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The fall of the titans: Sega died so that we might dream of the future


Itís more than a little ironic that Segaís death as a hardware developer came not after one of its terrible consoles or console expansions, but after what is perhaps its greatest console ever: one that could spawn an entire week of love here on Destructoid. Iím talking, of course, about the Dreamcast: the home of Shenmue, Skies of Arcadia, Jet Grind Radio, and the first truly great online console experience, Phantasy Star Online.

By most accounts, the Dreamcast was a wonderful piece of hardware, and widely considered ahead of its time thanks to some great graphics processing and its focus on online play; after all, sported a modem at launch, which not even the PlayStation 2 did despite its later launch date. Yet, even with all of these seemingly great advantages, we all know Segaís fate: it would drop out of console development forever just a few short years after the launch of the Dreamcast.

There are plenty of long diatribes that have been given in answer to the question ďWhat happened?Ē Of course, thereís no one definite cause. However, there are plenty of potential causes that, taken together, paint a pretty clear picture of how Segaís Dreamcast became doomed to fail, despite our love of it.

Burn me once: Past failures and the death of consumer confidence

Looking back on Segaís console history, we can see a few blemishes pop up here and there. In fact, for every decent decision that Sega made in terms of its consoles, it made at least two bad ones. Many people had gotten to the point where Segaís very name was like a curse word. One Cnet writer said of the Dreamcast ďIf it wasnít Sega, it would have been considered one of the greatest game consoles of all time.Ē

Itís a strong sentiment with quite a bit of conjecture, but it does point to the underlying problem of the Dreamcast: it was the Sega Dreamcast Ė the same company that constructed the Sega CD and brought about the Black Age of FMV Garbage; the same company that burned consumers with the technically problematic 32X, pretty much right before the Saturn; and, yes, the same company that gave us the Saturn, with one of the worst launches in console history (Surprise! Go buy our expensive console NOW) and one of the most unnecessarily complex pieces of hardware ever.

In essence, by the time that the Dreamcast came about, Sega had already been blacklisted by gamers. Too many people had lost all confidence in Sega, believing the Dreamcast to be just another console that would be buggy, expensive, complex, and largely unsupported. While plenty of people still held out hope, which is evidenced by the high numbers of preorders for the system, a very large portion of gamers had already moved on or would quickly do so after the release of the PlayStation 2.

Hell, even before the launch of the Dreamcast, many gamers had found solace in Sony or Nintendo after picking up the PlayStation or the Nintendo 64 and having a great experience with them. With a solid set of games and a promise of strong support no matter what region you hailed from, many of those ďgood feelingsĒ that were once reserved for Sega were instead transferred to one of these other companies.

So, even as awesome as the Dreamcast was, plenty of gamers just werenít willing to give it a chance. Even I wasnít: I had moved on to a full-up Sony fanboy at this point (donít worry, Iím not anymore), enjoying my PlayStation and PlayStation 2 and caring about little else. I mention this because, though I didnít realize it at the time, I think my own situation was similar: I knew my experience with these consoles would be great, and while I had loved my Genesis, I hadnít enjoyed my time with Segaís other consoles. Especially that damn Game Gear. Jesus.

Burn me twice: Retailers and developers lash out after a series of dick moves

Itís never a good idea to piss off the people who are selling your wares. Retailers generally donít like to be pissed off. Something about moneyÖI donít know. Anyway, thatís exactly what Sega did with the launch of the Saturn, which, as I alluded to before, was one of the worst console launches in history.

Before the Saturn, Sega was all buddy-buddy with most U.S. retailers. The Saturn was planned for September 2, 1995, and retailers were preparing for its release. Sony, not wanting to be left behind, announced its first console, the PlayStation, for one week later, on September 9th, 1995. It was looking like an epic series of days in the world of videogames.

Then, Sega did something unprecedented. At E3 í95, the company announced a new release date for the console. The date was ďnow.Ē In essence, Sega admitted that the original release date was a trick (or was it?) and that the console could be purchased immediately. On the surface, it seems pretty smart: this was nearly four months in front of the original release date, meaning that it would have a pretty sizeable lead over Sony.

