hot  /  reviews  /  videos  /  cblogs  /  qposts

Adventure Games

King's Quest photo
King's Quest

King's Quest's second episode will be out 'soon'


Love this game
Aug 31
// Chris Carter
Back in July, the first episode for the new King's Quest series was released, and it was pretty fantastic. The second episode has been revealed as "Rubble Without a Cause," and will heavily feature the goblin horde. Rub...

Burly Men at Sea is such a delightful adventure

Aug 29 // Jordan Devore
[embed]308368:60185:0[/embed] I think I would've preferred to play with touch controls given the way movement flows, but using a mouse was fine. Burley Men at Sea is coming to Windows, Mac, and iOS, so we'll have that choice. The demo at PAX was only a hint, and I am intrigued. Toward the end, a whale swallows the bearded brothers, which one of them finds "really very discouraging." I helped them escape by finding and tugging on the creature's uvula, prompting a quick blowhole escape. It's real cute. There's promise of folklore creatures and I can't wait to see how they translate to this art style.
Hands-on preview photo
Scandinavian folklore
Strolling through the Indie Megabooth at PAX Prime, Burly Men at Sea stood out thanks to its clean, charming art direction. The adventure game has a small presence within the bustling independent area, but I sincerely hope ot...

Until Dawn photo
Until Dawn

Until Dawn's Twitch archive blocking was 'unintentional'


Working on a fix
Aug 28
// Chris Carter
It was odd, to say the least, to see Sony directly blocking Until Dawn archiving on Twitch, but according to the publisher, it was a mixup. I reached out to Sony, who responded with the following note: "We are currently ...

Review: Danganronpa Another Episode: Ultra Despair Girls

Aug 28 // Laura Kate Dale
Danganronpa Another Episode: Ultra Despair Girls (PS Vita)Developer: Spike ChunsoftPublisher: NIS AmericaReleased: September 1 (North America), September 4 (Europe)MSRP: $39.99 So, let's start with where Ultra Despair Girls departs from the previous Danganronpa games on Vita. Instead of investigating crimes scenes for clues, the bulk of your gameplay time in Ultra Despair Girls will be spent as Komaru Naegi shooting robot Monokuma bears with a techno-megaphone. The megaphone, which apparently acts as a "hacking gun," shoots lines of "code bullets" to effect the robots you come into contact with. Break Bullets act as standard damage dealers, but your gun also has less typical ammo types, such as Dance Bullets that cause enemies to stop on the spot and dance, allowing you to put distance between them and yourself. Much of the core gameplay loop feels like you're playing a zombie-themed third-person shooter. Enemies tend to be slow and rambling, take time to kill, and deal large amounts of damage if they reach you. While this is fine in theory, claustrophobic environments, an overly close camera, and numerous invisible walls make this core gameplay at times more frustrating than it needs to be. The idea of a code gun shooting robotic enemies is cool, but the gameplay hiccups -- as well as the infrequency of acquiring interesting new code bullet types -- meant I rarely got excited. Oh, there's also a melee sword combat-focused playable character, but their use is limited by a meter. That's a real shame, because a second gameplay style available to switch to at any time might have helped keep the mechanics from becoming stale this fast. So, does the narrative save Ultra Despair Girls from death at the hands of one of Monokuma's elaborate devices? Well, yes and no. It rescues the game from death, but still gives it a mild case of public torture. [embed]307925:60156:0[/embed] In Ultra Despair Girls, we find ourselves in a city overtaken by murderous young children bent on seeing adults torn to shreds. This gang of prepubescent killers, the Warriors of Hope, have amassed an army of youngsters to control robots that are utilised to kill from safety. Playing as the younger sister of the first game's protagonist, who has conveniently been locked away in her apartment for a year and not noticed that the world has gone to shit around her, you escape with the series running split-personality serial killer and attempt to take back control of the city. Thanks to the shift in narrative focus from confined drama to city-sprawling mission, there's a lower frequency of plot twists than in previous entries. The twists and turns in the narrative are among the strongest in the series, but they feel padded further apart. The cast of characters introduced in Ultra Despair Girls are just as over the top, memorable, and well-written as any characters introduced to date in the series, which is one of the areas the game continues to shine. General moment-to-moment dialogue and character interactions are superb and were the driving force that kept me invested through to the end. The biggest problem: narrative pacing. The game felt like it was probably five or six hours too long. It's worth noting that both the enemy designs and narrative in Ultra Despair Girls are some of the darkest, creepiest, most unsettling to date, and that says a lot for this particular series. From horrible mutated creatures to themes I would hesitate to subject adult characters to let alone children, the game gets pretty unnerving in places. That's not a complaint by any means -- Ultra Despair Girls pulls it off perfectly. Ultimately, Danganronpa Another Episode: Ultra Despair Girls just didn't click for me the same way previous games did. Sure the narrative still has some strong moments, but it's punctuated with third-person shooter gameplay that doesn't enhance my engagement with the narrative the same way the first two visual novels did. If you're a series fan, there's a good, text-heavy, hands-off narrative to be explored here, but the gameplay sections really dragged it down for me. [This review is based on a retail build of the game provided by the publisher.]
Danganronpa review photo
Great story, odd gameplay loop
Danganronpa: Trigger Happy Havoc and Goodbye Despair have been some of my favourite Vita games in recent years. A pair of murder mystery visual novels, the games melded puzzle solving, courtroom drama, and murdered school kid...


