hot  /  reviews  /  video  /  blogs  /  forum

top stories

Star Ocean photo
SO5 producer on how new game came to be
During an interview with Destructoid today, Star Ocean: Integrity and Faithlessness producer Shuichi Kobayashi intimated the series was in a state of upheaval after the launch of Star Ocean 4. Kobayashi told me "nobody would ...

Talking Kingdom Hearts III (and a bit of Final Fantasy VII!) with Tetsuya Nomura

Jun 16 // Zack Furniss
[embed]294205:59114:0[/embed] Mr. Nomura, I see that Sora is dressed in new duds. With your history of costume design, are we going to see changing outfits to go with form changes like in Kingdom Hearts II? Yes. Form changes are being considered to bring back. I have enjoyed making different designs for different abilities in the past. What is the process like when deciding which Disney levels are going to be in the game? Does Disney often intervene to make sure you're utilizing certain properties? Disney sometimes does make suggestions, but the development staff has more sway over worlds and gameplay mechanics. When KH began, Disney was a large pool to pool from, but now with the additions of the Star Wars and Marvel properties, it is goddamn huge. Has this made it difficult to parse between which franchises you would like to insert into the ever-expanding universe? The fact that we have to pick, and the difficulty associated with that, is something we have faced with each installment since the beginning. We pick more IPs than necessary and consult the schedule and feasibility of actually getting our designs to work. It’s been a repeating process. How much would I have to pay you to draw a small portrait of me in your signature aesthetic? I do some work outside of my current projects. The tasks come and I do them without knowledge of how much money I will make. If I ever decide to leave Square Enix, I will determine a price! (I pull out my wallet and start taking out whole dollars. Tetsuya lets out an adorable giggle and shows a big, goofy [ha!] smile.) With Final Fantasy VII being remade, are you more excited to finally remake this, or nervous because of the years of players' built-up expectations? When I create anything, I feel no pressure for some reason. When the trailer was announced yesterday, I was texting Kazushige Nojima and Yoshinori Kitase, but I sensed that one of them was nervous and it was interesting to me. Seeing the reactions made everything worth it. Nojima said he is very determined to make this after seeing the reaction. I asked “you weren’t sure before that?” Haha. The news of the remake is impacting so many people. I couldn’t sleep last night because my phone was blowing up! So many people are congratulating me that I feel like “Oh wow, maybe I did do something profound here!
Tetsuya Nomura photo
What an adorable little man
HOLY FUCK I UNEXPECTEDLY INTERVIEWED NOMURA. I sat in a private room at the Square Enix booth with Kingdom Hearts III and Final Fantasy VII's creative director Tetsuya Nomura. Co-creator Tai Yasue was also there, though he let Nomura answer the majority of the questions that two other journalists and I asked him.

Just Cause 3 somehow makes explosions easier than ever before

Jun 16 // Brett Makedonski
Immediately after beginning, fellow editor Jordan Devore tethered three grapples to the crotch on a statue of an oppressive ruler, pulled it until the entire thing crumbled to pieces (dick tater, am I right?), hooked the statue's head to a helicopter, and flew it off a cliff to a fiery death. Yep, Just Cause 3 is pretty fucking wonderful. The third installment in Avalanche's over-the-top action thriller franchise has a plot, but you wouldn't know it from what we played. Now that he has a few kills under his belt, Rico's returned to the Mediterranean-inspired area that he left as a child to overthrow an evil dictator. Our sandbox was more concerned with defying physics with the parachute and grappling hook, and using the wingsuit to glide far over the land and sea alike. Ironically, the wingsuit moments provided a nice touch of tranquility as we floated over the gorgeous landscape. From that high up, everything looked so serene and peaceful -- it was almost impossible to believe it's the work of an oppressive regime. That was immediately cut short when the next thought was "this needs more explosions." Because Just Cause 3 prioritizes the ridiculous over the believable, Rico is a one-man demolition crew and his supply never wanes. Avalanche has equipped him with a never-ending supply of C4, meaning that explosions are never more than a second or two away. What's the best way to dismantle this factory or to put this bridge out of commission? Our good friend C4 does the trick nicely. A lot of the design decisions were seemingly made as a result of Avalanche shrugging its shoulders. Regarding infinite C4, a studio representative told us "Why not?" Likewise, a new helicopter stunt trick where you hang upside down from the bottom was implemented because "That's just cool." After playing Just Cause 3 for a half hour, it appears that the developer put anything in the game that would make for a good time. It's certainly not a bad direction to take. Another point of emphasis for Avalanche pertains to traversal. The developer wanted to create a world that's easy and fun to move around. That's why the wingsuit, grappling hook, and parachute seemingly offer an infinite amount of momentum -- because slowing to a crawl just isn't as thrilling. It's also the reason why cars can be saved in garages and then recalled anytime you're near one. Hey, if you're going to take the discreet way around Just Cause 3, you may as well do it in style. Regardless of method, getting around Just Cause 3 may take a bit longer than you'd think. Avalanche developers tell us that the world is at least as big as Just Cause 2, but the layout's inherently different. The third installment will feature lots of islands, archipelagos, and little towns (Just Cause 2 kind of did too, but we're just going with what we're told). Also, Avalanche says that all the towns feel varied from one another and have their own sense of culture, so to speak. We wouldn't know a ton about that, because we were restricted to the first area of the game. Zooming out on the map, we could see the other two regions. They were significantly larger, and, as we were assured, significantly more difficult. When that's all available, players will get to experience what might be the developer's biggest goal: To create a perfect flow through the world. When all is said and done, Avalanche wants you to be able to flawlessly travel anywhere you want, however you want, and have a blast doing it. While it was nice seeing first-hand that Just Cause 3 nails all the things you'd expect Just Cause to nail, it was almost disappointing that the demo was completely unstructured. Okay, the sandbox element works great, but what does it have to offer players who want a reason to press forward? We weren't given a glimpse at that. Hopefully it's as competent as the free reign component is. Really, the takeaway from our time with Just Cause 3 is blowing up a lot of stuff makes for an enthralling time. It's not a revelation necessarily, so much as it is a good reminder. As we concluded the demo by demolishing a water tower that towered over a military base, a rep for the developer told us with a half-grin on his face "we're not really into subtlety." That's great, Avalanche, because neither are we.
Just Cause preview photo
That's saying something
So many preview events obsess themselves with presenting a carefully crafted slice of game. Here's a chunk of gameplay that puts the title's best foot forward. Don't deviate too far off the path, stick to the rules, and a P...

Transformers photo
Later this year on everything but Wii U
After Best Buy and a leak spilled the beans, we now have official confirmation from Activision -- Platinum Games will develop Transformers: Devastation, an upcoming action project based on the Transformers universe. It ...

It's actually happening! photo
It's actually happening!
Wow. When a release exists so far in the realm of improbability that it becomes a joke -- like The Last Guardian or Agent or Half-Life 3 -- and then, bam, E3 gets a damn car battery to the gonads as one of these things actua...

These are EA Sports' big focuses for Madden, FIFA, and NHL in 2015

Jun 15 // Brett Makedonski
Without a doubt, Madden is the EA Sports franchise that's been given the most attention over the years. It'd have been easy for the publisher to ask for some more subtle changes like even slicker presentation. To EA's credit, it's working out a new take on a gameplay staple -- a risky venture in an "if it ain't broke, don't fix it" culture of gaming. EA Sports has coined the term "Air Supremacy" for its Madden focus, and it begins at the position everyone starts with: Quarterback. There's greater control over the passing game now when helming a football team. Touch passes have been implemented to offer some variation in between lobs and bullets. The developers have altered how passers move on the run by using different animations for rolling out (yet looking for a receiver), and a full-on scramble. Maybe the biggest change to the quarterback position comes in the form of body positional passes. As an example, the presenter brought up the Seahawks' last offensive play in the Super Bowl this year. Russell Wilson threw a mid-body pass, and it was picked off. If he had thrown a low one (as he should have), the worst case scenario would've likely been an incompletion. With this installment of Madden, the player will have that sort of pinpoint control over every pass. However, passing is a two-way street, and no quarterback will put up Hall of Fame numbers without an apt receiving corps. Madden 16 also focuses on wideouts, as they can implement different styles to make catches. Maybe an ill-thrown pass calls for them to go up and challenge a defender for a ball. They likely won't gain many yards after the reception, but they might actually catch it (and more importantly, the chances of an interception go way down.) Or, maybe the situation is optimal for them to rack up some yards after catch. Do that, and pick up a first down. Those are just a few of the circumstances where Madden 16 lets you choose how to catch the ball after it lets you choose how to throw it. Lastly, ever eager to capitalize on the growing fantasy football trend, Madden 16 has a new fantasy mode. Draft Champions is a 15-round fantasy draft that allows you to build a team from all NFL players and play a full season. The publisher described this as the type of mode you might play if you had a couple hours to kill before you went to bed. The seasons are designed to go quickly, allowing you to draft an entirely new team relatively quickly after finishing one campaign. While Madden's focuses are easy to identify, FIFA 16's are a little more nebulous (apart from the women's national teams that were added.) They're centered around the player as the playmaker, but mostly in how all the surrounding pieces move. In a nutshell, EA Sports is upping the competency of FIFA's AI. It's improving positional defensive sense and how they defend as a unit. The goal (GOLAZO!!!) here is players have to be more strategic with their attack. Passing better be done with a purpose, or the opposition will just take the ball from you at midfield. But, working down the pitch and clinically finishing should feel like an actual accomplishment, one that sends you running and shouting toward a section of fevered supporters. This is the most difficult enhancement in the three games to recognize at a preview event. These are changes that define the very core of the sport. For instance, with Madden it's easy to play and realize "oh yeah, the quarterback is doing those things they said he would." It's not as simple with FIFA this year. If it's as improved as EA says, hardcore fans might recognize it, but more casual players might just think "Yeah, this is a good soccer game." As subtle as FIFA's intentions are, NHL's are far more brazen. It's eschewing the likes of physics and presentation for something else this year. Basically, EA's looking to add in a lot of the stuff that was inexplicably absent in NHL 15. Those who are dedicated to the series should be content, as long as they weren't too put off by last year's game. The most notable (re)addition to NHL 16 is EA Sports Hockey League -- an online competitive team mode that was quite popular. It was cut from NHL 15 due to "quality control," but it's back this year. Actually, EA's inclusion of several modes and features is a testament to the fact that it's listening to the fans (or to how awry the last game went). Also present are offline, single player Hockey Ultimate Team; simulating to the next shift in Be a Pro, along with playing a career beginning in the minors; and the ability to manage individual players in Be a GM. As it's moving beyond the growing pains of developing for new consoles, EA Sports is making strides with its hockey franchise. It sounds like NHL 16 will end up being the game NHL 15 should've been. It's just a shame it took an extra year. So, that's where EA Sports' intentions lie for Madden 16, FIFA 16, and NHL 16. They're all different in the varying degrees of change that needed to be made. Some, like NHL are more apparent, while Madden just moves a bit closer to that sim experience. But, they all look to be on track to be an improvement thanks to their one big focus.
EA Sports preview photo
EA Sports round-up!
Another year, another collection of EA Sports titles. EA's in a fortuitous position in that it has the video game rights to three of the five most popular athletics wrapped up. Demand for these games seemingly never wanes bec...

