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Iconoclasts photo
Iconoclasts

Iconoclasts finally gets a release announcement: Steam and Sony systems in 2016


Also drops the 'the' from its name
Jul 29
// Darren Nakamura
We have had our eyes on The Iconoclasts for a while now. It started development in 2010, and we have covered whispers of updates sporadically since then, including a rad mecha-worm boss fight using rail transport last year. G...
Severed delay photo
Severed delay

DrinkBox's Severed is being delayed past summer


A few new screenshots to show off
Jul 29
// Darren Nakamura
Guacamelee! was rad and DrinkBox Studios' next project Severed has a lot of the same stuff going for it, despite existing in an entirely different genre. It has that same sharp cartoon art style and it doesn't shy away from s...
Alphabear mad libs photo
Alphabear mad libs

Some of the best Alphabear mad libs out there


It's what's for dinner
Jul 28
// Darren Nakamura
Alphabear has been out for a few weeks now, but we haven't done much talking about it since its release. That's a dang shame, because it might just be one of my favorite games of 2015. On its surface it's just a word game, bu...

Legacy board game photo
Legacy board game

Risk Legacy designer working on new civilization-themed legacy game


Chronicles: Origins
Jul 28
// Darren Nakamura
It sure has been a long time since Risk Legacy originally released, and yet, I can't help but perk up at the news that Rob Daviau is working on something in that vein. Heck, I named the previously announced SeaFall as my mos...

Review: Divide by Sheep

Jul 24 // Darren Nakamura
Divide by Sheep (Android, iOS, Mac, PC [reviewed])Developer: Victor Solodilov and Denis NovikovPublisher: tinyBuildReleased: July 2, 2015MSRP: $2.99 (Android, iOS), $4.99 (Mac, PC)Rig: AMD Phenom II X2 555 @ 3.2 GHz, with 4GB of RAM, ATI Radeon HD 5700, Windows 7 64-bit Like many well-designed puzzle games, Divide by Sheep starts out with a simple premise, which it builds upon as the player progresses. Groups of sheep in numbers ranging from one to nine are spread across platforms whose sizes can vary within that same range. Sheep can be moved between adjacent platforms, but if a group size ever exceeds the destination platform size then the excess sheep are thrown into the water and drowned. The goal is to load life rafts with sheep, but only in specified numbers. Too few and the raft won't launch, too many and the raft will spring a leak and sink. Hitting one numerical goal for a level will unlock the next, but mastering a level requires three quotas to be met in a specific order. In the beginning, there isn't a lot to think about. The options for adding and subtracting sheep from a group are small: combine two groups together to increase the number or throw more sheep than a platform can hold to decrease. It might sound complex in writing, but it's an easy concept to pick up after a few minutes of play. [embed]296494:59650:0[/embed] Not far in, Divide by Sheep introduces new elements to use toward the end of filling up life rafts. Fences block movement between adjacent platforms. Dynamite platforms explode and disappear if they have no occupants. Laser fields will slice sheep in half so one divided sheep takes up two spots on a platform. (This is where the name of the game comes in.) The first major change comes with the introduction of wolves. If a wolf and a sheep share the same platform, the wolf will eat the sheep and become so obese it cannot be moved or fed again. Wolves have their own life rafts and the two species can never commingle on rafts. It almost reminds me of the old fox/rabbit/cabbage puzzle; there are constant calculations for when and how to feed the wolves in order to get the right number of animals to safety. A wolf can be fed to completion on half a sheep, so one sheep sent through a laser can feed two wolves. With all of the mechanics put together, there are several ways to add and subtract from groups of sheep and wolves. What I like about the setup is that even though there is often only one three-star solution to a puzzle, there are several different avenues to mentally attack it from. In some levels when the quotas are high, it's important to note exactly how many animals can be safely sacrificed. Others require a different kind of foresight, forcing one initial move since all others would lead to failure. Still more are so complex that a sort of trial-and-error can reveal the path to the best answer. The next big wrinkle comes in the Dark World, where Death finally shows up. He has rafts of his own, and he is collecting souls. It doesn't matter how the animals die; they can be drowned, sliced, eaten, or burned and he will take them. It eventually gets to a point where sheep can do double duty in terms of raft occupancy. The sheep can be cut in half to fill Death's raft, then duct taped back together to fill a sheep raft. That highlights the odd tone of Divide by Sheep. At a glance, it looks like an average cartoony mobile title. The soundtrack is bouncy and upbeat. So the juxtaposition of that G-rated presentation and the graphic slaughter with copious amounts of blood is funny in the same way the fictional cartoon The Itchy & Scratchy Show is. It would be disturbing if it weren't also adorable. Divide by Sheep hits the perfect level of difficulty, where every stage makes me think for at least a few seconds (and often for several minutes), but each one is also small and self-contained enough that persistence and critical thinking can always lead to victory. It has never felt too easy nor have I ever been permanently stumped. It's smart, it's pretty, and it never dwells on any one idea for too long. At its heart is a quality math puzzler, but what makes it shine is the dark comedy found in killing cartoon animals just to satisfy some arbitrary numerical requirements. [This review is based on a retail build of the game provided by the publisher.]
Divide by Sheep review photo
Not baaad
Death is lonely. Death wants some company. So naturally he would flood a plain filled with sheep and wolves, then float rafts requiring very specific numbers of dead creature souls at a time. Obviously. Divide by Sheep is a math-based puzzle game and to that end it works well. What makes it noteworthy is the window dressing, a whimsical cartoon presentation of fairly morbid subject matter.