Forest of the Sleep photo
Forest of the Sleep

Proteus developer announces Forest of the Sleep


A game based on Russian fairytales
Aug 27
// Joe Parlock
Proteus developer Ed Key has announced his latest project. Apparently making one pretty game with Proteus wasn’t enough, and so he’s back with Forest of the Sleep. Forest of the Sleep is a collaboration betwe...
Minecraft Wii U photo
Minecraft Wii U

Minecraft: Story Mode headed to Wii U, too


It's something
Aug 26
// Jordan Devore
Telltale Games supporting Wii U? A Minecraft title on a Nintendo console? What's going on? The studio is bringing its upcoming Minecraft: Story Mode to Wii U this fall, according to The Verge. The episodic adventure series is...
Until Dawn photo
Until Dawn

Having trouble loading Until Dawn? You're not alone


PS4s are too scared to load it
Aug 26
// Vikki Blake
The PlayStation Network is preventing some early adopters of Until Dawn from playing the game.  According to reports on reddit, most gamers are able to download the game without incident, but on launch, they're info...
Tokyo Twilight Ghost photo
Tokyo Twilight Ghost

Tokyo Twilight Ghost Hunters is getting a major update


New episodes
Aug 25
// Chris Carter
Tokyo Twilight Ghost Hunters is a nice little adventure game, and it's about to get even nicer. Arc System Works has announced that it's bringing a major update over for every platform -- PS3, PS4, and Vita. The update is cal...

