There is a terrifying sequence in George Orwell's classic novel 1984 that finds main character Winston Smith tied to a chair with a giant cage full of rats attached to his face. Rats are Winston’s worst fear and, through the book’s exquisite writing, the audience feels the troubled main character’s pain and terror.
Shifting mediums, a memorable scene in the film A Clockwork Orange shares a similar power of drawing its audience into a twisted, visceral world of nightmarish torture.
As powerful as these two sequences are, they don’t possess one key element to take their emotional resonance to the next level: audience interaction. The reader or viewer doesn’t have to do anything outside of reading the next word or waiting for the next frame of film to flicker by on the screen. The audience is a mere silent participant as the dark stories unfold before their eyes.
But with Metal Gear Solid 4: Guns of the Patriots for the PlayStation 3, one scene in particular not only elicits a pure, visceral feeling of pain and terror, it gives the player full control of what is happening on-screen.
It’s some incredibly powerful, truly revolutionary stuff.
The Set-Up
My God, I love the Metal Gear Solid series.
Going into Metal Gear Solid 4, I knew I would love the game -- I adored Metal Gear Solid 3! -- but I never imagined the PlayStation 3 exclusive would bring the revered series to a (supposed?) close with such visionary style.
The game is so incredible, in fact, that it has already been featured on the Memory Card a couple of times already!
You can check out more of the game’s overarching, gloriously convoluted story by clicking here and here. For this Memory Card, I am going to focus on the specific events leading up to this week’s moment.
In Metal Gear Solid 4, you play as Old Snake, a gray-haired version of the Snake we have grown to worship in the previous Metal Gear games.
Snake is “old” because his body is reacting poorly to being a clone of Big Boss -- a plot twist revealed in an earlier game in the series.
Although his body is failing on Snake, forcing him to constantly inject his body with a life-saving syringe, the iconic soldier and mercenary shows no signs of slowing down.
Accepting a mission to defeat his rival Liquid Ocelot once and for all, Snake is dropped into the middle of a war zone at the beginning of the game. After journeying through a destroyed city, Snake encounters Liquid as he continues his plot to hijack the Sons of the Patriots, a massive system that controls all the nanomachines that are inside of Snake and others like him.
I know, it is all very complicated. But it wouldn’t be a great Metal Gear Solid game if it wasn’t for its ridiculously complex and dramatic storyline.
Avoiding capture by sending out an electronic signal that incapacitates Snake, Liquid eventually escapes in a helicopter just before Snake has a chance to confront him.
From here, Metal Gear Solid 4’s epic adventure begins, following Old Snake as he chases Liquid around the globe, running into many familiar faces (both good and bad) and facing some of his most challenging obstacles yet.
After reuniting with Meryl, Raiden, Otacon and others (and experiencing an endless amount of out-of-control set pieces and story twists!), Snake eventually learns from his old ally Mei Ling that Liquid has taken up in a massive warship called Outer Haven.
It is in this warship that Liquid plans on completing his despicable plan.
It is also on-board Outer Haven when this week’s incredible Memory Card moment occurs: A Snake in a microwave.
The Moment
After being catapulted onto Outer Haven, Snake enters the gigantic warship all alone.
As he enters the foreboding base, Snake realizes he is about to face one of the most daunting experiences of his life.
Not only is Outer Haven equipped with some major advances in defense technology, numerous enemies swarm the complex. And in addition to all this, he knows that Liquid is waiting for him somewhere aboard the huge warship.
There is no turning back now. Either Snake will find and finally destroy Liquid ... or he will die trying.
Journeying farther into the ship, Snake eventually encounters Screaming Mantis, a very familiar foe that has taken Meryl hostage.
After defeating the creepy enemy, Meryl is saved and decides to help Snake with the rest of his mission.
Before they even have a chance to get far, they are ambushed by a large group of Liquid’s troops. Agreeing to hold them off, Meryl begins fighting the enemy soldiers, allowing Snake to move forward alone on his most important mission: to find and destroy Liquid. He learns that if he destroys the very core of the ship, Liquid’s plan will be put to an end.