Rare Replay trailer photo
Rare Replay trailer

Rare Replay trailer goes the cardboard cutout route


Now I want to play Parappa the Rapper
Jul 24
// Darren Nakamura
Rare Replay is coming out on August 4. That's in less than two weeks! The collection of games from Rare's past 30 years is showing up on Xbox One with some extra nuggets thrown in as well. The trailer above talks about this ...
XCOM 2 Muton photo
XCOM 2 Muton

XCOM 2 Muton is borrowing Marcus Fenix's Lancer


Unofficially
Jul 23
// Darren Nakamura
2K Games and Firaxis just released a couple screenshots for the new Mutons in the upcoming XCOM 2, and something jumps out right away. Is that a chainsaw bayonet? Granted, it's not like anybody could "own" the idea of attachi...
The Talos Principle photo
The Talos Principle

The Talos Principle: Road to Gehenna is out now


Watch the launch trailer
Jul 23
// Darren Nakamura
The more time passes since playing The Talos Principle, the more I think it's going to end up on my personal games of the year list. Releasing late last year, it just missed the cut to be considered for 2014, so it will be g...
Pixels on Rotten Tomatoes photo
Pixels on Rotten Tomatoes

Some jerk ruined Pixels' perfect zero Rotten Tomatoes score


He probably did it for the clickbait
Jul 22
// Darren Nakamura
Look, we all knew from watching the trailer that Adam Sandler's 1980s video game-themed Pixels was going to be bad. That much was clear. So when Twitter was abuzz this morning about its zero percent Rotten Tomatoes score...
Game of Thrones screens photo
Game of Thrones screens

Game of Thrones: A Nest of Vipers screenshots, we have some


Hisssss
Jul 21
// Darren Nakamura
Another episode of Game of Thrones: A Telltale Game Series, another batch of screens I took while playing through for review. This batch seems especially small, for two reasons. For one, I was less diligent about taking scree...