Review: Fallout Shelter

Jun 15 // Chris Carter
Fallout Shelter (Android, iOS [reviewed])Developer: Bethesda Game StudiosPublisher: Bethesda SoftworksMSRP: Free-to-playRelease Date: June 14, 2015 (iOS) / TBA (Android) The gist is that you'll basically need to build your first vault from scratch, with a power source, a water treatment plant, and a cafeteria to serve food as a baseline. As you play the game, more citizens will line up outside of your vault, ready to suit up and get placed into a new room. As time passes, said NPCs will work and earn you resources, which can be gained by tapping on the location -- simple stuff that I'm sure you've seen before. Other than a few nuances like the ability to place male and female NPCs in a living space and potentially create children or ship off inhabitants to scour the wasteland off-screen, that's it. It's a lot like SimTower, or its mobile successor, Tiny Tower. Tapping is the name of the game. Unlike many games though, Fallout Shelter actually forces you to keep up with your resources. If you don't power your vault enough, rooms will shut down. If you don't keep your NPCs fed, they will lose health and productivity. A low water resource will cause your citizens to become irradiated, and so on. Your personal hamster-wheel involves completing objectives and upgrading rooms to earn caps, which in turn allow you to build more rooms to take in more inhabitants, which unlocks more advanced buildings. It's all pretty straightforward, but sometimes objectives are a bit broken, as you'll need to re-do things you may have already completed (specifically in the case of equipping an NPC with a certain item in my game). The entire process is enhanced by the fact that visually, Fallout Shelter is far more impressive than most resource-management games on the market. I love how when you double-tap on a particular room it does this 3D-like zoom, which looks great when juxtaposed to the cartoony art style of the vault inhabitants.  It's very easy to click on everything, and although the scrolling sensitivity could use some tweaking, the game as a whole is responsive. During its E3 conference last night, Bethesda noted that it didn't have any underhanded sales tactics with Fallout Shelter, as it was playable offline "without energy meters." Now, that's technically true (it works in airplane mode), but you will have to wait to earn more caps from rooms to actually do anything substantial with your vault other than look at it. What's actually cool about Shelter is that you can "hurry up" activities by taking a chance rather than spending premium currency (like every other game on the market) -- the catch is that room might explode or cause an "incident," which may kill off citizens or spread to other rooms. These can involve things like fires, or even radroach infestations. In the latter case, I had just equipped my mess hall officer with a handgun, which she used to fight off said roaches. It's a nice risk-reward feature that you don't see often. For a game like this the pacing is decent, as most early-game resources take one to three minutes to earn. It's slow though for sure in terms of earning caps and building new rooms in the long-term, as Fallout Shelter is an experience that's meant to be played over time -- so much so that many of you may give up on it after all the waiting involved. There are optional microtransactions however in the form of "lunchboxes," which range from $0.99 per box to $19.99 for 40 of them. You'll earn "Shelter Cards" for your trouble, one of which is guaranteed to grant you a rare item "or better." For the purposes of science (and this review) I purchased one, which granted me a stimpack, a 10mm pistol, 100 caps, and a sturdy piece of battle armor. All of these items aren't particularly game-breaking, and you can earn a few lunchboxes yourself by completing objectives. Faster world progress hinges on earning lots of 500 cap boxes on a whim, so I see the obvious slot machine draw here that Bethesda is going for. Fallout Shelter is a pretty inoffensive mobile resource management game. While it could have exploited fans at every turn like EA tried to do with Dungeon Keeper, it's actually a nice little way to spend an afternoon while you wait for Fallout 4 to come out in November. Just don't expect anything particularly exciting, as it is slightly skewed towards enticing you to spend money on it -- lest you wait to enjoy it in short spurts. [This review is based on a retail build of the free-to-play game. $0.99 of in-app-purchases were made by the reviewer.]
Fallout Shelter review photo
Free-to-tunnel-snake
Last night at Bethesda's press conference, we got our first surprise of E3 2015: a brand new mobile game set in the Fallout universe called Fallout Shelter. It looked innocent enough, hearkening back to classics like XCOM as ...

Dark Souls III confirmed for early 2016

Jun 15 // Jordan Devore
(Cool box art, Namco.)
Dark Souls III photo
Rise from your grave!
The leaks killed the surprise, but I'm still into it -- Dark Souls III is coming early next year to PC, PS, and Xbox One. "Hidetaka Miyazaki and his team" are on the project, according to Bandai Namco. A pre-rendered video p...

Rock Band 4 is doing a new fun thing you wouldn't expect

Jun 15 // Brett Makedonski
Between those dueling stages was an innocuous, decidedly less interesting room. But, what it lacked in flair, it made up for in substance. Some posted up nearby talking Filipino politics, but those who ventured inside found the biggest change to Rock Band in years. Guitar solos aren't what they used to be. Trepidation was abound. Shredding in Rock Band is such a staple. Now it's different. Accuracy has been replaced with creativity. I couldn't help but think that's a musician's move right there. I also couldn't help but be a little dejected that there's less skill involved with the instrument that I spent the most time trying to perfect. Down the hall, Pearl Jam's "Alive" started playing, and Eric Pope couldn't hide his disdain. I thought about firing it up to figure out how these new solos worked. I refrained and chose "Cult of Personality." In everyone else's hands, this is a plastic guitar; in my hands, it's a pipebomb. Things didn't pan out quite as I wanted. Rather than rhythmically dissecting the song until the solo hit, I was met with five minutes of solo. That's a dev mode thing -- perks of the preview event. I guess that's adequate time to figure out the ins and outs of the new format. I was mostly right, but not entirely. [embed]293727:59016:0[/embed] A small group had formed after a few minutes. Someone made a comment about the five buttons on a Rock Band guitar. The timing couldn't have been more perfect. A Harmonix representative sprung into action to correct the misstatement and pitch the Freestyle Solos -- a system that reminded everyone there are ten buttons on these axes. Intricate notes have been left by the wayside for colorful patterns. Blue means to play in first position (normal notes); orange indicates you need to slide up the neck and play on those five forgotten-about buttons. An algorithm decides exactly what gets played, whether it be sustains, eighth notes, sixteenth notes, or just wildly tapping without any strumming. One of the patterns mandates you just play anything. Make noise, anything works. While it sounds somewhat insane, it mostly works. The solos come together in a way that's satisfying -- as if you were actually playing the solo. However, substituting that for nailing a classic solo isn't a trade-off that I necessarily appreciated. It just feels like maybe it's a bit too easy now. That's not the only concern. Harmonix has made a point of framing Rock Band 4 as a party game that anyone can pick up and play. But, I saw many of my peers struggling to integrate the solos into the gameplay they already knew. When I asked the devs how long they expected it'd take for casual players to grasp Freestyle Solos, they thought it'd go pretty quick. I estimate it'll take slightly longer than very casual players want to commit. In that event, the mode can be turned off, which seems like a less than optimal solution. For those who have the patience to learn it but aren't dedicated enough to excel at the old solos, Freestyle may be a fine compromise. Wailing on those solos makes you feel really good even when you're performing a relatively simple task. It makes for a nice little illusion for anyone who doesn't want to look past it. 
Rock Band preview photo
'Play Freestyle!'
Everywhere I looked, my peers seemed to be having fun. Mere minutes before, everyone couldn't stop talking about how cold that Santa Monica rooftop was. It was the opposite of fun. Now, that had melted away, a distant memory ...

Xbox One photo
Natively playable on Xbox One
Phil Spencer just dropped a bombshell at Microsoft's E3 presser. Xbox One will be backwards compatible with Xbox 360 games. By this holiday, 100 titles you've already purchased will be playable on Xbox One. Microsoft used Mas...

The Walking Dead photo
A mini-series
During today's E3 YouTube stream, Telltale Games announced The Walking Dead: Michonne. It's a three-episode mini-series starring the titular character from the comic/TV show, and will explain what she was up to after being mi...

Nindies@Home photo
Starting today you can download these
Nintendo has just announced a new intiiative to cater to indie games called Nindies@Home. The basic idea is dead simple -- starting right now until the oddly specific 8:59 AM PST on June 22, you can download demos for select ...

Fallout 4 photo
You can play Donkey Kong on your Pip-Boy
Tonight at Bethesda's E3 2015 press conference, game director Todd Howard demonstrated Fallout 4, which begins before the bombs fell. The character creator takes place in a mirror and adjustments happen in real time. And, yes...

Doom at E3 photo
IDDQD
[Update: watch the trailer here!] Bethesda showed off its first footage for the new Doom today at its inaugural E3 conference in Los Angeles. Executive Producer Marty Stratton took the stage, stating that Doom ...

Roy's not quite our same boy in the new Super Smash Bros.

Jun 14 // Chris Carter
First off, it has to be said that Roy is even less similar to his Fire Emblem brethren in this game. He wields his sword backwards, which provides him with a unique set of animations, as well as different hitboxes for his attacks. Roy is a much more close-combat oriented fighter than Marth or Lucina, with nearly all of his attacks, including his neutral-B charge move, sporting a smaller distance. There's no tipping here -- Roy does most of his damage up close with the hilt, and feels completely different right off the bat. In addition to his neutral charge he also has his patented upwards slash, counter, and forward/backward sword combo. Don't dismiss him as a clone though, as all of these moves have different timings and animations to get used to. Take his Up-B -- it's a tad slower, but it hits multiple times, so you don't have to worry about executing it perfectly. Everything else is best used close-up, due to the lack of a tip-damage bonus. As a general rule, Roy is also speedier, so you won't be able to acclimate as a Marth or Lucina main immediately without getting a feel for how he moves. Oh, and his grabs are much better at setting up combos. Out of all of the Fire Emblem characters in the game, he likely has the most depth. While Ryu is a sexier brand new addition and Lucas is a fan favorite, I think Roy will end up being the best part of this DLC drop today as more veterans get their hands on them. Out of all three, he's my personal favorite. In fact, he really puts Lucina in an odd spot, as she feels less relevant when compared to both Marth and Roy's uniqueness. Yep, the crowd still chants "Roy's our boy" -- amazing.
Roy Smash photo
He's changed for the better
When playing Super Smash Bros. Melee, I always tended to side with Marth. I dug his aesthetic, his animations, and his moveset over Roy. But with the release of his DLC incarnation in the new Super Smash Bros., Roy is now my boy.