Snake carefully heads in the direction of this core, a dark place at the center of a maze of metallic hallways.
As he approaches, his body is overcome by an extreme pain.
Snake falls to his knees.
His body is starting to fall apart.
Without any notice, a squad of Liquid’s soldiers runs around the corner. They see Snake on his knees, struggling to even stand up.
They draw their weapons.
As they get closer, Snake pulls out one of his important syringes. He jams it into the side of his neck.
But nothing happens.
The syringe doesn’t work.
The soldiers slowly inch forward, watching as Snakes rolls on the cold floor in pain.
Right before the enemies get to Snake, though, the door behind him slides open. From the adjacent hallway, Raiden flies into the room.
He lands between Snake and the soldiers, ready to fight. Since losing both arms in earlier tragedies, Raiden stands before the enemy troops, his huge sword held between his teeth.
Raiden’s electrified body (don’t ask!) starts to knock some of the soldiers down. Snake is slowly revitalized by Raiden’s presence.
The two of them step forward, past the fallen soldiers.
Raiden sees that Snake is hurting and volunteers to go forward in his place.
Snake knows the final corridor before reaching the core is full of deadly microwaves. He reminds Raiden that he has a life to go back to. Snake has nothing. He should be the one that makes the final sacrifice.
“From here on, this is my fight.”
With these words, Snake moves forward into the microwave-filled corridor, leaving Raiden behind to battle the recovering soldiers.
What happens next is the stuff of videogame legend.
The door to the microwave corridor opens up.
Snake’s face is immediately burned.
Despite the pain, he forces himself to move forward. Otacon remotely locks the heavy metal door behind Snake.
From here, the player takes full control. The screen splits into two parts. A gorgeous music score begins to play.
On the bottom screen, Snake starts to walk through the microwave-filled passage. On the top screen, the other events happening throughout the gunship play out: soldiers battling each other; Meryl struggling to stay alive; Raiden, armless, fighting a large squadron of troops.
At this point, Otacon tells Snake that he must make it through the passage as quickly as possible.
The player holds up on the analog stick to control Snake. Sadly, he moves very slowly because of the immense amount of pain he is in. Getting through the corridor is going to take some time.
The player wants to get Snake through as quickly as possible, but his slow movement prevents this from happening.
Smoke rises from Snake’s burning skin.
He jerks in pain and falls to the floor.
The player then must quickly press the triangle button as fast as possible to have Snake get back up on his feet. As they are doing this, Snake’s life bar starts to slowly deplete.
Snake stands back up, but he bends over and moves at a much slower pace.
He is in excruciating pain.
Again, Snake falls and must get up with the help of the player. His energy bar lowers even more.
He is near dead.
This time, Snake doesn’t even have the strength to stand up. By continuously tapping the triangle button, he starts crawling towards the end of the passage.
As all of this is happening, the haunting music continues to play. The top part of the screen starts showing Snake’s allies succumbing to defeat. All hope seems lost.
As a player, you are forcing Snake to move forward. Every tap of the triangle button causes him more horrible pain.
But you know this is the only thing that you can do to help him get to the end of the corridor.
Eventually, Snake almost completely collapses. With nothing left in his life bar, he barely has any energy left to move. His low crawl becomes slower than that of a newborn child.
But, still, he continues onward.
After what feels like hours, Snake finally reaches his goal; the combination of the player’s determination and Snake’s strength gets him through.
He reaches the end of the corridor, completely burned and destroyed.
The exit to the passage closes behind him.
Snake stands up. As his skin crackles and smokes, he takes a deep breath and steps forward towards his final battle with Liquid.
Despite the pain he is in, he knows he must move on to save the world ... to save his friends ... and to save himself.
You can watch Snake crawl through the microwave-filled corridor right here:
The Impact
This sequence in Metal Gear Solid 4 is, hands down, one of my favorite moments in videogame history.
Gameplay-wise, not much really happens. As a player, you only hold up on the analog stick and repeatedly press the triangle button.
What makes this scene so unbelievably memorable is the emotional connection you have with Snake as the sequence plays out.