Of course, many people didnít see it this way, especially retailers and developers. Many retailers felt betrayed by this ruse, feeling that Sega was leaving them out of some big plan. Two retailers, KB Toys (remember them?) and Wal-Mart, were left entirely out of Sega plan, and didnít receive any consoles for the launch. Understandably, they were pretty pissed. KB threw quite the tantrum, stating that they would never stock the Saturn in their store and allegedly removing all Sega-affiliated merchandise from the stores. If KB wasnít allowed to sit at the cool kidsí table, it might as well just start stealing pudding from the cool kids.

This actually carried over to the Dreamcast. Many retailers were very reluctant to stock the console, likely in the hopes of avoiding future SNAFUs similar to what happened with the Saturn. Of course, even having one retailer that doesnít stock your product is a bad thing, as a consumer coming for a Dreamcast and not finding one might just as easily pick up one of its competitors. It also doesnít help the companyís or the consoleís reputation among gamers.

Developers also felt burned by the Saturn and were much less excited to support a future Sega console. This surprise North American release pissed off a lot of American developers. The Saturn was problematic from the beginning, as developers found it extremely complex and difficult to develop for. Many gave up entirely. On the Japanese side, developers had a pretty good relationship with the Saturn in the beginning, but this would soon change.

Developers worldwide were put off when Sega started talking about the future. Just as devs started to get used to development for the Saturn, Sega began to say things like ďThe Saturn is not our future.Ē The future was a new console, codename ďKatana,Ē that the company would be discussing soon. For the game companies that were just getting used to the Saturn, this was a problem. Unsure about what the future of the Saturn would be, there was a rush of game cancellations, a drop in hardware and software sales, and a somewhat premature death for the Saturn. Itís easy in this case to say that Sega killed its own console by announcing the Dreamcast too early.

Soon, big companies like Electronic Arts announced that they would not be supporting the Dreamcast, likely worried that theyíd be burned by Sega in a similar situation to the Saturnís surprise release and rapid abandonment. Despite the fantastic design of the Dreamcast, many developers just didnít care anymore. They were fed up. And if developers and retailers didnít have confidence in the Dreamcast, why should consumers?

Seeing the wrong future: DVDs vs. Internet

Both the PlayStation 2 and the Dreamcast offered one of two exciting advances in videogames: the DVD format and online play, respectively. Both of them were widely advertised, seriously hyped, and each console in its early days became defined by these advances. In essence, they represented the future as each company saw it: Sony felt DVD was the direction gaming needed to move, and Sega felt that it needed to steer the industry toward the Internet.

It became a battle to see which version of the future would win, and, at the same, DVD won pretty easily. In a way, itís really not surprising. DVD games were not only billed as being able to offer much better graphics than other formats, but the PlayStation 2 was also advertised as allowing consumers to easily switch over to the impressive new DVD format for movies Ė something that many people at the time hadnít done. My first DVD player, after all, was the PlayStation 2.

The advantage for Sony here was that it allowed consumers to adopt this new technology easily. If you buy a PlayStation 2, youíre immediately able to watch DVDs. All you need is your TV, your console, and your DVD. It was incredibly simple, and where many consumers were scared of a new technology, Sony helped to make it easy.

This wasnít exactly the case with the Dreamcast. In 1999, home Internet connections were still in relative infancy, with many homes not equipped with Internet connections at all. Those that were likely had one modem, no router, and connections that required lengthy connection processes, offered low speeds, and were expensive and somewhat unreliable.

Basically, hooking up a console to the Internet wasnít particularly realistic for many homes thanks to a lack of the infrastructure required. For most homes, playing online meant that the phone couldnít be used, leading many parents to say ďhell noĒ to the presence of the Dreamcast in their homes. While online play was a huge advantage, it was one that far too many people were unable to fully enjoy.

So when the PlayStation 2 released, many saw the Dreamcast as being obsolete, despite the fact that the Dreamcast, in many ways, was ahead of the PlayStation 2. The problem was that it was ahead in the wrong way; Sega had seen the wrong future (or perhaps just looked too far into the future), and it would pay the price.

