Capcom has just sent word over that Resident Evil remake will be available on January 20, 2015, for $19.99. It'll hit the PS3, PS4, PC, Xbox 360, and the Xbox One "all-in-one games and entertainment system from Microsoft" (bwahaha they still have to do this with their PR).
For those of you who don't remember, this is a digital-only release, and will sport 1080p for current-gen consoles and 720p for past-generation systems. You'll also be able to flip between the 4:3 ratio or 16:9 widescreen options.
Now instead of a collective of the community being angry at Destiny's glitches and issues, you have pissed pretty much everyone off right before the launch of the expansion. It's something that could have easily been avoided with better communication -- a lesson a lot of other people in the online/MMO space have learned with experience.
We're outnumbered, down to our last pair of lives. The clock is ticking, it's as much of a threat to my team's survival as the four armed men bearing down on our position. I don't like our chances, not one bit, but moments like this, they're the reason I play the game.
Geometry Wars games have always been, in a sense, one-dimensional. They present the player with the seemingly simple task of "shoot everything in sight," and that's the sole objective apart from staying alive. The onslaught of flying colors and booming music molds the experience, but the core remains uncomplicated. For many, that's enough to be held in the highest regard when discussing twin-stick shooters.
In 2008, the heralded Geometry Wars: Retro Evolved 2 vastly and competently iterated upon its predecessor. It added a handful of new modes, each one legitimately fun and addictive in its own right. But more importantly, it fueled sincere and passionate competition across online leaderboards -- a social dynamic that few games since have been able to recapture. In many ways, it was the perfect game.
All hyperbole aside, Geometry Wars 3: Dimensions makes Retro Evolved 2's efforts look puny by comparison. It adds depth in so many more ways than just literally, but never strays from the formula that makes Geometry Wars incredibly lovable. It's certainly the most ambitious and fully realized title in the series to date, and it's difficult to imagine a different take that would improve it. In many ways, it is the perfect game.
Back in 2008, LittleBigPlanet was a staple in the Carter household for a good year. It was tough to put down as we earned a full 100% completion rate, and creating levels for each other was a joy. Floaty physics hate be damned, not every level was a Super Mario Bros. clone.
When the sequel hit though, it didn't have a whole lot that was new about it to entice us further, and it fell by the wayside. Similarly, LittleBigPlanet 3 doesn't shake things up from the core formula, but the sheer commitment to keeping the level-building platform intact after all these years is something special.
Far Cry 3 was one of my favorite games of 2012. It didn't stray too far from the normal sandbox conventions set before it, but gallivanting around beautiful island vistas and flying about with wingsuits was pretty damn fun.
For some that wasn't enough, though, and for those folks, Far Cry 4 won't be enough either. But for me, it's still pretty damn fun.
Ever since its 2007 debut, the Assassin's Creed franchise has been presented as a one-sided affair. Chronicling the persistent struggle between the Assassins and the Templars, Ubisoft has always framed the story casting the former in a positive light. Assassin's Creed Rogue has a new take on that formula, which, in some ways, makes it the most refreshing, thought-provoking, and introspective installment in the series to date.
Dragon Age II felt like a great action game that was outsourced to a lesser developer. It lacked the polish BioWare typically puts into its titles, and almost the entire affair felt like a gigantic step back from everything Origins had established. What was once a promising franchise that reminded me of the glory days of RPGs such as Baldur's Gate became a shadow of its former self, with lazily re-used assets and no sense of scale.
BioWare went back to the drawing board with Inquisition, the third Dragon Age outing, and the game is all the better for it. It feels like a culmination of its predecessors' strengths, with all of the bells and whistles that come with current-gen hardware.
There's certainly been intrigue surrounding Resident Evil: Revelations 2. Since its existence was leaked a few months back and several cryptic images of a derelict prison made the rounds, there has been speculation about what to expect from this installment. And, with the return of characters from other titles, there is evidently a larger focus on linking things back to the series' past.