Review: Until Dawn

Aug 24 // Chris Carter
Until Dawn (PS4)Developer: Supermassive GamesPublisher: Sony Computer EntertainmentRelease Date: August 25, 2015MSRP: $59.99 [There will be no major spoilers in this review, but the video may contain minor event spoilers.] Our tale starts off a year before the main storyline with a prelude of sorts, in a cabin high up on an isolated Canadian mountaintop. A bunch of "teens" (I use that term lightly as they all look 30) have gathered for some weekend shenanigans, and of course, something goes awry, leading to the mysterious death of two sisters. A year later, the surviving members of the group decide to go back to the same location (I know, right?), bringing all sorts of emotional baggage with them. Most of you have probably seen this type of campy setup before, but this is exactly what Until Dawn is going for. Soon enough you'll start to see the action ratchet up a bit, as more of the mystery of the mountain is revealed, and a psycho killer shows up, creating some Saw-like situations -- real sick shit. You'll also start to learn a lot more about the characters' motivations, and their relationships with one another, which you can (minimally) influence by way of light choices. By "light," I mean typical Telltale options that don't really influence the game in any meaningful way. The main gimmick here is the "Butterfly Effect," which will branch out your personal story, complete with a butterfly icon explosion on-screen and a handy menu option that lets you view your past choices. It can range from something significant like whether or not you want to risk your life saving a friend, or what door you took in an abandoned building. When the butterflies pop up, it's basically Supermassive's way of saying "this character will remember that." Without spoiling anything, most choices don't matter until the end of the game, where character deaths start to happen more often. [embed]305560:59991:0[/embed] Outside of the choice mechanic that basically surmounts to moving an analog stick in the desired direction, there's lots of walking involved, coupled with QTEs for the action bits. It's unimaginative at times, especially in the shaky intro sections, as those long roads seems to be there mostly to pad the game. After all, there's only so many plain paths you can take in the woods before it gets boring. But after the two hours, more interesting locations start to pop up, which house interesting documents and more bits of lore for you to locate. This is where the game excels. Despite the above issues, I was inspired to play Until Dawn from start to finish in one setting. It was interesting enough where it kept me captivated throughout, and the game is exceptionally good at world-building. While I initially didn't care about the whole meta-narrative surrounding the mountain, I quickly changed my tune as I acquired more totem collectibles -- artifacts that each unlock a few seconds of a secret video that gives you a bit more background on the events of the game. Also, all the Resident Evil style letters and notes are all done very well. Where recent David Cage efforts fail for me is the over-emphasis on performances that end up wooden, and a terrible plot that begs to be taken seriously. Thankfully, while other elements of the game may not be all that riveting or new, Until Dawn dives in with both feet on the horror theme. Sure it's not an excuse for some campy performances, but you really know what you're getting here, and there's no bait and switch involved. The script is also occasionally funny, as are the performances from the (mostly) talented cast. I have to say, it's really weird seeing Brett Dalton as anything other than Grant Ward, but he's mostly enjoyable to watch. My general enjoyment of the core cast goes double for "The Analyst" sections of the game featuring the always delightful Peter Stormare. These portions are easily the best part of the experience, as a mysterious psychologist asks you series of questions (usually about your fears) in various interludes of sorts after each chapter concludes. It slowly gets darker and more twisted over time, and they really nail the tension here. So how long is the game? My playthrough took roughly seven hours, and you'll have the option to replay chapters individually to rectify past wrongs or try out new choices. There's also a few extras involved in the form of little video featurettes that you can probably watch on YouTube in a week. If you aren't keen on hunting for collectibles, you can try to change the ending into one you desire. Until Dawn knows exactly what it is, and doesn't pretend to be anything more. In that process it allows for some predictable plotlines, hammy acting, and lack of meaningful choices, but I'm glad that it exists, and every horror fan owes it to themselves to play it at some point -- especially at a price cut. [This review is based on a retail build of the game provided by the publisher.]
Until Dawn review photo
Spooky teen hell dream
I had a chance to play the first few chapters of Until Dawn recently, and it ended at the worst possible moment. Whereas the first hour or so is slowly setting the table for all of the craziness that is about to ensue, when e...

Witcher 3 photo
Witcher 3

Witcher 3 dev wants free DLC to be an industry standard


But it won't
Aug 20
// Brett Makedonski
CD Projekt Red released The Witcher 3: Wild Hunt in May, but it didn't stop offering content there. Over the course of three months, the developer continually put out free add-ons -- 16 in all. That's a trend that it'd l...
Nova-111 photo
Nova-111

What does time even mean anyway in Nova-111?


Find out for yourself very soon
Aug 20
// Brett Makedonski
Funktronic Labs' Nova-111 was the highlight of my BitSummit in 2014. It blends turn-based movement with real-time elements to make an action puzzler of sorts. All of this is to rescue 111 scientists. Just trust us -- it...
Goosebumps: The Game photo
Goosebumps: The Game

There's going to be a Goosebumps video game


That strange woman is very strange
Aug 19
// Vikki Blake
WayForward will be bringing the Goosebumps book series to life by way of an all-new, point-and-click adventure game, Goosebumps: The Game. "The walk home from school today is going to be a lot spookier than usual… Your sleepy neighborhood’s been overrun by monsters!" says the listing on the Xbox Store.
Weird Indies photo
Weird Indies

