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Review: Warhammer: End Times - Vermintide

Oct 26 // Joe Parlock
Warhammer: End Times - Vermintide (PC [reviewed], PS4, Xbox One)Developer: FatsharkPublisher: FatsharkReleased: October 23, 2015 (PC) / TBA 2016 (PS4, Xbox One)MSRP: $29.99 Vermintide is set in the underused gothic End Times setting of the Warhammer universe, where the city of Ubersreik has come under siege from a rising army of Skaven (rat-men). Taking control of one of five different character classes, four teammates can fight their way through 13 different missions. Vermintide’s writing certainly isn’t going to win any awards: each mission is very loosely connected by a pretty unimportant story that serves purely as exposition for the level about to be played and not much else. To take out the Skaven, each class has a huge array of different weapons and equipment to choose from. Some, such as the elf and the mage, rely more on ranged tactics, whereas the likes of the dwarf and the old mercenary are more able to get up close and personal and do some real damage with melee weapons. Each class serves their own role, and no matter what combination of the five a team has, they all mesh well together to ensure no one character is carrying the others. Melee combat feels meaty and bloody, and despite it ultimately comes down to mashing one button until everything is dead, it feels a lot more involving than that. Once I had mastered the timing required for blocking, I was going toe to toe with even the strongest enemies and coming out on top, and god damn did it feel good. It’s nowhere near as complex Chivalry or Bloodborne, but Skaven were turning into puffs of red mist and piles of giblets left, right and centre, and for a brief time I was a rodent-killing god to be revered and feared. There’s great variety to the different stages, and it's obvious Fatshark know how to make use of environments to make the co-op play interesting. From trudging through the city streets, to wading through the swamps toward a Skaven camp, each level feels unique and manages a decent balance of linear chokepoint corridors with some fantastically complex larger areas to make sure no environment grows stale. For example, one mission takes place entirely in one big area where the team are scrounging for barrels of what I assume is gunpowder. The different platforms turn the space into a vertical maze of ramps and ladders that mean they can be fatally separated in a very short distance. Good stuff. Once they’ve succeeded, the entire team are rewarded with random pieces of loot, decided by a dice roll. The character progression of Vermintide is one of the biggest differences between it and similar titles. In a way, it works a lot like Team Fortress 2’s massive array of items: much of the loot available works as more of a ‘sidegrade’ than an upgrade. Most items aren’t categorically better than an item you already have, but may mesh better with your preferred playstyle. For example, my fire mage has two staves I like to swap between: one functions as a shotgun, with a focused beam as a secondary attack to take out further enemies; the other feels more like a rifle with faster more precise shots, and as a secondary it has a large short-range area of effect attack. Neither is better than the other, but I really have to change how I play depending on which I choose to use in a mission. There will, of course, come a point where I am vastly over-leveled for them, but by then I’ll have a whole new group of staves to pick from. The chances of getting the loot you want in the dice roll can be improved through collecting grimoires, tomes, and extra die scattered around the mission. The catch here is that these two item types take up space that could be used for precious healing items. They add a degree of risk vs. reward to the game, as those who replay levels with a more gutsy approach will net better rewards than those who play super conservatively. It’s a cool system that can really pull teams together, knowing there will be tangible rewards for covering each other in the long run. Unfortunately, these are just extras. When you strip away the superfluous bells and whistles and get down to just killing the shit out of a horde of Skaven, what you’re left with is a game that is ultimately treading into the same territory we saw years ago. Vermintide doesn’t wear its influences on its sleeve; it wears them as a full lycra bodysuit that leaves nothing to the imagination. For starters, the Skaven’s AI is pretty much the same as any zombie game’s ever: they spawn, they’ll rush towards you and will keep hitting you until they die. I get rat-men wouldn’t be the most intelligent thing in the world, but if they’re smart enough to make armour and formulate tactics (stopping which is the basis for many of the missions), then surely they’d know how to freaking flank every once in a while? Most of the stronger boss type Skaven have an L4D analogue: the sneaky, pouncing Gutter Runners are practically Hunters, Pack Masters can pull players away from their team just like the Smoker, and the Ogre Rat is the literally just the Tank with a rodent face stapled on Silence of the Lambs style. That lack of originality extends to the missions too. While the environments are brilliant, the way levels progress feels exactly like Left 4 Dead. You’re tasked with moving through an ultimately linear space while fighting back against procedurally spawned hordes of enemies, with supplies and more intense ambushes happening at the drop of a hat. Eventually, you and your comrades will come to a conclusion that generally involves holding out against an extended onslaught of enemies before escaping to an extraction point. If it’s not that, your team will be tasked with going through a slightly more open area to collect a predetermined amount of a certain material, all while surviving against the hordes of enemies. Even the teamwork mechanics are the same as Left 4 Dead. If a teammate takes too much damage, they will become incapacitated on the floor until someone can get them up. If they happen to die while incapacitated, they will spawn a little later in the level to be rescued by the remaining members. Players can even become incapacitated by dangling over deadly drops, waiting for someone to pull them up. Identical to Left 4 goddamn Dead. As I have said, I adore that series. It’s got hectic shooting, combined with a necessity for tight teamwork that can really pull even total strangers together. Dispatching hordes of zombies in a gory fashion with a variety of weapons and in a variety of locales always made going back into the game just as fun as the first time, and Vermintide very much feels the same way. Except Left 4 Dead 2 came out six years ago, and it shows the few improvements its made over its most obvious inspiration just aren’t enough to let it stand on its own merits. Unoriginality aside, I also noticed a fair few technical problems with Vermintide, especially when it came to the backend server that manages the character progression and matchmaking. There were relatively frequent periods of downtime, or times where matchmaking would take far, far longer than normal. Fatshark have managed to keep on top of most problems, and seem to be fixing them quickly in the days following the game’s release, but they’ve still been prevalent enough to get in the way of me playing the game. Ultimately, Vermintide is more than the sum of its parts. It has wonderful visual direction and level design, with a character progression system that made me want to carry on grinding for new loot just to see what options it’d open up for me. The combat is satisfying, and the way teamwork is encouraged meant I managed to connect with total strangers in ways I haven’t had the chance to for a very long time. I wasn’t getting annoyed at random people on the internet, for the duration of that mission they were my teammates, and even things like Payday haven’t managed to give me that feeling. I’ve had a lot of fun, and certainly don’t regret any of my time with it. I absolutely recommend anyone who enjoys co-op FPS to give it a try, because it might well be the best to have come out in a long time.  I just wished that Fatshark had tried to be as original in the gameplay as they have in the visual direction. At times, it just felt like I was playing a mod, and depending on how you look at it that’s either the biggest compliment or the absolute worst thing I could say about Vermintide. [This review is based on a retail build of the game provided by the publisher.]
Vermintide photo
I feel like I've done this before...
Left 4 Dead is one of my favourite games. The summer of 2009 was spent staying up until five o’clock in the morning, playing the same campaigns with the same group of friends, and it was by far the most fun I’ve e...

