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Styx: Shards of Darkness photo
Styx: Shards of Darkness

Styx: Shards of Darkness brings my favourite foul-mouthed goblin back

Due for release in 2016
Oct 14
// Joe Parlock
Cyanide Studios’ RPG Of Orcs and Men is one of my absolute favourite games. It managed to introduce an interesting world told from a perspective we don’t often see in fantasy games, but unfortunately its sometimes...
Stealth photo

Barf a clone into existence in Styx: Master of Shadows

Goblins -- is there anything they can't do?
Jul 18
// Jordan Devore
"Don't be stupid. Goblins don't exist. You don't even know what one looks like." With Styx: Master of Shadows being a stealth game in which you play as a goblin -- the first of all goblins, at that -- yeah, I suppose the guy...
Blood Bowl photo
Blood Bowl

Cyanide announces Blood Bowl 2

First look at the commentators
Jun 06
// Jordan Devore
Cyanide Studios is working on a direct sequel to its 2009 adaptation of Games Workshop's football/Warhammer Fantasy boardgame mash-up Blood Bowl, because of course it is. And since we are on the cusp of E3, all we're getting...
Blood Bowl photo
Blood Bowl

Become a manager in Blood Bowl: Star Coach

Free-to-play fantasy football
Mar 05
// Jordan Devore
More Blood Bowl? More Blood Bowl. I just love typing that name. This time around, Cyanide will be appealing to fans of management sims with Star Coach, a new game heading to Windows, Mac, and tablets in Q2 2013 with cross-pla...

