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Soma photo

It's a Sup Holmes for pigs with Soma co-creator Thomas Grip

Sup Holmes every Sunday at 2:30pm EST!
Nov 29
// Jonathan Holmes
Horror! It can be more fun than conventional logic would dictate, which may be why AAA publishers like Capcom and Konami don't seem to have the same confidence in the genre as they once did. While both the Resident Evil...
Rocket League x Portal photo
Rocket League x Portal

Portal crossover coming to Rocket League

The cake is a li-- er, topper
Nov 29
// Kyle MacGregor
Portal-themed content is coming to Rocket League next month, Psyonix has announced. Starting December 1, the following items will be awarded to players at random after matches: Cake (Topper)  Conversion Gel (Rocket Trai...
Angry Video Game Nerd photo
Angry Video Game Nerd

Two years after its PC launch, Angry Video Game Nerd Adventures Wii U is coming to Europe

December 10
Nov 26
// Chris Carter
Angry Video Game Nerd Adventures was a pleasant surprise for me, but unfortunately, Europe still hasn't gotten the Wii U edition of the game. It looks like it will finally hit on December 10, according to a listing at Ni...
Fez photo

Oh my gosh, this Fez vinyl!

The game has a new limited edition, too
Nov 25
// Jordan Devore
I was checked out for the day when I saw this vinyl set for Fez, or so I thought. It's so dang good! Disasterpeace is one of my favorite musicians working in games right now, and the Fez soundtrack is among his best work, eas...

Sup Holmes photo
Sup Holmes

Rally 'round the family with Runbow and Lovers in a Dangerous Spacetime

Sup Holmes every Sunday at 2:30pm EST!
Nov 25
// Jonathan Holmes
[Sup Holmes is a weekly talk show for people that make great videogames. It airs live every Sunday at 4pm EST on YouTube, and can be found in Podcast form on Libsyn and iTunes.] With Thanksgiving almost u...

Review: Mighty Switch Force! Academy

Nov 25 // Chris Carter
Mighty Switch Force! Academy (PC)Developer: WayForwardPublisher: WayForwardReleased: November 23, 2015MSRP: $9.99 The gist this time around is that series heroine Patricia Wagon, instead of finding a new line of work, returns to law enforcement in the form of a VR training module assisting new recruits. Academy isn't like past titles in that it's a zoomed-in, Mario-like platformer -- players will see the entire map all at once, similar to one of my all-time favorites, Castlevania: Harmony of Despair. As a result, everything feels a lot more sprawling and involved, especially on a larger monitor or TV screen. Bullets go across the entire board, and maps can be "looped" a la Pac-Man, opening up deep possibilities when it comes to strategic planning that weren't possible in prior iterations. I feel like the "whole screen" gimmick is also far more fair when it comes to the time trial element of the game, as players no longer have to guess as to what's behind a specific turn, or play levels multiple times to learn the layout. I was skeptical of this approach at first, but ultimately came around to it after just two missions. Having said that, there are sparing instances where maps are mirrored, forcing players to do the same basic run twice, even while playing solo -- presumably, this is a side effect of the four player co-op function. Even with that small caveat, Academy remains engaging throughout. Series staples like crumbling blocks and catapults return, as do most of the same exact enemies from the previous games. Academy doesn't really do a whole lot of iterating beyond the multiplayer and zoomed-out angle, but in most cases, that's completely fine. There's 25 stages in all, with five labeled as "classic" bonus maps (all of which support co-op), and four arenas to battle it out in. [embed]322505:61251:0[/embed] While there is a degree of replayability in the game's versus mode, I don't think it would be too forward to expect the entire first game to be added in at some point. Also, the complete lack of online play for either mode can really put a damper on things after you've mastered every level, and there's no level editor in sight, which would have been perfect for this release. Despite my mostly enjoyable experience, it's clear why WayForward works primarily with consoles -- this PC-only game suffers from a lack of options and optimization. For starters, there are nearly no visual options outside of HUD scaling, and the way control schemes are handled is barebones at best. Only player one may use a keyboard, and the others (two through four) must wield controllers. It's odd, because I had controller issues even during solo play, to the point where the "switch" button wasn't recognized. If you're big into the Mighty series, you'll probably have a decent time with Academy. It's a bit too chaotic to be a worthwhile multiplayer party game if that's primarily what you're looking for, but the great gameplay from the past Switch Force games has translated over in a nearly 1:1 ratio, which is fine by me. [This review is based on a retail build of the game provided by the publisher.]
Switch Force review photo
Patricia Wagon rides again
WayForward could probably make Mighty Switch Force! games until the end of time, and as long as they retained the basic concept, I'd still play them. They're fun puzzle platformers in spite of their faults, and the memor...