Aurion photo

African-developed Aurion: Legacy of the Kori-Odan looking for funds on Kickstarter

Developers are from Cameroon
Oct 08
// Joe Parlock
Aurion: Legacy of the Kori-Odan is an incredibly interesting game. It’s billed as an “African-fantasy action-RPG,” putting a lot of emphasis on combos and combat while also having a setting based on African...
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Kingkiller Chronicles

There's a Kingkiller Chronicle game in the works

The Game of the Wind
Oct 02
// Darren Nakamura
Behind George R. R. Martin's A Song of Ice and Fire, Patrick Rothfuss's The Kingkiller Chronicle is probably the most well-regarded current fantasy book series. The former has had plenty of games based on it at this point, in...
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Divinity redux

Divinity: Original Sin should be the next great couch co-op game

Enhanced Edition coming to consoles
Sep 23
// Jordan Devore
If I'm going to play Divinity: Original Sin -- and I'm told that I absolutely should -- I'd prefer to do so cooperatively on a single screen. That's the topic at hand for this Enhanced Edition trailer. To recap, Enhanced Edit...

Total War: Warhammer's Dwarven faction shakes up the battlefield

Sep 16 // Alessandro Fillari
[embed]310625:60354:0[/embed] The developers have been keeping things pretty close to the vest when it comes Warhammer. While we've already seen the Empire and Greenskin armies in action, they've been very hesitant to share any details about the Dwarf and Vampire factions. As each army will have its own unique settings, politics, and overall feel from one another, Creative Assembly wanted to make sure it nailed its approach before showing it off to the world. Our session focused primarily on one of the earlier skirmishes in the Dwarven campaign. During the Ambush at the Thunderfalls Pass, the faction's underground networks have been breached by the Greenskins, and it must drive them out in order to keep its most secure and valuable asset in Dwarf hands. Unlike the other Total War titles, Warhammer has deeper ties to a general narrative during the campaigns. While you'll still have plenty of leeway into how you build the factions up, there will be several moments in the faction's plot that will affects several key characters from Warhammer lore, but will also change the course of your campaign. For the Dwarven faction, a great empire lies underground and they've built a network of tunnels to travel vast distances, transport supplies, and surprise enemies forces from beneath the earth. From underground skirmishes, to using the tunnels for trade during nation-building, the burly and stout faction will use the subterranean realm to strengthen its empire and debilitate foes. But given how valuable of a resource these tunnels have been to the Dwarfs, it's no surprise the other factions would want to take it for themselves. The Ambush at Thunderfalls Pass served as a great opener to not only the new field of war, but also to see how Warhammer made the transition to Total War. Despite the tonal shift and massive change in setting, battles should be quite familiar to those who've sunk hundreds of hours into the RTS series. Players control various types of ranged and melee units to engage the enemy and complete objectives. Along with a brand new mechanic called the Grudge system, which adds dynamic challenges based on how effective your attacks and strategies are against the opposition, the battle mechanics have evolved in this entry. With the fantasy aesthetic in full swing, the developers have gotten creative in implementing the classic Warhammer archetypes and lore into the Total War gameplay. Each faction possesses its own unique Hero classes, who are not only important to the faction's narrative, but also provide special skills and abilities to battles -- and many hardcore Warhammer fans will undoubtedly recognize a few of them. During this battle, the Dwarven units were accompanied by High King Thorgrim Grudgebearer, the ruler of the Dwarven capital city, who wielded a enchanted tome that allowed him to buff nearby units. Another Hero character with the army was Thane, a melee champion that was at his best when rushing into the thick of it. In addition to the large number of units, the hero characters add a lot of nuance to battles, as their special skills can seriously make or break a battle at critical moments. During one moment, a remote melee unit of Slayers was getting pummeled by Greenskins, but moving Thane close enough to their position allowed the Slayers to become imbued with his special melee buff which boosted their abilities and slaughtered their foes. It's important to remember that each faction always has ways to deal with the opposition, but you'll have to stay on your toes in order to keep one step ahead of the enemy. I was fortunate enough to test out the same map on two separate difficulty modes, Normal and Hard, and each skirmish field will have varying difficulties to spice things up. Hard mode makes your opposition far more aggressive and cunning, which will be a welcome option for those who want their battle knowledge to be put to the test. But of course, the thing that interests Warhammer fans the most are the faction characters. During this skirmish, we were given access to a number of unique classes from the Dwarven faction, with many more yet to be unveiled. Just as you would expect, each unit has its own special strengths and weaknesses, and they're at their best when combining efforts with different classes. From Dwarf Warriors, Longbeards with Great Weapons, Slayers, Iron Drakes (flamethrower units), Quarrelers and Thunderers (both ranged), Siege Weapons, and even Gyrocopters -- the Dwarfs' knowledge of tech and terrain are their greatest asset, and it totally comes out in the combat style and strategies they employ. I was impressed with the rich detail and visuals during the battle. With the awe-inspiring setting, and the detailed characters and animations, I had a lot of fun just watching the action unfold. Just like in previous titles, you can change camera and get much closer to the action with cinematic camera angles and wide-shots of the battlefield. It can't be stated enough at how much of a looker this game is. I spent a good amount of time just staring at the detail of Thorgrim's character model, which showed his throne being carried Dwarf servants. The developers nailed the visual aesthetic, and when Warhammer fans aren't winning battles, they'll be geeking out over the details of the world and its characters in-game. As the members of Creative Assembly stated during our session, Total War: Warhammer still has a ways to go during its development, but it's looking sharp at this point. The action was fluid, and the visuals were very impressive. The high-fantasy setting shines within the Total War brand, and with the core gameplay of the nation building still yet to be seen, more of the Warhammer universe will become unveiled in the coming months. I'm still looking forward to the day they reveal the Vampire faction, which the devs claim are very different from the others, but until then, the Dwarfs have got plenty of firepower and brute force to stand up against whatever comes their way.
Total War: Warhammer photo
Heigh-ho! It's off to war we go
Back at E3 2015, I got a special sneak peek at the upcoming Total War: Warhammer. The pre-alpha footage we were shown featured an intense battle between the Empire and Greenskins, and each side brought their largest weapons a...

Myst show photo
Myst show

Tell your uncle! Hulu is eying that Myst TV show

Seriously, go tell him
May 06
// Jordan Devore
It sounds like that show based on Myst is one step closer to happening. Legendary Television has the rights already, with Evan Daugherty (Divergent) writing and Matt Tolmach (The Amazing Spider-Man) producing. According to De...
Dragon Age DLC photo
Dragon Age DLC

Dragon Age's Dragonslayer DLC is all rather elementalry

Right away, great Captain Planet!
May 06
// Brett Makedonski
The casting sheet for the Dragon Age: Inquisition multiplayer DLC has been posted, and the lead roles go to three new characters with formidable skills. They'll need those skills for kills (Agent) because dragonslayin' ...
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Trine 3

Trine 3 is happening and it sure looks pretty

If at first you do succeed, Trine Trine again
Mar 02
// Darren Nakamura
It has been a long time since the original Trine came out. Heck, in the years since Trine 2's release, the series has faded from the spotlight. Frozenbyte has still been at it, and it shows with this announcement trailer for...
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Guild Wars 2

Guild Wars 2 adding first-person mode

Eat your heart out GTA
Feb 26
// Robert Summa
Typically, MMOs are third-person affairs and for good reason. Whenever you find yourself in any dangerous persistent world, you want a good idea of what's around you to have the best possible view of the battlefield. Well, so...
Shadow Realms photo
Shadow Realms

Development on new BioWare IP Shadow Realms ceased

It will fade into the darkness
Feb 09
// Darren Nakamura
Shadow Realms had a very cool idea going for it. The tabletop RPG-inspired, four versus one gameplay reminded me of board games like Descent or Level 7 [Omega Protocol]. The modern fantasy setting seemed like a nice break fro...
Oblitus photo

Oblitus is coming soonlitus

That's about it
Jan 27
// Robert Summa
Adult Swim Games has officially announced that their fantasy 2D roguelike scroller Oblitus is coming soon. How soon? Hell, I don't know, and I guess Adult Swim doesn't know either, since they're not telling us. At the very least, the trailer has some decent music and the art that has accompanied the game appears to be cool as fuck.