Going into the microwave-filled corridor, you already know Snake is hurting -- you can, literally, see it on his face. Right before he meets up with Raiden he is collapsing, his body barely hanging on.
As a player, you want Snake to succeed and will do anything you can to make this happen. You have followed him on many adventures and don’t want to see him fail -- especially by your own hand.
So as Snake steps into the corridor, you want nothing more than for things to turn out okay.
When the game starts to become playable, your initial reaction is to have Snake just run through the corridor as fast as possible. You see the life bar depleting, and, like any good videogame player, you know that rooms that lower your energy need to be exited as quickly as possible.
But when you try to run with Snake, he can’t do it. He is hurting too much.
As you try to run forward, Snake only writhes in pain.
At this point, Metal Gear Solid 4 doesn’t feel like a game anymore. With the combination of the brilliant split-screen and stunning music, the scene becomes a crazy visceral struggle for survival. You and Snake become one as you do anything it takes to save his life.
You start to feel his pain. You experience everything that Snake is going through.
Creator Hideo Kojima is the master of breaking the fourth wall in videogames (as evidenced by the incredible battles with Psycho Mantis and The End in MGS1 and 3, respectively). But with this sequence, Kojima’s genius is taken to a whole new emotional level.
When I was playing this sequence for the first time, I actually got up from my couch and starting hitting the triangle button as quickly as possible.
At first, I knew everything would be okay -- it always is! -- but I wanted to stand and give myself a better position to control Snake.
But as the scene played out and my energy was almost gone, I realized that Snake still had a long way to go. He was barely moving and not even close to the end of the corridor.
Maybe everything wouldn’t be okay ...
At this point I started screaming at the screen. “Come on, Snake!” COME ON!” I remember yelling as I mashed on the buttons.
I felt personally responsible for what happened to Snake.
If he didn’t make it, it was my fault.
And, man, I was not going to let that happen.
So I fought. I fought to help Snake. I hit the buttons as fast as I could. So fast, that my fingers started hurting.
I started feeling pain. Real pain.
Just like Snake.
As ridiculous as it sounds, Snake and I were in it together.
When he made it to the end and survived, I let out a sigh of relief. I shook out my cramped hand, sat back down on the couch, and watched silently stunned as Snake continued on his journey.
What did I just see? What did I just experience?
From a technical standpoint alone, this scene is pretty much perfect (the music, graphics, and split-screen are wonderfully executed), but there is something about the Metal Gear Solid games -- and this scene in particular -- that just have a way of emotionally connecting to the player.
And, boy, was I emotionally connected.
No matter how many years go by, I will always remember Snake crawling through the microwave-filled corridor.
Always.
The moment will stay with me for the rest of my life.
The Memory Card Save Files
Season 1
.01: The return of Baby Metroid (Super Metroid)
.02: Palom and Porom's noble sacrifice (Final Fantasy IV)
.03: The encounter with Psycho Mantis (Metal Gear Solid)
.04: The heir of Daventry (King's Quest III: To Heir is Human)
.05: Pey'j is captured (Beyond Good & Evil)
.06: The Opera House (Final Fantasy VI)
.07: Attack of the zombie dog! (Resident Evil)
.08: A twist on a classic (Metroid: Zero Mission)
.09: A Christmas gift (Elite Beat Agents)
.10: To the moon, Mario! (Super Mario World 2: Yoshi's Island)
.11: The Solitary Island (Final Fantasy VI)
.12: Wander's brave friend (Shadow of the Colossus)
.13: The submerged letter (StarTropics)
.14: The legend of Tetra (The Legend of Zelda: The Wind Waker)
.15: Snake pulls the trigger (Metal Gear Solid 3: Snake Eater)
.16: Riding under the missiles (Contra III: The Alien Wars)