Retro photo

Retro City Rampage sequel, 'Shakedown Hawaii' announced

Now 16-bit
Nov 25
// Chris Carter
Developer Vblank has announced a brand new follow-up to Retro City Rampage titled Shakedown Hawaii. It will be released on PS4, Vita, 3DS, and PC at some point, and updates the original aesthetic with 16-bit visuals. Th...
Kentucky Route Zero photo
Kentucky Route Zero

Kentucky Route Zero Act 4 is 'almost done'

It's (not) too late to love you now
Nov 25
// Mike Cosimano
Hey, quick question. Do you pronounce the word 'route' as "R-out" or "root"? I'm in the latter camp, myself. Anyway, independent developers Cardboard Computer released another 140-character progress update on the much-an...
Divekick photo

Divekick's final update brings in a new free character

The Fencer from Nidhogg
Nov 25
// Joe Parlock
After over two years of ongoing support, fighting game parody and community in-joke Divekick has received its final update. Dubbed Divekick Addition Edition Plus Final, the free update introduces The Fencer from the popular ...
Animal Inspector photo
Animal Inspector

Animal Inspector is like a cute Papers, Please

Well, if euthanasia is cute
Nov 24
// Nic Rowen
Did you play the dystopian Soviet nightmare Papers, Please and think “this is good, but I bet it would be better if I was accepting or rejecting cute pets instead of these dreary Eastern Bloc sad sacks.” If so, you're a lunatic. But, the good news is some other lunatic went ahead and made that game.
Unravel photo

Here's nine minutes of new Unravel gameplay

Sit back and just unwind
Nov 24
// Joe Parlock
IGN has released nine whole minutes of brand new gameplay footage for the utterly lovely Unravel. It feels weird seeing Yarny without his nervous, friendly creator Martin Sahlin gently guiding us through it, but it’s ...
Last Horizon photo
Last Horizon

Take a fateful trip beyond the sun in Last Horizon

Goodbye Earth, hello yawning black death
Nov 23
// Jonathan Holmes
Last Horizon is a space exploration game on Steam, Android, and iTunes where it's up to you to find a new home for the entire human race. It has the underlying sense of loneliness and dread that you might find in films like ...