Lucas goes big and goes home in Super Smash Bros. 4

Jun 14 // Jonathan Holmes
First, the cosmetic changes. Lucas now has alt shirts that feature his dog Boney, a baby drago, and even Mother 3 antagonist The Masked Man. Again, if you've played Mother 3, that will all mean a lot more to you. I don't want to spoil anything, but I think it's fair to say that seeing Lucas in that last shirt is a lot like seeing Luke Skywalker lounging around in a Darth Vader bath robe. It cool, but also a little creepy if you think about it for too long.  As for how Lucas plays, he seems to have all the same basic moves that he had in Brawl, but many have seen drastic changes. PK Magnet, his down B, is now much bigger, comes out a lot faster, does more damage, and can heal Lucas a lot more than before. Absorbing a fireball from Mario heals Lucas by about 12% now. It looks like he can only heal a total of 30% damage or so per stock, but more than that might be bordering on over powered, especially in light of how much more deadly this attack is as an offensive maneuver. Lucas's up smash also seems to have a larger hit box than it used to, traveling farther up and out than before. It's hard to say if that's just how it looks though, as Smash 4 is much more flashy than Brawl in general. We're also hearing that his rope snake throw/tether has longer reach than it used to, though he can't seem to use it to grab opponents in the air. It also looks like he can't combo for as many hits with his neutral air.  So that's a little about how Lucas looks in Smash Bros. 4. PK Magnet seems to have gotten the biggest buff in his arsenal so far, and the rest of his moves seem solid enough to keep him competitive. Sadly, he's already been banned from EVO, so we won't see how tournament level players handle him there, but I'm sure it won't be long before some professional Smash 4 player shows us more of what Lucas has to offer. 
Smash Bros. photo
It's hard out there for a PK imp
Lucas is one of those characters that people will play no matter how good or bad he is in a given Smash Bros. game. Mother/Earthbound fans are like that. Just look at the comments in the announcement post for Earthbound Begin...

Ryu is gunning for top tier in the new Super Smash Bros.

Jun 14 // Patrick Hancock
First, let's discuss Ryu's stage, Suzaku Castle. In short: it's wonderful and weird. The music is great and speeds up when things are getting down to the wire. The default mode will definitely not be tournament-legal, since it has a walk-off on the right side. For general entertaining play, however, it's superb. Strategies will change depending on the side the fight is happening on, and since there's a lot of open space on the left side, you can expect some serious ledge play at times. There are two platforms on the left, one on top and one on the bottom. The top one has no grabbable ledges, but the bottom one does. The ledges on the bottom platform are a bit wonky, as characters who come up towards the center of the platform will snap to a ledge that seems way too far to snap to. Players will also only snap in the way they are facing, it seems. Here's a GIF to demonstrate what I mean: As for the character, the first thing I did was take Ryu into the Training mode. He's got at least twice as many attacks as a standard character, and I need to know what they are and how they act before I go into a match. From here on out, I will refer to his light attacks as the attacks executing by tapping the button, and heavy attacks as the ones where the player has to hold the attack button. There's apparently a medium somewhere in the middle, but I'll be damned if I can pull it off intentionally. Holding the attack button doesn't even feel like truly "holding" it. I was worried that having to hold down a button for an attack would feel weird, but it is still very quickly executed. Now I'm worried that I'll "hold" the attack button for too long when I want to do a light attack! You really have to consciously tap the button to execute a light attack. In general, heavy attacks are the ones that come out for me when I'm not thinking. Ryu is definitely a thinking-man's character. Throwing out attacks isn't going to cut it. In each scenario, players must think "okay, light or heavy?" and then execute properly.  Let's start with the special moves. Hadoukens are a great way to cover an approach or force the opponent to make a move. You can not spam Hadoukens, as there can only be one out at a time. The Shakunetsu Hadouken can be activated by performing a half-circle forward motion and an attack button. This Hadouken is slightly stronger than holding the special button down (8% compared to 7%) and will carry the opponent with them over 5 hits. It's great for edge guarding since it takes the enemy for a ride. Shoryuken is a great recovery move and can be a kill move at high percents. It kills Mario at around 105% with no Rage, for example. Personally, this is my go-to kill move in combos, but I'll speak more on that later. Also, it's possible to input down-forward twice to execute this move, instead of doing the normal Dragon Punch motion of forward, down, down-forward. [embed]293924:58985:0[/embed] The Hurricane Kick, despite being called "hugely destructive" by Sakurai, is rather lackluster as an attack. It does less damage (9% if inputting the command) if the opponent is very close to Ryu, and more damage if they are hit during the spinning phase (13%). It pushes the enemy vertically, and doesn't kill Mario until around 130%, and that's with no Directional Influence. As a recovery move, however, the move is wonderful. Ryu can act after it, allowing him to Tatsumaki to gain horizontal ground, and then Shoryuken to go vertically. Finally, his Focus Attack. This is easily the most interesting special move Ryu has. While charging it Ryu has one hit of super armor. While charging, Ryu will flash twice, once for each increasing level. If the player hits the opponent before it flashes once, the opponent will be knocked back. If he hits them after it,  they go into a crumple state, just like Street Fighter IV. The second flash happens a split second before it is fully charged, which means it's a level 3 Focus Attack, which leads to a longer crumple. Also, if released in level 1 or 2, the Focus Attack will be absorbed by shields. Releasing a fully charged Focus Attack will still crumple a shielding opponent. Most importantly, Ryu can dash-cancel the focus attack while charging or after a hit. If an uncharged Focus Attack hits a shield, Ryu can also dash-cancel the lag. In Street Fighter IV, this was known as an "FADC," or Focus Attack Dash Cancel. This allows a guaranteed hit on crumpled opponents. It's super satisfying to pull off a FADC into a kill move like Shoryuken. It's also a good psych-out move to dash-cancel a charging Focus Attack, similar to how Sonic can cancel his Spin Dash. It's important to note that when inputting a Street Fighter command to perform a special move, it must be done in the direction Ryu is facing. If you wanted to do a Shakunetsu Hadouken backwards, for example, it would instead register as a Tatsumaki (quarter-circle back). It is not pleasant when you're expecting one move to come out and get another, so keep this in mind! Ryu's normals are incredibly varied thanks to his unique ability to have TWO OF EVERY TILT. Some of the more useful ones I've been using are his strong forward-tilt, Collarbone Breaker. It does not completely destroy a fresh shield, but it comes very close to doing so. His heavy up-tilt is also very useful and does 12%. Other than that, I've been using both version of his down-tilt a whole lot. The reason I use his down-tilt is because it can be cancelled into any of his special moves on hit. This is my go-to setup after a successful crumple, as well. Basically, I look for opportunities to FADC into a heavy down-tilt which I cancel into a Shoryuken. In case you forgot, I'm still talking about Super Smash Bros. here. As for some other notable moves: His forward smash is incredibly powerful (22% fully charged) and moves him forward, making it have a deceptively long range. His down air spikes, but only if Ryu is close to the opponent when it connects. His up smash and up air are good at keeping opponents airborne, but have short ranges. Literally all of his special moves help with his recovery. Both his Focus Attack and Hadouken give him a little vertical boost, so use them to surprise an opponent while recovering! So, what's Ryu's weakness? Well, other than the fact that players may flub inputs from time to time, I would say Ryu's biggest downside is his throw game. None of his throws are kill throws, and they don't seem to lead into any combo opportunities. Regardless, I think Ryu is going to be a very viable fighter at a higher level of play, and is a blast to experiment with no matter how good you are at the game. Also, always play as the pink Ryu to pretend like you're Dan Hibiki.
Ryu Smash Impressions photo
Watch as I Tastumaki to my death
Remember the first time you went online with Street Fighter IV with your favorite character, Hakan, and fought about 100 Ryus in a week? And they all spammed Hadoukens and always woke up with a Shoryuken? Wouldn't you like to...