Its predecessor, Resident Evil: Revelations, felt very much like a back-to-basics approach to the series, which earned a lot favor from fans. With the upcoming sequel, more characters from the past are brought back to the forefront and are drawn into a greater conspiracy. Obviously, this isn't entirely new for the franchise. However, with the greater focus on mystery in Revelations 2 and how Capcom plans to release the game in episodes, it could give the series a much needed change of pace. After Brett's hands-on time with the sequel back at Tokyo Game Show, he was left unsure of what to expect from the game. And, judging from my own time with it last month, that might be for the best.
This is one title you might want to go into blind.
After the disappointing Call of Duty: Ghosts, Activision needed fresh ideas, and Sledgehammer was just the developer for the job. Even before it delivered its first game, a weight has been lifted off of Infinity Ward and Treyarch's shoulders. No longer does it need to turnaround a Call of Duty every other year, and there is more time to figure out how to make the series fresh again.
As a result, Sledgehammer has a lot riding on Advanced Warfare, the newest game in the series. It has everything going for it -- a fresh futuristic theme, the same core multiplayer gameplay everyone knows and loves, and the talented Kevin Spacey running the show with the campaign.
The gambit paid off, even if it won't bring back in those who have sworn off the series.
Over the weekend, details came out of PAX Australia regarding the first downloadable Vault Hunter for Borderlands: The Pre-Sequel. At first, it looked to me like a commendable gesture for a series that receives a lot of criticism on its downloadable content policy. To include a new character in addition to the originally promised content for those loyal enough to buy a season pass seemed worthy of applause. However, that image was based on a misinterpretation of the official blog post's line that references "all four of the upcoming add-on content packs," and a few other (incorrect) assumptions.
As it turns out, the Handsome Jack Doppelganger Pack is DLC #1 for Borderlands: The Pre-Sequel (November 11 is upcoming, after all), and I could only feel more disappointed by that revelation if I had actually purchased this iteration's season pass. My condolences go out to those who did.
With the rise of high-definition re-releases, many fans have likely made a wish list of titles they hope will eventually get the HD treatment. Whether they be classics from the '90s or 2000s, we're seeing a variety of games find new life in today's market. Unfortunately, not every title can make that transition to modern consoles, be it for technical or design reasons.
Thankfully, Resident Evil is an exception. During a special hands-on session with the game, I experienced what it was like to return the mansion in full HD, and even got to speak with members of Capcom staff to learn about the challenges they faced with Remastered.
One of the biggest surprises of 2014 had to be the announcement of a Legend of Korra game, published by Activision and developed by Platinum Games. Yes, that Platinum Games -- the current master of action titles.
It's only been a few months since the reveal of said Korra game, and already it's out on just about every platform imaginable outside of the Wii U. While the core result is indicative of Platinum's seal of quality, it feels rushed in many ways.
While the Dynasty Warriors series is often heralded as the pinnacle of Omega Force's hack-and-slash catalog, the lesser-known Samurai franchise has been churning out some of the best games in the stable.
Based around the Sengoku era of Japan, Samurai Warriors mixes things up with unique offerings like ninjas, samurai, and historical figures such as Goemon Ishikawa and Musashi Miyamoto. If you can get past the repetition, Samurai Warriors 4 delivers another hearty helping of action the developer is known for.
Vib-Ribbon is a game by NanaOn-Sha (Parappa the Rapper, UmJammer Lammy) that was originally released on the PS1. It came to the United States for the first time just recently, by way of PSN. The original game allowed you to take the disc out of the PS1 and replace it with any CD. You could then play levels based on the sounds found on that CD. That's part of why the game has such minimalist visuals. The game's code had to be small enough to be stored in the PS1 on its own. Hence the black and white vector-based graphics.
It's amazing how NanaOn-Sha was able to create such charming and memorable characters with just a few lines. Vibri, the game's star, is a lovable scamp with tons of personality. With this article, I will do my best to follow in his footsteps by using as few lines as possible in my effort to convey to you the joy of Vib-Ribbon.
I grew up happily playing Shinji Mikami's games, and he's probably one of the most influential directors/producers that ever lived. I remember the first time I played Resident Evil, the day I bought Devil May Cry from EB Games, and the exact moment when my friend showed me God Hand.
All in all Mikami has worked on over 20 major games that have impacted the industry in some way. Even if The Evil Within is one of the worst in the bunch, it's still in good company.