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Brothers photo
Brothers

Did you know the Brothers - A Tale of Two Sons kids have names?


Also, the game re-released today
Aug 12
// Brett Makedonski
It's been two years since I've played through Brothers - A Tale of Two Sons, but that's going to change tonight. The game just re-released on Xbox One and PS4. I bet I find it just as emotionally evocative and generally fanta...
Telltale Borderlands photo
Telltale Borderlands

Tales from the Borderlands Episode 4 out next week


Have some screenshots
Aug 12
// Darren Nakamura
From the announcement of the "crowd-play" event at PAX Prime, we knew Tales from the Borderlands: Escape Plan Bravo was imminent. I figured the event attendees would have advance knowledge and the rest of us would get it the ...
The Phantom Pain photo
The Phantom Pain

Metal Gear Solid V 1080p PS4, 900p Xbox One and PC system requirements


4K Phantom Pain on PC
Aug 10
// Steven Hansen
Buried in last last week's PS4/PS3/360/One/PC comparison shots of Metal Gear Solid V: The Phantom Pain (they all look great!) are the underlying technical performance of the five versions. The PS3 and 360 versions both run at...
Telltale Borderlands PAX photo
Telltale Borderlands PAX

PAX Prime attendees able to 'crowd play' Tales from the Borderlands Episode 4


Potential hints about its release date
Aug 06
// Darren Nakamura
With just a little over three weeks to go, PAX Prime is almost upon us. The full schedule isn't available yet, but Telltale sent over a snippet including its plans at the sold out gathering. On Saturday, August 29, Telltale w...
Microsoft photo
Microsoft

'When you fail, it means you're pushing the boundaries of what's expected,' says Xbox's Phil Spencer


First-party exclusives 'more difficult'
Aug 06
// Vikki Blake
In a frank exchange with GameSpot, Xbox boss Phil Spencer acknowledged that experimentation with new IPs inevitably resulted in a "higher fail-rate." "When you're starting new games, in terms of new ideas and mechanics, your&...
Destiny photo
Destiny

Destiny's Taken King is a real soul-sucker


Cinematic trailer for upcoming expansion
Aug 06
// Steven Hansen
Or is something else going on at 1:20? Seems like some nice young cats come to wake the old man up and he responds by devouring their very life. Rude. The trailer also shows off the Taken King's massive (space) ship that was...
No more last gen ports? photo
No more last gen ports?

Ubisoft on The Crew's Wild Run expansion not coming to 360


'Shifting its development force'
Aug 05
// Steven Hansen
If you're in the small subset of people who: 1) enjoy Ubisoft's weird ass open world racing game The Crew, 2) play it only on the Xbox 360, and 3) are excited for the upcoming Wild Run expansion (November 17) , then I have ba...
LEGO Marvel photo
LEGO Marvel

LEGO Marvel's Avengers pushed back to January 2016


Block quotes
Aug 05
// Steven Hansen
LEGO Marvel's Avengers will miss its fall 2015 release and instead come to North America on January 26 and Europe on January 29. Some real missed holiday sales opportunity there, looks like, especially with it coming to every...
Destiny photo
Destiny

Destiny players have clocked up 2 billion hours


(Only half of that is me, honest)
Aug 05
// Vikki Blake
Destiny has over 20 million players. Together, they have clocked up a combined total of two billion hours play time since launch.   That works out at around 100 hours of gameplay from each player. (Which is around half o...
Guitar Hero Live photo
Guitar Hero Live

Guitar Hero Live's new batch of songs is... actually pretty good


Boston, Rush, MGMT, and others
Aug 05
// Darren Nakamura
Past updates to the Guitar Hero Live set list have puzzled me, betraying how out of touch I am with popular music, but this one brings me back. I don't care how many times I have played Boston's "More than a Feeling" in a mus...
Rare Replay Sundown photo
Rare Replay Sundown

Rare's cancelled horror title Sundown looks hellish


This isn't your dad's Rare
Aug 04
// Jed Whitaker
Rare Replay is available now and includes unlockable videos of canceled games with concept art, stories, and gameplay that have never been show to the public. Unlocking the videos means completing various challenges and...