The Dreamcast was also often called ďahead of its time.Ē In the Internet argument, this might be true. But otherwise, Iím not sure if I agree with this. Itís the job of a new product developer to make the future happen now, so that a product ceases to be ahead of its time the very moment that it is placed into the hands of a consumer. I feel like (again, other than the Internet thing) that Sega did this. Its console wasnít nearly as complex as the Saturn, and while it offered a lot of new ideas (like the VMU), they were relatively easy to understand and adopt. If this idea of the console being ďahead of its timeĒ contributed to the consoleís and Sega failure, it was in a very minor way thatís secondary to nearly everything else.

What have we done? Did we kill Sega?

Weíve already looked at how consumers in large part didnít buy the Dreamcast thanks to low confidence in Sega. Is this a failing of Sega, or of the consumer? And did the consumer fail Sega in other ways? Thereís no easy answer, but one thing is for sure: the sales of Dreamcast games were criminally low, especially considering the incredible critical response to many of them.

Shenmue comes to mind, of course. Its enormous cost to produce has gone down in history. Thereís an oft quoted statistic that every single Dreamcast owner in the world would have had to purchase the game twice in order for it to break even. Of course, this didnít happen. But the surprising part is that it didnít even come close to happening. While it became the fourth best-selling game of the Dreamcast, many were expecting it to be a runaway success and a system seller. Neither of these happened.

Then you had all of the incredibly original ideas present on the Dreamcast, such as Samba de Amigo, Jet Grind Radio, and Space Channel 5. Not only were these games visually impressive, but they were also loved by many critics. Yet compared to the comparably vanilla franchises on other consoles, these games sold like crap. Gamers didnít buy originality. They bought sports games.

Of course, we canít expect games like Jet Grind Radio to compete with Madden. Gamers canít really be held accountable for not purchasing the hell out of that game, despite its quality. Itís sad that this has to be the case, but itís the reality of the business that quirky titles are rarely successes among consumers.

We can also talk briefly about the insane piracy present on the Dreamcast. In all but the latest version of the Dreamcast, the drive was able to read any CD-R. Many gamers used this for legitimate reasons, such as backing up the games that they owned or running harmless homebrew applications. Others pirated the living hell out of games. I donít need to tell you the effect of piracy on games, especially on the level that it happened with the Dreamcast. There was a ton of lost revenue here, especially with many of the big first-party games.

So, did we kill Sega? To some extent, maybe. But without having given so many people valid reasons to ignore the Dreamcast, Segaís story might have been very different. As it stands, Sega enabled gamers to have a hand in its death. If anything, it was the piracy that we, as gamers, should feel bad for. But those who would feel bad about it probably werenít the ones pirating, so itís kind of a moot point.

To dream of what may come

By this point, you may be wondering where I was going with that subtitle. Well, wonder no longer. In an article filled with sadness and death, itís only appropriate, for Dreamcast week, that it ends on a positive note. In fact, the entire writeup here is meant as a tribute to a console that I never got to experience in its short glory days, but one whose greatness is still talked about ten years after its debut.

So, what is the lasting legacy of the Dreamcast? Well, the fact that weíre having an entire week here devoted to the console should answer that question. Weíve even seen plenty of people entertain the idea that Sega would announce some sort of epic reentry into the console market on 09/09/09. Weíll find out on Wednesday, butÖno.

Hell, the very reason that I decided to purchase a Dreamcast, aside from my sudden aspirations as a collector, is because it is very much still alive today. The ease with which you can run homebrew on the Dreamcast means that there are still those out there playing on their Dreamcasts every day. Phantasy Star Online even has private servers still going, so that if you want to jump into a game online, you can.

But perhaps the most important lasting effect of the Dreamcast is that it showed us what the future would be like, even if the console itself showed us before we were ready. I am, of course, talking about this generation of online consoles. Can you imagine this generation without the ability to be connected to the Internet? Dreamcast offered all of this, and though its vision of online play was not complete, it showed other console makers that it was possible.

So, while Segaís hardware development died, it wasnít a meaningless death. In some ways, it gave room for Microsoft to enter the hardware business, which had a profound effect upon our concept of online gaming. Today, we canít imagine a world without online gaming, but in the early days of the Dreamcast, many of us couldnít imagine a world with online console gaming. However, the Dreamcast allowed us to look to the future that we now enjoy, and without it, perhaps we never would have dreamed of PlayStation Network, Xbox Live, and the countless games that we enjoy with our friends who, rather than sit on the couch next to us, play with us from distant places.