A guided tour of Life is Feudal: Your Own's many, many loading points

Nov 23 // Joe Parlock
Our utterly fascinating journey begins when entering a multiplayer server. I chose a heavily populated one (around 60 out of 64 potential players), and was treated to a nice, incredibly lengthy loading screen. But that's alright, the loading screen taking the better part of five damn minutes isn't a problem! Just take a look at those suave jet blacks and those imposing yellows as they come together beautifully in a visual feast slap bang in the middle of the screen. Isn't it just delightful? Note how the relevant information. such as how close the loading is to being complete, is relegated to being dark grey text on the black background. It’s a bold move that screams “I’m absolutely taking form over function, but when your form is as sweet as mine who really cares, eh?” Now I know what you might be thinking: this piece isn’t technically a true loading screen. But don't you worry, we're accepting of all hangups, slowdowns, waiting periods and roadblocks here! Look at this abstract art dancing around the screen. Look at how those blues and whites gently give way to a more rustic and earthy brown. You may have mistaken this for a delicious artisinal blueberry muffin, or maybe a painting by Johan Sebastian Mozart himself. In reality, this is  actually the world popping in incredibly slowly all around you! Unable to move, all you can do is stand and absorb the waves of colour as they cascade over you. You may have already sat through the initial loading screen, but Life is Feudal loves to just spoil you with how much waiting you're allowed to do before having to play the game! With time, those lighter areas might’ve gradually become a tree or a patch of grass, but in those few minutes it was something so much more: it was a discussion of the nature of reality, and the futility of seeking perfection. All I can describe it as is ‘inspiring’. And now we come to the main event, the one I've been most eager to show you. To do literally anything within Life is Feudal, you are rewarded with this low-key progress bar, slowly scrolling from left to right. Want to chop a tree, make an axe, or even just pick up some grass? Don’t be silly, nobody wants to do that, we all just want to gaze longingly at the progress bar in all of its sluggish, beige splendor. Some critics might argue that this bar is a metaphor for the unyielding capitalist society we find ourselves in, where even the smallest and most insignificant of actions requires hard toil. Life may be feudal, but does it really need to be this difficult? Alas, the beige progress bar seems to suggest so. And so here we are at last, the very end of our tour, and the thing that I believe might well be the most exciting statement Life is Feudal's makes. Should you ever find yourself tiring of the artistic genius that is the game’s many loading screens, and should you ever want to to stumble wearily away from the deep philosophical questioning of its progress bars, Life is Feudal will leave you with one parting message: life is nothing but waiting. Our fascinating journey begins when entering a server. I chose a heavily populated one (around 60 out of 64 potential players), and so got to sit through a nice, minutes-long loading screen. Look at those suave jet blacks and imposing yellows coming together beautifully in an absolute visual feast slap bang in the middle of the screen. And look at how the actually relevant information is relegated to being dark grey text on the black background. It’s a bold move that screams “I’m absolutely taking form over function, but when your form is as sweet as mine who really cares, eh?” Now this one isn’t technically a true loading screen. However it will become clear in time why I’ve included this in our tour. Just look at this abstract art dancing around the screen, merging blues, whites and browns. You may have mistaken this for a delicious artisanal muffin, but it’s actually the world popping in incredibly slowly. Over time, those lighter areas might’ve become a tree or a patch of grass, but in those few minutes it was something so much more. A discussion of the nature of reality itself. All I can describe it as is ‘inspiring’. And then we come to the main event. To do anything within Life is Feudal, you are treated to a low-key progress bar, slowly scrolling from left to right. Want to chop a tree, plow a field, or even just pick up some grass? Don’t be silly, nobody wants to do that on this tour, we all just want to gaze longingly at the progress bar in all of its beige splendour. Some critics argue that this bar is a metaphor for the unyielding capitalist society we find ourselves in, where even the smallest and most insignificant of actions requires hard toil. Life may be feudal, but does it really need to be this difficult? Alas, the beige progress bar seems to suggest so. And so here we are at last, the very end of our tour, and the thing that I believe might well be the most exciting statement Life is Feudal makes. Should you ever find yourself tiring of the artistic genius that is the game’s loading screens and wanting to stumble wearily away from the deep philosophical questioning of its progress bars, Life is Feudal will leave you with one parting message. That is right, my most esteemed guests. Even closing the game and ending your presence in their world will give you another wonderful loading screen. Hauntingly similar to the first, yet instead of the welcoming bearded gentlemen bringing you into his world, you are given a dragon-headed longboat to guide you far, far away. I hope you enjoyed your tour of what might be the most poignant, emotive piece of digital art created this decade. Truly, Life is Feudal is an artistic cornerstone, a piece to be held up for generations to come who seek to learn how to most effectively waste a player's time.
Life is Feudal: Your Own photo
This game has to be performance art
Life is Feudal: Your Own finally released on Steam last week after a hefty period in early access. The idea is great: take survival sims like Rust and The Forest, and add a pinch of Mount & Blade to make the ambitious med...

Slain photo
I've been keeping an eye on Slain!, a PC project (and PS4 + Xbox One, eventually, with a possible Vita edition) that's going to be released soon on Steam. Well, it was going to be released soon, as developer Wolf Brew Games h...

Indivisible photo

Take a look at the full cast of Indivisible's guest characters

Don't stop believing
Nov 22
// Jonathan Holmes
Indivisible is currently in crowdfunding overtime, with over a million dollars raised and 13 days left in its extended Indigogo campaign. The game still has about $400,000 left to raise in that time, so it's anyone's guess if...
Anchors in the Drift photo
Anchors in the Drift

Second Fig crowdfunding campaign Anchors in the Drift failed to meet its goal

Only made about 21 percent
Nov 20
// Darren Nakamura
I was ready to eat crow at the very beginning of the Anchors in the Drift crowdfunding campaign. After wondering aloud if the general public would get behind paying sizable chunks of money for a free-to-play game, it opened s...
Undertale who? photo
Undertale who?

