Last night Destructoid attended the videogame BAFTAs in order to do some hard-hitting journalism. Speaking to Ashley Johnson following her BAFTA win for Best Performance for voicing Ellie in The Last of Us and its story DLC Left Behind, we asked all the big questions.
While a possible sequel to The Last of Us with an older Ellie and her feelings on winning a BAFTA for best performance were both discussed, let's start off with the question on everyone's minds. Whose is Ashley Johnson's favorite butt in video games?
My favorite butt? It's tough, I'm thinking about it. I'm going to go with Fetch from First Light. She's also my friend, it's Laura Bailey, she has a really good butt. It's just perfectly round and beautiful and I usually just give it a grab if I can.
With that out the way, we got to obviously far less important questions touching on Ashley's career, award wins and upcoming projects. You know, silly stuff to lighten the mood following our hard-hitting butts questions.
Warner Bros. Interactive has just confirmed that Jason Voorhees, classic Friday the 13th horror icon, is in Mortal Kombat X as DLC. You'll be able to buy the Kombat Pack at launch for $30, which allows access to four characters, including Jason.
The publisher hints that the rest of the pack will include two "classic" characters, as well as one other "guest" character. The Predator, perhaps? Hey, that "Komplete Edition" down the line is sounding pretty sweet right about now.
Dan Adelman worked for Nintendo for many years, and was one of their unsung heroes for much of that time. While he has consistently voiced affection and respect for the company, he did end up resigning last year, in part because he felt like his role at Nintendo wasn't what it used to be. Now he's working on marketing and PR for a game called Axiom Verge, a game that Nintendo of America President Reggie Fils-Aime once said looked like Metroid.
Samus Aran has worked for Nintendo for many years, and has been considered one of their most iconic characters for much of that time. While she has consistently garnered affection and respect from fans of the company, she hasn't had a game of her own since the year 2010. Many feel that her role at Nintendo isn't what it used to be. Now she's appearing in regular installments of the Smash Bros. series, but she'd much rather be in Axiom Verge, a game that Nintendo of America President Reggie Fils-Aime once said looked like Metroid.
If I didn't know better, I'd think that Dan Adelman was Samus Aran's secret identity. If putting on glasses and civilian clothes is all Superman needed to do to trick us into thinking he's Clark Kent, then why couldn't Samus do the same thing? If it weren't for this video, I may still believe that was the case. The similarities between these two "Nintendo characters" are hard to shake, though when it comes to the discussion of "going indie," their differences definitely start to show.
It's been less than a year since its reveal, and we're already rapidly approaching the release of Mortal Kombat X. After its predecessor essentially rebooted the franchise with a return to 2D-style combat, many fans got a newfound love for the series. And though Mortal Kombat (2011) took some liberties with the lore, as it was both a reboot and sequel simultaneously, it left off in a place that had fans anxious to see what could happen next. Lucky for you, Destructoid just got a taste of what's in store.
During GDC week, Warner Bros. Interactive held a special hands-on session with the first chapter of Story Mode, along with a sampling of the versus mode and upcoming mobile game app. Though I've played quite a bit of this series in my time, I knew I could use some help discussing the franchise's lore and history. So I decided to bring along Dtoid's resident Mortal Kombat expert Abel Girmay, who's already played quite a bit of MKX, for a back-and-forth discussion about the game and how Johnny Cage has still got the stuff.
When people look back upon the great horror games of this year, they're probably going to forget about White Night, and that's understandable. It doesn't break any ground, it isn't littered with jump scares to draw in the YouTube crowd, and its gameplay lacks depth.
It's also one of the better composed horror stories in games over the last few years, assuming you don't mind that being the only real reason to show up.
OlliOlli was a pleasant surprise. A year ago, the minimalist skateboarding game materialized out of nowhere, deconstructing the genre and distilling its essence down the barest essentials. It stripped away any traces of excess, resulting in an experience focused on eliciting trancelike states and a never-ending pursuit of high scores.
Simultaneously accessible and unfathomably intricate, OlliOlli lured players down the rabbit hole, presenting itself as an airy side-scroller just long enough to get its hooks into you before quickly giving way to something far weightier and more profound.
And now it's been topped in virtually every conceivable way with an unexpected sequel, OlliOlli 2.
When I first approached Resident Evil: Revelations 2, I was fairly cautious. I had been burned many times by Resident Evil games in the past, but having played through Episode 1 and 2, most of my concerns were alleviated.
At this point, I think I can heartily recommend Revelations 2 as a whole, even if Episode 3 drags momentarily.