What I want from Fallout 4

Jun 13 // Nic Rowen
Better stealth I'm going to take for granted that better gunplay is a given for Fallout 4. The awkward, inaccurate shooting of Fallout 3 was probably the most common complaint about it, and New Vegas' attempt to address it with a janky iron-sights system was so rough and amateurish that it felt like a hacked together mod. Fallout 4 will obviously have to do better in the guns-and-ammo category, so I'm not going to waste my breath begging for it. What I will beg for though, is better stealth design. Some of the best moments in Bethesda's games have emerged from the shadows. The Thieves Guild and Dark Brotherhood had the best quests in Oblivion and Skyrim, encouraging many players to roll up at least one sneaky character. I know I personally spent a huge chunk of my time in Fallout 3 trying to skulk through super-mutant camps, silently seeding the area with mines and booby traps before pulling down on some mutant and watching the chaos pop off as his buddies came running. When done well, the tension and power dynamics of stealth can provide some of the best gameplay around. Bethesda seems to know this. It includes so many quests and options in its games that encourage you to be a sneaky little jerk. So why does sneaking around feel like some after-thought, Scooby Doo bullshit? The old "crouch down and watch an icon that tells you if a raider can see you or not" routine isn't going to cut it anymore. Stealth should be more than a factor of your sneak stat and a matter of breaking line of sight. I'm really not interested in another stealth experience that allows enemies to pick you off from 50 yards away in the dark like you were holding a road flare if your sneak skill is low, or let you squat down straight in front of their shins like you're the Invisible Man if the skill is pushing 90 and above. Make stealth active, give us something to do to make us feel sneaky. Instead of making the Sneak skill and active camouflage gear the end-all-be-all of stealth, how about throwing in some active abilities to let us dynamically manipulate the enemy? They don't have to be complicated. Take a page from the Far Cry games and give players with a moderate skill investment in stealth the ability to throw a distracting rock or bullet casing to draw enemies away. Make some cubbyholes or hiding spots that only intermediate ninjas can use. Let Sneak-Kings focus down like Joel from The Last Of Us and get some "I'm super good at hearing" ghetto-SONAR ability. I'm not asking for Metal Gear Fallout: Sons of the Atom Bomb or anything here. I understand that in a game as big and complex as the Fallout games have been, you can't layer on every little system and nuance you'd like (that's what paid mods are for, am I right folks?) but I'd like to see something to make crawling around in the shadows fresh for Fallout 4. More skill checks please, but keep them quiet One of the things I love, love, LOVED about New Vegas was its focus on non-combat skills. Reaching back to the original Fallout, New Vegas went out of its way to incorporate skills like barter, repair, and science outside of their obvious (and boringly pragmatic) purposes way more than Fallout 3 did. This is without a doubt the right direction to move in and I would love to see Fallout 4 double down on the idea. I love this idea because it makes each character feel unique. My tech obsessed teenaged hacker had a much different experience in the Mojave Wasteland than my cannibalistic night stalker. Not just because she preferred to melt her worries away with a stream of molten plasma while he would literally cut to the heart of a problem; they moved through the world differently, physically and socially. She would hack into systems, open doors, appropriate security drones, all that good, typically sneaky stuff. But she was also able to use her skills as a currency, occasionally repairing broken gear or fixing otherwise unsolvable problems for people in the Wasteland. She fell in with the equally tech obsessed Brotherhood of Steel and it felt natural. My cannibal used his detailed knowledge of anatomy to occasionally work as a makeshift surgeon, appearing as a wolf in sheep's clothing to the unaware, and was invited into a cabal of secret people eaters. Each of them had opportunities and moments that were totally unique and exclusive from each other and that's amazing. That's exactly what Fallout should be about. I just don't want to know about it up front. I would love a little more subtlety and mystery when it comes to skill checks in Fallout 4. As I loved how New Vegas worked, I couldn't help but find the giant, full caps skill messages jarring. Nothing quite reminds you "oh yeah, you're playing a videogame" like a big old block of mechanical text that says something like [MEDICINE 60 REQUIRED]. Fold skill checks into the game more organically. If a player doesn't have the skill required to pull something off, don't show the option. Or, maybe show the option, but don't promise success. Let Prof. Goofus with his measly 15 points invested in repair set off a bomb when he tries to defuse it. Let someone who thinks they're a smooth talker chat their way into a slaver's pen. I know some people may prefer to know their options up front and the stats they should shoot for, but I'm a big believer in surprises and trusting the player to figure things out. Besides, if you really want to know the stat requirements for every interaction, there are always wikis and FAQs.   I can't believe I'm saying this, but maybe make it a little darker? Okay, hold on. Don't go branding me with the mark of #Darksiders2 just yet. I'm not asking for Fallout 40K edition here and I'm not saying I want some grim and dirty "realistic" depiction of a blasted out radioactive wasteland, because realism wouldn't do the game many favors. All I want to see is Bethesda even out the tone. Make the normal world a little darker and saner so the black humor and absurd moments can pop in contrast. I love the line Fallout walks, that razors edge between unimaginable despair and corny '50s sci-fi pulp. It's a difficult balance to find and while I think both Fallout 3 and New Vegas did a decent job at it, I think they could have done better. I think the problem is that neither game is willing to let you get your feet under you before piling up the silly stuff. Fallout 3 starts in a Vault isolated from the realities of the world, so I'm willing to put up with the greaser shenanigans of the Tunnel Snakes. But then the first town you come across in the real world, Megaton, is full of equally goofy shit and ridiculous people. You go from one silly place to another without a big change in tone when the game could have set you up for a gut punch by showing you a very zany life in the Vault and then plunging you into the harshness of the wastes. New Vegas starts its story by introducing you to Victor, a robotic cowboy with a TV in his chest and machine guns in his arms like a very well armed Teletubby. Again, don't get me wrong, I love the idea of a robot cowboy, but couldn't we wait five dang minutes to establish the stakes and condition of this post-apocalyptic world before saddling up on the wacky horse? When you come across a crashed alien saucer, find a settlement of pacifist super-mutants, or liberate a slave mine with Lincoln's very own rifle, it should be a hell of a moment, not business as usual in the wastes. Fallout 3 and New Vegas come at you with the bizarre and ludicrous so hard and so often that it runs the risk of losing its impact and blurring together. I'd like to see Fallout 4 avoid that if possible. Don't get rid of the black humor and ridiculous moments, just space them out a little more, or make the average day in the wastes a little more grounded so they can stand out better. Going by the very sombre trailer we've seen, I may just get my wish on this one. How about you? What are you looking forward to in Fallout 4? What kind of perks do you want to see? What kind of companions? How much are you hoping all these rumors about a voiced protagonist and a very focused main-plot with a mandatory male character are black and filthy lies? I know I am! Hopefully we'll find out more at Bethesda's big event tomorrow. Then we can either sing the praises or count our dead.
Fallout 4 wishlist photo
We'll find out soon enough
I'm a huge Fallout nerd. I can wax poetic about the Fallout games and how much they mean to me all day (I've done it before), so to say I'm looking forward to what Bethesda does with Fallout 4 is a little bit of an understatement. I do have some requests though. A wish list of things I would personally like to see in the next installment.  

E3 Predictions: Cards Against Humanity Edition

Jun 13 // Ben Davis
1. Sony announces a new indie game about ___. Options:- A bland military shooter (Seems likely, but maybe not as an indie title.)- A tender bromance (D'aww!)- Looking for D Winner: Sony announces a new indie game about "a tender bromance."   2. Nintendo's next wave of amiibo will include ___ and ___. Options:- A classy lady + A sexist remark (It's possible these will both involve the same amiibo.)- Tripping in Super Smash Bros. + Zippers on everything- Anita Sarkeesian + Crying children (Uh oh.) Winner: Nintendo's next wave of amiibo will include "a classy lady" and "a sexist remark."   3. Surprising no one, Microsoft will announce ___. Options:- Uncomfortable silence (...)- Exactly what you'd expect- No items, Fox only, Final Destination (Typical Microsoft.) Winner: Surprising no one, Microsoft will announce "uncomfortable silence."   4. Nintendo reveals that Link will actually be ___ in the upcoming Zelda game. Options:- Bubsy the Bobcat (Please, no!)- An original idea for once- Something nobody asked for (What could it be?) Winner: Nintendo reveals that Link will actually be "something nobody asked for" in the upcoming Zelda game. 5. Nintendo declares 2016 as the Year of ___. Options:- Dem Titties (Typical Nintendo.)- Filthy Casuals (Sorry, hardcore gamers! Maybe next time.)- Microtransactions Winner: Nintendo declares 2016 as the Year of "Filthy Casuals."   6. In the new Tomb Raider, Lara Croft must navigate a harsh winter environment armed only with ___. Options:- DLC (They're charging for weapons now.)- A box of wine- A noticeable bulge (Or rather, two noticeable bulges...) Winner: In the new Tomb Raider, Lara Croft must navigate a harsh winter environment armed only with "a noticeable bulge."   7. Capcom will release a new Mega Man game, but only if enough fans pay for ___ first. Options:- Pissing on the corpse of a beloved franchise (Poor Mega Man...)- Dante's new hairstyle (Hahaha.)- Butt stuff Winner: Capcom will release a new Mega Man game, but only if enough fans pay for "pissing on the corpse of a beloved franchise" first.   8. Kojima and Del Toro are back together to work on a new game titled ___. Options:- A Kickstarter Campaign (With a cryptic teaser titled KC.)- A Ham Sandwich (You heard it here first, folks!)- Hideo Kojima (Well, he does like inserting his name into his games.) Winner: Kojima and Del Toro are back together to work on a new game titled "A Ham Sandwich." 9. Someone will take the stage wearing a shirt depicting ___. Options:- Quick-time events (Press X to take off shirt!)- Feminist propaganda- Batman's nipples (I'm sure there is an actual shirt like this.) Winner: Someone will take the stage wearing a shirt depicting "Batman's nipples."   10. The next Assassin's Creed will allow you to play as either ___ or ___. Options:- Kratos, the God of War + Nothing at all (Wait, Kratos is part of the Assassin's Creed universe now?)- A dildo bat + The girls from Dead or Alive (At least you can play as a female.)- A sausage fest + Beating a dead horse (It's always a sausage fest.) Winner: The next Assassin's Creed will allow you to play as either "Kratos, the God of War" or "nothing at all."   11. Fallout 4 will be set in a post-apocalyptic world ravaged by ___. Options:- Hardcore gamers (So, PvP then?)- A female protagonist (Way to ruin the game, Bethesda!)- A blasian Winner: Fallout 4 will be set in a post-apocalyptic world ravaged by "a female protagonist."   12. In the next Kirby game, Kirby will be made out of ___. Options:- Ebola- 1,000 rat corpses (Good lord.)- Reggie Fils-Aime's body (His body is ready... to swallow everything!) Winner: In the next Kirby game, Kirby will be made out of "Reggie Fils-Aime's body." 13. Instead of announcing Half-Life 3, Valve will announce ___. Options:- A new Mario game (Imminent lawsuit?)- Angry Birds (Geez Valve, get your own ideas!)- A box of kittens (We're sorry about Half-Life 3, here's some adorable kittens!) Winner: Instead of announcing Half-Life 3, Valve will announce "a new Mario game."   14. Mother 3 will finally be released outside of Japan, but it will now feature ___. Options:- The Kinect (How could this happen?!)- Obscene Miiverse posts (Well, yeah, probably.)- A dancing game (You know what? I totally want this now!) Winner: Mother 3 will finally be released outside of Japan, but it will now feature "obscene Miiverse posts."   15. In an unexpected turn of events, a Nintendo representative will remove Toad's hat to reveal ___. Options:- Crash Bandicoot- Barack Obama- A boner (So that's how Toads reproduce...) Winner: In an unexpected turn of events, a Nintendo representative will remove Toad's hat to reveal "a boner."   16. The Last Guardian is still coming, but will star ___ and ___ instead of a boy and his dogbird. Options:- An unarmed black kid + Corgi butts (Still a boy and a dog, but with more social commentary.)- A straight white guy + Booth babes (Noooo!)- Gardevoir + Llamas Winner: The Last Guardian is still coming, but will star "an unarmed black kid" and "corgi butts" instead of a boy and his dogbird.   17. Konami announces a new series of mobile games featuring ___. Options:- Social justice warriors (Someone already made that game, Konami.)- A nip slip- Solid Snake's perfect ass (Yessss!) Winner: Konami announces a new series of mobile games featuring "Solid Snake's perfect ass." 18. Shigeru Miyamoto will appear accompanied by ___. Options:- A racist old woman- A swift death (Oh no!)- A kid becoming a squid (You're a kid now, you're a squid now.) Winner: Shigeru Miyamoto will appear accompanied by "a kid becoming a squid."   19. Microsoft announces a new IP about ___. Options:- The guy from Hatred (Lots of stolen ideas going on at E3 this year.)- The end of video games (Goddammit, Microsoft!)- A cinematic experience (Well duh.) Winner: Microsoft announces a new IP about "a cinematic experience."   20. Microsoft will not stop talking about ___. Options:- Japanese schoolgirls (Creepy...)- A gigantic penis made out of LEGOs- Sports (Again, duh.) Winner: Microsoft will not stop talking about "sports."   21. What will be the most exciting announcement to come out of E3? Options:- A mayonnaise-related incident (I'm intrigued.)- Gamergate- The Citizen Kane of video games (It's finally coming!) Winner: What will be the most exciting announcement to come out of E3? "The Citizen Kane of video games." 22. What will be the most awkward thing at E3 this year? Options:- The f-bomb (But who's gonna drop it?)- A spontaneous rap battle- Body odor (Probably true for most gaming conventions.) Winner: What will be the most awkward thing at E3 this year? "Body odor."   23. Sony announces that ___ will finally be coming to Vita. Options:- Meat (And what do you know, Super Meat Boy was just recently announced for Vita!)- Full frontal nudity (Finally!)- MOBAs Winner: Sony announces that "meat" will finally be coming to Vita.   24. A new game coming to Oculus Rift will allow players to experience ___ in virtual reality. Options:- Mario's mustache (It's just so glorious!)- Teabagging (Well, some people are into that.)- Eating an entire bag of Doritos (Welcome to the wonderful world of virtual reality, folks!) Winner: A new game coming to Oculus Rift will allow players to experience "eating an entire bag of Doritos" in virtual reality. 25. In Dark Souls III, players recover by resting in front of ___ instead of bonfires. Options:- A single tear (I'm sure players will be shedding a single tear while resting.)- A clown on fire (Do we have to kill the clown first?)- Lara Croft's cup size Winner: In Dark Souls 3, players recover by resting in front of "a clown on fire" instead of bonfires.   26. What is the last thing you expect to see at E3? Options:- An immersive experience (Zing!)- A live shark- An unexpected amount of blood (We expected some blood, but not THAT much.) Winner: What is the last thing you expect to see at E3? "An immersive experience."   27. Microsoft is pleased to announce ___: The Movie. Options:- Peter Molyneux (It will be a life-changing experience!)- Bronies (I'm pretty sure this is already a movie.)- Product Placement (Unsurprising.) Winner: Microsoft is pleased to announce "Product Placement": The Movie.   28. Square Enix announces Final Fantasy XIII: ___ Edition. Options:- A nerdgasm (That certainly sounds exciting.)- Just the tip- Anime hairstyles (Isn't that every Final Fantasy?) Winner: Square Enix announces Final Fantasy XIII: "Nerdgasm" Edition.   29. ___ will be announced as an HD remaster. Options:- Caitlyn Jenner (Haha, this answer was too perfect! It wasn't my turn to judge, though.)- Yet another game about the zombie apocalypse (This is very likely.)- Two dudes making out hardcore (I wouldn't mind playing that game in glorious HD!) Winner: "Two dudes making out hardcore" will be announced as an HD remaster.   30. No Man's Sky will feature a planet inhabited by ___ and ___. Options:- 1080p/60fps + Utter failure (Hahaha! Well, at least Hello Games tried!)- Shigeru Miyamoto's darkest secrets + Bad Box Art Mega Man (You mean that was Miyamoto's idea all along? Who knew?)- Muscle bears + Unimaginable happiness (I want to live on that planet!) Winner: No Man's Sky will feature a planet inhabited by "muscle bears" and "unimaginable happiness." Unused white cards (meaning these things will definitely NOT appear at E3 this year): - A death ray- A bag full of spiders- The creature from The Last Guardian (Did someone lie to us?)- Slipping on a banana peel- Battletoads (Oh well.)- Flesh-eating bacteria- Lots and lots of money (Uh oh, no money at E3?)- Wasted potential (The irony of this card not being played...)- Rock-hard abs- The best thing ever (Well, that's sad...)- Maniacal laughter- Pure evil- Soccer moms- Waluigi (C'mon Nintendo, give the people what they want!)- Samus Aran (No more Metroid yet. Sorry, Zack!)- A fight to the death (Well at least no one dies.)- Powerful thighs
E3 Predictions photo
Expo Against Humanity!
[Update: Added video of Laura Kate and the Dtoid UK crew playing their version of the game.] E3 2015 is just around the corner, and there's no better way to pass the time than by trying to predict what this year's expo has in...