Review: Game of Thrones: A Telltale Game Series: A Nest of Vipers

Jul 21 // Darren Nakamura
Game of Thrones - A Telltale Game Series: A Nest of Vipers (Android, iOS, Mac, PC [reviewed], PS3, PS4, Xbox 360, Xbox One)Developer: Telltale GamesPublisher: Telltale GamesReleased: July 21, 2015MSRP: $4.99 (episode), $29.99 (season)Rig: AMD Phenom II X2 555 @ 3.2 GHz, with 4GB of RAM, ATI Radeon HD 5700, Windows 7 64-bit [Editor's note: there will be no major spoilers present for the episode reviewed here, but events in previous episodes may be discussed.] Throughout the series, Asher and Mira have been the more interesting characters to follow, the former for his action and wit and the latter for her suspense and guile. Ethan and Rodrik at Ironrath have been fine as central characters, but haven't stood out. Gared's exploits at The Wall and beyond have easily been the least exciting thus far. A Nest of Vipers shakes up that split, if only a little. Asher still stands at the top with scenes dense with action and dialogue choices that feel important. He and his partner Beskha find themselves in a fighting pit in Meereen, seeking combatants to follow them back to Westeros. During this sequence, the stakes are high and it genuinely seems like failure is possible, forcing Asher to return home without any extra aid. One other point for Asher is Telltale's injection of humor into his lines. Though Game of Thrones takes an entirely different tack than Tales from the Borderlands, the little pockets of comedy help to break up the oppressively somber tone of the episode. One line in particular had me audibly chuckling, which I think is a first for this series. [embed]296123:59553:0[/embed] Mira's sections, on the other hand, lacked a lot of the punch they have had in past episodes. Where the coronation ceremony scene in Sons of Winter left me feeling smart for having successfully navigated and manipulated King's Landing politics, both of Mira's major scenes here just had me along for the ride. The first scene is one with Cersei and the second features Tyrion in his cell, locked up and awaiting trial for the incident at Joffrey's wedding. Perhaps because she was playing opposite two of the strongest personalities in Westeros, Mira didn't seem to do anything important or have much of an impact. This episode does set up for one final showdown with Cersei, in what sounds like it might be a life-or-death situation. Gared's journey toward the nebulous North Grove continues, and how it can possibly help House Forrester so many miles south is still a mystery. That said, it's finally getting to the point where Gared feels important again. The first four episodes were spent putting him in place, first getting him to The Wall, then getting him north of it. Now he actually gets to do something. Of all the intertwined stories, Gared's feels the most hopeful at this point. He's in a pretty sticky situation, but it's difficult to imagine a scenario where he doesn't make it out to at least play his part in the grand scheme during the finale. Everybody else in House Forrester might die and the clan might be wiped from the map, but he's going to get to the dang North Grove. Next time. The crux of the story still lies in Ironrath, with Rodrik dealing with the fallout from the last episode. It's a little disappointing; all of the clever politicking from Episode Four is essentially nullified by the traitor. Where it previously seemed like a peaceful resolution could be possible, it's now clear that this story can only end with bloodshed. That isn't to say Rodrik's sections were bad; there were still plenty of interesting decisions to make along the way. They may not all have a major effect on where things end up, but a few appeared to have serious immediate consequences and a few others appeared to affect how the final episode will shake out. This episode culminates with a particularly emotionally impactful finale, the kind Telltale has steeled us for with series like The Walking Dead. It's difficult to discuss without going too far into spoiler territory, but I can say that I was thinking about the last scene hours after I played through it the first time. It could go down as the most memorable section for the entire series. It's strange. Detailing all of A Nest of Vipers' parts makes it sound about average, if not even a little disappointing compared to the previous episode. But this one ends up working well as a cohesive unit, even if some pieces fall flat. This episode has its highs and its lows, but it still leaves an unforgettable impression. [This review is based on a retail build of the game provided by the publisher.]
Game of Thrones review photo
Now we're getting somewhere
Anyone following my exploits as House Forrester in Telltale's slice of A Song of Ice and Fire will know that the first four episodes have been a lot of setup for the main event. While only one episode felt like filler (The Lo...

Halo: Fleet Battles photo
Halo: Fleet Battles

Tabletop wargame Halo: Fleet Battles available now


The Fall of Reach
Jul 20
// Darren Nakamura
Man, look at those dice. There's some explosions, there's a "no" symbol, and there's the iconic Halo skull. I don't know exactly how Halo: Fleet Battles plays, but I do love me some custom dice. Halo: Fleet Battles is based o...
Sterling in We Happy Few photo
Sterling in We Happy Few

Jim Sterling doing voice work for Compulsion's We Happy Few


Thank Joy for him
Jul 18
// Darren Nakamura
ScrewAttack Gaming Convention is going on right now, and some news relevant to longtime Destructoid readers has come out of it. Our old pal Jim Sterling put on Jimquisition Live there, and he made a few announcements during t...
Game of Thrones trailer photo
Game of Thrones trailer

Telltale's Game of Thrones Episode Five: A Nest of Vipers trailer ramps up


The calm before the storm (of swords)
Jul 16
// Darren Nakamura
From that trailer, A Nest of Vipers seems like a perfect title for this episode. The question is: which character is in the nest? Asher finds himself in a pit fight (presumably to the death), Gared is north of The Wall in Wi...

Review: Worms World Party Remastered

Jul 16 // Darren Nakamura
Worms World Party Remastered (PC)Developer: Team17 Digital Ltd.Publisher: Team17 Digital Ltd.Released: July 16, 2015MSRP: $14.99Rig: AMD Phenom II X2 555 @ 3.2 GHz, with 4GB of RAM, ATI Radeon HD 5700, Windows 7 64-bit The trailer below does a good job summarizing what is new in this remastered version. Resolution can now go as high as 1920x1080. Sound effects have been updated. Controller support is in for those who are more familiar with the console versions. Steam features like leaderboards, achievements, and trading cards are all here. While those are all welcome additions, some feel half-baked or manifest in unexpected ways. The Steam integration is a little wonky, since the default screenshot button is F12, which is used in game to select the "Skip Go" and "Surrender" actions. These don't come up frequently and there are ways around it, but I have already taken a few errant screenshots because of it. It goes the other way too; intentionally taking a screenshot will inadvertently bring up the actions. When it happens (or when any Steam notification comes up), the notification window covers a good chunk of the bottom right corner of the screen, where wind velocity and weapon information live. More jarring is the visual upgrade. While the battles (the parts that matter most) can now be viewed in 1080p, the title screen and menus are still their old, fuzzy, 4:3 selves. It isn't a huge problem, but it's a strange first impression to go into a game expecting a clean presentation and be met with pixelated opening screens pulled straight from the year 2001. [embed]295986:59506:0[/embed] In battle, the resolution increase works as it always had: instead of sharpening up the graphics and textures it presents a larger field of view. In other words, each worm, sheep, and banana bomb maintains the same sprites and animations, but the camera is zoomed out so everything appears smaller. Functionally, this is a welcome improvement. Taking long shots and planning big moves (especially the twitch action of the Ninja Rope) are easier with the entire level in view. Calling down an Armageddon and seeing every meteorite hit is a delight. Aesthetically, it doesn't feel like a remaster at all. Eschewing the 3D elements found in Worms Revolution, the looks of these worms and environments are the classic 2D versions, unchanged since 1997's Worms 2, only now we can see more of them at a time. By and large, this is the same game that released in 2001. Play as a team of well-armed worms. Use an array of conventional (bazooka, grenade, shotgun) and unconventional (banana bomb, flying sheep, old woman) weapons to blow up, maim, drown, and otherwise murder the other team. Part turn-based strategy, part action platforming, part artillery game. For many, just being the same game as before is enough. After all, Worms is an institution in gaming for a reason. Still, there are some design elements that betray how dated Worms World Party is. In addition to being ugly, the menus aren't intuitive. Some require a single click to enter, others a double click. Most are represented by images that aren't self-explanatory. After setting up a custom game type so I could practice with the Ninja Rope, I couldn't figure out how to set indestructible terrain. The campaign is a collection of unconnected scenarios. Some are clever and some teach players a new technique or idea, but there isn't much of an impetus to do any of them. Worse, the mission descriptions are often obtuse or incomplete, forcing players to play and replay missions just to understand them or to know what "surprise" pops up halfway through. This is exacerbated by a lack of a way to quickly restart; a failed attempt results in players being kicked back to the menu, forced to click through a text box and to restart the mission, and made to wait for it to load up again. At the very least, load times are quick now that the game isn't disc-based. The merit system is also never explicitly explained, so new players might be confused why a sloppy, "by the skin of their teeth" run might net a gold medal and an expert, no damage run might only be worth a bronze. It's a simple system once you know (it has to do with the number of attempts since the last victory), but it isn't ever spelled out. Worms World Party does this a lot. It assumes players already know what they're doing, which made sense when it first released on the heels of Armageddon but is less welcoming today for new players (or rusty ones like me). Of course, the main selling point of a Worms game is the multiplayer. With six-team local or online action and a bevy of options to tinker with, this does what it needs to do. I did log onto WormNET prior to launch and found exactly zero others online. This will live and die with its community, so we'll keep watching post-launch to see if it's thriving or withering. Worms World Party Remastered might be the go-to PC Worms experience for hardcore fans of the series with a taste for nostalgia. It definitely doesn't serve as a good place to get started for those who might want to try the series out. While it looks a little shinier than it used to, it still doesn't look new, and it certainly doesn't play like a modern game. [This review is based on a retail build of the game provided by the publisher.]
Worms World Party review photo
Dig in
Worms World Party has always been a divisive entry in the long-running series. Released as a followup to the almost universally lauded Worms Armageddon, some viewed it as a welcome refinement to a great game while others saw ...