Powers, an upcoming TV show from Sony, has an interesting debut on the PlayStation Network on March 10 as the PSN's first real foray into original programming. Powers has been in the making since 2001 (one year after the comic series was released), when Sony Pictures first optioned the series. Needless to say, it's taking a big chance with this unique arrangement.
Despite the fact that I'm not familiar with the source material, after watching the first three episodes, I'm interested enough in catching it on a weekly basis -- even if I wouldn't necessarily recommend it.
Even though the clock was ticking, it was difficult not to stop and smell the roses. I had a behemoth to hunt, but couldn't help myself. A gorgeous landscape teeming with majestic wildlife distracted me from my objective. I whiled away far too much time transfixed by the mosaic of stars painted across the night sky, exploring grottos and forest trails, and poking around a secluded outpost with a stable of Chocobos. I continued to do so until a tap on the shoulder reminded me to get back to the task at hand.
During a meeting with Square Enix today in Boston, the publisher gave me over an hour to delve into Final Fantasy XV: Episode Duscae, but it just wasn't enough time. I want to spend more time in this world, leaving no stone unturned, and now I find myself eagerly awaiting the opportunity to do just that when the demo launches alongside Final Fantasy Type-0 HD later this month.
Volume is a fitting name for a polygonal, Metal Gear Solid VR Missions-looking stealth game with enough rectangles to feed a geometry class for the entire year. In the case of Mike Bithell's Thomas Was Alone follow-up, however, "volume" is more about sound than shapes.
Lead Locksley can't kill or attack. It's all about being a sneak. Noise, then, becomes an important weapon for luring guards from their posts, and every bit of noise fractures the world so you can nicely see its effect, along with the ever-present enemy fields of vision.
It's about sight, too. Sound, sight, shapes. These things come together to make a readable stealth game with enough abstraction that it feels more puzzler than sneaking romp. Think Hitman GO compared to Hitman.
Five years after the latest installment in the seminal music/rhythm franchise, Harmonix is going on a proverbial reunion tour. Rock Band 4 is in development for PlayStation 4 and Xbox One, and it's currently scheduled for a 2015 release. But, Harmonix doesn't want to put out Rock Band 3.5; the Boston-area developer acknowledges that it can absolutely improve upon past iterations.
In a conversation at GDC in San Francisco, project manager Daniel Sussman told Destructoid that Harmonix revisited Rock Band 1, 2, and 3 while brain-storming for the direction of the next game. Sussman readily admitted that Rock Band 3 was too much of a sprawl -- a bit unfocused to the point that it clouded the game's identity. In hindsight, it was somewhat off-putting to fans that couldn't get a definite feel for how seriously it took itself.
That's what Harmonix wants to change with Rock Band 4. The focus is purely on creating an accessible, social experience. There's a certain harmony that comes from playing and listening to your bandmates, a bonding sense that shines simply because of the format. Harmonix just wants to get back to that and make another title that people enjoy playing in the company of others.
Granted, we have to take Harmonix at its word for now. There's no playable build of Rock Band 4, and the team isn't even ready to talk about a lot of the features. That's all coming later, likely sometime around E3. But, it's worth noting that the word "evolution" kept coming up to describe the next steps in the series, a sign that Harmonix plans for Rock Band 4 to be a platform with a long-term vision, not just a precursor to sequel after sequel.
Mankind has expanded throughout the galaxy, having come together under one government, a "managed" democracy. From the Super Earth homeworld, humanity spreads its message of liberation and freedom to every planet they land upon; the liberation of their natural resources and freedom from human opposition, that is.
And if you don't like it, expect them to spread a whole lot of ordinance instead.
I didn't expect to enjoy the first episode of Resident Evil: Revelations 2 as much as I did. It was nice to see Barry and Claire back in action, and the co-op elements were implemented in a neat asynchronous manner. Not to mention the killer Raid Mode that might be the best iteration yet.
The good times keep rolling in Episode 2 with a great atmosphere, more Raid levels, and an compelling-enough narrative.
There certainly have been a lot of creative 2D platform games releasing over the last couple of months, enough that there seems to be some genuine competition in the genre. If you're finding yourself in a position where it has become difficult to choose, allow me to make it easier.
The Gold Saucer is finally a part of Final Fantasy XIV: A Realm Reborn, and it's glorious. That classic music returns, as do the iconic Triple Triad and Chocobo Racing activities. It's amazing how much content Square Enix has added to its newest MMO over time, more than justifying the subscription fee. It is living proof that not every MMO has to go free-to-play.
I had a chance to take the Saucer for a spin this week, and was pretty happy with what I found. So long as you buy into the two big draws, you will be too.