Only Jimi Hendrix can solve Jimi Hendrix's murder in The Jimi Hendrix Case


Help me Jimi, you're my only hope
Aug 19
// Laura Kate Dale
In a world where everyone is Jimi Hendrix, from the preacher giving a sermon in church to the baby in a stroller, the mother of that baby to the dead body in the alley, only Jimi Hendrix can save Jimi Hendrix from Jimi Hendri...
Borderlands screenshots photo
Borderlands screenshots

Tales from the Borderlands: Escape Plan Bravo screenshots, we got 'em


Is episode five out yet?
Aug 18
// Darren Nakamura
Wow wow wow. This episode was so good, guys. I don't think I've ever given a 10/10 to anything on Destructoid before. Y'all need to play this series. For those who would rather just look at some pretty pictures, I have those ...

Review: Tales from the Borderlands: Escape Plan Bravo

Aug 18 // Darren Nakamura
Tales from the Borderlands: Escape Plan Bravo (iOS, Mac, PC [reviewed], PlayStation 3, PlayStation 4, PlayStation Vita, Xbox 360, Xbox One)Developer: Telltale GamesPublisher: Telltale GamesReleased: August 18, 2015 (Mac, PC, PS3, PS4)MSRP: $4.99, $24.99 (Season Pass)Rig: AMD Phenom II X2 555 @ 3.2 GHz, with 4GB of RAM, ATI Radeon HD 5700, Windows 7 64-bit [Editor's note: there will be no major spoilers present for the episode reviewed here, but events in previous episodes may be discussed.] Things were looking bad for Fiona and Rhys at the end of the third episode. Sure, Gortys found her first upgrade and the path to the Vault of the Traveler became clearer, but newcomer Vallory had the group pretty well pinned under her thumb by the end. Complicating matters was the revelation that the final Gortys upgrade isn't even on Pandora; it's up on Hyperion's moon base Helios. For a series known for fast travel between exotic locations and featuring interstellar travel as part of its lore, it's easy to forget just how infrequently anybody takes a trip off Pandora. Usually, denizens of the wasteland are stuck there. And so the first act of this episode involves the non-negligible task of actually getting from Pandora to Helios. The group grows as August and Vallory's henchmen ride along to ensure Rhys and Fiona don't try anything funny and Scooter hops in as the on-board mechanic. It's a pretty motley crew, well deserving of the '80s rock credits sequence rocket launch montage. [embed]306135:60017:0[/embed] Telltale continues to demonstrate its comedic mastery with Tales from the Borderlands. One of the funniest parts comes from a totally visual gag within the launch montage. It elicited more laughs with no words than some comedy games do with thousands. The written jokes here are on point too. Each of the characters brings something different. Gortys remains a highlight through the whole ordeal, even if she has fewer lines than she did in the previous episode. Fiona's sarcasm hits just the right notes. Handsome Jack is about as likable as a murderous psychopath can be. The plan that comes together even allows players to act like total assholes without having to feel too bad about it. The trip to Helios also allows for one of the most bizarre scenes in recent memory. Without spoiling too much: it's a classic Telltale quick-time event action sequence, but it involves a horde of Hyperion accountants and a lot of mouth-made sound effects. It isn't all laughs. The series has had its serious moments in the past, but Escape Plan Bravo will cement Tales into the overall Borderlands lore. It is no longer a side story on Pandora. It feels like its own proper entry in the timeline, with real effects on the world Gearbox built. It's a stark contrast with Telltale's other current series Game of Thrones. While the events in that series are important to the Telltale-designed protagonists, they aren't important to anybody else in that world. Telltale's characters and story in Tales from the Borderlands are important to Borderlands as a whole. I have to imagine there is at least a modicum of trepidation when handing over a franchise to another developer, but if Gearbox had any fears that Telltale wouldn't do right by Borderlands, those fears would be unfounded. If anything, it feels like Gearbox needs to hire the Telltale writers to consult on Borderlands 3. Escape Plan Bravo solidifies Tales as a must-play series for those interested in the Borderlands universe. I cannot wait for the last episode, The Vault of the Traveler. There is so much to resolve: Vallory, Handsome Jack, Vaughn, Gortys, the masked man, Felix, the vault. I'm stressing out just thinking about it all. There isn't much more to say without spoiling the best episode of Tales from the Borderlands yet. I laughed. I cried. I haven't been able to say that about a Borderlands game since Tiny Tina's Assault on Dragon Keep, or about a Telltale game since the first season of The Walking Dead. [This review is based on a retail build of the game provided by the publisher.]
Borderlands review photo
Encore! Encore!
[Disclosure: Anthony Burch, who consulted on the story for Tales from the Borderlands, was previously employed at Destructoid. As always, no relationships, personal or professional, were factored into the review.] Tales ...