Review: Call of Duty: Advanced Warfare: Reckoning

Aug 04 // Chris Carter
Call of Duty: Advanced Warfare: Reckoning DLC (PC, PS3, PS4, Xbox 360, Xbox One [reviewed])Developer: Sledgehammer Games (Current-gen) / High Moon Studios (Last-gen) / Raven Software (Zombies)Publisher: ActivisionReleased: August 4, 2015MSRP: $14.99 ($50 Season Pass for four packs) Let's kick things off with Overload, the sexiest map in Reckoning. Taking place in a giant Middle Eastern hotel complex, it has all of the pizazz you'd expect, and more. It's a great mix of indoor and outdoor environments, with a layout that keeps you in the action while allowing you to have condensed firefights. It allows the Exo movement and jetpack mechanic to really breathe without confining it like some maps in the past have. It also has these little tesla coil things littered about, which are basic in their functionality (an area-of-effect jolt when shot), but very cool aesthetically -- plus, they sound really neat. Next up is Swarm, a map set in a ruined Korean city. It's nice to see the series return to a setting like this, as I enjoyed "Magma" in Black Ops II. There's plenty of windows to boost into and buildings to hide in, and the map lends itself to vertical movement well. They really go with the destruction theme, and there's a ton of detail present that I wasn't expecting. It's another great showing for Reckoning. Fracture is an ice level that reminds me of The Thing, in a good way. The backgrounds are very detailed, and the smaller, more intimate theme works to its advantage. It's basically all outdoors, which gives it a distinct feel compared to the rest of the DLC. Although Array from the original Black Ops is probably my favorite snow map in Call of Duty history, Fracture does the frozen sub-genre proud. Quarantine, the last of the four core maps in Reckoning, gives off a distinct Walking Dead TV series vibe, which I dig. It also feels like it has a Call of Duty 4 theme with its simplicity, but it's not as vertical as I hoped it would be. The general gist is that the arena is a testing site for experiments on primates, complete with tons of banana boxes and even a room full of live test subjects. It's a rather generic theme, but it must be said that I do enjoy playing it in the rotation. I wouldn't consider it a wasted slot. [embed]297123:59780:0[/embed] Now, onto the best part -- the zombie level. Following along with the narrative that saw the demise of John Malkovich's character (and the debut of Bruce Campbell), and his ascension into zombie-hood, Descent is one of the most unique zombie stages in the entire series (the one that featured mafia ghosts withstanding). It straight-up feels like you're in a Bond villain base, which is partially true as Malkovich is there to taunt you every step of the way as you navigate your path through an underwater testing site. As you make your way through each wave, various power-ups will start to appear at the top of the deck, which you can periodically gather. These range from standard stuff like turrets, to more interesting mechanisms like defensive AI robots that float around your character. Everything feels much more action-packed and desperate, with more firepower and abilities to match the more aggressive enemies. At times, Malkovich will teleport you to a room for a boss fight session of sorts, with different hazards to avoid (like laser grids above you, preventing double-jumps) and a variety of enemies to best in close-quarters. It's a sight to behold with four players, as power-ups are constantly appearing in this secluded room while you fight for your life. Again, intensity is what they're going for here, and it really works. I'd have to think about it for a while, but it may be the most fun I've had with zombies since first playing World at War. I mean, Malkovich actually says the line "The teleporters are mine now, bitch," to give you an idea of what I'm talking about here. At the end of the day, I'm happy with what Sledgehammer Games (and Raven) brought to the table with Call of Duty: Advanced Warfare as a whole. Though it'll be tough to dethrone the current kings of the franchise (Treyarch), I have more confidence in their follow-up than before, and I'm eager to see what they can come up with next. At this point Infinity Ward is a lame duck, and the odd developer out. [This review is based on a retail build of the game provided by the developer.]
Call of Duty DLC review photo
Did John Malkovich just call me a bitch?
So here we are with the Reckoning DLC pack, the last add-on for Call of Duty: Advanced Warfare after Havoc, Ascendance, and Supremacy. All in all, it's been a great ride, and slowly but surely, each map pack has improved upon the last. It's great then that Advanced Warfare is going out with a bang with its best DLC yet.

Destiny recast photo
Destiny recast

Nolan North replacing Peter Dinklage in Destiny


Ghost's lines re-recorded
Aug 04
// Jordan Devore
Prolific voice actor Nolan North (Uncharted's Nathan Drake) is becoming the Ghost in Destiny, reports Game Informer. He'll voice the AI companion in The Taken King and, no joke, the original game too -- the dialogue is being ...
Cobalt at gamescom photo
Cobalt at gamescom

Cobalt, that arena battle game, is still a Microsoft exclusive


New trailer
Aug 04
// Chris Carter
Mojang has shifted gears a bit since the Microsoft aquisition, and is going to be publishing some more projects in the future. One such game is Cobalt, an arena battler, that will debut on PC, Xbox 360, and Xbox One at an undisclosed date. Based on the trailer above, it looks like a fun little romp. I could always go for the occasional arena title with friends.
Xbox One photo
Xbox One

Xbox One Backward Compatibility comes to everyone in November


Games with Gold gets a boost, too
Aug 04
// Brett Makedonski
Microsoft is obviously looking forward to the future, but it hasn't completely turned its attention from the past. At E3, it dropped the bombshell that it had a backward compatibility program so that Xbox 360 titles could be ...
Backward compatibility photo
Backward compatibility

Shadow Complex playable on Xbox One for preview members


As is Gears of War
Aug 03
// Jordan Devore
I'm using my Xbox One more than ever now that Viva Piñata: Trouble in Paradise is playable by way of Rare Replay. Gotta catch 'em all. Backward compatibility is a huge deal for people like me who have an extensive Xbox...
Metal Gear Solid V photo
Metal Gear Solid V

MGSV: The Phantom Pain for PC moved up, Metal Gear Online delayed


MGO on PC set for January 2016
Aug 03
// Alessandro Fillari
With less than thirty days until Metal Gear Solid V: The Phantom Pain's release, Konami has still been keeping things close to the vest. Which is amazing, considering that the recent extended gameplay demos and videos show...

Review: World of Tanks

Aug 03 // Brett Makedonski
World of Tanks (PC, Xbox 360, Xbox One [reviewed])Developer: WargamingPublisher: WargamingRelease Date: July 28, 2015 (Xbox One)MSRP: Free-to-play (with microtransactions) Really, World of Tanks treads the line uneasily that all massively multiplayer online titles do: How do you make a game like this rewarding and nuanced for experienced players, yet inviting and engaging enough for a new audience? Extrapolating from that (and more importantly): How do you convert both Group A and Group B into dollar signs? Wargaming doesn't always do a great job of it, as its intentions often seem paper-thin. That aforesaid selfishness is where the moneymaking lies though, and it can come at the expense of the experience. World of Tanks on Xbox One gives people no reason to press forward except for personal gain. Being killed in a match means it's the end of that match as far as you're concerned. Sure, one could theoretically watch the rest of the round through the cameras of other players, but literally no one will do that. Instead, they'll head back to the garage, hop into another tank, and try again in a different match. This was my exact experience for much of my time with World of Tanks. After several hours of playing (but possibly more spent in loading screens), I checked my stats to see that I had a victory rate of just about 50 percent. That's not bad at all, but I had no idea. Worse yet, I didn't really care. I only cared about the currency dripfeeding into my account at the conclusion of each match. That's all World of Tanks wants us to care about. [embed]296821:59762:0[/embed] The last statement is made obvious by the way which Wargaming organically introduces players to some later-game content. During matches, it's not completely uncommon to come up against an opponent that seems literally invincible. Your ammunition will do next to nothing to it; it will dispose of you with the disdain of a Midwesterner swatting one of a thousand mosquitoes on a humid July night. That is your goal -- you want to be that guy. Make no mistake about it: World of Tanks is a continual left-to-right surge through a spiderweb of tanks you don't yet have, but might have very soon. Those first few come relatively quickly and the progression feels real. After that, everything gets slower. Each match contributes, but less so than before. Looking ahead through that web, some of it seems unattainable (or at the very least, extremely far off). World of Tanks wants your time or your wallet -- pick your poison. Fortunately, giving it your time isn't the worst option. World of Tanks can be rewarding. Every hit landed on another player is satisfying. Blowing them up is exponentially better than just damaging them. Surviving the entire match, destroying several on the other team, and/or capturing a base might just make you feel like you're General Patton. You start to think "I'm getting better. If I keep playing like this, those end-game tanks will be mine in no time!" These are the immutable highs of World of Tanks. It's simply enthralling when you set off on a literal warpath and cut down everything in your way. This is the meat of the game, and it's a prime cut. Excelling at tank-play against other humans feels very, very good. At this point, imminent defeat in the next match is all but assured. That's where World of Tanks is at its worst. Barring the progression frustrations, it's all too often that you'll feel like your opponents know something you don't. Their death machines are probably superior to yours, sure. Still, they'll angle their tanks in such a way that they never expose the weak part of the armor that you didn't even know was weak. They're really good, and you're not sure how to get to that level. The game doesn't teach you, and it doesn't seem like you'll ever learn on your own. It's very unintuitive. For everything that might appear impossible, what you do pick up on your own is invaluable. It isn't long before rushing in looks like a fool's game. Flank, hide, proceed with caution. These vehicles may be harbingers of destruction, but you can't treat them as such. Each minute movement actually means something when you're in the thick of it. These are the times when you'll feel a strategic sense in World of Tanks. Suddenly, things aren't so bad again. Everything seems possible, at least. And, that's what World of Tanks thrives on -- a cyclical mindset between frustration, slight progression, and back to frustration. There are intermittent spurts of elation peppered in occasionally in the event of an outstanding performance. Otherwise, it's right back to not quite understanding why others know more than you do. Which poison did they pick? Time or wallet? Or, heaven forbid, both? Anyone who truly appreciates World of Tanks won't need a review to guide them. They're already well beyond the long barrier to entry. Everyone else will likely find themselves similarly on the outside looking in. There might be something special to World of Tanks, but it's not something that's immediately apparent; it's something that only shows itself after a significant investment. The gameplay can be rewarding at times, but most won't have the patience (or the money) to ever get to that point. Thus, World of Tanks won't ever be more than a quick detour on the way to something that's easier to comprehend. [This review is based on a retail build of the free game downloaded by the reviewer.]
World of Tanks review photo
Pick your poison
World of Tanks is a selfish game. It acts selfishly in that it hides information from its players, expecting them to figure out any and all intricacies on their own. Similarly, it asks its userbase to roll into combat as...