Review: Impire

Feb 27 // Fraser Brown
Impire (PC)Developer: Cyanide StudioPublisher: Paradox InteractiveReleased: February 14, 2013MSRP: $19.99 The demonic powerhouse known as Baal-Abaddon has been unleashed on the fantasy realm of Ardania by incompetent demonologist and sniveling idiot, Oscar Van Fairweather. He has enough chips on his shoulder that nobody could really call it a shoulder anymore, and all he wants to do is spread evil throughout the land, eventually becoming its ruler. He's not very good at the whole evil thing, unfortunately.  The story-driven campaign is one of the many things that sets it apart from Dungeon Keeper, a title Cyanide was clearly inspired by but did its best to avoid mimicking. Lamentably, like most of the facets taken from titles wholly different from Bullfrog's classic, it fits in about as well as a child-eating demon at a children's birthday party.  It's not that the plot itself is out of place -- though it's not exactly scintillating -- rather, it's the brand of comedy that accompanies it. Early in the game, it's amusing in a slightly puerile sort of way. I thoroughly enjoy tacky innuendo and toilet humor, and a game about a bald idiot with daddy issues trying to control the forces of hell shouldn't take itself seriously, but then it just gets really carried away. References are thrown around with zero context, from Star Wars to A Song of Ice and Fire, and none of it makes any sense. I confess that I just don't get reference comedy. I can't stand Family Guy, and I simply don't see why a character mentioning something from a movie or some other form of media is funny. Comedy is tough, and is fairly subjective, so I'm willing to accept that someone out there might find Impire hysterical. I'm just not that person. Thankfully the awkward attempts at comedy are restricted to the poorly animated in-game cutscenes, and the rest of the experience is all about running an increasingly large dungeon filled with minions, attacking heroes, and pitiful prisoners.  Here is every mission in Impire: You start with a partially filled-out dungeon with a few corridors, enemy-patrolled areas that can be dug to, a couple of worker imps and a mushroom chamber, and a few other essential rooms. Unless you take a particular path just before the game's final chapter, every dungeon you make will essentially look the same. The dungeon has one purpose, and no other. It exists to allow you to build up a small army of creatures which you can move to a second area situated next to the dungeon to perform a series of extremely boring quests that amount to killing a hell of a lot of enemies and occasionally collecting some items.  To build this army, resources must be gathered by sending minions on surface raids, which was a nice touch sadly diluted by the fact that a raid just means they travel to a tiny area and fight some enemies while the player has no control beyond casting the occasional spell. These resources can in turn be spent on building new rooms to recruit new minions, upgrade said minions, or accrue more resources. There are few meaningful interactions to be found, and no real attempt appears to have been made to disguise the fact that you are clearly just performing fairly mundane actions in a rather linear fashion. Finally there's the acquisition of DEC points, Impire's slightly unexpected attempt to shoehorn RPG elements into the mix. By performing tasks on a huge list (digging through x number of blocks, killing x number of heroes, wasting x hours of your life) dungeon builders get awarded points which can then be used to unlock new rooms, upgrades, and runes to customize minions. It suffers from the same problems as the rest of the game, sadly, in that it feels like you're just going through the motions, doing the same old things again and again. It is tedious. Exactly the word Baal himself uses when you order him to move somewhere. Cyanide should have listened to their little demon.  The entire dungeon-building experience boils down to ticking the boxes that allow you to bugger off and do the main quest. And every single mission is exactly the same apart from sometimes getting access to a new room. Damn, I've probably bored you all half to death just detailing the mission structure. Maybe I should try to spice it up. I did attempt to do that during the game by giving the rooms new names, along with my actual minions. The minion-spawning room became, at least in my head, The Womb of Doom, and I started to name all of my creatures after famous dictators.  I genuinely wish I could muster up one iota of enthusiasm for it, but Impire has sapped me of my positivity entirely. It's frustratingly repetitive. There was no joy in finishing a mission, as I knew that I would begin again, simply going through the motions, trying to reach the end. I ended up going on prolonged cigarette breaks. At one point I actually left my PC and went to watch a football game with my flatmate. I haven't watched a football game since I was a teenager, and even then it was because I was trapped.  Each room is prefabricated, and the only element of customization is the ability to rotate and place them, and even that is restricted by the small size of the dungeon areas. At first I thought that this might make room placement something of a puzzle, a challenge requiring a spot of lateral thinking. Nope. It's just boring. Once constructed, the rooms are actually a high point of Impire, however. The ones that require an imp to man them especially, and watching those little ghastly beasts working away was a brief respite from the monotony of the game. If every dungeon didn't look almost identical, then I think I would have been extremely charmed by the title's aesthetic.  