Telltale Borderlands photo
Telltale Borderlands

Tales from the Borderlands Episode 4 trailer blasts off


'I was wired ready!'
Aug 17
// Darren Nakamura
Tales from the Borderlands: Escape Plan Bravo hits this week, so as is its custom, Telltale has released a trailer to pump audiences up for it. In Catch a Ride we learned Gortys's second upgrade was somewhere up on Heli...

Turns out I'm still in love with Brothers - A Tale of Two Sons

Aug 13 // Brett Makedonski
Yet, the controls -- a scheme that's supposed to represent the bond between the siblings -- is as ineffective as ever. Again, I never got a consistent feel for how to operate the two in tandem. Everything would be fine for a moment until one veered into the wall, meaning I'd have to stop controlling one to focus on another and the whole harmony was ruined. I've felt this way the entire time, but it's such a testament to the rest of Brothers that a central mechanic can be this broken, yet the game is still superb. Brothers' relative ease softens the blow, but the vast majority of titles in this situation would be immediately relegated to a mediocre score and a short-lived legacy. Brothers has far exceeded that fate. With regard to improvements in this version, I'm not sure there are many. If memory serves correctly, I believe this re-release has a deeper palette of hues. Everything seems richer in color which enhances the experience. More notably, the Xbox One and PS4 re-release includes director's commentary, the soundtrack, and a gallery of concept art. Inessentials, but a nice addition for some people. [embed]305002:59971:0[/embed] The rub here is that nothing in the re-release is far and away better than the versions on legacy consoles or PC. That's sort of how it goes with games that launched later in the last-gen life-cycle -- there's a fair parity across those versions. Brothers doesn't feel like a game you need to play on current consoles. This investment is better reserved for those who missed it the first time 'round, or those who have a burning desire to shell out extra money in hopes that it encourages more titles like this to be made. For more in-depth analysis of Brothers - A Tale of Two Sons, read my review from the summer of 2013. If you need help with the game's Achievements or Trophies, check out my guide.
Brothers impressions photo
Impressions of the re-release
I may not have picked it up in two years, but I still remember every second of Brothers - A Tale of Two Sons. It's just that kind of game. It leaves you in a more fragile mindset than when you started. I don't care if that so...

Brothers photo
Brothers

Did you know the Brothers - A Tale of Two Sons kids have names?


Also, the game re-released today
Aug 12
// Brett Makedonski
It's been two years since I've played through Brothers - A Tale of Two Sons, but that's going to change tonight. The game just re-released on Xbox One and PS4. I bet I find it just as emotionally evocative and generally fanta...
Telltale Borderlands photo
Telltale Borderlands

Tales from the Borderlands Episode 4 out next week


Have some screenshots
Aug 12
// Darren Nakamura
From the announcement of the "crowd-play" event at PAX Prime, we knew Tales from the Borderlands: Escape Plan Bravo was imminent. I figured the event attendees would have advance knowledge and the rest of us would get it the ...
Everybody sprints photo
Everybody sprints

Pro tip: You can sprint in Everybody's Gone to the Rapture


Hold down R2 for a bit
Aug 11
// Jordan Devore
I haven't started Everybody's Gone to the Rapture yet, but if I had, I'd probably be among the people wondering why such an exploration-heavy game doesn't let players sprint. It does, though -- hold down R2 for a few seconds ...
gamescom trailer photo
gamescom trailer