Microsoft photo
Microsoft

'Paying for third-party exclusives isn't our long term strategy,' says Xbox's Phil Spencer


Not 'core' to Xbox strategy
Aug 03
// Vikki Blake
Paying for third-party exclusives isn’t part of Microsoft's long-term strategy, says Xbox boss Phil Spencer.  Talking to Chinese site Gamecores during China Joy 2015, Spencer said that in the future Micro...
Hits from the Xbong photo
Hits from the Xbong

OMG YOU GUYS look at this parents against pot website


Hits from the Xbong
Aug 02
// Niero Desu
Why is it that the people put in charge of teaching the chilluns all the beauty they possess inside end up marrying Bobby Brown, or making batshit crazy stuff like this website about dabbing? I laughed so hard that I haven't ...
100K Achievements photo
100K Achievements

Good lord, there are 100,000 Achievements


2.79 percent of them are unobtainable
Jul 31
// Jordan Devore
According to TrueAchievements, 100,000 Achievements exist across Xbox 360, Xbox One, Windows, and other supported platforms. Think of all that sweet, sweet Gamerscore! Scale aside, I was most interested to hear what the top f...
Destiny photo
Destiny

Bungie shows off Destiny: The Taken King's Dreadnaught


It looks big, you guys
Jul 31
// Vikki Blake
Bungie has released a crapton of new Destiny images, including a selection of concept art designed to bring The Taken King to life. "Conceptually, we’ve dreamed of facing the Hive on their own ground for a long time," said community manager, DeeJ, on this week's update. "With the development of Destiny: The Taken King, we’ve had the chance to fully realize the Dreadnaught."
Destiny photo
Destiny

'We're committed to protecting Destiny against cheaters,' says Bungie


Crucible access been restricted for offenders
Jul 31
// Vikki Blake
Bungie is cracking down on Destiny cheats. "We’re committed to protecting Destiny against cheaters," writes community manager, DeeJ, in this week's update. "We know you want justice. We’ve seen the chatter. W...

Review: Life is Strange: Dark Room

Jul 28 // Brett Makedonski
Life is Strange: Dark Room (PC, PS3, PS4, Xbox 360, Xbox One[reviewed])Developer: Dontnod EntertainmentPublisher: Square EnixRelease date: July 28, 2015MSRP: $4.99 (Each Episode) Interestingly enough, Dark Room largely betrays the pacing set forth by the previous three installments. Those chapters had a tendency to meander as Dontnod built the world and its characters. There wasn't anything inherently bad about that. Actually, now that the game's nearing its conclusion, it's paying dividends. We're invested in the story surrounding Arcadia Bay. Still, Dark Room is always tugging at your sleeves, trying to guide you somewhere. The stakes in this episode have been raised to a degree that doesn't lend itself to killing time. Urgency permeates the entirety of Dark Room. Rushing from one location to another advances the plot as things escalate steadily, and there's not always a chair handy to take a mental breather. As quickly as things move, a lot of the brilliance behind this episode comes in the form of finally tying together past events and seeing how they cause everything to shake out. There's some resolution, even if it's not full resolution. Dontnod has proven that it expertly laid the framework to affect future encounters. One particular instance comes in the form of another spat with a familiar antagonist. The branching paths can lead to several outcomes, none necessarily more optimal than the next. [embed]296752:59714:0[/embed] Another prime example is very un-Life is Strange, and maybe the only time Dark Room just sat still for a minute. Max has a board of clues that she must use to put together some damning evidence against someone. Putting on Max's sleuthing hat, the puzzle requires carefully finding related documents and grouping them in a sensible way. Odd as it may have seemed, this section nicely conveyed a sense of inter-connectivity and broke up the episode's breakneck speed. The rest of Dark Room's high points were the bleakest moments the game has seen, none of which should be discussed here. This episode doubled down on grim material and somber social issues. The absolute best thing Dark Room does is that it still somehow manages to present most of this (and the characters tied to it) from a complex perspective. It's not dealing in blacks and whites -- even though it's completely expected by now, given the nature of the subjects. The more time spent in Life is Strange, the more obvious it is that this isn't the game we may have originally thought. The supernatural won't overshadow the social issues. The rewind mechanic often doesn't feel like an option because you want to live with your decisions. Somehow, Dontnod resisted the urge to lean on these aspects, even though they'd be the easiest to lean on. The game's immeasurably better off for it. So, after another cliffhanger ending, we're left awaiting the conclusion and with no real idea where the narrative might go. Dark Room has been the most masterful installment in Life is Strange thus far, and it sets us hurtling toward the finish line. If the first 80 percent is any indication, it probably won't be a "happily ever after" ending. Only one thing's certain, though: that ever-present throat lump will be along for the ride.
Life is Strange review photo
Super Max
I played the fourth episode of Life is Strange with a lump in my throat. You know, the sort of uneasiness that puts a slight pressure behind your ears. The lump waned and grew with the chapter's crescendos and decrescend...

Free Xbox games photo
Free Xbox games

Ground Zeroes, Metro series free with Xbox Live Gold soon


Solid showing
Jul 28
// Jordan Devore
The Games with Gold lineup for August looks good. It's probably not enough to convince me to renew my lapsed Xbox Live Gold membership, but I seriously considered it for a minute there. On Xbox One, Metal Gear Solid V: Ground...