My first four hours with The Witcher 3: Wild Hunt

Jan 26 // Alessandro Fillari
The Witcher 3: Wild Hunt (PC [previewed], PlayStation 4, Xbox One)Developer: CD Projekt RedPublisher: CD Projekt / WB GamesRelease Date: May 19, 2015MSRP: $59.99 It's clear from the recent delay, and the numerous CD Projekt Red members present at the event, that they wanted the game to be at its best. Even though it's largely finished, the studio plans to spend the next few months finding and fixing bugs and tweaking the experience. "It's all very exciting," said senior environment artist Jonas Mattsson while reflecting on the development of Wild Hunt. "We're confident in our game, but you know, it's your baby, and we're very curious to see how people will react to it." Set some time after the events of The Witcher 2: Assassins of Kings, we find Geralt of Rivia in dire straights. With the Northern Kingdoms in conflict and a marauding demonic force known as the Wild Hunt leaving destruction in its wake, the world has seen better days. With fellow Witcher and mentor Vesemir by his side, Geralt searches for his long-lost ally Yennefer, who might know the location of Cyri, a young Witcher who may be able to stop the conflict and save the world. Much like its predecessors, The Witcher 3 features a rich, dense plot that is backed by a considerable amount of lore. Referred to as somewhat of a realistic take on medieval fantasy by its developers, the key aspect of its approach to storytelling, which is loved by so many, is the focus on verisimilitude. Throughout his journeys, Geralt will encounter characters from different cultures and walks of life, all the while plotting his next move and earning some coin along the way. Similar to Game of Thrones, there is a clever balance of stoicism and macabre humor, as the people living in such troubling times have to keep a straight face and endure. Geralt embodies the anti-hero archetype, and his devil-may-care personality makes for an interesting foil for his world. "It's been a challenge, but we like a good challenge," Mattsson said of the open-world design. "We wanted to make sure that when we did an open-world game, it would be done our way. Not a generic open world, but a crafted open world with side quests and main quests would blend in seamlessly with natural exploration. It's not in the sense of 'side-quest number five is starting' and 'you got this amount of EXP points,' but it's more like this organic experience. For us, we achieved something quite unique." Without giving too much away, the prologue of Wild Hunt does well to get players up to speed with the gameplay and plot. During an opening tutorial set in Kaer Morhen, you're given a quick refresher on the controls, and reintroduced to returning characters. After about twenty minutes of exposition, you're thrust into the open world on the trail of Yennnefer. This will be appreciated by many, as the previous titles' tutorials were often criticized for being too drawn out. Straight away, the most impressive -- and most obvious -- aspect of Wild Hunt was its sharp, gorgeous visuals. Playing on a fully decked-out PC running the game on maximum settings, I got to see the title at its best. As impressive as the series' visuals are, Wild Hunt is several leagues ahead of what was released back in 2011. Not only was the terrain lush, and the world felt lived-in and active, but the voice work and motion-capture details were also astounding. The characters conveyed an earnest understanding of the situation, while at the same time showing humanity and emotion for the moment. It's some of the best work I've seen in a game in a long time. Being able to explore such a rich world freely and without limits was exciting, and the talent behind this adventure has made good on plans to allow players to do so at their own pace. Though the exact design of an open-world game seems to vary from developer to developer, The Witcher 3 felt bit more focused in quest design, while also offering a massive playground to explore. Instead of large hub areas that connect to each other through load screens, you'll be able to seamlessly travel from one major territory to the next. Though Skyrim is often seen as the standard for open-world gameplay, Wild Hunt feels unique in its approach and visual look, and blends a lot of different environments together. With wildlife to hunt, plants and other roots to collect for your alchemy (which allows you to craft potions and tonics), and many other dangerous foes and creatures populating the swamps, forests, dungeons, and many other locales, the world of Wild Hunt is one that keeps things interesting for players. With fast-travel available -- which can only be done when standing near sign posts -- and along with Geralt's trusty stead Roach, you'll be able to freely explore the bounds of the world with ease. Of course, with the world in chaos, Geralt must always keep himself several steps ahead of foes. Advancing upon the free-form combat from The Witcher 2, Wild Hunt refines the system to make it feel more dynamic and fluid. With his knowledge, combat prowess, and cunning as his greatest weapons, Geralt's arsenal of abilities can be freely used on the fly. For instance, your stamina bar, which controls sprinting outside of combat, allows for Geralt to use magic, such as blasts of fire and telekinetic energy, along with hypnosis and trap magic. He also makes use of bombs and other gadgets to take down foes at a distance. The crossbow in particular is useful for flying foes, and can even be used when fighting creatures underwater. There's a lot of respect and trust given to the players, and the developers were keen on letting them go at their own pace. In the starting territory of White Orchard, Geralt found word that the local garrison commander knew the location of Yennefer, but would only reveal it if Geralt and Vesemir could eliminate a large griffon terrorizing the country side. Of course, this is for the main story. If you choose to stray from the path and mingle with the locals, like I did, you'll discover side-quests and other oddities that could use your attention. As you perform quests and slay monsters, you'll acquire crowns and experience points. Crowns purchase supplies and other tools for Geralt, which he'll need for his adventures. With every level gained, you acquire skill points which can be spent on buffs for the Witcher. Unlike past games, you can allocate points and set skills without the need for Meditation, which is still used to restore health and move the passage of time. With every skill and buff acquired, you can place them in slots that make them become active on Geralt. Though you'll acquire more slots as you level, you cannot have every skill or buff active at once, so you have to build him out to your preferences. Beyond this customization, there's an increased number of weapons and armor types to find. Though previous games largely had you use a small pool of equipment that could be upgraded over time, Wild Hunt takes things further. With well over 100 unique types of gear ranging from swords, crossbows, and pieces of armor, you'll find Geralt quick to change his look. Moreover, there are varying types of gear, such as rare and legendary types that are found from exploration, questing, and advancing the main story. Though you are totally free to venture off to areas unknown, you might find that even Geralt will be unprepared for what he faces. "We have a unique version of the open world in our game," said Mattsson. "We don't want to restrict players to certain areas for the long term, but with that said there are many areas that can be completely deadly, because monsters do not scale. They will not level up with you. If you wander off to the wrong neighborhood, then you're going to get yourself killed. It's open world, completely, but you really have to be careful." There were many distractions and other events to uncover during my session. For instance, you can visit the notice board for side jobs to earn some extra coin, or you can visit the tavern to mingle with the commoners, some of whom will challenge Geralt to a game of Gwent. In this new mini-game, similar to Hearthstone or Magic: The Gathering, players will use a deck of cards to battle the other player in a game of wits and