Obscure Video Games: The Aka-Champion

Jun 13 // Obscure Video Games
The snowboard slap-fighting in my GIF above is just one way to brutalize your babies. Some more examples are: electrified jump rope vicious polar bears skydiving "accidents" giant killer snowballs And that's just the tip of the iceberg. There's a ton of dangerous mini-games here, and they're divided into summer and winter events. Some are fun, some are frustrating, and some are just weird. There's even a two-player mode, so you can injure infants with a friend. The Aka-Champion isn't an easy game to find (even online); but if you see it for a reasonable price then grab that baby and see if you can beat it. [embed]293652:58928:0[/embed]
Obscure Video Games photo
Hit me baby, one more time
Who wants to play a mini-game collection where babies slap the crap out of each other? Nobody? What about if they're creepy-looking Cabbage Patch Kid rejects? Still no? Oh well, that's what I'm going to talk about here anyway...

Steam Summer Sale hits Day 3, Fallout 4 pre-order deal returns

Jun 13 // Dealzon
Top Weekend Deals Noteworthy Picks Batman: Arkham Knight Premium Ed. (Steam) — $53.99  (list price $100) Fallout 4 (Steam) — $45  (list price $60) Grand Theft Auto V — $45  (list price $60) ARK: Survival Evolved (Steam) — $24.89  (list price $30) Starcraft II: Battle Chest (PC/Mac) — $19.99  (list price $40) PlayStation TV — $39.99  (list price $80) Xbox Live Gold 12 Month Card — $35.99  (list price $60) Steam Summer Sale Deals Day 3 Cities: Skylines — $20.09  (list price $40) <- excellent at this price Prison Architect — $4.49  (list price $30) Sunless Sea — $11.39 (list price $19) Borderlands: The Pre-Sequel — $19.9  (list price $60) <- off lowest by $1.8 Borderlands 2 GOTY — $9.99 (list price $30) Shadow of Mordor cheaper at Bundle Stars ($20) or Games Planet ($17) Day 2 Wolfenstein: The New Order — $14.99  (list price $60) Wolfenstein: The Old Blood — $9.99  (list price $20) <- new low! This War of Mine — $7.99  (list price $20) Hitman Collection — $7.99  (list price $40) Mount & Blade: Warband — $3.99  (list price $20) <- worth a visit for $4 Child of Light (Uplay) — $3.74  (list price $15) Origin Sale Deals Battlefield: Hardline — $29.99  (list price $60) <- no surprises Dragon Age: Inquisition — $29.99  (list price $60) <- ties lowest ever Battlefield 4 + Premium — $24.99  (list price $60) Need for Speed Rivals: Complete Edition — $19.99  (list price $40) Battlefield 4 Premium — $19.99  (list price $40) FIFA 15 — $19.99  (list price $40) Recent Releases 06/12: LEGO Jurassic World (Steam) — $27.99  (list price $40) 06/11: The Story Goes On (Steam) — $3.37  (list price $5) 06/10: Kholat (Steam) — $13.50  (list price $20) 05/28: Flame Over (Steam) — $7.20  (list price $12) 05/22: The Incredible Adventures of Van Helsing 3 (Steam) — $10.04  (list $15) 05/19: The Witcher 3: Wild Hunt (DRM-Free) — $35.99  (list price $60) Upcoming Releases 06/16: Xbox One 1TB + Halo Master Chief Col. + $50 Gift Card — $399 06/18: Pro Cycling Manager 2015 (Steam) — $27  (list price $40) 06/23: Batman: Arkham Knight (Steam) — $36  (list price $60) 06/23: Batman: Arkham Knight Season Pass (Steam) — $24  (list price $40) 07/10: F1 2015 (Steam) — $35.95  (list price $55) 09/15: Mighty No. 9 (Steam) — $15  (list price $20) PC Game Deals Darksiders Franchise Use Code: GRAB25-PERCNT-OFFNOW Darksiders Franchise Pack (Steam) — $9  (list price $60) Darksiders 2 (Steam) — $4.50  (list price $30) Darksiders (Steam) — $3  (list price $20) LEGO Titles Use Code: GRAB25-PERCNT-OFFNOW LEGO Batman (Steam) — $3.75  (list price $20) Lego: The Hobbit (Steam) — $3.75  (list price $20) LEGO Lord of the Rings (Steam) — $3.75  (list price $20) The LEGO Movie: Videogame (Steam) — $3.75  (list price $20) LEGO Batman 2: DC Super Heroes (Steam) — $3.75  (list price $20) LEGO Harry Potter: Years 1-4 (Steam) — $3.75  (list price $20) LEGO Harry Potter: Years 5-7 (Steam) — $3.75  (list price $20) LEGO: Marvel Super Heroes (Steam) — $3.75  (list price $20) More Deals Killing Floor 2 (Steam) — $25.45  (list price $30) Mortal Kombat X (Steam) — $23.19  (list price $60) Cities: Skylines (Steam) — $20.99  (list price $30) Middle-earth: Shadow of Mordor (Steam) — $17.13  (list price $50) Console Game Deals Dark Souls II: Scholar of the First Sin (PS4, XOne) — $41.99  (list price $60) Dark Souls II Collector's Edition (X360) — $39.99  (list price $80) MLB 15 The Show (PS4) — $39.99  (list price $60) Captain Toad's Treasure Tracker (Wii U) — $32.60  (list price $40) BioShock Infinite: Complete Edition (Xbox 360, PS3) — $19.99  (list price $30) Used Game Sale Dragon Age: Inquisition - Used (X360, PS4, XOne, PS3) — $24.99  (list $60) Evolve - Used (Xbox One, PS4) — $19.99  (list price $60) Far Cry 4 - Used (PS4, Xbox One) — $19.99  (list price $40) Destiny - Used (PS3) — $18.99  (list price $40) Borderlands: The Pre-Sequel - Used (Xbox 360) — $12.99  (list price $40) Assassin's Creed Unity - Used (Xbox One) — $9.99  (list price $40) Crimes and Punishments: Sherlock Holmes - Used (X360) — $8.99  (list $30) Laptop Deals 11.6" Apple MacBook Air, i5-4260U, 256GB SSD — $799  (list $999) 14" Lenovo Y40-80, i7-5500U, Radeon R9, 8GB, 512GB SSD — $749  (list $1,500) 15.6" Lenovo U530 Touch, i5-4210U, 8GB, 1080p — $599  (list $1,150) HDTV Deals 65" Insignia 1080p 120Hz LED HDTV — $699.99  (list price $900) 40" Samsung 4K Ultra HD 60Hz Smart LED HDTV — $549.99  (list price $1,000) 40" Samsung 1080p Smart LED HDTV — $489.99  (list price $600) 43" Insignia 1080p LED HDTV — $289.99  (list price $330) Accessories & Hardware Deals Crucial M500 Series SSD 2.5" 960GB — $289.99  (list price $520) XFX Double Dissipation Radeon R9 290X 4GB Video Card + Dirt Rally — $269.99  WD Elements 5TB External Hard Drive — $119.99  (list price $200) SanDisk Ultra II SSD 2.5" 240GB — $89.99  (list price $150)
Weekend Deals photo
Hide your wallets!
Unless you've been living under a rock, you probably knew that on Thursday the Steam Summer Sale kicked off. This Saturday marks Day Three of the sale with a new round of Daily Deals and Flash Sales coming at 1 PM Eastern. (W...