King's Quest developer talks silent film influences, possible Wii U port

Jul 28 // Chris Carter
Destructoid: Can you give us a bit of background on the history of The Odd Gentlemen and the acquisition of the King's Quest rights? This is a rather long story but I'd like to hear it from your perspective. Matt Korba: Many people have tried to bring back King's Quest over the years, in many different ways.  Our game and concept was built from the ground up, so besides public knowledge I don't know anything about the direction other teams wanted to take the series.  What I do know is that a little over two years ago, Activision was looking to fund and support a development team to reimagine King's Quest. They put out a call for ideas to various studios. I had been meeting with Activision since I was a student working on Winterbottom about possible collaborations, but it wasn't until King's Quest came along that we found a match.  King's Quest is my favorite series of all time so you can imagine how excited I was for a chance to bring the classic series back to life.  I met with Lindsey (our producer) and Evan (our art director) on the roof and we put together a pitch over a very long lunch for what we thought would be an interesting direction. It centered on King Graham as a very old man sharing stories from his past with his curious granddaughter Gwendolyn.  At the time we were only nine people, but Activision loved our creative pitch so much that they took a chance on us.  This rarely happens in the industry. It was a big risk for them because, they could have gone with a larger team, or a team that has shipped more titles on more platforms, but they decided to go with a small team that had the best creative (and the biggest KQ nerd). I am externally grateful to them for that. From there, Sierra was brought back, they fostered the growth of our company and here we are today.  What lead to the choice to include action sequences in this new rendition? I particularly liked how everything wasn't just a QTE. The original directive was to reimagine and update the classic series for a modern audience.  But, for us that wasn't a good enough reason to include small action sequences.   One of the most important parts of a good adventure game is pacing, and for us we are always trying to strike a balance between gameplay, story, and art.  If we were going to include anything it needed to serve that purpose. The action sequences help to break up the pacing and keep it interesting. When we put an action sequence in the game it usually has a puzzle element, branching choice, or a story point to it. We decided early on that if something can be played it should be, as opposed to watching a cutscene. This theory is not new to our game, the classic series mixed things up with action as well. The early games even had jumping and swimming controls. Remember climbing the beanstalk in KQ1 or the whale tongue in KQ4? The games felt pretty dangerous when you had to time a click just right before a wolf ate you or to throw a pie at an attacking yeti in KQ5, and of course using the arrow keys to avoid the paths of monsters added tension to the exploring.   Will we see the same cast of characters, notably the knights, pop up in other episodes? The game takes place over the lifetime of Graham.  That means that not only does much of the cast return, but they age as well. Players will get to control Graham from a young squire to a very old man.  Each chapter will also introduce new characters. How was it working with the voice cast? I noticed that all of them seemed to have a lot of fun based on the strong performances. It was an amazing experience. The fact that we got all those people still baffles me.  Our casting director Eric Weiss, did a phenomenal job of getting together a great cast. There were few occasions where we had placed a sample voice clip into our casting doc and Eric would just say "Why don't we just cast that person". To which we would say "Huh? We can do that"? We had done some small VO work in the past but this was definitely a huge learning process for the whole team. I think in general the cast got excited, because games like this don't come around everyday. This was a story filled with charm and humor, they wouldn't need to record 500 stabbing exertions or one line taunts. Can you tell us a bit about the inspiration for young Graham's mannerisms? I noticed that he seemed familiar when he'd get really excited about something. The inspiration for him was really only the classic series.  With other characters I can say, oh Groucho Marx inspired him, or Monty Python inspired them, but Graham was difficult.  We wanted to allow Graham to grow into a hero.  We didn't think it would be appropriate for a Graham to be a traditional "Bad Ass." We have seen enough characters like that already. We looked at the classic series and knew where we needed to take him, so we worked backwards.  I wrote this line early on to describe Graham and everything stemmed from there. "While other knights returned from their quests trailing bloody victories behind them, Graham returned with friendly dragons and yeti companions." Oh, and silent film, we pulled a ton of his physicality from the silent film greats; Chaplin, Keaton, and Lloyd.  Do you have any sort of timeline in mind for future episodes? We want to make sure the games are great and of high quality.  When we announce the schedule I think people will be impressed.  This is not a game you will have to wait a year in between chapters.   Was there any consideration in terms of developing for Wii U? If the game does well it can definitely end up there as well as some other platforms. But, we are still a relatively small team and 5 platforms at launch almost killed us! Just in case you haven't heard this yet, I feel like I need to make the case for the Land of the Green Isles (I saw the tapestry Easter egg on the wall in the castle). Is there a chance we may see them and some Alexander adventures in the future? Season 1 is focused on Graham's adventures, but if there is a demand for it anything is possible. That said some of your favorite charters just might be coming back in future chapters.   Likewise, if you can answer this question, where does the series stand on re-releases of the classic entries? This game is a big testing ground for many people.  If it can prove that there is still an audience for this type of game at this type of scale, then I think it opens many opportunities for us, Sierra, and other development studios as well.
King's Quest interview photo
'This game is a big testing ground'
As you could probably tell from my review, I was blown away by King's Quest: A Knight to Remember. I went in with very little in terms of expectations and at the end of it, I was looking at a Game of the Year contender. Spurr...