strategy. It's a pretty addictive game, and the developers even plan on releasing a real-life version of Gwent for collector's edition purchasers. While exploring a small village, I came across a man in need of protection for his young daughter. Knowing she had a curse placed upon her by a wraith, he asks you to venture to an abandoned village nearby and exorcise the vengeful spirit. Once at the village, Geralt uses his skills for deduction and tracking to discover the source of the disturbance. I was expecting a simple track-and-kill-the-monster quest, but I ended taking part in a Sherlock-esque investigation with some exploration of the underground caverns underneath the village. It culminated in a battle with a Noonwraith, a spectral demon that summoned multiple phantoms for assistance. This totally caught me by surprise. Not only was this an entirely optional quest, but it was still very early during my session. "There are several points of interest scattered throughout the game," said Mattsson. "Whether they be a tower in the distance, some ruins, or even a house in the woods, there these areas throughout the game you'll see as you're questing or just exploring. If you explore the points of interest, you can be swept up in a unique side-quest. Of course, this is something we don't force upon you, if you're not interested then you can continue on your way. We have a fifty-hour main story, and another fifty hours of side-quests, in addition to time spent exploring the landscape, it's just crazy how much content is there." When I turned in the quest, I was given the choice of taking a reward from the man or allowing him to keep it for his family. Though Witchers are required to take payment of some sort for their services, there are several points where you have to a make a moral choice. Sometimes there will be consequences for taking or refusing a reward, and many decisions will come back to haunt you. After the end of the side-quest, I went back to the main story and followed the trail of the griffon. In order to prepare for his battle with the beast, Geralt had to acquire intel from local hunters to find its nest, in addition gathering some bait. Once those tasks were finished, I was ready to take it down. In the meeting spot with Vesemir, we readied our trap to force the griffon to the ground. It was one of the tougher battles during this stage of the story, and I had to utilize my parrying and dodge skills to withstand his massive strikes. Eventually he reacquired use of his wings and flew off. I jumped on my horse and gave chase, using my special sight (which can be used to find clues and collectibles) to keep track of his bloody trail. Keep in mind this was all within the open world, and I rode past several monsters while trying to keep up with the griffon. Soon after, I tracked the beast down and dealt a final blow, severing its head and delivering it for my reward. It was a tense moment, and very satisfying, particularly taken as part of the open world and not in an instanced location that would soon be forgotten. "Bigger doesn't always mean better. For us, bigger meant we had to be more ambitious about [designing the open world]," said the CD Projekt Red artist. "For us, The Wild Hunt made it a natural step for us to scale the world to suit the needs of narrative. If we tried to make it smaller [than its predecessors], then it wouldn't make sense. If we make it too big, it would be too empty. We wanted to give it the space it deserves, and we didn't want to compromise our vision." At this point, the developers let me move ahead several hours in the plot. We then found Geralt on the Skellige Isles to the west, where he is caught up in a murder-mystery plot following the most bizarre assassination attempt I've ever seen in a game. Suffice it to say, you'll never look at bears the same way again. The Skellige Isles were a totally different area compared to White Orchard.  In similar style and geography to the Scottish Highlands, Geralt's adventures took him to an entirely new region with its own culture and rich history. I barely even scratched the surface of White Orchard, and I was already trying to acclimate myself to this locale. And I mean that in the best way. This area felt altogether different from the previous territory, and though I knew I had some unfinished business in White Orchard, the pull of the Skellige Isles was too strong. Though exploring the world of The Witcher 3 was gripping, there were several issues I had with the experience. In my several hours with the title, I could see why the developers wanted to hang on to it further fine tuning. The folks at CD Projekt Red were adamant that we report any issue to them, and this press event also doubled as a QA testing period for those who were largely unattached to the game. I found myself caught in a lot odd bugs, some of which were humorous, like a man floating beside a horse, but others were nasty. Some folk at the event experienced game crashes, and I sometimes got stuck on terrain and had to revert to earlier saves to get out. Moreover, the new swimming gameplay, which was a great addition to the adventure, felt sloppy in execution as the controls were not so accurate and a bit touchy. With that said, I came away largely impressed. From what I played thus far, which was a small portion of a hundred-hour game, Geralt of Rivia has transitioned into the open world beautifully. It truly felt like I was on an adventure in a world that not only had variety, but a sense of a danger and possibility. While I was bummed that I couldn't see what the gameplay for Ciri would be like, I can understand that they'd like to keep that as a surprise. The recently announced PC specs might scare some people off, but with simultaneous releases on multiple platforms, there's plenty of opportunity to experience it in the coming months. And did I mention how massive this game world was? Just one territory seems larger than most games in the open-world genre, and the seamless design here is nothing short of extraordinary. With its release set for May, CD Projekt Red seems to playing it safe here in its last few months, which is smart. As ambitious and massive this game is, it's also the one title you don't want to see these developers screw up. If they manage to fix the major bugs, and hopefully tighten up the controls, The Witcher 3: Wild Hunt could go down as one of the boldest and most satisfying titles the genre has seen in a very long time. [Disclosure Notice: The Witcher 3 was demonstrated at an event hosted by CD Projekt Red in San Francisco. The event took place at The Alchemist Bar & Lounge, where they offered us a nice spread of Italian cheeses and meat, along with a swag bag filled with The Witcher 3 apparel. It was a fun event, and was a nice opportunity to mingle with the developers of the game and other members of the press.] 
The Witcher 3: Wild Hunt photo
Not all who wander are lost
It's an exciting time to be into role-playing games. With the release of heavy hitters such as Dragon Age: Inquisition, Dark Souls II, Divinity: Original Sin, The Elder Scrolls V: Skyrim, and Wasteland 2 in recent years, the ...

Shadow Realms photo
Shadow Realms

New BioWare game Shadow Realms possibly 'rebooted'

Has it been rebooted into something cooler?
Jan 06
// Mike Cosimano
BioWare's upcoming four-on-one modern fantasy multiplayer game Shadow Realms has been "rebooted," according to sources at Kotaku. The game will supposedly change from an episodic free-to-play title to a full release. This new...
Lost Ark trailer photo
Lost Ark trailer

Holy summoned triceratops, Lost Ark looks fantastic

Diablo x Bayonetta x Captain Toad
Nov 19
// Darren Nakamura
The video above is a little on the long side, but it is worth watching. It usually takes a lot to get me interested in anything fantasy-themed (more like Bored of the Rings, right?), but Lost Ark looks like it might be the e...
Dragon Age: Inquisition photo
Dragon Age: Inquisition

Dragon Age: Inquisition launch trailer will make you want to play Dragon Age

Nov 18
// Brett Makedonski
This launch trailer for Dragon Age: Inquisition isn't short on anything. It doesn't skimp on gorgeous shots of the expansive universe. It has plenty of the ferocious winged serpents that adorn the franchise's namesake. ...

