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Why I Write: A Retraction, of Sorts

Last August, I took part in the Monthly Musing prompt with an article entitled "Teh Bias: The Simpler Things." In it, I stated that I preferred games with simpler design structures above titles that I felt were over-produced. The response I got on it ranged the full spectrum, from complete agreement to outright rage. Months later, that article has pretty much been forgotten, but there were a few key points that came out of the comments that I've thought a lot about since then, and felt were worth addressing.

The short of it? The central idea of that article is completely, totally, and unforgivably wrong, and I take it back with a sincere apology.

Let's get something of the way first: my definition of "Triple A title" was pretty skewed. How I applied it was towards games that received gargantuan advertising budgets and high production costs that typically went into creating a star-studded type of experience. I pretty much ignored the fact that even games that don't have a great deal of voice acting or create an overwhelmingly cinematic experience can end up devouring just as much money or more during their production, which is sort of stupid thing to forget.

Considering that that warped definition was a foundation for the position of the article, it pretty much rendered a lot of my points null and void. It was the wrong angle, and could have been thought out a bit more before I clicked the "publish" button. Writing an article for a Monthly Musing means you should anticipate the chance that it could get promoted to the front page, and while that's a great way to test your mettle in front of a broader audience, it's also a really easy way to find out the things that you're doing wrong, whether they're tiny mistakes or cases of tremendously poor judgment.

There were a few points where I was lambasted for thinking too much and not letting myself have fun. That's not necessarily what I was doing wrong, but it's a good place to start getting to the meat of this post. My biggest example of what I absolutely do not look for in a game came in the form of Super Mario Galaxy, which I ragged on because I felt that it was too shiny a piece of work for something that was, mechanically, an interactive instruction manual. Specifically, my accusations were that "it mostly plays itself and treats its players like idiots."

The reason I'm bringing that back up is because Super Mario Galaxy, along with a few other examples, was my backing point to the central idea that "fun is subjective," and "quality of design is objective."

What a crock.

The backlash I received made me instantly regret saying it, and within minutes I was asking myself--face firmly in palm--why I would write something so stupid. Not because I'd been caught, but because I knew that I was flat out wrong. Of course fun is subjective, but so is good design; the design and mechanics of a game are entirely dependent on what they're there to achieve, and how well they do that is the determining factor of their quality.

Super Mario Galaxy isn't a terribly designed game. For its demographic profile and the type of game it is, it's actually a pretty well designed game. I honestly had fun playing it. It's just not designed in the way that I personally prefer to play games, which is not the same as saying that it is bad. My personal feelings on it aside, I'm not nearly awesome enough to have a philosophical God complex in the world of game design. No one is, because not everyone likes the same things, plays games the same way, likes the same stories (or even wants a story, for that matter). I'm pretty sure some people here hate Portal, and while that's beyond my ability to comprehend without some discussion, that doesn't mean that their position is without merit.

Still, saying something as idiotic as "quality of design is objective" was important for me to do, not because it gave me a healthy dose of some modesty (which it absolutely did), but because it's also a good example of why I write about games in the first place. Writing and critiquing isn't supposed to be some pompous way of voicing your opinions in an effort to demonstrate your superiority. If done right, it also gives the writer a means of evaluating themselves, of improving on their understanding of the subject, of refining the good ideas and discarding the junk. The junk, in this case, was that there is a very specific standard of what constitutes a well designed game; the good idea is that people should be able to play games that they enjoy, and that their own tastes will determine a game's worthiness.

I play games because they are fun, and because I think they show us the best in ourselves; so strongly do I feel about their importance in our lives that--when I'm done playing one--it's not enough for me to know that I did or didn't enjoy it, but why, and how the mechanics of play triggered that response. I don't write about games because I'm pretentious or arrogant, or even because I want to persuade someone one way or another on any given element or subject. I write about games because I love them, because I want to know more about them, because someday I'd really like to be helping to make them myself. I don't write because I feel that I have the tools to teach, but because writing is a tool through which I can learn. Sorry for my insolence, I'll try not to bungle things so badly in the future.
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About ThaJinxone of us since 2:20 PM on 09.25.2009

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