Do you have your own thoughts on Segaís downfall as a console manufacturer? Want to give me some advice about awesome things that I can do with my new Dreamcast? Just want to share some Dreamcast love? Hit up the comments!
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About Andrew Kauzone of us since 5:10 PM on 04.30.2009

In loving memory: PAX 2009 (thanks ZombiePlatypus! And WalkYourPath, of course)

I'm Kauza, which is pronounced like cause-uh. My real name's Andrew Kauz, if you'd rather go for that.

I like talking to Dtoid people, so please add me on your favorite social networking site:
Twitter: https://www.twitter.com/kauza
Gchat: santakauz[at]gmail.com.

Basics: I'm 25, and I write things.

Eternal thanks go out to Y0j1mb0 for the amazing header image you see above. So, thanks, sir!

Look at some of the things I've written.

Things on the Front Page:

Mass Effect, Metal Gear, Moon Unit, and more: An interview with Jennifer Hale
The Future: Demanding more from the voices of videogames
Love/Hate: A plea to play as a female Shepard
A warning: Regrets from a former life and experiences yet unlived
Top ten games for people who hate Thanksgiving
The wrong thing: Being evil should be more like sex
Staying dry in a sea of spoilers is a matter of building a boat
Lessons on taking games just seriously enough
Come, take your pilgrimage to gaming's one true mecca
Here's to you, random-JRPG-dialogue-writer-man
The forgotten: Crushing disappointment at the hands of Crash 'n the Boys
The people who have the power to change the world
Improving game communities: Enough with the negativity
The draw of exploration: Antarctica to Oblivion, Shackleton to Shadow Complex
I suck at games: BlazBlue and a slapdash attempt at fisticuffs
I, the Author: My Everest
Untapped Potential: The Gamer's Education
Other Worlds than These: Our World, Only Different

A series sort of thing about status effects
Toxic Megacolon and other fresh status effects
Curse you, status effects, stop confusing my heart
Status effects are poisons that turn my silent heart to stone
Also check out the related forum thread.

The Fall of the Titans (wherein I talk about dead or dying gaming companies)

The fall of the titans part 3: What once was shall be again
The fall of the titans: Sega died so that we might dream of the future
The fall of the titans: Why do the giants of gaming die?

Stories from the Past (a series about my experiences playing certain games):

Stories from the Past: Tobal 2, Tomba! 2, and console double-vision
Stories from the Past: Diablo and the Dark Ride
Stories from the Past: What the f*ck, mom?
Stories from the Past: Xexyz and the battle aboard Turtlestar Lobsterica
Stories from the Past: The One-Balled Man-Bear
Stories from the Past: The Battle of Olympus
Stories from the Past: Suikoden 2

Storytelling (a series about, well, storytelling):

Storytelling: The Problem of Genres
Storytelling: Mass Effect, Vonnegut, and the Fourth Rule
Storytelling: Doing Nothing in "The Darkness"
Storytelling: The Power of a Single Line (Yeah, it was my first post.)

Other stuff that is good:

Lessons on taking games just seriously enough
A consuming power: The demon and the borderlands
Can games transcend good and evil?
Nothing is sacred: We won't let you go alone, but we have made a tragic decision
How Destructoid single-handedly changed my motherís opinion of gaming
Why Tecmo Super Bowl is the greatest sports game of all time
Seven reasons that I will end you in creative ways if you don't play Folklore
Mother Nature and the Impending Death of the Gaming Spirit
Times Games Forgot: The Dark Ages
The Sins and Successes of In-game Collectibles
The Lock is Broken
When Music Surpasses the Game
Truckasaurus Rex and the Humor of Games
I Want to Cry (storytelling related, but not part of the series)

I have others as well that you can check out on my blog. You'll enjoy them or your money back.

Since it seems like the cool thing to do, here a list of my favorite games that is coming straight out of my ass and onto your computer screen, and in no particular order.

Fallout 3
Uncharted 2
Suikoden 2
Mass Effect / ME2
Metal Gear Solid followed by any number you can think of
Tales of Somethingendinginia (OK, and the Abyss)
Battlefield: Bad Company
Xbox LIVE:kauza
PSN ID:santakauz
Mii code:kauza


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