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One Piece Burning Blood photo
One Piece Burning Blood

One Piece Burning Blood announced for PS4 and PS Vita

Yo-ho-ho he took a bite of gum-gum
Sep 15
// Joe Parlock
Bandai Namco has announced One Piece: Burning Blood at the Sony portion of the Tokyo Game Show for PS4 and PS Vita. It'll be developed by J-Stars Victory Vs. developer Chunsoft. The fighting game aims to make a recreation of ...
Gravity Daze photo
Gravity Daze

Gravity Daze is coming to the PS4 on December 10, with a sequel next year

Flying anime girls, cats, and apples!
Sep 15
// Joe Parlock
A PS4 port of the popular Vita game Gravity Daze (known in the West as Gravity Rush) has been announced at the Tokyo Game Show. The game appears to be all about total freedom of movement, letting you fly all over the place with an Arkham-style combat. It’ll be released December 10 for the PS4. On top of that, Gravity Daze 2 will be released on 2016. 
Digimon World: Next Order photo
Digimon World: Next Order

Digimon World: Next Order has some new screenshots

How many Leomon will die this time?
Sep 11
// Joe Parlock
Dang, Digimon World: Next Order is looking really pretty. Bandai Namco has released a whole load of new screenshots for the upcoming (currently Japan-exclusive) Vita game. The screenshots show off the two lead protagonists an...
Criminal Girls 2 photo
Criminal Girls 2

Get a good look at what Criminal Girls 2 is about

NSFW probably
Sep 10
// Chris Carter
Curious about Criminal Girls 2? This newer trailer is a bit more lengthy than the previous entries, and provides quite a bit of gameplay footage. As you'd expect it's similar to the original entry, with plenty of RPG-like combat, and risque visuals and minigames. Criminal Girls 2 will launch on November 26 in Japan on Vita.
Suge Knight? photo
Suge Knight?

Free Shovel Knight expansion out September 17

To all platforms and regions
Sep 09
// Steven Hansen
Yacht Club Games just announced Shovel Knight: Plague of Shadows is coming to, "all existing platforms and regions on September 17, 2015." The free expansion is a completely remixed story mode starring Plague Knight and featu...
Compression photo

20 years of PlayStation in 15 feverish seconds

Sep 09
// Steven Hansen
I agree that 20 years of PlayStation in 20 seconds would've been more apropos, but, hey, I don't run the PlayStation Twitter account. And for good reason. It would just be full of tweets like this. Or like this. And no one wants that (clearly). Anyways, here's that thing I was talking about earlier.  
PSN sale photo
PSN sale

PlayStation Network kicks off anniversary sale

It's here for one week
Sep 08
// Jordan Devore
Sony is running a 20th anniversary sale on PlayStation Network and you probably aren't interested in the reason for the event so much as the deals themselves. You can find them here. There are discounts on more than 100 PSP, ...

Crazy racer has you drive multiple cars at once

Sep 06 // Kyle MacGregor
It's controlled chaos, though. Luckily, you need only take control of one vehicle at a time. However, in what might be one of the better "it's a feature" excuses yet, the computer in this game is as dumb as a post. AI-controlled cars (both yours and your opponents') are largely incompetent. This requires players to hop from one track to the next, either taking the lead or putting the computer in a position to do so before moving on to the next track. The challenge is more about management and strategy, rather than pure driving skill. And given there can be up to six tracks on any raceway, all of which sport differing speeds, steering your team to victory can be quite a handful. While Drive!Drive!Drive! is still somewhat early in development, it can be a  pretty rough ride. During my time in the driver's seat last week in Seattle, I discovered the title doesn't handle anywhere near as well as, well, any mainstream racers I've had the pleasure of playing in recent years. [embed]309532:60259:0[/embed] Midwood was the first to admit the experience could use some fine tuning, as sharp turns often resulted in messy pile-ups and ramps can send your vehicle flying onto another track with no means of returning to the correct one. But there's still time to fix mechanical issues and tighten up the controls, especially since the concept and aesthetics are already so attractive. The visuals are minimalist, but the pastel color palette and otherworldly track layouts more than make up for some technically unimpressive graphics. The trippy vibe is also enhanced by a trippy soundtrack, courtesy of synth artist Zombi, giving the game a distinctive look and feel. On top of that, there's a track creator, which should give the experience some legs, allowing players to build and share their own designs with the community, should one ever form around the game.  Drive!Drive!Drive! is targeting a 2016 launch on PlayStation 4, Vita, PC, and maybe more systems.
Drive!Drive!Drive! photo
On your marks, get set, go, go, go!
Game designers rarely go off-road when creating racing games and eschew lesser-traveled paths in favor of more established, familiar routes. Not Gordon Midwood, though; the one lone developer at indie studio Different Cloth i...