Chime Sharp photo
Chime Sharp

Chime sequel Kickstarter has already hit its goal


Looking sharp
Jul 15
// Darren Nakamura
I mostly remember Chime as a game that had one super easy achievement worth 50 Gamerscore. It did a thing where proceeds went toward charity, so just buying the game was enough of an achievement, I guess. I was pretty bad at...
This War of Mine mobile photo
This War of Mine mobile

This War of Mine now available on Android and iOS tablets


Take this war with you
Jul 15
// Darren Nakamura
Released late last year for PC, This War of Mine provided a thoughtful perspective on war in a video game. Rather than focusing on the glory of battle and how cool it feels to land a headshot on a bad dude, it looks at the l...
Crashlands photo
Crashlands

Building, crafting, crashing, and laughing in Crashlands


I am a poet
Jul 14
// Darren Nakamura
I'm fighting the urge to do the lazy blogger "if X and Y had a baby" thing, but I don't know if I can help myself. Crashlands looks like what would happen if The Behemoth (BattleBlock Theater) were to develop Klei Entertainm...
Tony Hawk trailer photo
Tony Hawk trailer

Tony Hawk's Pro Skater 5 trailer darkslides a powerline


Pop shove-it into your eyeholes
Jul 13
// Darren Nakamura
Yep, that looks like a Tony Hawk game all right. There are highly technical tricks on absurdly dangerous terrain. Grinding that increases speed instead of decreasing it. Just the right amount of jank in aerial maneuvers, as ...
Family Man photo
Family Man

Suffer through economic recession in indie RPG Family Man


Capers, please
Jul 13
// Darren Nakamura
Papers, Please released a couple years ago, but it struck a chord with many who played it. One of the most discussed elements was the decision-making process between doing what is right and doing what is necessary. First-per...
Crypt of the NecroDancer photo
Crypt of the NecroDancer

Crypt of the NecroDancer headed to PS4 and Vita


Dance Dance PlayStation
Jul 10
// Darren Nakamura
Well this is nice. Previously available only for Linux, Mac, and Windows, Crypt of the NecroDancer is now on its way to PlayStation 4 and PlayStation Vita. Brace Yourself Games' community manager Heather Wilson made the annou...
Rainbow Six Siege trailer photo
Rainbow Six Siege trailer

Meet the GIGN in this Rainbow Six Siege trailer


Along with some counterterrorist magic
Jul 10
// Darren Nakamura
Ever since the days of Counter-Strike 1.6, I have pronounced GIGN as an acronym rather than as an initialism ("giggen" instead of "G-I-G-N"). I know it's wrong, but it has always made me smile for some reason. Smiling is nic...
Forum Werewolf photo
Forum Werewolf

Destructoid forum Werewolf: The Last of Us edition


Fear the Fireflies
Jul 09
// Darren Nakamura
Over on the Destructoid forums, there is a tradition that began years ago and still continues to this day. We play Werewolf. For those unfamiliar, it's a social deduction game in which a small team with a lot of information i...
Randy Pitchford tweet photo
Randy Pitchford tweet

Celebrating one year since Randy Pitchford's incomprehensible Battleborn tweet


The gift that keeps on giving
Jul 08
// Darren Nakamura
Once more, with feeling! One year ago, Gearbox announced Battleborn, which sounds pretty cool on its own, I guess. But a regular announcement wasn't enough. Not for Gearbox president Randy Pitchford. He had to tell us exactl...
Planet Alpha 31 photo
Planet Alpha 31

Planet Alpha 31 has a fat buzzsaw robot


I missed the first 30 Planet Alpha games
Jul 08
// Darren Nakamura
These days it's pretty common to hear about a developer moving from working on AAA games into the indie space. Planet Alpha 31's Adrian Lazar is another example of that. After working at studios like Gameloft and IO Interact...
The Peanuts Movie game photo
The Peanuts Movie game

Activision publishing companion game to this year's Peanuts Movie


Snoopy and Woodstock cooperate
Jul 08
// Darren Nakamura
Those trailers for The Peanuts Movie are pretty dang cute. It's neat to see the computer models and animation done in the style of the old cartoons. The movie will show up in theaters on November 6. In a move hearkening back...