Soul Axiom is looking good and weird


Hey Soul Axiom...
Aug 10
// Steven Hansen
While I've known Soul Axiom to be a distinct game, the mix of games with Souls in the name and Axiom Verge this year has muddled my brain up. Soul Axiom is looking like it will muddle my brain up, too, from this surreal trai...
Stasis photo
Stasis

Stasis shows sci-fi horror from a different perspective


Isometric adventure game releasing soon
Aug 10
// Jordan Devore
More sci-fi horror games? Sign us up. This one, Stasis, was made possible thanks to crowdfunding. It's an isometric point-and-click adventure game with shades of Event Horizon (cue mental images of a sliced-up Sam Neill). Ahe...
Sons of Anarchy photo
Sons of Anarchy

What the hell happened to the episodic Sons of Anarchy game released back in January?


I did some digging
Aug 10
// Chris Carter
[Update: a representative from Silverback (who presumably saw this article) has responded. They note that "Silverback Games was hired as a consultant to assist with the creative and some of the technical foundation for t...
Ittle Dew photo
Ittle Dew

Ittle Dew 2 announced, unfortunately not spelled Ittle Dew Tew


That was too obvious, I guess
Aug 09
// Zack Furniss
If there has been a Zelda-shaped hole in your heart piece, Ludosity's Ittle Dew was a good way to fill the void. It was short, but the freedom to solve puzzles in different ways was a welcome change from the establi...
I like rusty spoons photo
I like rusty spoons

The first act of Salad Fingers point-and-click adventure game is out!


Where's May Gone
Aug 09
// Jed Whitaker
Remember Salad Fingers, the creepy online Flash cartoon by David Firth? Well an officially sanctioned point and click adventure game has been in the works for some time, having even been Steam greenlit. The first act is now ...
Telltale Borderlands PAX photo
Telltale Borderlands PAX

PAX Prime attendees able to 'crowd play' Tales from the Borderlands Episode 4


Potential hints about its release date
Aug 06
// Darren Nakamura
With just a little over three weeks to go, PAX Prime is almost upon us. The full schedule isn't available yet, but Telltale sent over a snippet including its plans at the sold out gathering. On Saturday, August 29, Telltale w...
Thimbleweed Park photo
Thimbleweed Park

Ron Gilbert's Thimbleweed Park coming to Xbox One, Windows 10


'Use balloon animal with corpse'
Aug 04
// Kyle MacGregor
Today at Microsoft's gamescom conference in Cologne, Germany, The Secret of Monkey Island creator Ron Gilbert took the stage to announce that his upcoming adventure game Thimbleweed Park would be coming to Xbox One and W...
Kentucky Route Zero photo
Kentucky Route Zero

Kentucky Route Zero Act 4 is 'not canceled'


Christmas in August
Aug 03
// Mike Cosimano
Kentucky Route Zero developer Cardboard Computer has taken to its Twitter account to address the existence of the forthcoming Act IV. The developer is adamant that the game has not been abandoned, even though no concrete rele...