Meddle in the affairs of others, control their minds in Randall

Sep 02 // Brett Makedonski
[embed]308786:60224:0[/embed] Randall (releasing on PC, PS4, and Vita) takes place in a world where everyone's been brainwashed by the authoritarian powers that be. A corporation has the citizens under its control, but the populace is completely unaware of the oppression at hand. We The Force wasn't willing to go too far into the story, but hinted at a "bigger things are at play" angle. One person is acutely aware of the oppression, however. That's the titular Randall. In a "taste of your own medicine" type of twist, he's trying to take down this faceless juggernaut through the use of mind control. It's this mechanic that takes Randall from an action-platformer and injects a puzzle element into it too. Rooms will often have a throng of enemies in them that need to be cleared out in a particular order. A rudimentary example was an area with one foe on the ground and two on platforms above who could shoot projectiles. Those platforms were unreachable from the floor, but if you controlled the bottom enemy, you could jump off of him and up to the top. Order of operations is important to figure out. It was obvious in that instance what needed to be done, but later encounters surely won't be as telegraphed. Most of these guys won't just allow themselves to get taken over, though. They require a quick beat-down. This comes in the form of simple button-pressed combos. We were shown an earlier level, but there was a definite sense that tactics would have to be switched up as the game progresses. That's only half the battle. Studio head Cesar Ramirez Molina told us that the developer's aiming for about a 50/50 split on combat and platforming. The platforming aspect isn't as intuitive as it could be, and it took several deaths before I got the hang of it. There's likely a better learning curve and teaching process in the full game than in the quick slice I played. Fortunately, Randall checkpoints graciously and there wasn't too much lost progress. There's promise in Randall, but there's more promise in what Randall represents. We The Force Studios is one of the few video game developers in Mexico. Currently, the scene is dominated by software and web developers. It's a much safer prospect to follow the established market than to risk your family's security pursuing what no one else is. That's why We The Force was doing web development up until it made the bold decision that it wanted a legacy. That's why the team started creating games. Randall is its first project, and Molina lamented what a tough transition it has been. He spoke about how challenging it is to make a decision about gameplay and then have to do all the research to figure out exactly how to implement it. Seasoned developers already know the technical side, but Molina and his crew have learned most of it on-the-fly. Randall is projected for a release sometime in 2016. It's a loose window, but it needs to be considering that the studio's inexperience possibly makes it more subject to delays than others. Regardless of when it launches and how it turns out, it's admirable that We The Force went out on a limb to pursue a dream while sacrificing safety. Just like its protagonist, these developers are going against the grain and chasing what they believe in.
Randall preview photo
Freedom fighter
Clerks has a scene where Randal Graves, an irresponsible and indifferent video store employee, tells a customer that he finds it best to stay out of other people's affairs. The laissez-faire approach isn't a noble a...

Shutshimi photo

Shutshimi: Seriously Swole coming soon to Wii U

Choice Provision's great goldfish shmup
Sep 01
// Alessandro Fillari
Just last week, we were graced with the release of Shutshimi: Seriously Swole on PC, PS4 and Vita. In this bizarre tribute to classic shooters, players take control of a team of gun-toting goldfish with memory issues as they ...
Dead or Alive fan vote photo
Dead or Alive fan vote

Dead or Alive Xtreme 3's smallest chested volleyballer leads polls

Looks like all the youngest leading
Sep 01
// Steven Hansen
Dead or Alive Xtreme 3, which may come west and will feature women in bikinis playing volleyball on the beach, is filling out its swimsuit roster by way of fan vote. And, perhaps surprisingly, fans of the series known for its...
TGS 2015 photo
TGS 2015

Sony announces Tokyo Game Show PS4 and Vita lineup

Two more weeks
Sep 01
// Steven Hansen
Wow, just a few more weeks until I'm eating curry twice a day and peeing in sexy anime nurse urinals. Also, playing video games over at the Tokyo Game Show (September 17-20). This list is likely missing some super secret game...
Blue PS Vita photo
Blue PS Vita

