Video Games Live is one of those things that sounds like a cool idea until you get there. Upon experiencing it however, you realize that far from being merely cool, the show is actually one of the most enjoyable, stirring, moving and utterly blissful experiences available to the hardcore gamer.
I'd wanted to attend a show for a very long time, and spurred on by
Colette's write up from earlier in the year my excitement had been exploding messily all over the place in the week running up to Monday's performance at London's Royal Festival Hall. And make no mistake, the Bennettoid's torrent of superlatives was entirely founded, as along with Jim, Atheistium, Wardrox and DanGale, I found myself partaking in not only one of the most enjoyable nights of cultural entertainment I've attended in years, but also one packed with a tangible sense of the celebration of a community, and which crystalized everything that gaming means to so many of us.
Hit the jump for a report on why, along with more shakycam video extracts I recorded, taking in
Sonic and a flatteningly beautiful
Chrono Cross performance from the now deservedly legendary
Martin Leung. Also included is a rambly pile of nonsense recounting our pre-show activities, with the added bonus of some of the brilliant entrants to the cosplay competition which we had the honor of being invited to judge.
The performances and interpretations of the scores making up the bill were flawless. That goes without saying, and a quick look at any of the videos included in this story are all the evidence needed that that was the case. To hear modern symphonic scores such as Halo's performed live by orchestra and choir was a tingle-inducing experience in itself, but what I found even more moving were the rearrangements of 8 and 16 bit soundtracks for the orchestral experience.
Hearing all of those classic aural signifiers of the great times of our gaming heritage, each in itself already so ingrained into our cultural lexicology, reworked on such a grand and respectful scale really does add to them a new, epic, and timeless nature utterly befitting of their relevence to our lives as gamers. It makes them sound exactly as they've always felt to those of us who grew up with the games they come from, and it's a fitting, utterly deserved, and long-overdue tribute to the great things that videogames give us.
That tributary note typifies the entire Video Games Live experience in fact. It's true that we as gamers are bonded through our shared experiences and mythologies, and that that brings with it an incredibly warm sense of cameraderie and community which I've had the pleasure of experiencing at a great many events. Video Games Live however, brought that sense of celebration and shared culture to me on a whole new level.
By bringing together hundreds of gamers of every generation along with their friends and families to revel in the cultural touchstones that we all share, all presented on a truly beautiful scale, the show filled the auditorium, and in fact the entire theatre, with a genuine family party atmophere, simultaneously entertaining us and cementing videogames' place as a major modern medium and cultural movement. You need to go to this show. It's as simple as that.
Dança do Siri on Second Life: http://br.youtube.com/watch?v=KlLZF2hZ7uM
I disagree with HawtPawkitHero though. I feel the screen is half the show. The visuals help the music so much. I got a bit misty eyed when they played Kingdom Hearts, but had there been actual footage from the game (Square-Enix blow, btw), I might have full-on wept like a baby.
"It's okay, it's wolf Link. He's not a furry."
lolz!
Well worth the trip down from Liverpool.
Also, the Day of the Tentacle guy was a beast. When he kept spacking out on stage had me in fits.
Would've been cool to hook up with some fellow D-toiders. Next year for sure. :)
Don't get me wrong, Ive loved video games since I can remember, and hell Ive been playing music since I was 8. I don't know, maybe just because Ive been to more legit shows as far as orchestras go, I think all the filler and BS that got added to it sorta made it lame. I want to slap whoever chose the music to be played. Id say about 50% was really good, other then that, most of the people in the audience were like "who cares" One of the biggest let downs, and you could tell by the crowd, was Crono Cross. No one likes crono cross, its the poor mans crono trigger for god sake. All the people around me were like "why didn't they play crono cross"
Owell i guess now a days video games have gotten so "nerdy its cool" that you gotta make all the teenies happy, and not the older guys that made them the money in the first place...
SpencerGifts, I'm sorry that you didn't enjoy the show. I must disagree with your comment on the fact that "no one" liked Chrono Cross as I was the one on the recieving end of hundreds of e-mails asking us to add that specific peice. The reason it's even in the show is due to the overwhelming requests for it. So, you and the people around you may not have been fans, but hundreds of other kids are creaming their pants right now knowing that it's in the show.
You also have to remember that VGL is not ONLY geared toward the hardcore gamer but to the mainstream crowd as well. Our goals are two fold - get gamers to a symphony and celebrate our culture and also give the non gamer a look at the artistry that is our hobby. With that in mind, of COURSE we are going to choose songs with both of those demographics in mind.
To the gang in London: Thank you for being so awesome! You were all a pleasure to work with and I want to thank you for your help. I'm so glad you enjoyed the show.
See you guys soon!
@Aktrez
How about Radio City Music Hall, or Carnegie Hall, or Lincon Center, or The Nokia Theater, or even Madison Square Garden (Here's hopin)......I could go on and on......and those are just in Manhattan alone.
You've got to be kidding me. Your not really going to play in every city in the entire world and compleatly shrug off New York City are you?
Come the fuck on here already.
Oh btw, this night was total MEMORIES. Specially the metal gear part.
Next time I think they need some TOMB RAIDER TO MAKE ME ULTIMATE HAPPY!
Such a good night. I especially liked it when everybody held up their DS' instead of flames, I can't wait to see it again.
/hates Maryland
Great videos.
It's not about shrugging off NYC. It's about finding a venue that we can afford. You have NO idea how expensive it is to play that city. That being said, we're working on the Beacon Theater for 2008 right now. We're pretty sure about it right now.
Where is that picture of Atheism giving me tongue?