SSB DLC photo
Dreamland 64, Splatoon Inkling and more!
[Update: Even more information has been extracted and leaked from the update file such as Ryu's alternate colors, Roy's alternate colors, Dreamland 64 stage for Wii U, pictures of each new character's special moves inclu...

Payday 2: Crimewave Edition is yet another competent port

Jun 12 // Mike Cosimano
[embed]293774:58944:0[/embed] Payday 2: Crimewave Edition (Xbox One [reviewed], PS4)Developer: Overkill SoftwarePublisher: 505 GamesReleased: June 12, 2015 MSRP: $49.99 In Payday 2, you're a gang of criminals in Washington, D.C, intimately familiar with the ins and outs of crime and crime-related activities. You and three friends (or AI partners if that's how you roll) apply this skillset liberally, transforming places where once there was no crime into a veritable haven of villainy. In some ways, you could say the Payday Pals are some kind of wave...of crime. These dirty deeds range from bank robbery, to jewelry store robbery, to museum robbery, to art gallery robbery, to murder. To be fair, unless your team is quite good, each mission ends with a sizable body count, so there's murder to be found in just about every mission. This is a sticking point with Payday 2 -- it's very difficult to pull off a controlled heist. Even if you're rolling with a team of people you know and everybody's using microphones, there are still a lot of unknown factors and most of the best stealth gear is locked behind dozens of hours worth of progress. Since the core shooting is tight and responsive, stealth attempts quickly transitioning into explosive gunfights was never a genuine problem. At first blush, locking different approaches behind progression is at the very least disingenuous, but if you're going to be playing the game for that long anyway, rewarding time spent with variety is a smart play. But in this case, appreciating design must take a backseat to player enjoyment. Pistol suppressors -- a crucial tool for stealth missions -- are either the luck of the draw or hidden behind some labyrinth of menus. It's impossible to tell which. Although there's a limited pool of missions, I never saw them all in my 16 hours with the game. This is partially because I spent time grinding out shorter, easier missions for cash and experience, but there's still a fairly respectable amount of content available. Since Crimewave Edition comes with all the DLC released up to that point, there's a lot even beyond the missions. There's more guns, a new character class, and even new characters (including a female member of the Payday Pals, and the boogeyman himself: John Wick). Something also has to be said for the game's atmosphere. When the relentless, driving soundtrack kicks in right as a fresh wave of pigs rush your crew, it's hard to not get swept up in the moment. I'll always choose stealth over action, but I never felt the need to restart a heist in Payday 2 because I had grown accustomed to the combat -- it had become a regular part of life in this fictional capital. Maybe there's something there about the normalization of violence, about how the endless war of attrition between the law and those who operate outside it only serves to perpetuate a culture of death -- when the authorities perform a show of force, perhaps they are creating the very criminals they seek to apprehend. Look, there are a lot of re-releases in stores right now, and even more coming this year. More often than not, they are slight, if competent, upgrades from the last batch of consoles. They've got nothing on the PC versions, but not everyone can afford a monster rig. Payday 2 is reasonably engaging, and the Crimewave Edition works as advertised. The framerate is solid, which is a nice bonus. But this is still a slightly new wrapper on a two-year-old game. Know this, at the very least: if you choose to skip this game in the hopes of drawing a line in the sand regarding split-gen ports, there are worse titles to pass over.
Payday 2: Crimewave photo
Yeah, I'm thinking I'm back
Much like the president from Resident Evil 6, the last generation of games has risen from the dead to feast on the living. We’ve seen so many remasters, remaster collections, and straight ports in the past year that it ...

Podtoid 296: On Fleek

Jun 11 // Kyle MacGregor
NEW PODTOID photo
Welcome to The Donski Show
Podtoid is back with special guest Jeff Andonuts to discuss important world affairs like Fallout 4, whether the Lord of the Rings movies are better than the books, the virtues of mayonnaise (sorry Conor), Bloodstain...

Based on the new demo, I have a good feeling about Shantae: Half-Genie Hero

Jun 11 // Chris Carter
[embed]293784:58947:0[/embed] The first ever playable build of the game that's been released to the public features three levels -- a water ruins location, a desert, and an action sequence that takes place on a conveyor belt. The first two heavily feature transformations, which thankfully have returned after their absence in Pirate's Curse. For the first stage you'll have the opportunity to change into Shantae's classic monkey form, which can climb up walls and jump with ease, and on the second, she sports a crab transformation with heavy defensive capabilities. As always, her new forms are downright adorable. Unlike Mighty No. 9, which doesn't match its great gameplay with a similarly impressive visual style (it still looks a little bland), Half-Genie Hero is gorgeously hand-drawn. In other words, it looks almost exactly like the concept art: a rarity these days. It also plays great, as the simplistic three-button system (jump, attack, and dance for transformations) works perfectly even in this early build. I dig the bright settings, platforming design, and art direction. Get a look at two of the stages above yourself -- you'll have plenty of time to decide on whether or not to pull the trigger, as WayForward has made it clear that there is still no solid release window for Half-Genie Hero.
Shantae: Half-Genie Hero photo
Three levels in Early Access
Back in 2013, WayForward crowdfunded a new project by way of Kickstarter called Shantae: Half-Genie Hero, the fourth game in the storied Shantae series. It managed to raise almost a million dollars in funding, whic...

Combofiend talks Street Fighter V, and the importance of community

Jun 11 // Alessandro Fillari
In many ways, Street Fighter V seems to represent a culmination of many different aspects of the series as they're reaching a fever pitch. With the developers spending many years honing their craft, and the growing popularity of a community of fans that share their passion with others, the genre seems to be in the strongest state yet. In the last decade alone, popularity for the fighting genre exploded thanks to the Internet, and the sharing of many great moments from tournaments. During our chat, Peter "Combofiend" Rosas spoke about how Street Fighter V will bring together many different eras of SF fans, as this new installment will features elements they've come to love over the years. "Everyone is ecstatic about this game; the responses to the character reveals have been immense," said Peter Rosas while discussing the growing fan base. "The series has such a history, you have people from my era, the Street Fighter II dudes, the people from the Street Fighter III era in the early 2000s, and the people from 08-09 that started with Street Fighter IV -- we're all excited for this game. I'd say the excitement for Street Fighter is at an all-time high." Understandably, when there's a new installment to a popular series coming, people are curious about the changes and upgrades. While they're excited at the prospect of the new entry, there's still the budding anxiety of having to master a brand new system that may or may not contradict strategies they've spent years improving. In order to cushion this a bit, the developers took a long look back at the series and decided to incorporate elements from the past and re-contextualize many strategies and tactics into the new system in place here. Rosas elaborated that each character will feel more unique because of it. "What we did was look at all the good things we've done over the years versus all the things players didn't necessarily like, so there are SO many good things, positive mechanics that people loved over the years," explained Rosas. "So we wanted to focus on that aspect, while also having the game feel new and fun. We thought the speed from Super Street Fighter II Turbo was appropriate, so we sped the game...but then, we also wanted each character to feel like a unique experience. When we looked at the V-Skills, we saw an opportunity to see how each character will feel different." One of the more shocking announcements from Capcom, aside from the return of Nash, is that Street Fighter V will be a PS4 exclusive release on consoles. Understandably, this upset many fans who haven't taken to the new hardware yet, or just simply own an Xbox One. Though the title will also be released on PC, there's still that air of unrest, despite knowing that this title is developed with a partnership from Sony and Capcom. Thankfully, the folks working on the game hope to remedy things with the cross-play feature. Players will be able to compete against each other regardless of their platform, and do so seamlessly. "That was extremely important to us, to make sure that all the players are together," said Rosas. "Because previously, you had people on one console, then on another console, then 'PC master race' over here, but the way it goes is that that's never been possible before, and our partnership with Sony has allowed us to do so. We definitely want people to finally be able to compete; everybody is going to be able to play everybody and we'll truly see who the best Street Fighter is." Over the years, the FGC has grown in a big way, bringing together long-time and new fans to the series. However, there are many who feel daunted by the complexity of the genre and competing against more seasoned fighters. In Street Fighter V, the developers hope to balance things out as they focus on accessibility while maintaining the hardcore element. Rosas spoke about the brand new Variable System, which not only features a lot of nuance, but also gives newcomers more options to use against the vets. "[Accessibility] was the one thing we wanted to maintain. For this one, we wanted to make sure everyone could access all the cool stuff. That being said, V-Skills are just two button presses, but they are unique for each character. The V-Trigger is the strongest unique ability that's accessed by pressing heavy punch and heavy kick together, so anyone who may have been intimidated playing Street Fighter because they couldn't access all the things that guys with high dexterity could, they can now do that. It goes back to that old-school feel where a fireball and an uppercut and pressing a few buttons could win you a few games. It goes back to the basics where you can just concentrate on the core mechanics, where it becomes a mind game versus more of a dexterity game." Obviously, one of the most talked about aspects of any Street Fighter is the roster. And with this title setting itself at an interesting point in the SF timeline -- and yes, I tried to ask when but they wouldn't spill the beans -- it's making everyone very curious to see who will pop up next. The folks at Capcom have clearly been listening to what fans want to see, especially after conducting surveys and other forms of outreach. Though they obviously can't say who will show up next until they're ready to, Combofiend did share some thoughts on the developers' rationale and thought process behind the roster for SFV. "We looked at a variety of sources,  but we wanted to make sure that with the roster we selected, it was characters that people would enjoy and it would be fighting styles that would be properly represented in the game, and also to make sure that everything put into the game had meaning. " He elaborated that even the returning characters, some of whom have been present since the beginning, will feel new in the fifth installment. The Variable System aims to reinvigorate the classic SF formula substantially. "We wanted all the characters to feel fresh, and to feel familiar," he explained. "Ryu still has his fireballs, Chun-Li still has her hundred kicks, but at the same time, we wanted [them to be] unique to Street Fighter V. So when were looking into the V-Triggers, we thought 'What would be really appropriate for the characters?' [...]We made sure that all the abilities played to the characters and their personalities." I was pleasantly surprised by his frankness regarding the scope of the game's ambitions, while also discussing the importance of community. Given his deep ties to the FGC, and that they've been helping to keep the series relevant for all these years, there's a clear respect for the fans who have spent so much time with the titles. While there's still many details we don't know about, the folks at Capcom assured us that it's important to keep things a surprise. Though it's still a ways out, Street Fighter V is shaping up to be an exciting title. I was eager to go hands-on with the title before E3, and I wasn't alone in saying that they've got quite a title on their hands. The fans are going to have a field day analyzing all the details and speculating what's in store. I'm very anxious to see what Capcom reveals next. For more info on Street Fighter V, check out my hands-on impressions of the game. 
Street Fighter photo
Variable System aims to change the game
In case you missed it, I had a blast playing Street Fighter V. I spent three hours playing against other journalists and developers from Capcom, and I learned so much about what this new title is all about. Given that they've...