The US is getting a blue PlayStation Vita

Only at GameStop
Sep 01
// Jordan Devore
After following a link to this aqua blue PlayStation Vita, I had to double check the time stamp -- what year is it? Oh, 2015. It is new. I'm as surprised as you are to see Sony acknowledge the handheld. It's a GameStop exclusive in the United States releasing this November. It'll be $199.99.
X-COM photo

ESRB rates X-COM: Enemy Unknown Plus for Vita

Aug 31
// Chris Carter
An ESRB rating has popped up for X-COM: Enemy Unknown Plus, which is being listed as a Mature game for the PlayStation Vita. It's important to note that the listing is for "Unknown," which is the base game, and not the "Withi...
Space Dave! photo
Space Dave!

Space Dave! adds eyeball blasting with a Galaga twist

Sorry Dave, I'm afraid I can't do that
Aug 30
// Jonathan Holmes
Woah Dave! was a pretty big success, though it's looking like the next title on the Dave! series won't be content to simply give us more of the same. While Dave's first adventure was heavily influenced by the 1983's Mario Br...
Odin Sphere photo
Odin Sphere

This Odin Sphere: Leifthrasir Japanese package looks amazing

A Vita pouch and a charm
Aug 28
// Chris Carter
Although it's only been announced for Japan so far, Amazon has a pre-order listing up for Odin Sphere package for 3,298 yen, and it looks great. In short, it comes with a PlayStation Vita pouch, lens cloth, and a materia...

Review: One Piece: Pirate Warriors 3

Aug 28 // Chris Carter
One Piece: Pirate Warriors 3 (PC, PS3, PS4 [reviewed], Vita)Developer: Omega ForcePublisher: Bandai Namco GamesRelease: August 25 2015MSRP: $59.99 Pirate Warriors 3 is a reboot of sorts (within the confines of the Pirate series that is), taking us all the way back to the beginning. Players will get a recap of Gold Roger the Pirate King, and how his death sparked the search for the great One Piece treasure, ushering in the Great Age of Pirates. After briefly showing us a Young Luffy, stoked by the fires of adventure, the game jumps 10 years into the future as our hero begins to gather his crew, starting with the ruffian Zoro. It's ambitious, starting over like this, but it's a great starting point for players who enjoy Warriors games, and have no prior knowledge of One Piece's narrative. You'll even get all caught up with the Dressrosa arc, the most recent bit of story (albeit with a different ending). With all that in mind, this is a very brief recap indeed, with entire arcs condensed to a single mission. In that way it spreads itself thin in many ways, not to mention the odd design choice of starting all over on the third game in the series. Battles still follow the same Warriors beat 'em up formula you know and love, with light and heavy attacks that can be chained into combos. What's crazy this time around though is the introduction of the Kizuna system, which lends itself well to One Piece's insane over-the-top style. Here, you'll be able to call out teammates for attacks on a constant basis, as well as unleash gigantic supers with multiple crew members, culminating in an explosion that usually kills hundreds of people at once. It's a mixed bag though, because while said explosions look really cool, they're ultimately all the same despite what crew members you have in the mix. So while it's entertaining for the first 100 times, it loses its luster eventually. Also, the regular Kizuna attacks are a bit clunky, as there's a half second delay for your party members to jump in and do their thing. It's not a huge deal, but it definitely could have been handled better. [embed]308138:60166:0[/embed] As for the rest of the combat mechanics, they're rather on point, and as usual, I like to make the point that the system is much deeper than the "button mashing" scheme non-fans accuse the Warriors series of. For instance, Luffy, your first playable character, starts with 14 combos, all of which have a purpose when you're playing on higher difficulty levels. Plus with nearly 40 playable characters in all, the amount of variety on offer is nothing to sneeze at. You'll want to play on a higher difficulty too, because without it, the actual story scenarios will likely start to wear on you. Without a local partner to play with enemies tend to blend together throughout stages, and despite the mixing up of themes (military, rural), they all function basically in the same manner, with the same types of weapons. The dialogue is also poorly written at times, and doesn't do a great job of drawing you into the world beyond the out-of-mission cutscenes. But hot damn, is that world beautiful on PS4. The only time I ever saw a framerate hit was when Kizuna moves were being done in local co-op, but other than that, it's silky smooth. No matter how many enemies are on-screen the game is relatively stable, and it's easy to dash around an entire map and lay waste to hundreds of enemies at a time. While the mission objectives aren't innovative in any way, they nailed the hectic feel of the anime. The story follows the typical Warriors format of roughly 15 hours of gameplay, with 50 or more to try to max out every character. Of course, there's more modes available, including free play, and "Dream" mode, which is basically a remixed version of the story. The latter sees you jumping from island to island, fighting off enemies in unique scenarios and gaining new characters and bonuses in the process. As a note, online play is only available for story mode, but local co-op is enabled for every game type. One Piece: Pirate Warriors 3, from a gameplay standpoint, is simply "more Pirate Warriors 2." It doesn't really do anything new outside of the slightly different Kizuna system, and veterans will likely favor the Dream mode instead of the retreading story. Despite its Frankenstein-esque shortcomings, Pirate Warriors 3 is a beautiful game, and still a lot of fun to play locally. [This review is based on a retail build of the game provided by the publisher.]
One Piece review photo
From Straw Hat to Dressrosa
I haven't kept entirely up to date with One Piece, but I do read the summaries, and have caught most of the earlier arcs. It's a daunting task (the series has been running since 1997) in terms of the anime, and there's lots o...