Hollow Knight could be the next surprise indie hit

Such style. Much metroidvania. Wow.
Nov 20
// Jed Whitaker
The metroidvania-esque Hollow Knight took the Internet by storm yesterday, making it to the front page of reddit at least twice, and it could potentially be the next surprise indie hit following Undertale's recent succe...

Review: Renowned Explorers: International Society

Nov 20 // Darren Nakamura
Renowned Explorers: International Society (Linux, Mac, PC [reviewed])Developer: Abbey GamesPublisher: Abbey GamesReleased: September 2, 2015MSRP: $19.99Rig: AMD Phenom II X2 555 @ 3.2 GHz, with 4GB of RAM, ATI Radeon HD 5700, Windows 7 64-bit In Renowned Explorers, the goal is to become a particularly renowned explorer among the group known as the Renowned Explorers. This is achieved by going on expeditions, recovering valuable treasures, making scientific discoveries, and navigating combat situations. Basically, an expedition is separated into two parts: resolving text-based events while traveling between nodes on a map and tactical combat on a modified hex grid. Both sections have elements of procedural generation, so there's always a sense of exploring the semi-unknown, even on an expedition to the same location as a previous run. Area maps are covered in fog of war, with only the nearest nodes visible. Combat arenas will vary the layout of obstacles, choke points, and healing zones. [embed]321138:61123:0[/embed] Indeed, Renowned Explorers is a "roguelite," meant to be played multiple times in order to truly master it. Herein lies one of the biggest hurdles I had to get over in order to enjoy it. For a game meant to be played again and again, it just takes way too long. A single run consists of five expeditions, and each expedition can take 30 to 45 minutes depending on how many encounters there are. It took me days to get through my first run because of the time commitment. This does speed up with experience, because combat becomes much faster after learning the ins and outs of it. Even so, expeditions easily last 20 minutes or more, so it's not the kind of "just one more" experience a roguelite needs to really grab somebody. This is exacerbated by the planning phase that occurs in between expeditions. Here, players spend the resources gathered during the previous expedition to purchase improved gear, recruit followers, and perform research. This is easily the densest part of Renowned Explorers for a new player. Every resource is connected to another in some way, and the game takes a laissez-faire approach; it presents a bevy of options and lets the player sort out what to do with them. Navigating the nooks and crannies of the planning phase can be exhausting at first, which makes the thought of taking on a new expedition right away seem that much more unreasonable. By far, my biggest disappointment starting off was with the combat system. It advertises multiple ways to resolve encounters; an explorer can be aggressive with physical attacks, be devious with insults and threats, or be friendly with encouragement. The three styles have a rock-paper-scissors relationship, so an aggressive approach is advantageous against a friendly enemy for instance. The problem with it is that each form of "attack" draws from the same "hit point" meter, which represents a foe's willingness to keep fighting. You could punch an enemy until he has only a sliver of health remaining, then finish him off by encouraging him to believe in your cause. Fighting and talking don't feel like they function differently. The battle system is hardly different than a simple three-element magic system at first. Only after really digging in did I spot the nuance. Some encounters will provide different rewards depending on how they are resolved. More importantly, it's the asymmetry in the rock-paper-scissors system that makes it interesting. Aggressive attack damage is a function of physical power, where devious and friendly attack damage comes from speech power, so an orator might have a stronger pair of scissors than he has a rock, so to speak. Within the speech powers, there is asymmetry as well. In general, devious skills cause debuffs while friendly skills cause buffs -- on friends and enemies alike. So while the current mood might call for a friendly attack, it is still necessary to weigh the risk of increasing the enemy's attack power in return. The point is: the combat system is deeper than it initially lets on, but it takes some effort for a player to really understand that. That basically describes Renowned Explorers: International Society on the whole. It features a set of deep systems with complex mechanics and relationships, but it places most of the burden on the player to discover it. I'll admit, I disliked it until it all fell into place and revealed itself for what it is. I'm not chomping at the bit to keep playing, but I am curious to delve deeper. Different combinations of explorers can beget different tactics both in and out of battle. That thought alone is enough to keep me from uninstalling it.
Renowned Explorers review photo
A lot to dig into
I'm glad I stuck Renowned Explorers out. For the first couple hours it was kind of a slog. Not exactly bad, but dense, unwieldy, and unexciting. I would finish an expedition and quit, not wanting to get back to it until days ...