Review: 0rbitalis

Jul 07 // Darren Nakamura
0rbitalis (Mac, PC [reviewed])Developer: Alan ZucconiPublisher: MastertronicMSRP: $9.99Release Date: May 28, 2015 0rbitalis starts off with a simple goal: keep the probe from hitting a star or a planet for a set period of time. Generally, this can be achieved by finding just the right launch conditions to get the missile into a stable orbit. Soon after teaching that basic rule of thumb, it puts out levels in which stability is impossible and the surest course can be one with dangerous fly-bys and slingshot maneuvers, smashing into the surface of a star just moments after the timer runs down. That's just the first set of levels. Each set has only about five levels in it, with a progression that goes from introduction to experimentation to display of mastery quickly. Some levels can take a lot of time to complete as a result of their difficulty, but pacing is fast in terms of the number of conceptual tweaks. Long before a single idea feels played out, the next one is ushered in. [embed]293514:58888:0[/embed] These ideas can sound mundane, like having planets move along fixed paths, or they can sound fantastical, like anti-stars made of antimatter that produce antigravity fields. Either way, they bring something new to puzzle over. Other notable tweaks featured in certain level sets are pulsars whose gravitational pulls are variable over time, multiple star systems, and multiple rockets launching simultaneously from different locations. One major gameplay tweak comes with a total shift in goals. In certain levels there is a demarcated zone and the object is to spend a certain amount of time in the zone. Rather than surviving for as long as possible, the goal is to finish as quickly as possible. Instead of searching for a smooth orbit, the ideal solution often involves a high-power shot meant to break free and end once it has achieved its purpose. Personally, I prefer the more relaxed feel of the "survive as long as possible" levels. Since player interaction ends at the moment of the launch, there is a fair amount of downtime when the player isn't strictly doing anything other than watching the probe and predicting its path. That aspect in itself is almost a zen experience. With a mellow atmospheric music backing and a film grain filter over the simple geometric shapes, it's easy to be lulled into an almost catatonic state. I sat around just watching one orbit for about five minutes and it felt like it was only about thirty seconds. The visual effects work toward this as well. The subtle glow of space debris is calming, but the most striking effect is the trail following the probe. It fades slowly, so a long run over an interesting path creates an image reminiscent of those produced by a Spirograph. 0rbitalis has built-in screenshot functionality (in addition to Steam's), presumably because a good shot can result in some beautiful minimalist art. On the surface, 0rbitalis is a competent puzzle game with a simple central mechanic. It explores many facets with modifications and additions to that mechanic, and each new idea changes up gameplay enough that it never feels like its retreading ground. That's how one could describe 0rbitalis, but that doesn't really convey it. Finding the right groove and reaching a hypnotic state, that's 0rbitalis at its best. Fire a shot, have it smash into an asteroid. Fire another, have it slingshot off into deep space. Fire another, then contemplate the nature of the universe as it bends and loops around for minutes at a time, leaving behind a trail of where it has been. [This review is based on a retail build of the game provided by the publisher.]
0rbitalis review photo
Hypn0tizing
A lot of ideas come out of the 48-hour game jam Ludum Dare, but only a small handful of them gain any appreciable notoriety past that. Every now and then a submission will get enough attention that its creators decide to deve...

A Mini Falafel Adventure photo
A Mini Falafel Adventure

Freeware metroidvania A Mini Falafel Adventure playable now


Get that Game Boy aesthetic
Jul 07
// Darren Nakamura
Look, we're all still a little peeved that Nintendo has neglected to make a 2D Metroid game in more than 10 years. However, while Nintendo has consistently jilted its Samus fans, we have been spoiled for choice in terms of o...
Super Impossible Road photo
Super Impossible Road

Super Impossible Road is the Mario Kart 64 Rainbow Road shortcut over and over


Coming to PlayStation 4
Jul 07
// Darren Nakamura
Mario Kart 64. Rainbow Road. Lakitu flashes the green light. The kart gets a boost of speed due to a well-timed acceleration. The track starts to curve down. The driver careens to the left and floats off into space. If done ...
Myriad on PlayStation photo
Myriad on PlayStation

Stark, trippy shooter Myriad also heading to PS4 and Vita


Another baffling press release, too
Jul 07
// Darren Nakamura
Earlier this year I was impressed by several parts of Myriad. The first was its use of bold colors and hard edges. The second was its unique mechanical take on the twin-stick shooter genre. The third was its head-scratchingl...

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