My first three hours with Street Fighter V were immensely satisfying

Jun 11 // Alessandro Fillari
Street Fighter V (PC, PlayStation 4 [previewed])Developer: CapcomPublisher: CapcomRelease date: TBA 2016 Once Street Fighter V is released, it'll be looked back on as a point in the series for many firsts. For starters, SFV is the first title in the series that will be available on only one console, but will also feature cross-play with the PC release. This is a big thing, as each platform for the previous installments tended to build its own microcosm of players. Not only will they play against each other, they'll share the same patches and updates, which will keep them together and competing regardless of the platform they choose. Moreover, Capcom is ensuring that online play will smooth and swift as ever with its new proprietary netcode called Kagemusha. Using some sophisticated rollback-based netcode, the developers are invested to ensure that the online play is consistent and hassle free. This is also the first in series to utilize the new and ever-versatile Unreal Engine 4. Though there were some concerns about whether or not Unreal could handle a title as twitch-based as SF, given the past iterations of the engine had difficulties with rendering and maintaining a solid frame rate, thankfully my time with the new fighter has made me a believer in the tech employed here. Not only are the visuals incredibly sharp and full of vibrant colors and details, the performance is rock solid. Simply put, this is the best Street Fighter has ever looked, and these images, nor the trailers, can match having the game played right in front of you. But enough about the fancy visuals; you want to hear how it plays. Of course, with every follow up to a massively popular and well-loved title, there comes the ever important question: what did they change? As you could likely tell from the trailers, Street Fighter V looks very similar to its predecessor, taking advantage of the same mechanics, like EX moves for instance, but also the similar focus on defensive gameplay (SFIV's Revenge Gauge). Street Fighter V definitely maintains those elements, but does them in a way that makes them feel unique to this installment. For instance, the Super Moves have now been upgraded to the new Critical Arts, which still require full EX Meter. While many of the signature moves are the same (Ryu's Shinku Hadoken and Chun-Li's Hoyokusen, for instance), the Critical Arts are more deadly and flashier than the supers of past. What I was surprised most by was that it goes further and features echoes to past SF titles -- even some influences from Street Fighter III and the Alpha series. While I initially thought they were just call-backs relevant to the characters (particularly the appearance of Nash), I found that the developers have essentially incorporated many elements that were successful from past titles, sometimes re-contextualizing them in interesting ways. After playing SFV, it was readily apparent that the previous trailers and footage we've seen haven't done the game justice one bit. Especially when you realize that they've been keeping one of their game-changing mechanics a secret. And it's one of the most interesting, engaging systems the series has seen in a long time. With the new Variable System, fighters can take advantage of multiple tactics and abilities that stem from the V-Gauge, an evolution of the Revenge Meter. As they build up bars of the gauge from taking damage or executing special V-Skills (character-specific support moves activated with MP+MK), they can use moves such as the V-Reversal, a powerful counterattack activated while blocking and pressing all punch or kick buttons (at the cost of one V-Gauge bar). But once you max out the meter, you can activate the special V-Trigger (HP+HK), which brings out the fighter's true potential. Despite some speculation, V-Triggers are not stance changes. The Trigger puts the fighters in a unique state for a short amount of time, where they can take advantage of unique buffs and some modified moves. Each character has their own unique take on the Variable System, which not only adapts to their own style, but does a lot to flesh them out. During my three hours of play, I got the impression that Street Fighter V is planning on enhancing the in-game narrative a bit by reflecting more of personality in the gameplay than ever before. For instance, Ryu's take on the system is influenced by his experience as a world-traveled warrior, and during his time, he's educated himself on different fighting styles, giving him the knowledge on how to best confront whoever he faces. In order to give you a better idea of what the Variable System is like, I'll be giving you an overview of things for the four playable characters we know of so far. Starting with Ryu, his V-Skill, called Mind's Eye, brings the return of the legendary Parry mechanic from Street Fighter III. For the novices out there, Ryu can time his skill at the exact moment of contact to block off enemy hits with no chip-damage -- and yes, it can be used for successive hits. Though in order to keep it balanced, it's unusable in the air. Once his V-Gauge is maxed out, he can activate his V-Trigger Denjin-Renki, imbuing him with a powerful aura for a limited time and grants him the ability to charge up his fireballs, giving them guard break potential. Also, his fireballs are given lightning properties, and when they connect you'll see brief flashes of the enemy's skeleton. It's a neat visual callback to SFII. Chun-Li's Variable mechanics focus on her maneuverability and dexterity during battles. As one of the more agile and aerial gifted fighters in the game, her Variable moves play on her strengths in a big way. For instance, her V-Trigger ability Ren-Kiko puts her in a powered-up state and gives her special moves extra hits. Her V-Skill, called Ren-Kyaku, is essentially a command jump that allows her to manually jump in any given direction. While this may seem like an odd skill, this command jump causes damage while leaving the ground and gives her ease of movement for some exceptional cross-up potential. The guys from Capcom I played against used Chun-Li quite effectively, and I left in awe of her acrobatics. It even made me want to shout out 'eh, eh, eh!' during her air juggles. Next up, we have the return of Guile's mentor and best friend Charlie. Since his last appearance in Alpha 3, things aren't the same for Charlie, who now goes by Nash. His new look shows that he's a changed man after his experimentation and torture by the hands of Shadaloo, and many of his former abilities have been modified, adopting a focus on swiftness and gap-closing maneuvers. His V-Skill, known as Bullet Clear, allows for him to absorb incoming projectiles and turn them into energy for his V-Gauge. For his V-Trigger, Nash does something a bit different. While many other characters enter a timed state that enhance moves, his trigger allows him to instantly teleport to a desired direction at the cost of his V-Gauge. Though this may seem a bit hefty of a cost for a teleport move, his V-Trigger can open up foes to a world of hurt if timed during a barrage of projectiles, leaving them vulnerable from behind or even in the air. By far, I had the most fun with Nash. He feels totally different from before, as his previous incarnations borrowed from Guile's moveset, and I'm pleased to say that he's truly come into his own for SFV. Lastly, we have M. Bison. As the main villain for much of the series, he's seen a bit of an upgrade since his last appearance. While older and a bit slower than his previous incarnations, he's still got plenty of tricks up his sleeve. With a far more menacing appearance, the leader of Shadaloo uses his Psycho powers to a far deadlier effect. With his V-Skill, called Psycho Reflect, he's able to conjure up a field of energy to bounce back projectiles and force them back at his enemies. As a charge-focused character, also sporting a modified movelist, this comes in handy when dealing with projectile-heavy opponents. With his Psycho Power V-Trigger, his abilities come into full effect, granting him increased speed and damage for special moves, and replacing his standard dash with a short-range teleport. I was impressed with what the Variable system brings to the table. In Street Fighter IV, the Revenge Gauge was only used to build your Ultra Combos, which for a lot of the skilled players often went unused. Thankfully, Street Fighter V makes better use of the mechanic here by making it a more active element during fights. The system added a whole layer of nuance to an already tried and true system, and I was super pleased with how easy it was to pick up. Though you've likely seen the phrase "easy to learn, difficult to master" thrown out a lot for games, I feel SFV lives up to that in a big way. I suspect many of the pros and hardcore fans will have fun analyzing the depths of the Variable System. It should be stated again at how gorgeous this game looks in motion. The frame rate was solid, and the new visuals have given the characters a greater level of detail. Though in some spots, it's clear that the game has still got things to work on. During the London stage, which looks incredible by the way, the background visuals didn't quite match up with what was going on in the foreground. For one, the frame rate was a bit off with the background action, which became a major distraction during battles running at 60 frames per second. But of course, this title is still a ways off, and it'll likely be cleared up before release. I have fond memories of growing up with Street Fighter II back in the day, and although I've kept with the series since, there were only a few titles that really blew me away and actively got me to up my game in order to compete with friends. Now am I saying that SFV matches those moments I had as a kid? Of course not. I only played a few hours of an unfinished build without the complete roster, after all. But what I did play showed a ton of promise, and honestly, I haven't felt this excited about Street Fighter in a long time. It's a great feeling having a new game in the wings, and I'm just itching to get back into the thick of it. Be sure to check back with Destructoid during the week of E3. We'll likely see more exciting titles from Capcom at the show. It's certainly going to be a good lineup this year.
Street Fighter V photo
Kick, Punch, it's all in the mind
After nearly thirty years, the Street Fighter series has still been going strong. With more incarnations than most people can remember, the series is seen by many as the quintessential example of what the fighting game genre ...

Review: The Next Penelope

Jun 10 // Chris Carter
The Next Penelope (PC [reviewed], Wii U)Developer: Aurelien RegardPublisher: Plug In DigitalMSRP: $12.99Release Date: May 29, 2015 (PC) / TBA (Wii U) It's the year 3044, in Ithaca. Odysseus has been away at sea for 10 years, and his kingdom is now under attack by Poseidon, father of the Cyclopes race. As a result, it's up to Odysseus' wife Penelope to find him. If you couldn't tell by the year marker, all of this is set to the tone of a futuristic epic -- spaceships are prevalent throughout Penelope's universe, and Poseidon is basically a member of an alien race. A lot of people probably won't even pay attention to the ties to Homer's Odyssey, but it works for the most part. All of this setup brings us to the main event -- racing. Yep, somehow, someway, this is a classic top-down racer reminiscent of the Micro Machines games or Blizzard's Rock'n'Roll Racing. As such, the visuals are retro-centric, and I have to say, they look excellent. Everything from the animated anime-like portraits during cutscenes and the colorful, flashy in-game graphics are painstakingly detailed. The controls take no time at all to learn, as they mostly consist of just altering your direction by way of the arrow keys or the gamepad's triggers, but they'll take quite a while to master. Acceleration is automatic, but weapons and power-ups can be enacted by pressing a specific button (in the case of a keyboard, the up arrow). These range from things like boosts to bullets, which you'll often need to blow away enemies or blast through hazards like boulders. They're fun to use, but since the general gameplay is so fast, they don't have as big of an impact as they should. [embed]293674:58914:0[/embed] Power-ups also bring another classic racing mechanic into play -- energy zones from F-Zero. While micromanaging your abilities, staying on track, and fighting off foes, you'll also have to occasionally steer yourself into the way of energy areas to sap up more power-up meter. It's fast, frantic, and fun, especially since individual stages are roughly a minute or two long. What's amazing to me is that The Next Penelope hosts a four-hour campaign. Heck, with its old-school flair it didn't even really need to go this extra mile, but it did. The campaign is even further augmented by a full galaxy map, the power to choose what stats to level-up (including upgrades to steering, defensive capabilities, and more outwards camera zoom). Boss battles on top of all this madness make things even more interesting, turning the game into a full-on shooter. It's crazy how much variety there is. The four-person multiplayer mode also has a mini-story involving Penelope's suitors, who are battling each other for glory. It's not a fully-fledged campaign or anything, but it's a neat little way to justify its inclusion. The gist is that all four racers, CPU or player-controlled, are attempting to blow each other up while they struggle to stay on one screen. If you're left behind, you're dead, and the last ship standing takes it all. It's a good old-fashioned slugfest across nine maps, and given the way it works, all four players can feasibly share the same keyboard. It's important to note that no online play of any kind is supported. The Next Penelope is a blast to play on PC, and will probably be a massive hit at parties when it arrives on Wii U later this year. It's a shame more old-school racers aren't around, but with games like this and 90s Arcade Racer, the scene is seeing a revival that brings a huge smile to my face. [This review is based on a retail build provided by the publisher.]
Next Penelope review photo
My, how mortals take the gods to task
If I told you that I wanted to mix Greek mythology with the racing and shoot-'em-up genres, you'd probably call me crazy. But that's just what developer Aurelien Regard did with his one-man show The Next Penelope, and for the...

