or any teleport right towards the open side. His other Heroic, March of the Black King, is likely going to be the top pick by most people. In essence, Leoric whacks everything in front of him in rapid succession, which causes him to heal while he's at it. It's an amazing initiation, as most enemies will likely have to run away from its fairly big area of effect, lest they allow him to heal. [embed]296386:59624:0[/embed] Ok, so it's a fairly easy-to-grasp kit, but his trait is really where he shines -- even when he's KOed, he doesn't technically "die," and can still persist on the battlefield as a wraith. He doesn't do direct damage, but he can use his abilities to reduce his death timer, and return to the board wherever you happen to leave his ghost. Because of this, Leoric has 100% uptime. Now, rising from the dead isn't a completely new MOBA concept -- it isn't even new to Heroes (Uther) -- but since the entire character is built around it and he can do it at level one, it makes for some very interesting gameplay. I love how a lot of his traits are built to work for both variants, and you can even hearth back to base while "dead." It obviously works best with specific objectives, like the Dragon Shire shrines, where you can come right back while the enemy is low on health. Since you can clearly see his ghost as an enemy, it's easy to plan for his resurrection, but the vision his death form grants is a huge factor. When I played the Butcher the day he debuted, I could tell he was fairly balanced with only 10 or so games under my belt. He has a pretty straightforward role, and there are a multitude of counters you can use against him so long as the enemy team is working together. With Leoric, it's much harder to tell where he fits in the current meta, and whether he will need buff or nerf tweaks long term. He's not particularly bursty until later levels and his deaths do grant full kill bonuses for the enemy team, so I can see a lot of players being reckless at low-level play to balance him out in Quick Match. Additionally, he's slow in general, doesn't quite feel as sturdy as some other dedicated tanks, and all his cooldowns take a while to recharge. Right now, I'm fairly happy with where Leoric is at, but again, it's too early to tell what plans Blizzard has for him and if he'll end up being a viable hero in the future. We'll have to keep a close eye on his win rates.
Heroes of the Storm photo
What is dead may never die
Today, Blizzard dropped Leoric the Skeleton King, the newest addition to Heroes of the Storm. He's a melee Warrior with one very intriguing trait, and has a heavy amount of lore to draw upon from the Diablo series. In short, he's a perfect candidate for the game, and Blizzard has been on a roll since debuting Kael'Thas, Johanna, and Butcher respectively.

Omni Plus Beanbag photo
Omni Plus Beanbag

Our butts and backs tested the Omni Plus beanbag

With improved model photos!
Jul 18
// Mike Cosimano
Unless you're one of those lunatics with a standing desk, you likely play a lot of video games sitting down. And whether you're a writer with a looming review deadline, a recently single game enthusiast, or a bored teenager, ...

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