Dungeons II takes a humorous approach to being the bad guy

Nov 14 // Alessandro Fillari
Dungeons II (PC [Previewed], Mac, Linux)Developer: RealmForgePublisher: Kalypso MediaRelease Date: Q1 2015 Set in a Medieval-fantasy world full of humans and orcs on the brink of war, you play as the Dungeon Lord. Due to a magical spell, you are bound to your throne in a cave, and must rely on your minions to do your bidding. With the humans drawing closer to your realm, you must break the spell by expanding your resources and your army in order to fortify your dungeon, while retaking territory from the humans on the surface. While this may sound as generic as it gets, and it certainly does at first glance, Dungeons II takes great pride in defying expectations and subverting them. During my first hour, I found that Dungeons II felt very much like a parody of generic fantasy/adventure games. Many of the tropes and cliches are mocked and made light of, despite adhering to them in humorous fashion. Moreover, Kevan Brighting, the Narrator from The Stanley Parable, offers his talents here by breaking the fourth-wall to mock player's slow progress, and even going after the video games ratings system. I was always entertained throughout, and a lot of that had to do with the game's comedic tone.[embed]283823:56328:0[/embed]As the sequel to the original Dungeons, you're tasked with expanding the scope and scale of your dungeon, while keeping your minions happy. As you send your lesser underlings to create rooms for resources, and digging for gold, you have to monitor their happiness levels or else they'll revolt. By building breweries, you can keep them drunk and content, while paying for their services as well. As you build your base of operations, you'll eventually be visited by humans from the surface, looking to see what all the commotion is about. From here, you'll have to set traps and send out stronger minions to confront them and protect the Dungeon Lord.But here is where things get a little different. Once you've built the necessary resources and have a sizable force, you can send your minions up to the surface to retake territory. Switching over from Dungeon Keeper gameplay to RTS style mechanics similar to WarCraft or Dawn of War, the pacing changes up considerably. From here, you can battle your foes and sack their villages, turning the whimsical and lush environment, to barren and scorched wastelands.I was very impressed with how seamlessly Dungeons II transitions between the two different styles of gameplay. You can switch between the two on the fly with no loading whatsoever, which makes alternating between battles on the surface and making sure your minions in the dungeon are collecting resources very simple. Though be sure not to divide your forces so readily. If your send all your offensive minions outside, you can potentially leave yourself open to attack, as the lesser minions in the dungeon cannot defend themselves or the Dungeon Lord.Eventually, the Dungeon Lord and his forces will grow in power and come into conflict with other foes of the fantasy world, such as Dwarves and Elves, and they'll utilizes skills and tactics that will put abilities as the lord of evil to the test. During my session, I came into contact with a tribe of goblins hiding out from the Humans. Realizing that their resources would be put to better use elsewhere, the  Lord recruited them and used their tinkering skills to build devices to defend the dungeon.Even though my time with the game wasn't as long as I would've hoped, I came away pretty pleased with what I experienced. Though I'm generally not a fan of RTS titles, I did enjoy my time with Dungeons II. I was very much impressed with the sense of humor on display. It's always great to play a medieval-fantasy game that doesn't take itself seriously, and even makes some light-hearted jabs at the genre.With much more of the game in store, and including four-player online mode, Dungeons II looks to be a very solid and unique take on the classic Dungeon Keeper gameplay. If you're eager for a game where you play as the bad guy, then you'll want to keep this one on your radar.
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Make way for the villain
Being the bad guy has its perks. With an entire force of orcs, goblins, and other nasty creatures at your bidding, more gold you can count, and a near infinite supply of dark magic at your disposal -- it seems like you've got...

Yes, please photo
Action Iron Chef
I love cooking, as you hopefully well know. The initial inspiration for A la cartridge was Iron Chef, though it ended up something completely different. And so here is a game that speaks tenderly to my soul. Battle Chef...

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Wizards with skinny ties
BioWare had my attention with those live-action teasers building up to Shadow Realms, but I've not kept up with the four-versus-one "modern" fantasy role-playing game since it was proper unveiled. If you're in a similar boat...

Shadow Realms, the new BioWare RPG, has a lot of strong and unique ideas

Aug 25 // Brett Makedonski
The initial pitch for Shadow Realms is a videogame adaption of pen and paper RPGs. The developers cited their love for an experience where you never know what's going to happen and is completely unique every time as the reasoning behind this. They're porting this sort of dynamic feel to Shadow Realms by letting a human mastermind the dangers that the team of heroes will have to face. Teams of four will be pitted against one overpowered opponent called the Shadowlord. These four players (made up of Warrior, Wizard, Assassin, and Cleric classes) fight through arenas as the Shadowlord throws enemies, traps, and challenges at them -- much like a Dungeon Master would. The Shadowlord can also opt to join the fray himself by possessing one of the baddies; this is indicated to the team by casting a glow around that particular enemy, letting them know that it should probably be their main priority. Throughout the course of battle, both sides get increasingly more powerful. Being god-like in nature, a well-played Shadowlord inherently has the advantage. To (somewhat) counter this, the team is given the ability to change their loadouts at checkpoints so that they can tailor their approach to combat. This also serves as a way for BioWare to let players play however they want. Cognizant of the tendency to get pigeonholed into traits of a particular class, the developers insisted that it's okay to play as a "uzi-toting Wizard." We didn't have the chance to go hands-on with Shadow Realms, so it was tough to get a feel for how the action played out. The modern gothic setting looked interesting enough and the ordinary person character models were welcomed, but beyond that, we don't know how it controls. Of the people that did play in our demo, the Shadowlord was victorious. We asked a developer how this might bar off progress if the heroes are continually unable to beat a Shadowlord, and were cryptically told that "Even when you're defeated in Shadow Realms, you won't be upset." That's where there's potential for the largest disconnect in the game. BioWare's touting that Shadow Realms will have a deep and unique story where players experience their own tales of humor, betrayal, and romance. It seems as if much of this will take place in an overworld setting, with players popping into battle to further the narrative. It's unclear if this will come off as seamlessly interwoven with combat leading to bigger plot points, or if the two will be disjointed. For all of the unusual approaches that BioWare's taking with Shadow Realms, possibly the most drastic is that the game will be released episodically. Truthfully, it sounds as if the studio's are trying to capture some of Telltale's lightning. With all of the purported branching moral choices and cliffhangers that were said to be found throughout, BioWare seems focused on offering a new gameplay take on the style that Telltale recently popularized. The developers so much as stated that their intention is for players to have a "watercooler" mentality with Shadow Realms where they can't wait to talk to their friends about the game's most recent happenings. They also thought that some would "binge play" as if it were a show on Netflix to get caught up on the releases. Something that BioWare wasn't too eager to talk about is their monetization plans for Shadow Realms. One developer expressed the studio's caution by simply saying "We want to be the good guys," as far as pricing models go. He offered that the game will initially be released with a lot of content, which will probably pave the way for smaller chunks. However, no one would give suggestions as to how long each episode will be or how often content will be released. All-in-all, BioWare has a lot of strong individual ideas for Shadow Realms. The asynchronous multiplayer could be a hit for both sides -- the heroes motivated by teamwork and enhancing their character, the Shadowlord motivated by an obvious god-complex and some narrative elements unique to him. The modern fantasy setting is one that's not overdone and could offer something beyond the tropes that define the genre. And, the episodic release model could do wonders for the plot of an RPG. But, we'll have to wait until 2015 to see if BioWare can make all of these strong ideas gel into a cohesive experience.
Shadow Realms preview photo
How will they all come together?
Anytime you sit in on an early look at a new videogame, the presentation's sort of structured the same. Throughout the introduction to the title, the developers always -- always -- pepper the speech with catchy phrases a...