Review: Danganronpa Another Episode: Ultra Despair Girls

Aug 28 // Laura Kate Dale
Danganronpa Another Episode: Ultra Despair Girls (PS Vita)Developer: Spike ChunsoftPublisher: NIS AmericaReleased: September 1 (North America), September 4 (Europe)MSRP: $39.99 So, let's start with where Ultra Despair Girls departs from the previous Danganronpa games on Vita. Instead of investigating crimes scenes for clues, the bulk of your gameplay time in Ultra Despair Girls will be spent as Komaru Naegi shooting robot Monokuma bears with a techno-megaphone. The megaphone, which apparently acts as a "hacking gun," shoots lines of "code bullets" to effect the robots you come into contact with. Break Bullets act as standard damage dealers, but your gun also has less typical ammo types, such as Dance Bullets that cause enemies to stop on the spot and dance, allowing you to put distance between them and yourself. Much of the core gameplay loop feels like you're playing a zombie-themed third-person shooter. Enemies tend to be slow and rambling, take time to kill, and deal large amounts of damage if they reach you. While this is fine in theory, claustrophobic environments, an overly close camera, and numerous invisible walls make this core gameplay at times more frustrating than it needs to be. The idea of a code gun shooting robotic enemies is cool, but the gameplay hiccups -- as well as the infrequency of acquiring interesting new code bullet types -- meant I rarely got excited. Oh, there's also a melee sword combat-focused playable character, but their use is limited by a meter. That's a real shame, because a second gameplay style available to switch to at any time might have helped keep the mechanics from becoming stale this fast. So, does the narrative save Ultra Despair Girls from death at the hands of one of Monokuma's elaborate devices? Well, yes and no. It rescues the game from death, but still gives it a mild case of public torture. [embed]307925:60156:0[/embed] In Ultra Despair Girls, we find ourselves in a city overtaken by murderous young children bent on seeing adults torn to shreds. This gang of prepubescent killers, the Warriors of Hope, have amassed an army of youngsters to control robots that are utilised to kill from safety. Playing as the younger sister of the first game's protagonist, who has conveniently been locked away in her apartment for a year and not noticed that the world has gone to shit around her, you escape with the series running split-personality serial killer and attempt to take back control of the city. Thanks to the shift in narrative focus from confined drama to city-sprawling mission, there's a lower frequency of plot twists than in previous entries. The twists and turns in the narrative are among the strongest in the series, but they feel padded further apart. The cast of characters introduced in Ultra Despair Girls are just as over the top, memorable, and well-written as any characters introduced to date in the series, which is one of the areas the game continues to shine. General moment-to-moment dialogue and character interactions are superb and were the driving force that kept me invested through to the end. The biggest problem: narrative pacing. The game felt like it was probably five or six hours too long. It's worth noting that both the enemy designs and narrative in Ultra Despair Girls are some of the darkest, creepiest, most unsettling to date, and that says a lot for this particular series. From horrible mutated creatures to themes I would hesitate to subject adult characters to let alone children, the game gets pretty unnerving in places. That's not a complaint by any means -- Ultra Despair Girls pulls it off perfectly. Ultimately, Danganronpa Another Episode: Ultra Despair Girls just didn't click for me the same way previous games did. Sure the narrative still has some strong moments, but it's punctuated with third-person shooter gameplay that doesn't enhance my engagement with the narrative the same way the first two visual novels did. If you're a series fan, there's a good, text-heavy, hands-off narrative to be explored here, but the gameplay sections really dragged it down for me. [This review is based on a retail build of the game provided by the publisher.]
Danganronpa review photo
Great story, odd gameplay loop
Danganronpa: Trigger Happy Havoc and Goodbye Despair have been some of my favourite Vita games in recent years. A pair of murder mystery visual novels, the games melded puzzle solving, courtroom drama, and murdered school kid...