My biggest gripe with the dungeon portion of Impire is how it wasted my time. It's a bloody long game, and each mission can take up to an hour to complete, but most of that hour is spent doing exactly the same thing as the previous mission. And yet with all that repetition, there are more features that exist to prolong the experience. From commanding your minions to eat (they are too stupid to do that themselves), to making them move anywhere -- setting patrols is pointless since they just go where they want, and where they want to go is usually up and down a small portion of a corridor; there's a ton of faffing. I like a bit of micromanagement, but there's a fine line between giving players lots of control and making them perform menial tasks, and Impire crosses that line with gusto.  Treasure pits and stockrooms are the worst offenders by far when it comes to needlessly extending mission length, however. Each of these rooms are tiny and hold a rather small amount of resources, yet these resources are absolutely integral to progressing through a level. So the first half hour or more of each mission is spent filling up those rooms, then spending those resources to buy more of those rooms, since they can't be upgrades or expanded, filling them up again, and repeating the procedure until you can finally hold enough resources to build the force required to storm the neighbouring area. These are tasks, not entertaining activities. So the dungeon-building portion is a bust -- what about the combat? The minions themselves are great, at least in terms of how they look. There are metal-loving goblin shamans, manic grinning imps of various classes, minotaurs, skeletons, wraiths, a beholder-type creature called an occulus -- they are quite delightful.  Troops can be extensively upgraded, too. Armor and weapons come in three tiers, and little familiars can eventually be attached to groups of units, giving them some bonuses. When it comes to these minor bits of customization, there aren't really any paths, but it still felt like I was developing them rather than just churning them out. These creatures are meant to be placed into squads of four, and these squads move and attack as one. Depending on the make-up of the squad, they may have synergy abilities. These synergies are all passive in so much as the player has no control over their use, and frankly, I barely noticed them. When it comes to sending them into combat, it all falls apart. Impire may ostensibly be a strategy game, but fighting instantly devolves into an indistinguishable mass of spell effects and creatures hitting each other. It's impossible to make out what is going on amid all the chaos, and the numbers and status effects that appear above them come out fast and thick, giving players no time to react or understand the conflict. It amounts to hitting something until it stops moving.  While much of the combat happens in the secondary dungeon where the mission's main quest takes place, there's still a fair amount of combat within Oscar and Baal's own dungeon. Heroic invasions happen with increasing frequency as the dungeon levels up, and bloody hell are they infuriating. Heroes will either enter via destructible ladders or the main entrance. If the ladders are destroyed the heroes will still come through the entrance anyway, making it something of a pointless victory.  A variety of traps can be laid throughout the dungeon, though they serve no real purpose, just like the rooms that "attract" heroes, drawing them away from the precious treasure pit. If heroes are stomping around your dungeon, you're doing something wrong. Minions and Baal himself can be teleported to any part of the dungeon, so there's simply no reason why any heroes will have the freedom that allows them to wander into traps, especially since they can't even be placed by the main entrance. These invasions present little threat, and generally exist as nuisances more than anything else. There's nothing more annoying that attempting to complete a quest when every few minutes a couple of invaders appear in the dungeon and require the squads to be teleported back in. Again, it feels like it's merely prolonging an experience that is already far too padded out. Impire may have annoyed me more than I knew. It was probably the technical issues that pushed me over the edge. Everything was going smoothly before the first patch, and I suffered none of the crashes or glitches reported by others. Then it all went to hell when Cyanide apparently decided to break the game when it was working -- at least for me -- perfectly. All of a sudden I was getting crashes every single mission, and to make matters worse, my saves were being corrupted. Most of the game is filled with "been there, done that" moments, but for me I literally had been there, playing that very mission, and I had to do it all over again. These aren't levels I wanted to do once, let alone twice. At this point, I should add, for the sake of transparency, that I failed to finish Impire's final mission. It crashed the first time I attempted it, then the second time it crashed and corrupted my save file. I packed it in at that point.  There's a fairly original, ambitious title to be found deep within Impire. But it's really, really deep. Far deeper than the dungeons ever go. All the potential was wasted on missions that amount to simple copy-and-paste tactics punctuated by jokes that are an acquired taste, to say the least. It's stitched together with big ideas and interesting concepts, but it never even comes close to being the sum of its parts.
Impire review photo
A bit less painful than sitting on a red-hot poker
There is a vast, tumultuous ocean between good ideas and their actual application, and lost in the middle of that ocean is Impire. In fact, it may very well be stuck inside the belly of a whale. I had high hopes for the dunge...