.17: Hover bike madness! (Battletoads)
.18: Syldra's final cry (Final Fantasy V)
.19: Death by ...grappling beam? (Super Metroid)
.20: The message in the glass (BioShock)
Season 2
.21: Crono's final act (Chrono Trigger)
.22: Ganon's tower (The Legend of Zelda: Ocarina of Time)
.23: It was all a dream? (Super Mario Bros. 2)
.24: The assimilation of Kerrigan (StarCraft)
.25: A McCloud family reunion (Star Fox 64)
.26: The return of Rydia (Final Fantasy IV)
.27: The battle with the Hydra (God of War)
.28: Fight for Marian's love! (Double Dragon)
.29: The Hunter attacks (Half-Life 2: Episode 2)
.30: The Phantom Train (Final Fantasy VI)
.31: The end of The End (Metal Gear Solid 3: Snake Eater)
.32: In Tentacle We Trust (Day of the Tentacle)
.33: Peach dances with TEC (Paper Mario: The Thousand-Year Door)
.34: Learning to wall jump (Super Metroid)
.35: A leap of faith (Ico)
.36: The Master Sword (The Legend of Zelda: A Link to the Past)
.37: Thinking outside the DS (Hotel Dusk: Room 215)
.38: Running outside the castle (Super Mario 64)
.39: Del Lago! (Resident Evil 4)
.40: In memoriam (Lost Odyssey)
Season 3
.41: The tadpole prince (Super Mario RPG: Legend of the Seven Stars)
.42: Pyramid Head! (Silent Hill 2)
.43: Waiting for Shadow (Final Fantasy VI)
.44: Solid vs. Liquid (Metal Gear Solid 4: Guns of the Patriots)
.45: The birth of the cutscene (Ninja Gaiden)
.46: Insult swordfighting (The Secret of Monkey Island)
.47: A castle stuck in time (The Legend of Zelda: The Wind Waker)
.48: 'That's the magic flute!' (The Wizard)
.49: Saving Santa (Secret of Mana)
.50: A shocking loss (Half-Life 2: Episode Two)
.51: The flying cow (Earthworm Jim)
.52: Blind the Thief (The Legend of Zelda: A Link to the Past)
.53: The nuclear blast (Call of Duty 4: Modern Warfare)
.54: Microwaving the hamster (Maniac Mansion)
.55: The fate of Lucca's mother (Chrono Trigger)
.56: A fiery demise? (Portal)
.57: Jade's moment of silence (Beyond Good & Evil)
.58: The Great Mighty Poo (Conker's Bad Fur Day)
.59: With knowledge comes nudity (Leisure Suit Larry III)
.60: Flint's rage (Mother 3)
Season 4
.61: The dream of the Wind Fish (The Legend of Zelda: Link's Awakening)
.62: Leaving Midgar (Final Fantasy VII)
.63: Auf Wiedersehen! (Bionic Commando)
.64: Death and The Sorrow (Metal Gear Solid 3: Snake Eater)
.65: A glimpse into the future (Space Quest: The Sarien Encounter)
.66: Taloon the merchant (Dragon Quest IV)
.67: Scaling the waterfall (Contra)
.68: Anton's love story (Professor Layton and the Diabolical Box)
.69: TKO! BJ! LOL! (Ring King)
.70: Giant robot fish! (Mega Man 2)
.71: The rotating room (Super Castlevania IV)
.72: The collapsing building (Uncharted 2: Among Thieves)
.73: Death by funnel (Phantasmagoria)
.74: Crono's trial (Chrono Trigger)
.75: The blind fighting the blind (God of War II)
.76: Brotherly love (Mother 3)
.77: Prince Froggy (Super Mario World 2: Yoshi's Island)
.78: The statue of a hero (Dragon Quest V: Hand of the Heavenly Bride)
.79: Inside the worm (Gears of War 2)
.80: The return to Shadow Moses (Metal Gear Solid 4: Guns of the Patriots)
Season 5
.81: A prayer for Ness (EarthBound)
.82: Yuna's empty embrace (Final Fantasy X)
.83: Blast Processing! (Sonic the Hedgehog)
.84: A royal assist (The Legend of Zelda: The Wind Waker)
.85: You have chosen ... wisely (Indiana Jones and the Fate of Atlantis)
.86: Death is final (Fire Emblem)
Chad Concelmo is Destructoid's features editor. He loves hanging out with awesome people. That's why Destructoid makes him so happy, since it is full of THE MOST AWESOME PEOPLE OF ALL TIME! Also, dolphins. Likes Chad enjoys punching old ladies in the face, Super Metroid, Zelda: A Link to the Past on the SNES (best system ever!), Final Fantasy VI, Day of the Tentacle, Shadow of the Colossus, Mother 3, Beyond Good & Evil, Contra III, Valkyria Chronicles, Punch-Out!!, Half-Life 2, and Super Mario Galaxy 2. Meet the rest of the team
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Contest:
4:00 PM on 04.21.2011 | 
MGS4 is the only PS3 game I can say that can only be done on PS3.