Review: King's Quest: A Knight To Remember

Jul 28 // Chris Carter
King’s Quest: A Knight To Remember (PC, PS3, PS4, Xbox 360, Xbox One [reviewed])Developer: The Odd GentlemenPublisher: Sierra EntertainmentReleased: July 28, 2015MSRP: $9.99 per episode / $40 for the "Complete Collection" To be clear, this isn't a true continuation of the series, but rather, a "re-imagining" with the same characters, and some of the same events. For the most part, this new rendition is going to tell side stories that happened between the games over the course of five episodes -- A Knight to Remember is the first. There's plenty of fanservice scattered about to keep old fans happy, but newcomers won't be lost in the slightest in their first foray into Daventry -- it's a great balancing act. When I first booted up the game, it was seemingly taking a low-key Ico-like approach, which I really dug. The protagonist didn't talk much initially, and you're thrown into an unknown situation that sets up the rest of the tale. It immediately reminded me of a Don Bluth project, with beautiful scenery and interesting character designs. There are a few areas I encountered that had some screen tearing issues, but nothing that affected my enjoyment significantly, or crashed the game in any way on Xbox One. Slowly but surely the game opened up and started to become more talkative, at which point I immediately fell in love with it. The way the game is framed is through the narration of King Graham, who is telling his granddaughter the tales of his youth. Christopher Lloyd plays an older Graham to perfection, with plenty of "grandpa puns" and lots of heart. You can tell he's really enjoying it and isn't phoning it in like some stars might (Destiny), and in fact, the entire cast is one of the most organic collective of characters I've ever seen in a game. There's tons of great references to classic films like The Princess Bride with a welcome appearance from Wallace Shawn, and even direct references to characters like Gaston from Beauty and the Beast. While I don't want to spoil the surprises, they're done with the utmost respect to the source material, and never approach the level of an annoying forced meme. It helps that the game's animations are incredible, and it's hard to not laugh out loud when you see Graham frantically running with his arms flailing about like Disney's Ichabod Crane. In fact, I've never laughed so hard at a game in my life -- trust me when I say that's not an exaggeration. I particularly like how the game handles death with the Grandpa Graham narration mechanism, which even makes failure funny. There's also a few hilarious references to characters "remembering that" from Telltale games, and a clever use of the narration technique in other ways. For instance, there's one part where you're walking on a log, and after going over it again, Graham mentions that it would be repetitive if he had to explain that bit over and over to his granddaughter, so it transports you to the other side. It's convenient and charming in the same breath. One thing I need to mention is that the game is not as hardcore as past King's Quest titles, which is to be expected. The narration element sort of clues you in sometimes to the solution (which again, is done very well), and I really like how the game focuses in on objects you are currently trying to use a piece of equipment on, to eliminate any nasty instances of pixel-hunting. There's also plenty of choices to be had that change the story in smaller ways, like leaving tips in a collection plate in any empty store, or bigger conundrums that promise more of an impact in future episodes (stay tuned to future reviews to see how this plays out). While the first hour or so of the roughly five hour adventure is rather linear, the game opens up significantly after that, with a large sandbox that isn't as massive as a classic adventure game, but big enough to roam around in. There's also some third-person obstacle dodging, mild on-rails platforming, and several first-person aiming sequences. There's a few quick-time events but they are very few and far between, which is a nice touch, as modern adventure games use them as a crutch far too often. Of course, A Knight to Remember also has several puzzles as well as some memory work involved, which are well executed. So yes, it's much more involved than your average Telltale game. I wish King's Quest: A Knight to Remember was a bit more taxing, but I loved everything about it. If this series does well I hope we get to see the adventures of other family members like Alexander, and additional areas like the Land of the Green Isles. Right now though, I'm going through withdraws for the second episode already. Move over Telltale, there's a new adventure king in town. [This review is based on a retail build of the game provided by the publisher.]
Kingís Quest review photo
A kingly modern classic
Not all revivals or remakes instill a sense of nostalgia within me. For instance, if we ever got that sequel to Kabuki Quantum Fighter we were promised in the original's credits, I wouldn't be all that excited. But King'...