EverQuest II photo
EverQuest II

EverQuest II's 11th expansion, Altar of Malice, brings new playable race

Also, giant bunny mounts
Aug 15
// Steven Hansen
EverQuest II is approaching its 10th anniversary. It originally released in 2004, the same year that Kanye West's genius debut College Dropout dropped. Altar of Malice brings with it a new playable race, the Areakyn. They off...
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EverQuest's 21st expansion is The Darkened Sea

Dinosaurs, player robes, level cap increase
Aug 15
// Steven Hansen
EverQuest has been going strong since 1999. That's when the Slim Shady LP and "Thong Song" released. Or, much better, Black on Both Sides. It will be getting its 21st expansion, The Darkened Sea, on October 28 for All-Access ...
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Inspired by pen and paper RPGs
At the EA press conference today, BioWare announced its next project, Shadow Realms. Jeff Hickman, the Studio General Manager discussed its inspiration in old school pen and paper role-playing games, before elaborating on how...


See all the cool things users have made in Everquest Next Landmark

May 04
// Hamza CTZ Aziz
Sony Online Entertainment has shared a video highlighting some of the cool things users have made in Everquest Next Landmark. On top of cool looking structures, users have been bending the rules by creating micro-voxels and ...
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Bound By Flame

This Bound By Flame combat overview is pretty damn informative

Everything you want to know about basic combat
Apr 14
// Chris Carter
I'm not completely sold on Bound By Flame yet, but this video is doing a pretty decent job of showing off the variety of locales, enemies, and combat situations the game has to offer. The basic gimmick is that you'...
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Middle-earth: Shadow of Mordor set for release on October 7

New trailer and pre-order bonuses revealed
Apr 02
// Alessandro Fillari
It's been awhile since we last heard from Monolith's new action-adventure title set in Tolkien's fantasy universe. Now, WB Games has revealed the release date, and fans will get to experience Middle-earth: Shadow of Mordor&nb...

Review: Blackguards

Mar 24 // Patrick Hancock
Blackguards (Mac, PC[reviewed])Developer: Daedalic EntertainmentPublisher: Daedalic EntertainmentRelease Date: Jan 22, 2014MSRP: $39.99  Blackguards puts the player into a fantasy world filled with knights, mages, and a whole assortment of monsters and intrigue. The player and their motley crew of vagabonds find themselves on a quest that is seemingly much bigger than they are. It’s more or less standard fare for a fantasy world, but that didn’t stop me from constantly being excited for what was around the corner. Perhaps it’s because I’m waist-deep in the Game of Thrones novels, but the story was wholly entertaining. A large part of that is due to the game’s writing, which nails the tone of the game more often than not. Characters feel diverse and lively, even if they occasionally fall into fantasy stereotypes. The voice acting is shaky at times, but the main characters are done well enough to prevent any sort of constant cringing. [embed]272333:53090:0[/embed] The gameplay is the true star of Blackguards. This is easily one of the most satisfying and enjoyable tactics games in recent memory. A lot of it boils down to just how customizable everything is. Regardless of class, every character can be so finely tuned to the player’s preferences that everything feels personal. Stats, weapons, abilities, and gear is completely customizable for every player-controlled character. All character personalization uses AP, or Action Points. These points are acquired through battle, and can be spent on spells, stats, talents, and weapon proficiencies. Special abilities can also be learned by paying AP to various trainers interspersed throughout the game. Certain moves will only be available from certain trainers, so players will have to wait to get moves like Triple Shot and Hammer Blow, aka the best moves ever. Battles take place on a hex-based grid. Each character has a certain amount of movement tiles they can travel, after which they can perform an action like attacking, using magic, or perception checks. Characters can also move further than their base movement range by sacrificing their action. It can be a little funky when trying to select characters at times, forcing the player to fidget with the camera just to actually click on someone. Other times, I’ve selected a completely incorrect tile on accident without even knowing it. When attacking, the chance to hit will be displayed only if that character has the knowledge required for the enemy type. If a warrior doesn’t have the required skill for humans, for example, the player is in the dark as to how likely the warrior is to make contact. It’s a wonderful way to add some depth to the game while simultaneously making actual sense within the game world. In addition, ranged characters will need a line of sight in order to be able to attack, and their hit chance will go down if there is some sort of cover in the way. Interactable objects are often scattered throughout the maps and often times are required to complete an objective, though this isn’t always made clear enough. I have had to restart maps a handful of times simply because I had little to no clue how certain objects would affect the fight. This forced me to be way too behind  in the fight by the time it all became clear, so I would just restart the fight instead of wasting time and energy trying to salvage what opportunities I had left. It’s always a good idea to hold the V key as a fight begins to highlight all interactable objects. Blackguards is difficult, but not cheap or unfair. Just a heads up that players can expect to replay some battles here and there. As a reminder, it’s always good to keep a couple extra save slots when it feels like the plot is building up to something! It’s saved my butt more times than I care to admit. The visuals don’t do anything to stand out, though some of the character and monster designs are nice. That doesn’t prevent the game from throwing a lot of a single enemy type at the player at one time, though. The fights are often up and down; sometimes a fight feels very varied and interesting, while other times battles feel like a complete slog. Unfortunately, the majority seem to fall into the latter half. The arenas themselves, at least, tend to be changed up enough to keep them visually interesting. The sound effects are often another story altogether. Especially the “ueWAAAHHs’ and “URGHs” that the human enemies make after being struck. They’re awfully loud and more often than not feel disjointed from the actual screaming character. Weapon effects are standard clink and clunks that tend to lack any real weight to them. Blackguards is a wonderful tactics game with some rough edges. The core gameplay and character progression elements are easily some of the best in the genre, but as battles tend to drag on and more and more enemies scream “owAUGH,” the interest tends to fade. The story is easy enough to follow and interesting enough to keep players interested, so fantasy buffs should feel engaged the entire time. Even if the sound effects weren't satisfying, the gameplay itself more than made up for that, and it’s easy to see that Daedalic Entertainment has a bright future ahead of them in the strategy sphere.
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Fantasy + Tactics = Fantastic
In many ways, I'm very glad that Final Fantasy: Tactics had such a big influence on my tastes. It's an incredibly well made game and put me on a path towards playing more games of its ilk like Phantom Brave or the m...