It was dramatic and emotional, but after playing through that scene I wondered if it was really necessary for Snake to go through there. Couldn't Otacon have just rolled through with the Mk. 3 and did the stuff himself without Snake?
I got off the couch like you, but then got on my knees 2 feet from the TV.
Of course, this game is full of memorable moments. I got goosebumps when I heard the main theme from MGS3 (best song ever in a game) as I fought Liquid at the end.....
Anyways, I was TOTALLY standing up and screaming too. I don't know anyone (who cares about MGS at all, at least) who didn't yell or plead as this scene went on.
You go through this tunnel, all the while Otacon's little robot is dancing and being chipper trying to cheer Snake on. Then the sequence ends and the robot rolls up, opens the door, and installs the virus in the panel that is conveniently about 2ft off the ground. Then Snake has to go somewhere entirely different for the final confrontation.
If the plot wasn't written (in part) around this scene, it might have worked better. It's a great set piece, but falls apart due to the logistics of it. Obviously if Mk III can survive, it should go alone. And if it can't, I doubt Snake could have brought anything along with him to hold the virus that COULD survive. The sequence itself is memorable and you really want Snake to get through it, but it feels like a waste of time and effort once the scene ends.
But your thoughts reminded me of MGS 3's last bit before the encounter with The Boss - guiding a hurt Eva around the forest was tense, fun and very memorable to me.
Agreed wholeheartedly.
OMG SPOILERS MUCH?
Oh lord, I had forgotten about that sequence until now. That was so damn intense. Love moments like that in games where you can just cut the tension with a knife. My buddy and I were playing the game together and we were sitting on the edge of the edge of the couch screaming at the tv. Time slows and you forget to breathe and its just this one moment. I miss that in my current games. Thanks for reminding me of a really badass moment in gaming.
Kojima is a genius and so are you Chad. I don't know how you do it but I got goosebumps all over again.
Thank you so much for making my day.
<3
BEST DAY EVER
And no, I'm not trolling, Kojima was. Get over it.
Which is part of what makes it so affecting for me, seeing Snake vomit and collapse as I’m slumping back into my chair and trying to catch my breath was ridiculous, in a good way, made me feel like I earned my ending.
Sure, some moments are over-done, but that's Metal Gear Solid. Few video games have wrapped up a series so well. Every moment, from the dramatic to the batshit crazy technobabble-filled moments were all so appropriate.
just sayin'
This sequence ranks up there with the final showdown with Ganon in Ocarina, along with almost everything Mother 3.
hype almost completely destroyed this scene for me. i didn't get around to playing this game until just last year and EVERY time i hear MGS4 mentioned everyone's all like "microwave scene! so moving! ARGH" so by the time i actually played it, i was expecting nothing less than snake to reach our of the screen, grabbing my throat and slapping me repeatedly until i broke down sobbing for hours.
but it was still very well done, though i mostly realized its brilliance AFTER it was over. sad.
SNAAAAAAAAAAAAAAAAKKEEEEEE!!!!!!!!
On another note, I think the metal gear games are gorgeous, engaging, imaginative and who can't love how deep the plot is (even I still don't totally understand it all). I sort of wish Peace Walker wasn't exclusive to PSP, as I'd love to play that as well and have heard great things. Here's hoping to a RISING release date come E3!