Volgarr photo

Volgarr the Viking is now coming to Wii U and 3DS

Great game
Aug 26
// Chris Carter
Volgarr the Viking, released in 2013 on the PC and Xbox one, is one of my favorite platformers in years -- and it's set to hit the PS4, Vita, Wii U, and 3DS platforms in the near future. Developer Kris Durrschmidt recently sh...
Shovel Knight photo
Shovel Knight

Shovel Knight: Plague of Shadows looks wonderful

Free expansion coming soon
Aug 25
// Jordan Devore
Plague of Shadows looks like the perfect excuse to get back into Shovel Knight. It's a free expansion that remixes the game to tell an alternate story about the Plague Knight. Between his customizable bomb-based moveset and s...
Hyper Light Drifter photo
Hyper Light Drifter

Hyper Light Drifter now on track for spring 2016

Still looks superb
Aug 25
// Jordan Devore
Heart Machine has settled on a spring 2016 release for its lovely action-RPG Hyper Light Drifter. Windows and Mac versions will come first, then consoles "as quickly as possible." Certification for the latter takes extra time...
PSN sale photo
PSN sale

PlayStation Network sale stretches the meaning of 'retro'

Cheap PS4, PS3, and Vita games
Aug 25
// Steven Hansen
The PlayStation Network is having a sudden sale with deals of up to 90% off (with PlayStation Plus) games. This "Retro" sale includes classic titles like Beyond: Two Souls (2013) for $8 and OlliOlli 2: Welcome to Olliwood (20...
Tokyo Twilight Ghost photo
Tokyo Twilight Ghost

Tokyo Twilight Ghost Hunters is getting a major update

New episodes
Aug 25
// Chris Carter
Tokyo Twilight Ghost Hunters is a nice little adventure game, and it's about to get even nicer. Arc System Works has announced that it's bringing a major update over for every platform -- PS3, PS4, and Vita. The update is cal...
Vita photo

Sony Vita settlement emails going out, check yours!

That FTC suit
Aug 25
// Chris Carter
Remember that time Sony got in trouble with the FTC for false advertising in regards to the Vita? Well it settled sometime back, and offered up $25 in restitution or a selection of game bundles. After months of waiting, email...