Bound By Flame is richly detailed and dark

Mar 20 // Alessandro Fillari
Bound By Flame is a dark fantasy action-RPG set in a land ravaged by war and the forces of darkness. Players take on the role of Vulcan, a mercenary who must use his skills for battle to benefit his own personal agenda, or right the wrongs and save civilization. During his quest, Vulcan becomes possessed by an ancient demon who imbues him with demonic powers. These powers come at a cost, as the more Vulcan relies on these abilities and make choices that benefit his own personal standing, the more his demonic presence will be drawn out and leave a visible mark. With many different choices to make, Bound By Flame features several different endings that will reflect the influences you've had on every character you interact with. As an action-RPG, combat takes a more twitch-based and reflex approach to battles. Similar to titles like Dragon Age and The Witcher, Vulcan moves around in real-time and battles groups of foes with a variety of unique abilities. Utilizing active block and dodging along with quick attacks against foes, combat always moves at a brisk pace. At any time, players can bring up an ability menu which shows all of the skills and moves available. When the menu is up, combat slows to a crawl and players can take their time and pick their next move. Customization and choice are a key element of Bound By Flame, and players will be able to flesh out their character as they see fit. From the beginning, players can create either male or female version of Vulcan, complete with their choice of facial features. Over the course of the game, players will make important choices that will alter the look and attitude of their character. Focusing on their humanity will keep players in their human form, allowing them to use different types of armors and skills. However, making choices that bring out the demonic side of Vulcan will cause the character to take the form of the demon that possesses him. The skin color and texture turns a rough and craggy color of obsidian, their eyes begin to glow, and horns sprout from their head. While their overall attack power increases, their armor will be degraded by Vulcan’s demon form, leaving them more vulnerable to attacks. Helmets are also not an option as the demon horns sprouting from the player character will make them impossible to wear. The attention to detail in terms of design is strong and there's a purpose for everything -- it’s definitely one of Bound By Flame’s strong suits. For character growth, players can chose between different combat focuses for Vulcan. Leveling up will acquire skills points which can be spent on various skill trees. The Warrior tree focuses on wielding heavy weapons and skills related to tanking multiple foes. Ranger skills places emphasis on long-range attacks (crossbows for instance), traps, and dual-wielding weapons. Lastly, Vulcan’s demonic form unlocks the Pyromancer skill tree that opens up magic skills. The developers of Bound by Flame claimed that it was only possible to max out one skill tree in the game, but it's designed to also to allow players who wish to spread out their skill points and try out abilities and buffs from every tree. Eventually, Vulcan will come across characters that will join his quest as companions. There are a total of five companion characters to meet and interact with, and they will aid him in battle using their own special skills. As Vulcan is a combat-focused character, some companions will be vital for their support abilities, long-range attacks, magic skill, and melee prowess. Depending on how you build your character, you might be more inclined to stick with certain allies over others. I came away pretty impressed with Bound By Flame. While granted it isn’t too different from other titles, it does seem to do things pretty well. Combat looked fun, there's a lot of options to consider for your character plus it’s great to see that your choices actually have a lasting, and very noticeable impact. Bound By Flame will be seeing a release on May 9 on PC and all current consoles (except Xbox One and Wii U), so players can expect to take a trip through this intriguing action-RPG soon.
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Developer Spiders show off new action-RPG at GDC
The fantasy genre has been a staple of the gaming scene for a long time. They go hand in hand, really. Because of this, it’s common to see titles that look to similar to each and don’t necessarily distinguish them...

Dark Souls II CE photo
Dark Souls II CE

Dark Souls II CE unboxing makes death look worth it

Just look at some of that stuff
Feb 26
// Brett Makedonski
Dark Souls II has done a pretty decent job of giving everyone the impression that they need to prepare for death again. Well, if you want to escalate things a bit and go beyond death, the Collector's Edition of Dark Sou...