Life is Strange: Episode Four Achievement guide

Jul 28 // Brett Makedonski
Dark Room: Finish Episode 4: Dark Room This is the only Achievement that's earned through story progression. Just finish the fourth episode. Easy peasy. Ambient: Take optional photo #1 in Episode Four: Dark Room The first photo op takes a while to get to. It's available as soon as Max has control of her camera again. Take a picture of Chloe while she's working hard at her computer. Time-Lapsed: Take optional photo #2 in Episode Four: Dark Room Fortunately, we don't have to wait as long for the second photo as we did for the first. Once in step-douche's garage, go take a gander at the bird's nest that's hiding behind the plank. Move the plank to the side and take a picture for Max's Arcadia Bay Wildlife Series. Make sure to move the plank back when you're done; drill sergeant David doesn't like people messing with his stuff. Balance: Take optional photo #3 in Episode Four: Dark Room You know that ominous totem pole in the corner of the Blackwell Academy courtyard? Well, now there's an ominous pile of stones in front of it. Go ahead and take a picture of the "Blair Witch" rocks for this episode's third Achievement. Rangefinder: Take optional photo #4 in Episode Four: Dark Room This one's also in the Blackwell courtyard. Go talk to Samuel -- he's sitting on the bench -- about animals, squirrels in particular. He'll throw a nugget of food, which attracts one furry friend. Use the box of food next to Samuel to lure another squirrel over. When they're snacking together, take a picture of them. Gamma Value: Take optional photo #5 in Episode Four: Dark Room Once in the boys' dorms, take the hallway to the right and look out the window. There are some footprints that Max finds photo-worthy. Dioptic Power:Take optional photo #6 in Episode Four: Dark Room Before long, you'll end up on the beach. This episode's sixth photo is the third beached whale from the right. Snap a picture for some of the saddest Gamerscore you'll ever earn. Fisheye: Take optional photo #7 in Episode Four: Dark Room This one requires some quick reflexes and possibly a rewind or two. Off to the left of the barn is a bird posted up on the fence. Take a quick photo of it. If our feathered friend flies away, reverse time until he sits still long enough for a picture. Manually Exposed: Take optional photo #8 in Episode Four: Dark Room The next one's owlfully easy to find. There's an owl hanging out in the corner of the loft in the barn. Once you're up there, do what Max does best. Slideshow: Take optional photo #9 in Episode Four: Dark Room This one's inside the End of the World Party. Go around the outside of the pool and up to where the VIP booth is. Go into the unmarked door. When in there, take a photo of Justin at the sink with his lower half lined up with the skeleton graffiti. Tripod: Take optional photo #10 in Episode Four: Dark Room In the pool area of the End of the World Party, move off to the right side and look up and out the windows. Find a place where you can line up a nice double moon shot. Wait. Double moon?! Shutterbug: Take all optional photos in Episode Four: Dark Room This one will unlock as soon as you pick up the last optional photo. Two Achievements for the price of one!
Life is Strange photo
Point camera, earn Gamerscore
We're inching ever-closer to the conclusion of Life is Strange. As we get nearer to knowing what the narrative holds for Max and Chloe, we find a bit of familiarity in the Achievements. Like always, episode four Dark Roo...

Backward Compatibility photo
Backward Compatibility

Rumor claims Castle Crashers and Borderlands are getting backward compatibility


Could they be right around the corner?
Jul 27
// Laura Kate Dale
According to some images floating around on the internet this morning, Castle Crashers and Borderlands might be some of the next games coming to Xbox One via backward compatibility. The source of the leak, who apparently also...