Review: Submerged

Aug 03 // Jed Whitaker
Submerged (PC [reviewed], PlayStation 4, Xbox One)Developer: Uppercut Games Pty LtdPublisher: Uppercut Games Pty LtdRelease Date: August 4, 2015 (PC / PS4 NA), August 5, 2015 (PS4 EU), August 7, 2015 (Xbox One)MSRP: $19.99Rig: Intel Core i7-3930K @ 3.2 GHz, with 32GB of RAM, Nvidia GeForce GTX 980, Windows 10 64-bit An immobile young boy with a gash on his abdomen and a young girl arrive on a boat to what looks to be a very tall church surrounded by water and the peaks of skyscrapers; the girl spots a parachute on the top of a skyscraper in the distance and decides to investigate. Upon hopping back in the boat and making her way to the structure without issue she slowly climbs to the top and finds an emergency ration that conveniently has just what she needs to help her brother.  Instead of scaling back down the skyscraper a cutscene plays showing the girl arriving back at the church and standing over her brother applying bandages. She then takes a nap before waking up and spouting off some random thing she needs to find to help her brother recover from his ailment, and sets off to scale another skyscraper. This cycle happens nine more times over the course of around four hours before a very predictable ending as unceremonious as the beginning. Maneuvering the boat between the top most portions of skyscrapers through the glistening ocean underneath you as dolphins, whales, stingrays and other wildlife make themselves known is awe-inspiring at first; then you realize everything kind of looks the same. The main buildings where rations are located have their own unique architecture from afar, but when scaling up them they all seem rather similar. [embed]297002:59765:0[/embed] Driving the boat isn't exactly thrilling and at times can feel rather clunky especially when trying to fit through tight spaces and bouncing off surroundings. A boost button gives one a bit of extra speed at the cost of making it even harder to control, but it isn't that useful as the game is open and exploration of basically the entire world is necessary. A map and periscope are provided to make exploration a bit easier; the map fills itself in while exploring, and the periscope can be used to locate rations, drawings and boost upgrades. Any items spotted with the periscope are marked on the map for easy locating. These tools combined make finding most everything rather easy, though they aren't exactly hard to locate to begin with. Climbing up buildings is the other main activity in Submerged, and it couldn't be more dull. Close-up views of cement walls of the girl shimmying along randomly placed ledges just to climb up and find another ledge to shimmy and climb; it is one of the utmost boring gameplay mechanics in any game ever, and it makes up a majority of time spent in Submerged. Occasionally there will be a drain pipe to climb while enduring an extremely annoying clunk sound each time the character's hands hit it, as if she were holding stones in her palms; luckily a minute climb up a ladder on the side of a crane at one point is more bearable. There are branching paths while ascending buildings where 60 collectable drawings can be found that tell the story of how the city came to it's watery demise. Each building that houses a ration will have a few of drawings, mostly on their own little side paths that are easy to spot. If a drawing is passed while ascending and the ration box is located you'll have to make the call whether or not it would be worth it to backtrack, as grabbing the ration will take you back to your brother automatically and  you'll have to re-scale the building otherwise. Since there are no fast travel points and the ration boxes can't be reused to go back to your brother it leads to tedious backtracking no matter which option is chosen, there just may be more or less of a trek.  The rest of the city story drawings can be spotted in small buildings tucked around the city. These small buildings are nearly identical to each other and just require climbing up one or two easy to spot ledges to get to drawings, and have clearly been used as an excuse to extend the length of a still short game.  Overall collecting all the drawings easily took more time than gathering all ten rations, and those who don't care about the story of the city will surely be able to complete the game in around two hours or less. I personally collected all the drawings and I still don't know exactly what happened to the city; the drawings equate to colorful cave paintings and leave a lot to interpretation. In hindsight, I'd recommend not fretting too much about collecting them at all. The main story is also told through similar drawings displayed with no real contextual in-game reason after collecting rations and going back to your brother. What little story here is so predictable and trope-ridden that it was hard to care about; a troubled family with an alcoholic adult and a protective older sister. I'm all for playing as a female character, but a girl in a post-apocalyptic world whose only trait is that she takes care of her younger male sibling just isn't interesting or original. The story has been done a million times over, and really the only thing original Submerged has going for it is the setting.  Within under ten minutes time you'll have experienced all the game has to offer; boring boating, equally dull scaling of buildings and peering out a periscope to find the next white and green building to climb. There is no failstate, no urgency, no combat, just moving from point to point and monotonously collecting shit. The story isn't interesting, the gameplay is boring, everything looks the same aside from a few landmarks, and the whole ordeal is over in no time. You're better off saving your money instead of sinking it on the titanic failure that is Submerged. [This review is based on a retail build of the game provided by the developer.]
Submerged review photo
Drowning in monotony
Sometimes games take concepts from other popular titles and combine them into a beautiful mix -- this is not one of those games.  Was boating your favorite part of The Legend of Zelda: The Wind Waker? Do you play Unchart...

Web games photo
Web games

There is no Game is a captivating, uh, not-game


So long, fourth wall!
Jul 29
// Jordan Devore
"Save the goat. Save the world." The less you know about There is no Game, the better. Click away! [Via Dennis Wedin]

Auto-loading more stories ... un momento, corazón ...