Abzu preview photo
Swim with the fishes
Decades of classical conditioning have trained us to abhor water levels. The likes of Super Mario Bros., Sonic the Hedgehog 2, and Ocarina of Time hold strained memories of great games gone awry, if just ever-so-temporar...

Sneak king: 14 hours of Metal Gear Solid V: The Phantom Pain

Jun 09 // Steven Hansen
[embed]293558:58900:0[/embed] There is a reason I am excited about Snake's horse having a poop button and it is not only that I am a dumb idiot. While I never managed to confirm, I am sure that you can do something like strategically place poop so an enemy walks into it and stops, or maybe slips. Because things like that are what elevate Metal Gear Solid V above typical stealth and/or open-world titles. It's the idiosyncrasies, like calling in a supply drop from Mother Base right onto the head of a stationary guard, knocking them out. It's knowing winks like hiding in a PS4 cardboard box, or the ghost from PT being an item, or a spoken, in-universe tutorial where you're told fourth wall breaking things like "press X" while under extreme virtual duress. The opening segment, which has mostly been covered in diced up trailers, stuck with me in hindsight for how long it goes on with you controlling a crawling, limping Snake in the under siege, burning hospital. It's a while before you're given any power back (guns or even the ability to walk properly), which I appreciated. Kojima ratchets up the direness here, too, as loads of hospital patients get brutally murdered all around. The meat of Phantom Pain opens after this mix of spectacle and terror with a trip to dusty Afghanistan to save Miller that ends in a frightening [redacted]. This plays similarly to Ground Zeroes, of course, but with a horse and more scouting and enemy tagging to do. I wormed my way up to where Miller was captive, climbed up a crack in a building, and jumped from one roof to another to neatly sneak in. Carrying a less-limbed Miller out did get me plenty shot up, but a whistle for my buddy D Horse got both of us out of there quickly. Back on Mother Base, the structure becomes clear. There are main missions you must travel to (by helicopter to a nearby landing zone, or on horseback/by ground vehicle) and they are not all story heavy, though you're always treated to beginning and ending credits, as if each mission was a TV episode, just in case you forgot that this was directed by Hideo Kojima. One mission simply tasked me with rolling up on a compound and assassinating three Russian officers. I fulton'd them all -- attached balloons to them to send back to Mother Base -- against Miller's wishes instead, which proved wise as the officers had some high statistical aptitudes. These poached soldiers fill out your private army and get cool names like Blue Mastadon. Eventually you can scan them ahead of time to know which have high stats, or you can sometimes interrogate soldiers into informing you if an en elite operative is nearby (provided you've acquired a translator for your support team, as Snake's language skills are limited). [embed]293558:58893:0[/embed] It's a lot of contract work in addition to the narrative goal of stopping the Hamburglar-masked Skull Face and generally figuring out what the hell is going on with things. I was actually a bit surprised by how infrequently missions came with cutscenes or main story ties. Sometimes they open up three at a time and you can take them on in any order. You can also choose to repeat a mission at any time if you want to aim for a better performance ranking. I did this with a prisoner extraction mission I had previously finished, but barely. Turns out using the Phantom Cigar to speed up until nighttime, coupled with the night vision goggles, made that particular mission a five minute cakewalk. Going at it in the day led me to enough deaths that I was offered the Chicken Hat, which makes things easier and slows down enemy reaction time. Other dynamic weather events -- rain or sandstorms -- can also come into play, sometimes not at opportune moments. The low visibility caused by sandstorms helped me a few times, but also led me to walk right into an enemy soldier, once. There are also useful side missions that pop up for you take at your leisure, often en route to the next mission point. The Afghan desert is huge, but much of the terrain is empty or cordoned off by mountainous areas or steep cliff sides that encourage you to use the main roads. These roads are littered with enemy outposts, however, often with small platoons of three to four and a watch tower. Sneaking through them isn't too tough, because often you can take a longer loop around them, but they often house collectables (you can pinch a huge assortment of music from enemy tape players) and valuable resources that tie into the upgrade system. Oil, alloys, raw diamonds for straight cash, plants to upgrade the sleeping toxin in Snake's tranquilizers or the time-shifting Phantom Cigar -- you'll be scooping up all of it, though other means of acquisition open up when you can start sending squads out on missions. Plus, those posts are full of soldiers to abduct and, after you upgrade your Fulton balloons, things like heavy artillery to nick. [embed]293558:58895:0[/embed] Everything you Fulton, barring bad weather or bad luck with nighttime visibility, ends up back at Mother Base, which is large enough, especially once you get construction going, that you can actually take a helicopter to other parts of it. Or you can take a long, straight drive in a jeep. Going back to visit helps your troops' morale. They're also proud and happy to have you practice your close quarters combat on them at any time. During my lengthy hands-on, I never got to the point where my Mother Base came under attack, though that's supposed to be a big part of it, up to the point where you can consider nuclear capability as a defense. It's worth noting that 14 hours or so with Phantom Pain and I didn't feel close to finished. Back at Mother Base, I was still building an animal sanctuary (necessary to house all the wandering sheep and other creatures I kept bringing back) and trying to get an imprisoned, sun-bathing Quiet as a deployable buddy like D-Horse and Diamond Dog (the adorable wolf pup that grows into a super-scouting badass). She just sat in the cell, face down, top undone (got to watch those tan lines) listening to tunes from an eclectic, amusing soundtrack. Adorably, construction scaffolding on Mother Base is all stamped with a picture of a dog in a hardhat with a pick axe. It's the little things. Like changing my Diamond Dogs logo from a boring, stencil font "DD" to a cool ass octopus emblazoned with the words "VENOM WOMAN." You can even paint Mother Base if that Giants-orange is too much for you. I find a tasteful dark blue goes well with the sea. My favorite Mother Base quirk so far, though, is the giant shower Snake can jump into to come out feeling refreshed. It also washes off all the blood that accumulates on him while out on missions (if you end up getting shot, at least). [embed]293558:58891:0[/embed] While there are reasons to return home, you can manage a lot of Mother Base, like troop allocation and base development, while out in the field through the iDroid. It also acts as Snake's cassette player, useful for Codec-replacing heaps of exposition, which is just about the only place I heard Snake do much talking.  From the iDroid you can also develop new or better versions of weapons and items. There are upgraded critter traps, different abilities for Snake's robot arm, enhancements to the binocular scanner, extra Fulton balloons to heft heavier weight. I mostly played with a stealthy approach so I didn't dabble much with the vast assortment of snipers, machine guns, or rocket launchers you can call in. Nor did I ever run up on a lack of funds that would prevent re-supply drops of my own essential Fulton balloons and tranq darts, but the fact that you have to call in and then get to the supply drops means that the feature rarely made things too simple. Especially because missions often end up in close quarters or indoors where a supply drop would be useless anyways. I was impressed by how naturally set piece sort of areas exist in Metal Gear Solid V's world. There are long tracts of dusty road, vast open desert, but suddenly you stumble upon an enormous, imposing compound. In the case of one early mission, it was an Uncharted-style winding, honeycomb-esque historical labyrinth, which you get to by creeping through an excavation camp. There are mission areas that would feel like obvious "levels" elsewhere, but here they mesh cleanly with the open world. Just starting or ending a mission (the latter, usually by reaching a helicopter and flying out in real time) is seamless and the day/night cycle persists in cutscenes. I did hit one snag with this open-world structure, though. When you start a mission (or side-mission), you're then restricted to a "mission area." Leaving it ends the mission. I only ever noticed after one challenging mission that ended with [redacted] and [redacted] coming up on [redacted] and holy hell [redacted] -- anyway, towards the end I tried to hightail it on my horse, but I ended running clean through the mission area and having to start from way, way back. It wanted me to sneak to a nearby chopper extraction point instead of just racing to safety and calling one in. This is, incidentally, when I noted the cutscene and subsequent segment I originally did at night now took place during the day. [embed]293558:58892:0[/embed] Phantom Pain feels like the freshest, most distinct use of an open world since Far Cry 2 and it does this without sacrificing the cozier feeling of the series' past level design. While I can't say anything about the story, I don't actually know much at this point, either, besides various "holy shit" moments that have only raised questions. It's appropriate, then, that this Sutherland-voiced Snake speaks sparingly. He always seems sad and a little bit confused, retreating into the rote, work-like task of soldier stuff hoisted upon him by Ocelot and Miller, who seem to be a bit at odds with each other as well.  While Ground Zeroes' sadistic storytelling might raise concerns over how this extra grim tale will play out (Snake is basically a devil what with the horns, the intro is pure brutality before giving way to surreal insanity, there's still a whole thing about child soldiers at some point), I've come away nothing but impressed with Phantom Pain. I don't miss codecs, I don't miss Hayter. I've embraced the open world, I love the tangible Mother Base. And I feel like I've only scratched the surface. There's so much more to do. I've barely used the cardboard box -- you can leap out the sides or hang out in delivery zones and actually have enemies unwittingly pick you up and drive you into outposts. I haven't used to inflatable decoy to bop someone off a cliff. In a world of blockbuster clones and genre convention, Metal Gear Solid V manages to feel fresh. I can't wait to get someone to slip on my horse poop.
First hands-on! photo
First hands-on with Metal Gear Solid V
Trailers from as far back as two years ago offer evidence enough, though. Do you all remember the giant, on-fire man supplanted in malevolence seconds later by the even more giant, on-fire whale careening through the sky to ...


  Around the web (login to improve these)




Back to Top


We follow moms on   Facebook  and   Twitter
  Light Theme      Dark Theme
Pssst. Konami Code + Enter?
You may remix stuff our site under creative commons w/@
- Destructoid means family. Living the dream, since 2006 -