Experience Points .20: Red Dead Redemption

Jul 25 // Ben Davis
The desert life There really aren't enough games that go for the Wild Western setting, and probably no other game pulls it off quite as spectacularly as Red Dead Redemption. It's set in an area inspired by the Rio Grande Basin connecting Texas and Mexico, as well as the deserts and prairies of Arizona and New Mexico. It also takes place in a time of Wild West cowboys, horses, outlaws, gunslinging, and saloons, so it basically feels like playing a classic Spaghetti Western film. The desert vistas in this game are absolutely gorgeous. In fact, my favorite thing to do was just to ride around and look at all the different locations. The sandy expanses, the majestic rock formations, the fields of cacti and desert shrubs, the old Western-style towns and dilapidated structures, and those sunsets... my god. Every inch of this game is stunning. Sometimes I just sat around on top of my horse for a few minutes and marveled at the world around me. I've only been out West once in my life, when I was like five years old, so I didn't really get to appreciate it as much as I would have liked. I'd love to take a trip around that area again sometime, in part because Red Dead Redemption makes it look so beautiful. It's rare that a game makes me want to go out and see the world like this one did. Draw! Good old-fashioned duels are a staple of the Western genre, so it's no surprise they make an appearance here. I've been obsessed with Western duel scenes ever since I watched The Good, the Bad and the Ugly, which has quite possibly the most glorious duel ever filmed. Two men (or three, in the case of the film) standing at a distance, their hands readied above their guns, sweat rolling down their faces, waiting for the signal to draw their weapons to see who can shoot faster and become the victor... it's always such a thrilling scene to watch. The duels in Red Dead Redemption aren't quite as long and fancy as the ones from Sergio Leone's films, but they're still very satisfying. Some duels take place as a part of the story, but many occur randomly. Marston may be challenged to duels by outlaws just by walking through a town, or if he's caught cheating at poker, or even if he rudely knocks over a passing stranger. If he accepts the duel, then the standoff begins. The camera shows both participants before coming in close to focus on Marston's hand hovering above his holstered gun, and then time slows down as shots are fired. It's very cinematic, which makes it feel even more like an homage to its film inspirations. I also like that, in some cases, Marston can win by simply disarming his opponent rather than killing them. Doing so generates both honor and fame, while killing only generates fame. It makes me feel good to play as the virtuous Western hero sometimes, so I always tried to aim for my opponent's gun hand whenever possible. It's what the man with no name would have done (unless he's dueling against Angel Eyes, that is!). John Marston, with the rope, in the conservatory Speaking of being honorable, I particularly enjoyed the option of using the lasso to subdue foes. It's not always the best method, but I tried to use the lasso as often as possible, not only because it means I don't have to kill as many people, but it's also just really fun to use. Bad guys can be lassoed, hogtied, and lifted onto the back of Marston's horse to take them to jail kicking and screaming. It's a bit trickier to capture bounties this way, because the player often needs to act quickly before the criminal's pals appear to help him out. Plus it feels good knowing that it's possible to solve problems non-violently. I'm always pleased when games give me these kinds of options. Of course, if the player wants to be a bit more villainous with their lasso, that's also a possibility. Marston can lasso someone while on horseback and drag them along behind him to kill them, hold on to the rope with the lasso around their necks to choke them, lasso their horses to try and buck them off a cliff, or even go the old-fashioned dastardly route and hogtie someone and then leave them lying on the train tracks to meet their demise. All you need is a bit of creativity to turn the lasso into a deadly weapon. A horse with no name John Marston wouldn't get very far without a trusty steed, and luckily there are plenty of horses for him to choose from. While the horses in Red Dead Redemption may not be as memorable as, say, Epona or Agro, they still play a very important role as companions. The game provides Marston with his own horse early on, but it also allows him to steal other people's horses or even capture and tame wild horses whenever he wants. If a strong-looking stallion is spotted in the wild, Marston can use his lasso to reign it in and then jump on its back to try and tame it. This was my favorite method of finding horses. I tend to go for the solid white or solid black horses, which seemed to be kind of rare and challenging to tame, but they're just so impressive-looking. I liked to pretend I was riding around on Shadowfax or one of the Black Riders' horses. Many players probably go through a lot of different horses during their playthrough, but I usually tried to keep my horses as long as possible. They tended to be more trustworthy and stronger the longer I kept them around, and I also couldn't help but feel a sense of connection with my horse friends after a while. I hated to see them get hurt, especially the ones I captured in the wild since so much work went into finding them and gaining their trust. For something that could easily be seen as a disposable item within the game, Red Dead Redemption sure did a fantastic job of making the horses feel alive and full of personality, something more than just a mode of transportation. Gambling man While the story and free-roam play of Red Dead Redemption was phenomenal, I also just could not get enough of the mini-games. Poker, liar's dice, five finger fillet, horseshoes, arm wrestling, blackjack... I spent so much time playing all of these games in each of the settlements, trying to master them and win money. They're all really fun and impressively fleshed out. While I probably spent the most time playing poker, my best game was definitely liar's dice. I'd actually never heard of it before playing Red Dead Redemption, but I quickly mastered it and raked in the cash. Horseshoes, on the other hand, was definitely not my game. I was terrible at aiming correctly, but it was still fun to learn. Five finger fillet was also enjoyable simply because I would never want to try it in real life. I value my own hands, thank you very much, but I don't mind the risk of butchering Marston's body parts. Although it is kind of strange how his hands seem to be just fine even if he accidentally stabs himself repeatedly with a knife. I messed up so much that I'm surprised he still had fingers! A grizzly encounter There is almost nothing more terrifying than hearing the snarl of a cougar while Marston is roaming the wilderness in Red Dead Redemption. Cougars are fast and powerful, they can easily kill in one or two strikes, and they're very difficult to detect due to their tan color which blends in well with the sandy desert environment. Usually, the player won't know a cougar is near until they hear the loud, ferocious snarling. The sound always stopped me dead in my tracks, as I desperately tried to search for the location of the animal before it was too late. Then when they pounce, it's a strenuous fight to the death as I try to avoid their attacks and get a few shots in as they're running around. Even when I was being careful, they mauled me to death on more than one occasion. The cougars are no joke! But even the cougars pale in comparison to the grizzly bears. The bears make a loud growling sound as well, but more often than not, I would see the bear before I heard it. I would just be minding my own business in the woods, then turn around and BAM... there's a big old grizzly bear bounding straight toward me! It scared me every single time, and sometimes I'd even have to pause the game for a bit just to take a breather before confronting the animal. The bears in Red Dead Redemption are arguably even more dangerous than the cougars. Sure, they're slower, but they're so powerful and difficult to take down that I found them to be way more frightening. And usually, once I killed one bear, two or three more would come running out of nowhere to avenge their friend. It was almost certain death once I found myself surrounded by multiple bears. Chill out, bears! I can only handle so much bear at once! Past Experience Points .01: The Legend of Zelda: Majora's Mask.02: Shadow of the Colossus.03: EarthBound.04: Catherine.05: Demon's Souls.06: No More Heroes.07: Paper Mario.08: Persona 4.09: Final Fantasy IX.10: Mega Man Legends.11: Rayman Origins.12: Metal Slug 3.13: Animal Crossing.14: Dragon Quest VIII: Journey of the Cursed King.15: Super Mario Sunshine.16: Final Fantasy VII.17: Nier.18: Chrono Trigger.19: Metal Gear Rising: Revengeance
Red Dead Redemption photo
John Marston! Remember the name!
Experience Points is a series in which I highlight some of the most memorable things about a particular game. These can include anything from a specific scene or moment, a character, a weapon or item, a level or location, a p...


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