Review: Of Orcs and Men

Oct 15 // Jim Sterling
Of Orcs and Men (PC [reviewed], PlayStation 3, Xbox 360)Developer: Spiders, Cyanide Publisher: Focus Home InteractiveRelease: October 11, 2012MSRP: $39.99Rig: Intel i7-2600k @3.40 GHz, with 8GB of RAM, GeForce GTX 580 GPU (SLI) Of Orcs and Men takes the popular modern approach of telling a fantasy story from the view of "traditional" bad guys, its plot focused on a band of Orcs seeking revenge against a tyrannical human empire. With greenskins persecuted and enslaved, it falls to an extremely violent Orc warrior named Arkail and his Goblin companion, Styx, to assassinate the emperor in a bid to free the greenskin people.  As already noted, Of Orcs is not shy of adult language, to the point where one feels it might be trying just a little too hard to be edgy. However, the constant swearing certainly fits the tone, especially given the fact that our heroes are not necessarily heroic, blinking no eyes at slaughter, torture, and other nefarious deeds. It also helps that, despite being morally dubious, racist, untrustworthy and violent, our two protagonists are relatable and hard to dislike. Styx, in particular, is a wonderfully realized character, his sarcasm, selfishness, and deeply buried sense of nobility making him both likable and frequently hilarious. The sneaky Goblin has a few wisecracks that legitimately made me laugh out loud -- no small feat for a videogame.  Though the 10-14-hour story isn't quite as deep as it'd like to be, and the constant treachery of other characters can grow a little exhausting, Of Orcs and Men still manages to provide one of the better role-playing adventure stories I've experienced in a while. With its dark world and characters that seem very human despite their fantastical genus, there should be few people who won't feel satisfied by the plot, as it grows from a story of foolhardy revenge to inspiring rebellion.  [embed]236746:45426[/embed] Combat has a heavy BioWare influence to it, with Arkail and Styx making used of queued commands to take out the opposition. As one might expect, the Orc is a savage warrior who can take and dish out a beating, while his Goblin partner is all about debuffing the opposition and providing ranged support. Both characters have one of three combat stances -- melee, special, and defense/ranged, depending on the character. Each stance has its own particular set of skills that can be queued up by slowing down the action and choosing up to four desired attacks, which will be performed in sequence once time has been returned to normal.  Arkail and Styx can be manually controlled at the press of a button, and it's worth approaching combat with the idea that you will be using both of them. Unchecked, the A.I. isn't particularly good at handling battle situations, even when switched to the suggested defensive stance. Fighting is all about constantly maintaining both characters, keeping them both focused on the right tactics and ensuring they work together to take down foes. You don't play Of Orcs as a single character -- you really are both of them.  When the greenskins level up, they gain access to new skills, as well as opportunities to enhance their existing ones. Skills can only be enhanced once, and the player has to pick one of two enhancement options, usually adding extra damage or a new status ailment. Some skills are designed to help Arkail and Styx support each other or attack together -- for instance, Styx's normal attacks can be made to cause bleeding, and Arkail's can be upgraded to deal extra damage to enemies affected by that particular status.  As well as keeping the protagonists performing the right tasks, players must also watch out for Arkail's biggest weakness -- his rage. As Arkail performs attacks, a rage meter fills, which, once fully powered, will initiate a berzerk status. Under the influence of berzerk, Arkail gains a large damage boost at the cost of being uncontrollable and even prone to attacking Styx. This can be disastrous if it activates too early in a battle, as his unpredictable nature and inability to revive his partner leaves both he and Styx vulnerable. Exploited carefully, however, it can also be a way to successfully clear a battle early.  It's worth noting that, for at least the first half the game, things are brutally unforgiving. As often seems to be the case with RPGs out of Europe, players are thrown into the deep end and come up against unwavering, hard-hitting opponents almost immediately. As characters level and gain new powers, the challenge eases up considerably, but it's a rough start that risks putting players off before the action's even truly started. It doesn't help that healing is almost worthless, leaving the character vulnerable to attacks that often sap more health than is being gained.  Many fights, however, are unbalanced by design, for Styx has a way of evening the odds. The Goblin can sneak among foes before the fight's started, entering a special stealth stance that renders him invisible to NPCs unless he stands literally a few inches in front of them. In stealth mode, Styx can assassinate guards, thinning the ranks before they're taken on in full combat. It's not exactly "stealth" gameplay, however, since there's no real need to hide and most enemies are stood in place. These sections are more like puzzles, as players scope out the environment, check where guards are looking, and work out the optimal number of guards that can be killed without being seen or sniffed out by dogs. In most situations, not every guard will be killed, but even getting to cut down a couple before having Arkail rush in can mean the difference between victory and defeat.  Sometimes things are rendered more difficult than they ought to be simply because the game isn't working properly. At times, certain commands won't activate when demanded, or the characters will change their attack targets for no reason. Trusting the A.I. to do anything is a bad idea, as it likes to go for opponents who are too far away or provide the least threat. There are undoubtedly some bugs in the works, occasionally popping up to make controls less responsive, and sometimes cause one of the heroes to not attack at all for an arbitrary amount of time.  Of Orcs and Men is rough around the edges, though it's by far one of the more polished European RPGs I've seen. Bugs aside, the combat is intuitive and a lot of fun to play with, and the game looks fairly pretty, outside of many solid objects passing through each other. There's also a rather unique shop system, with coins eschewed for trade points. Equipment is bartered for rather than paid for with gold, and these trade points can be saved to upgrade gear. That said, there's not a lot of loot on offer -- there aren't too many weapons and only a handful of armor pieces in the game, so don't go out expecting to be swathed in lavish finery the moment you start swinging your axe.  One of the real highlights of the game has to be its soundtrack. An incredibly beautiful arrangement of tunes has been provided by the Boston Cello Quartet and composer Olivier Deriviere. There is a lot of memorable and melodic music, adding real gravitas to cutscenes and important fights, the type that truly enhances and complements the visual action. Indeed, this is one of the best soundtracks I've had the pleasure of hearing this generation.  Of Orcs and Men is for a specific audience -- its quirks and faults will be tough to forgive for the mainstream crowd, while its challenge and uniquely hectic combat can be offputting. It is, however, a game that a particular sort of gamer will fall deeply in love with. At times beautiful, hilarious, and even occasionally thoughtful, this is a one-of-a-kind action-RPG that deserves your consideration, if not your monetary vote. There's certainly nothing quite like it, and for all its foibles, when it hits its mark, it does so with vigor.  A name can say a lot about a project. Of Orcs and Men is a rare and tantalizing, if perhaps a little ponderous, appellation. The same can indeed be said of that which bears its title. 
Of Orcs and Men photo
Greener on the other side
A name can say a lot about a piece of art, with the particularly poetic ones giving you a clue as to where a project may be coming from. You can certainly get a good idea of the differences between The Unfinished Swan and Bat...

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