Review: Nova-111

Aug 25 // Darren Nakamura
Nova-111 (Mac, PC [reviewed], PlayStation 3PlayStation 4, PlayStation Vita, Xbox One)Developer: Funktronic LabsPublisher: Funktronic LabsReleased: August 25, 2015 (Mac, PC, PS4)MSRP: $14.99Rig: AMD Phenom II X2 555 @ 3.2 GHz, with 4GB of RAM, ATI Radeon HD 5700, Windows 7 64-bit Conceptually, it's a little hard to wrap one's head around at first. Thankfully, Nova-111 eases players into the ideas a little at a time, introducing new mechanics throughout the six-hour campaign. Some science experiment has gone wrong and messed up time. Now it's all wonky (that's the technical term). Set on a square grid, each player movement counts as a single turn. For every turn taken, any enemies also get a turn. So far, it sounds pretty standard, but here's the wrinkle: some objects act in real time rather than being set to a schedule of turns. The first example are the stalactites. If the player bumps one from the side or travels underneath it, then it will begin to fall at a steady rate, whether the player (and enemies) are moving or not. It sets up a particularly satisfying scenario: get chased by an enemy, run under a stalactite, then stop dead and just watch as it crushes the pursuer. [embed]307759:60125:0[/embed] As it progresses, Nova-111 adds more and more combinations of real-time and turn-based gameplay. Some enemies' movement is turn-based, but when attacked set off a countdown timer before exploding. Some will grab the player and must be defeated quickly. Eventually, some enemies move in real time, independent of turns taken. It's a real brain bender at times. Just when I thought I had a good handle on the situation, taking things slowly and flawlessly taking out the dangerous aliens, I'd get thrown into a situation where I needed to react quickly and I'd fall apart. The combination of real-time and turn-based gameplay forces me to think differently than I ever have before. It takes two ideas I've known for years and turns them into something that feels totally new. Nova-111 doesn't stop with that basic idea. Through the course of the game's three main areas, new enemies, terrain, and mechanics are presented. There are doors, switches, sliding blocks, oil, teleporters, fire, stealthy bits, and more, each interacting with the weird time scheme in its own way. While tactical combat and puzzles are the main points, exploration also plays a role. The overarching goal is to collect the 111 scientists scattered across the game, most of whom are in fairly well-hidden locations. At first most of the secret areas are accessed by passing behind false walls, but the best are in plain sight but require solving a more taxing puzzle. The art design supports the exploration aspect well. At the beginning of a level, most of it is covered in a sort of fog of war. Any square in line of sight and within a certain range is uncovered, and the uncovering effect (and environments in general) look fantastic. I spent a lot of time in the early levels moving very slowly, just taking in the artwork as more of the world was revealed. The exploration aspect isn't all rosy. Individual levels are broken up into several smaller areas, but each area cannot be played independently. It isn't obvious which area a missing scientist may be in, so going back through old levels for 100% means replaying a lot unnecessarily and wasting a lot of time bumping into walls. The levels take between 20 and 30 minutes apiece, which is just too long for me to want to replay. I would have preferred if each bite-sized area were shown on the level select screen, with its completion statistics displayed. Those who aren't daunted by having to replay entire levels will enjoy the New Game+, which is essentially the same experience but with several cheats available to be toggled on or off. Where previously some care needed to be taken to conserve abilities, New Game+ allows players to go wild with them. Even though I don't see myself replaying Nova-111 for full completion any time soon, I liked what was here. It has a sharp look, some chuckle-silently-in-my-head comedy, and gameplay unlike anything else I have experienced. It forced me to think in a totally new way, which is increasingly uncommon with most established genres. [This review is based on a retail build of the game provided by the publisher.]
Nova-111 review photo
Champagne supernova
Genres and mechanics have names for a reason. When something comes up often enough, it's worth developing a shorthand and grouping things together that feel alike. In the past few years, mashing up genres has become the new i...

Grow Home photo
Grow Home

You love Grow Home so much that it's free on PS Plus next month

Other PS Plus titles revealed, too
Aug 24
// Brett Makedonski
Grow Home entered the PlayStation Plus Vote to Play contest and it climbed, climbed, climbed in the polls. It climbed higher than any others. It climbed so high that it has left the stratosphere of games that cost money...
Attack on Titan photo
Attack on Titan

New Attack on Titan PS4 game is lookin' good

A shade or ten prettier than the 3DS one
Aug 23
// Kyle MacGregor
No offense to Attack on Titan: Humanity in Chains, which I'm sure Spike Chunsoft put a lot of hard work into, but this is more like it. This is the sort of Shingeki no Kyojin game I've been waiting for. This time around ...
VVVVVV photo

One of 2010's best games is finally coming to PSN

VVVVVV jumps to PS4, Vita this Tuesday
Aug 23
// Kyle MacGregor
Terry Cavanagh's VVVVVV is coming to PlayStation 4 and PlayStation Vita this Tuesday. The indie platformer was one of my favorite games of 2010, largely thanks to brilliant level design that makes the most of simplistic mecha...
ATLUS photo

Persona 4: Dancing All Night launches in Europe this November

Not the worst delay, I suppose
Aug 22
// Kyle MacGregor
Persona 4: Dancing All Night is coming to Europe on November 6, NIS America has announced. As per usual (as far as Atlus goes), the PlayStation Vita-exclusive rhythm game's PAL version is launching a tad later than its North American counterpart, which debuts September 29.
PSN flash sale photo
PSN flash sale

This PlayStation Network flash sale isn't terribly tempting

Same old
Aug 21
// Jordan Devore
Another PlayStation Network flash sale, another weird-ass header picture. Yep, I'm still on Parasyte. I was way late to playing Telltale's The Walking Dead and The Wolf Among Us adventure series, and I'm sure some of you read...

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