I know that Anita Sarkeesian's "Damsel in Distress" initial video of her examination of Tropes vs Women in Video games is due to drop tomorrow, so I wanted to get some of my thoughts out previous to viewing her video. I sincerely hope that she examines the actual trope itself, and not just her usual feminist 101 views of "this trope exists and it's bad", because the issue isn't really whether this trope exists in games, it's the trope itself.
First of all, this trope has been with us a long time. Our fairly tales told to young children often include a damsel in distress needing rescuing by the brave knight. It's a common theme in women's romance novels, many chick flicks, most every episode of CSI or Criminal Minds, and yes... video games. This trope is prevalent and can be found in most every aspect of both men's and women's entertainment. In women's entertainment (romance novels, chick flicks) the "distress" is often financial distress or the emotional distress of being alone (because often the message in women's romance novels is that true love makes life magically wonderful... and if he's secretly wealthy, well, as Marilyn Monroe once said "a man being rich is like a girl being pretty. You wouldn't marry a girl just because she's pretty, but my goodness, doesn't it help?"
) In entertainment with a larger male demographic, the point of view is more often that of the rescuing knight - the trials and tribulations he endures to rescue the damsel. The fact that this trope exists in video games is absolutely no surprise, given it's popularity in most other entertainment media. The fact that the story is most often told from the point of view of the knight doing the rescuing is also expected, given the historical demographics that it's primarily men who buy and play video games. Essentially, the fact that video games use the trope of the "damsel in distress" is absolutely no surprise given it's popularity in most of our other media - hence, the reason it's a "trope" or commonly used story mechanic.
Why am I always rescuing this dude? Is the trope sexist?
Certainly it's sexist. It's equally as sexist as the strong male who is always rescuing the damsel in distress. It often portrays the female as disempowered, without the aid of the empowered male. What is often overlooked though, is that video games have a long history of "dudes in distress". Most every war game has the empowered male player rescuing a disempowered male operative taken prisoner and tortured by the Russian/Middle East bad guys, or rescuing a captured buddy. Video games (in particular the WRPG genre) also have a long history of allowing gender choice for the player... so in many games the female player character rescues other damsels, dudes and even small children from the cave or cellar where they are being held by evil mages, goblins or kobolds, or the ubiquitous "thieves". Increasingly we're seeing the damsels rescuing the dude (Nathan Drake has been rescued by both Zoe and Elena), or in other games the distressed damsel turns out to have rescued herself (in The Secret of Monkey Island,
Guybrush arrives only to find that the distressed damsel has already foiled her captor!) Video games also have many many female protagonists that simply don't need rescuing (Lara Croft, Samus Aran, Jade, Chell), which is actually somewhat surprising given the male demographics of video games. All in all, yes, the "damsel in distress" trope is sexist, but only when one focuses specifically on that trope and ignores all the variations of the trope that exist. When one starts to look at the copious examples of the variations, it becomes a lot less sexist in that the discriminatory aspect of the female needing rescuing is offset by the males needing rescuing as well. Is it sexist for a male to rescue another male, or for a female to rescue a male or another female? Is it sexist when the male tries to rescue the female only to find she doesn't need rescuing?
Why all the rescuing?
Well, the fact is that video games aren't always about the story or plot, they're more often about the gameplay. From Donkey Kong
to today's games like Dark Souls
(which I'm currently playing!)... plot in video games is often a very secondary facet and the use of tropes or well used plots can help to merely provide a loose basis for the actual game play. Rescuing a female loved one (sister or love interest) is no more common in video games than the tropes of "it's war!... you're a good guy (the bad guys are Russians, Middle-Eastern or Aliens)" or "you have been given a special power to save or destroy the Kingdom, world, universe, or whatever", or the wonderful "find the lost remnant/covenant/object that can destroy the world, before the bad guys do". Rescuing Princess Peach is merely the excuse Mario needs to keep going.. and going.. and going through all the various levels. The Zelda games seem much more about Link's journey rather than any actual rescuing. In Two Worlds 2
, I often forgot that I was apparently a man trying to rescue my captured sister... because really, there were so many side quests and other things to do.
As video game plots get more complex, I think we start to see more variations. For example in Resistance Fall of Man
, Rachel Parker is initially "rescued" by Nathan Hale in that he opened a door for her allowing her to escape, but she later becomes a key figure in the game - directing the actions of Nathan Hale by feeding him information, being suspicious of whether he is infected or not... and eventually she ends up rescuing the male Cartwright when he becomes injured on one of the final missions. She's not a "damsel in distress" and yet, yes.. a male does initially "rescue" her. More complex plots generally give us more complex characters... and rescuing takes on new meanings with games such as The Walking Dead
Does rescuing need to go away?
Personally, I don't think so. Feminists seem to have no issue with advocating for government or social programs such as women's shelters, or special women's programs to aid, support and "rescue" women in distress, so it's apparently fine for society to "rescue" damsels in distress... it's apparently only wrong when a man does it. I think if a man sees a woman being slapped, or abused or yelled at... he SHOULD rescue her. He should step in, say something, prevent the abuse, even at the possible risk of his own life (in fact in my home town a man recently stepped in when another man was arguing vehemently with his girlfriend in a parking lot, and he was hit, fell to the pavement and later died). What this trope needs is simply two things.. more women being the rescuers... because we too should be stepping in if we see anyone (male or female) being victimized... and additionally, I think that we women need to look a little more closely and critically at our own media. Most of the "damsel in distress" trope in video games tends to be saving a woman from physical harm. In women's media like romance novels or movies (Twilight, almost every romantic comedy), distress is more often the message is that we are "incomplete" without a man, or that a man will financially rescue us and make life better. Falling in love with the right man will apparently rescue us from emotional incompleteness, and we will additionally be "beautiful" because of course beauty is in the eye of the man who loves you. The reality is that love is wonderful... but we should be "complete" people without our loved ones, and our beauty should not be dependent on a man's view.
In video games, the damsel in distress is indeed one of many well worn tropes. Overall (and particularly in comparison to other media), I think it's essentially harmless and not even overly sexist as presented in video games. Video games are a unique media where viewpoint is not static and there is a sense of immersion not often found in other more passive forms of media. We women that play these games are the protagonist... whether the protagonist is presented as male or female. Yes, I have rescued a lot of damsels, but I've also a rescued a lot of dudes in distress as well. Many of our games even allow for the main character to be male or female and while there are often inconsistencies where I can tell the game was primarily written from a male perspective (like getting to make out with the Duchess in Dragon's Dogma
after rescuing her), most of the game is rather genderless.... in some ways it's true equality. We can play as powerful, aggressive female warriors... men can play as weaker, stealthier and sneaky protagonists. We can choose to talk our way out of situations with high charm stats... or to simply bang someone over the head. With advancements to technology we are even increasingly seeing unique plot scenarios that only occur based on the gender of the character you choose to play.
The "damsel in distress" is a complex trope, it can be good, it can be bad.. it could certainly be less gendered (more dudes in distress!) It's generally much more complex than the simplicity often shown in video games. I do hope that Ms. Sarkeesian treats this topic with more depth than merely pointing out that this trope exists and that it's "bad". I realize that there are more far reaching aspects to this trope and hope to have more to think about on this topic.
.... but while I await her video, let me get back to reading this month's Harlequin romance:
LOOK WHO CAME: