Have you ever experienced a videogame moment that has blown you away, but then come to find out most people didn’t even think twice about it? Granted, this happens to me more often than not since everything I experience in life is either the best or worst thing ever (OMG LOOK AT THAT AMAZING CLOUD!), but once and a while I am surprised certain moments don’t universally affect more gamers.
Case in point: Portal.
There are numerous incredible moments throughout the revolutionary puzzle game (available for many systems, but I happened to play it on the Xbox 360), but one in particular literally took my breath away. After I experienced it I immediately told all of my friends, and instead of getting a “ZOMG!” reaction I received more of a “ ... cool.”
What were my friends thinking? How could they not be as unbelievably impressed as I was over this glorious piece of game design? Find out what gets me so darned excited after the jump.
The Set-Up
Portal is the best first-person puzzle game of all time. Well, okay, there aren’t that many first-person puzzle games out there, but, if there were, Portal would easily be the best. It also helps that the game is created by a company I would impregnate if I could: Valve.
Since this game is ridiculously popular amongst the Internet community I am sure most of you know how it all starts: In the game you play as Chell, a supposed orphan who is adopted by mega-company Aperture Science to take part in “helpful” experiments.
At the very beginning of the game, Chell wakes up from a stasis bed and receives instructions from a computer artificial intelligence named GLaDOS that she will be participating in testing out a new portal gun for Aperture Science.
At this point the player takes over control through the eyes of Chell as she finds the portal gun and begins to test out its uses.
It goes without saying to people that have played Portal, that the portal gun is one of the coolest and most unique videogame “weapons” ever created. By shooting any flat surface with the gun, a portal is created. By shooting another flat surface, a second portal is formed. If Chell walks/falls/jumps into the first portal she is teleported out of the second.
While it all seems a little basic at first, the act of portal travel is much deeper than it sounds.
Chell can easily place two portals on two adjacent walls and simply walk right through them, but as the game progresses more creative uses for these portals are needed. Say Chell needs to get to a high platform. By shooting the ceiling above the platform and then shooting a nearby wall, Chell can jump through the close portal and fall onto the top of the platform. It’s scenarios like this that make Portal equal parts challenging and brilliant.
Throughout her journey through the text chambers of Aperture Science, Chell is constantly told by GLaDOS that she will be rewarded with cake and counseling upon finishing her training. All of these promises are presented using some of the most hilariously deadpan voice acting in the history of videogames.
After traveling through eighteen progressively harder test chambers, Chell arrives at the last room, trusting GLaDOS that her cake is only a few obstacles away.
It is here in the final test chamber when the next Memory Card moment occurs: a fiery demise?
The Moment
The last challenge room in Portal is surprisingly not that tough. By utilizing some slick portal placement, Chell activates a moving platform that takes her through a series of narrow hallways towards her final goal.
As Chell gets closer and closer to the end of the hallways, signs appear on the walls of the chamber displaying pictures of cake. GLaDOS congratulates her on a job well done.
Chell is excited. All of her hard work is about to be rewarded.
But as the moving platform gets near the end of its journey, Chell senses something odd.
The cake images grow more plentiful, but the walls in which they are displayed light up in a fiery red glow.
All of a sudden the moving platform turns around a bend and Chell witnesses something horrifying: The platform she is riding is unexpectedly descending into a giant pit of fire!
Chell looks around, but there is nothing she can do. She is still trapped in such a narrow corridor.
GLaDOS coldly speaks up and thanks Chell for participating in the Aperture Science experiment and recites her final good-bye.
Seconds before entering the giant flames, the moving platform Chell is riding emerges into a larger room. High up on the far end of the room is a small walkway surrounded by a metal railing.
Acting fast, Chell uses her portal gun to create a portal on the wall next to the walkway. She then forms her second portal on a wall close to her, right above the fire. Once both portals are locked in, Chell leaps at the last second off the moving platform, into the nearby portal, and emerges safely on the far walkway.
She is safe. Traumatized, but safe.
At this point GLaDOS chimes in with one of the funniest lines in the history of videogames:
“Congratulations on making it through the final challenge where we pretended we were going to murder you. We are very, very happy for your success. We are throwing a party in honor of your tremendous success. Place the device on the ground and lie on your stomach with your arms at your side. A party associate will arrive shortly to collect you for your party.”
With this, Chell makes her way behind the walls of the Aperture Science testing chambers.
By using her portal gun in new and creative ways, she eventually makes her way to the heart of the facility to confront GLaDOS once and for all.
You can watch Chell narrowly avoid her fiery doom right here:
The Impact
Call me stupid, but I genuinely thought watching Chell die in a fire was the actual ending of Portal.
Before you start laughing, let me explain why:
Throughout the game, Chell journeys in and out of test chamber rooms that are designed to be manipulated with portals. That is the setting of the game and using your portals in creative ways makes sense in the context of the environment.
Of course I knew GLaDOS had shady intentions, as evidenced by her overly sarcastic, almost creepy monologues during the last few test chambers. So, to me, the big twist of the game was that GLaDOS was evil and this was all just a sadistic way of her leading you to your death. It was Chell’s destiny from the start.
So as I rounded the final corner on the moving platform and saw the giant fire pit in front of my character, I almost gave up and accepted my fate. Even visually there didn’t seem to be much of anything I could have done. It was just me, a long hallway, and a slowly approaching room of flames. What other choice did I have but to jump in?
This is when the game went from amazing to remarkably brilliant.
Portal is told from a first-person perspective, so you the player is basically seeing everything that Chell is. There are no external cutscenes or exposition to explain to the player what is going on. You discover the world at the exact same time Chell does.
And this is very important for why this sequence works so ingeniously.
As the moving platform creeps forward, the large room filled with fire slowly comes into view. The designers specifically chose for the long hallway to hide a lot of the last room until the last minute for several reasons -- one of them being to make the player have less time to decide what to do next.
When the player finally sees the elevated walkway, you (and, in turn, Chell) have to make an organic decision to figure out a way to escape. The game perfectly puts you in the role of a panicked character desperate to get out of a deadly situation.
You the player want to avoid death, so you the player realize that you can use your portal gun to escape.
There is no instruction on how to do this; no signs or indication that escaping the testing facility is your next step. It happens because it is exactly what Chell (you!) would have done.
See? To most people this moment is probably no big deal. They most likely just quickly saw an opportunity, used the portal gun, and escaped certain death. But to me everything that is amazing about Portal all comes down to this one sequence.
Up to this point in the game there really is no reason to use your portal gun outside of completing the presented tasks at hand. Escaping the fire pit is the first time the player has to literally think outside the box and do something based entirely on instinct. What would Chell do? Not what does GLaDOS want Chell to do?
The fact that the rest of the game (as Chell travels through the belly of Aperture Science) uses this same unstructured gameplay really is just the icing on a delicious, perfect cake (pun intended).
The entirety of Portal is ingenious, but Chell escaping her fiery death really is where the game switches gears and becomes something much more than a simple puzzle game. While most people focus their love (deservedly so) on the Companion Cube or “Still Alive” portions of the game, I will always hold the fire sequence closest to my heart.
My God, I am so happy the cake really was a lie.
The Memory Card Save Files
.01 - .20 (Season 1)
.21 - .40 (Season 2)
.41: The tadpole prince (Super Mario RPG: Legend of the Seven Stars)
.42: Pyramid Head! (Silent Hill 2)
.43: Waiting for Shadow (Final Fantasy VI)
.44: Solid vs. Liquid (Metal Gear Solid 4: Guns of the Patriots)
.45: The birth of the cutscene (Ninja Gaiden)
.46: Insult swordfighting (The Secret of Monkey Island)
.47: A castle stuck in time (The Legend of Zelda: The Wind Waker)
.48: 'That's the magic flute!' (The Wizard)
.49: Saving Santa (Secret of Mana)
.50: A shocking loss (Half-Life 2: Episode Two)
.51: The flying cow (Earthworm Jim)
.52: Blind the Thief (The Legend of Zelda: A Link to the Past)
.53: The nuclear blast (Call of Duty 4: Modern Warfare)
.54: Microwaving the hamster (Maniac Mansion)
.55: The fate of Lucca's mother (Chrono Trigger)
Contest:
4:00 PM on 02.26.2009
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I rarely hear people speak of this moment outside of "yeah that was funny lolol"
Definitely a fine gaming moment. I remember my first time going down that platform and I was almost resigned to my fiery fate. To find the way out on the first try and then to hear Glados' response was almost personal. The whole laying on my stomach thing also had the feeling of, "Oh crap. The fuzz is coming. Gotta bail!"
I never once accepted that death was my fate.
Then this most incredible thing happened! The whole ending of the game was a frantic push to see WTF was going on and where this was all leading to...
I admit I figured out what to do, but sadly I misjudged the distance to the wall and I failed my first attempt. To save myself from the fire... It reloaded my last checkpoint and I pulled it off the second time.
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Hehe, I loved Portal.
Still, that was pretty amazing. The timing of GLaDOS' voice as you ride that rail to your doom was also perfect.
I wasn't sure if it was the end, and I didn't want to die, so I tried out my gun. It worked. Once I got to safety and realized I needed to leave, I was blown away by what they did thar.
"Up to this point in the game there really is no reason to use your portal gun outside of completing the presented tasks at hand. Escaping the fire pit is the first time the player has to literally think outside the box and do something based entirely on instinct."
and it dawned on me. When have I ever played a puzzle game that had me go against what the game has innately told me to do. I stack blocks in Tetris. I jump and rewind in Braid. Why? because the game tells you to and the way that the developers made the game was to make you do something without even telling you. Some focus should have been put on how this followed the Companion Cube moment where you HAD to follow through with an arguably hard decision to progress forward as Glados had explained. With this moment following it creates a false since of belief that there is something following the death of your character because Glados told you to.
still I think the Companion Cube moment is a much better one even if it is extremely obvious. My wife even named it. "Companie" she called it. and then well she had to make a decision.
Of course, I sat for a few minutes afterward waiting for the party associate to come and get me before I found my way out, lol.
I will admit this: my favorite part of the game is the sequence after the fire. So I'm with you. Sort of.
However ... great write-up, Chad!
Crazy awesome.
Excellent memory!
When the music kicked in, so did the panic. I was absolutely enthralled after I escaped with my life and I felt as if I had genuinely outwitted GLaDOS and had entered a part of the game that I was never meant to see. I never actually believed that of course, but that was the feeling I had. And it was AMAZING :D
Another situation where I felt this kind of fast reaction is in Fallout I's ending. The Overseer announces to the Vault Dweller that after saving the Vault and Humanity, he really should get the hell out of the Vault, because he has become tainted.
Then, right after the final dialogue, the game shows you and the Overseer, close to each other. The game then fades away and shows the Vault Dweller leaving into the Wasteland.
HOWEVER, since combat is turn-based, you get the chance, IF YOU REMEMBER IT, to initiate combat by pushing the A key, right before the screen fades away. After that choose your weapon of choice and you can blow away the Overseer.
The Vault Dweller still leaves into the Wasteland, but at least he had his revenge.
This is something I really love about this game, it can make you think you are doing something you're not supposed to, on purpose.