Preview: South Park: The Stick of Truth is ambitious

Feb 14 // Alessandro Fillari
South Park: The Stick of Truth (PlayStation 3, Xbox 360, PC [previewed])Developer: Obsidian EntertainmentPublisher: UbisoftRelease date: March 4, 2014 (US) / March 7, 2014 (EU)Opening with a parody of Ralph Bakshi's The Lord of The Rings, in full rotoscope style, South Park: The Stick of Truth tells the tale of the war between humans and elves; both vying to claim the power of...The Stick of Truth. Of course, this is all just an exaggeration, as the war is really just a game played by the kids of the neighborhood. When a new kid moves into the town of South Park, Cartman takes him under his wing and tasks him with protecting the Stick of Truth in their 'game' against the elves. But in South Park fashion, things quickly escalate out of control and a fairly harmless rivalry is turned into an epic quest with real consequences.Now, the South Park series hasn't had much luck in the gaming department, and understandably so. It's very difficult to translate the over-the-top and comedic sensibilities to a game without making it into something that it's not. Even though I was kind of fond of the N64 title, it wasn't really a game worthy of the series. Because of this, the minds behind the show, Matt Stone and Trey Parker, were very adamant to be hands-on with the development.Speaking with Jordan Thomas, creative director for BioShock 2, Thief: Deadly Shadows, and serving as a creative consultant on The Stick of Truth -- he spoke about the title's development and how the theme of play is something the creators wanted to focus on when writing the game's script."If you look at South Park, there's always been a love affair with games that's evident in their storytelling...that the characters have a fetishistic mysticism regarding gaming," said Jordan Thomas, recalling the television series' use of videogames. "The creators would not have allowed the game to be just a joke vehicle, they wanted a proper game."Instead of taking on the role of one of the established characters, players will create a unique character who is the new kid on the block. As this New Kid, players will forge alliances and come into conflict with others while making a name for themselves in South Park and its surrounding areas.Of course, comedy is the backbone of South Park -- and The Stick of Truth pulls absolutely no punches when it comes to its humor. As a videogame, Matt Stone, Trey Parker, and the developers at Obsidian were able to craft a story that parodies many tropes and cliches of the medium, while at the same time creating something that speaks to the themes of engagement, play, and obsession in ways that could only be done in a game.Much like the television series and film, The Stick of Truth covers the whole gamut of pop culture, politics, religion, and life in an unusual small town. And the transition to a game has not neutered its humor one bit. My hour with the game made me realize that this is likely the raunchiest South Park has ever been. Swearing is uncensored, and yes there is nudity, and so much more.Over the course of your adventure, players will come across places and situations referencing abortions, race relations, anal probes, drug addiction, sex, extreme violence, and poverty, just to name a small few. It has enough satirical bite that it'll likely leave a lasting impression on many. But of course, this is South Park, and feeling uncomfortable is nothing unexpected."The way we looked at [humor] was if this moment was a hot button for the audience, should we make it worse, because they [creators of South Park] love to push boundaries and their default response was definitely not to back down, but the really healthy counterbalance was, can we make it funnier -- and the answer was often yes," said Jordan Thomas. "It was definitely the right amount of pressure. In my eyes, [South Park] explores topics that makes people uncomfortable, and it does so above all out of love and truth."The Stick of Truth incorporates many elements of fantasy fiction and RPG gameplay, while re-appropriating it for its own humor and style. When players enter the realm of 'Kupa Keep,' which is just Cartman's backyard with crude signs and dressing, they're brought into the conflict between the factions. From here, players will be able to define their character and choose their class. Despite players being able to name their character, Cartman and the others will henceforth refer to the New Kid as 'Douchebag."Character growth and evolution is conducted through a standard leveling and class system. Battles yield experience points and loot, and leveling up allows players to spend skill points across the various class trees. Though don’t expect anything extremely intricate. While you do have options, don’t go in thinking you can make rich variations of each character class. In The Stick of Truth, the classes cover the standard fantasy archetypes, but with a twist. There's the Fighter, Mage, and Thief, and last but not least, the Jew.The Jew class, which is illustrated with an evil-looking sorcerer character card, allows players to focus on long-range and sniping abilities to weaken, debilitate, and otherwise undermine your enemy's strengths from afar. Moreover, the Jew utilizes special abilities in 'Jew-Jitsu' and another skill known as the Sling of David, which allows players to cast the first stone against their enemies and stun those out of distance.Obviously, I decided to roll the Jew class for my character, Sir Douchebag (and so did everyone else at this event, by the way). From here, we learn the ins and outs of combat. On the surface, it looks to be a standard turn-based RPG game in the vein of Final Fantasy, and while that is true, the core combat takes a far more action-oriented and dynamic approach to engaging your foes. Players will be able to partner with other characters, such as Cartman, Stan, Butters, Kyle, and many others from the series in during battles, and many of them possess their own unique skills and abilities.During battles, offense and defense require timed button presses to maximize effectiveness. For instance, weapon attacks come in both basic and power versions. When attacking, your characters will ready themselves and pressing the attack buttons at the moment when the weapon flashes will enable the specified move. Basic attacks allow for combos, each hit requiring timed presses, and power attacks allow for a one-hit strong attack against enemies. Each has its uses and is required for specific enemies. Heavy armored enemies can be weakened through combo attacks, and power attacks can break through enemies carrying shields.Though be warned, enemies use the same skills as you do, and that's where blocking comes in. When enemies attack, a small shield icon will appear below your party members. This prompts you to press the action button to diminish the effectiveness of their attacks. Success also allows players to restore PP (yes, there's a joke for this), which power your special skills in battle. Blocking is especially important when facing foes who use attacks with status effects attached. For instance, bleeding drains character health over time, and cannot be healed unless you have special potions.I found myself really enjoying the combat. It's definitely a much more dynamic, but still tactical approach to turn-based combat. The action-oriented approach reminded me of combat from the games like Mario and Luigi: Superstar Saga or Paper Mario, which really stressed that battles are not a spectator sport. I felt very active during every battle, and as enemies populate the environments during exploration, you can expect to see a lot of action. Battles can be pretty challenging, even early ones. I was overwhelmed by a group of elves at one point and was wiped out after missing the timing on blocks from a group of archers.Though it may all seem like fun and games when battling kids with fake elf ears, things eventually get real when you start battling other foes in South Park; such as Meth Heads looking to protect their stash, overzealous rent-a-cops who aren't afraid to use pepper-spray on children, and creepy territorial hobos. And that's only the tip of the iceberg.One feature that the creators of South Park wanted was allowing fans to explore the town freely, while meeting many of the series characters, and getting into trouble along the way.  "You're going to visit the town, properly," said Thomas as he elaborated on the exploration design. "There are few limits placed, which use Metroidvania-style unlocking, but there's a lot to explore, and around a lot more places around the town as well."Scattered around the town are NPC characters going about their business, and also a variety of shops, where you can buy new equipment, items, and special buffs for your characters. In Metroidvania style, players can explore the area at their leisure, but some areas are blocked off by obstacles and and obstructions that require special abilities. Interaction with the environment is a key part of gameplay during traversal and puzzle solving. Players will be able to uncover hidden paths and chests while examining and attacking obstacles. Moreover, new abilities open that allow players to activate switches from a distance, destroy obstacles with your farts, and use your other party members and friends to uncover clues and take out groups of enemies without even entering battle. I was pretty pleased with how detailed the settings were, but at times I had difficulty finding  certain objects for quests, as they blended in too well with other decorations in the background. Exploring the town of South Park felt surreal, and extremely authentic. In many ways, it felt like I was watching an episode of South Park showing off a really demented and comical parody of EarthBound, except I was actually playing it. The comparisons to EarthBound and other JRPG titles were no coincidence, as they were a major influence for the writers of the series and folks at Obsidian. They really nailed the look and feel of the TV series, as there were moments during cutscenes I'd stop playing, and then I'd have to remind myself that I was playing a game after some time passed.There are many incentives for taking time out from the main quests to explore and get to know the exact layout of the town, which is a first for South Park. Many familiar places, such as the South Park Elementary, South Park Mall, Bijou Cinema, City Wok, Tweek Bros. Coffehouse, and many others are available for players to come across and explore.Another reward for the exploration is meeting other characters, who friend you on the social media site, Facebook. Yes, this is a full on parody of Facebook and they don't even shy away from the absurdity of social media. Character's can even comment on your 'page' making jokes and mocking your performance. Your Facebook page also serves as your main menu, possessing journals, inventory, and acquiring more friends will gradually unlock special points which can be used to buy special perks to strengthen your character's abilities.Many of the characters and creatures you encounter during your quest are referenced throughout the television series, and even the most political and controversial of characters will likely make an appearance. In one instance, I came into contact with former U.S. Vice President Al Gore who needed help with tracking the fabled ManBearPig, as it was stalking the citizens of South Park. This scene totally came out of nowhere, I felt the sudden urge to drop whatever I was doing and do what he asked. How can you say no to Al Gore? Everyone involved with the game seemed pretty much on the same page. One of the key takeaways from both the creators of the television series and the developers at Obsidian, and Jordan Thomas, was the desire to make South Park: The Stick of Truth the definitive South Park experience, across all media.And judging from my time with the title, they certainly have made something unique to the series, that will speak to fan's love for the franchise. While there are some rather obvious bugs that will hopefully be ironed out, such my character being permanently being stuck in the aiming stance during exploration, and some issues with items not being clear enough to identify in the field, I came away pretty pleased with what I played.It's looking like the game was definitely worth the wait. While the developers certainly didn't have to worry about raising the bar for South Park games, which was pretty low as it was, they've definitely made something that speaks to fans of the show, and might even earn the attention of some RPG fans in the process.
South Park photo
One does not simply walk into South Park
So, where were you when South Park: The Stick of Truth was announced? This was all the way back in 2011, around the time another certain RPG title was on the minds of players. It was certainly a surprising reveal, don't you t...

Dark Souls II photo
Dark Souls II

Dark Souls II on PC looks set for May 31

If an Amazon listing's to be trusted
Feb 03
// Brett Makedonski
Only a bit shy of a month away from Dark Souls II's console release, many are left wondering when exactly the PC version will be unleashed upon the masses. From Software's said in the past that it would see a slight delay so...

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