Emily is Away photo
Emily is Away

Emily is Away's AOL-style chat hits eerily close to home

It's like a game about my life
Nov 19
// Darren Nakamura
The tagline for Emily is Away is what got me to try it out. "Relive your awkward teenage years." Sure, that sounds like a blast. It's a short text adventure set in the early 2000s and made to look like AOL Instant Messen...
Read Only Memories photo
Read Only Memories

Read Only Memories is coming soon to PS4 and Vita

Turing breaks his way onto consoles
Nov 19
// Ben Davis
Read Only Memories, the cyberpunk adventure inspired by Snatcher, will be making its way to consoles soon on PS4 and PS Vita, as announced today on the PlayStation Blog. I reviewed Read Only Memories last month when it was re...
Yandere Simulator photo
Yandere Simulator

Read erotic manga to up your seduction game in Yandere Simulator

Killing Japanese school girls
Nov 19
// Steven Hansen
It's been a bit since we checked in on Yandere Simulator, the Hitman-like stealth game "about stalking a boy and secretly eliminating any girl who seems interested in him, while maintaining the image of an innocent schoo...

Review: Typoman

Nov 19 // Ben Davis
Typoman (Wii U)Developer: Brainseed FactoryPublisher: Headup GamesMSRP: $13.99Released: November 19, 2015 In Typoman, the player controls a small hero made out of the letters that spell the word "hero." This little guy must navigate a treacherous landscape riddled with puzzles and traps, all of which are also made out of words and letters, in a quest to reclaim his lost arm. It's your basic puzzle-platformer, with the main draw being that all of the puzzles and platforms are composed of letters. Pits are filled with pointy As, ladders are built out of Hs stacked on top of each other, and traps are created around words like "gas" and "crush." Meanwhile, enemies formed from the words "hate" and "evil" roam the land looking to put an end to the hero's adventure. In order to solve puzzles and bypass traps, the hero must rearrange letters to spell new words. See a raising platform that won't move? Try to form the words "up" or "on" out of the letters nearby. Stuck in front of a flooded pit full of rainwater? Maybe the problem can be solved by adding another letter to the word "rain." The first area of Typoman (what you see in the trailers and demo) is full of simple, clever puzzles such as these, easy enough to solve without help but fun enough to make me smile. [embed]321539:61169:0[/embed] To make spelling easier, the Wii U GamePad can be used to quickly rearrange any nearby letters into new words, provided that the letters are all touching each other. The hero can also rearrange letters manually by picking up individual letters and pushing, pulling, or throwing them into place, but this takes a lot longer than using the GamePad. As the game goes on, the puzzles start to become a lot more complex, but not always in a good way. By the third and final area, almost all of the puzzles involve a "letter dispenser" which provides the hero with nine or more different letters to choose from in order to form a solution. Not all of the letters from the dispenser are necessary, and sometimes a puzzle might require choosing the same letter multiple times. I found these puzzles to be a bit too unintuitive for my liking. Usually, the area would be set up in a way where I wasn't exactly sure what the game even wanted me to do, what type of end-goal action I was looking for, so I ended up just sitting there staring at the letters on the screen for about twenty minutes trying different words that never did anything. Typoman does provide a hint system for these difficult puzzles, which essentially tells the player which word will help them out through vague inspirational quotes. The puzzles become so difficult, though, that it's really hard not to just give up and take the hints after standing around doing nothing for a long time. And even after the solutions were revealed to me, sometimes they still didn't make much sense. For these longer words puzzles, I would have liked for there to be multiple solutions. For example, one puzzle that had me stumped for a long while had a very simple (if illogical) four-letter-word solution to be created out of a possible eight letters. Other words such as "stairs" or "raise" seemed like they could have possibly helped, since the puzzle involved platforms of various heights and distances which needed to be connected, but they did nothing. Instead, each puzzle seems to be looking for one very specific word in order to perform a very specific action, and it's the player's job to try and figure out what exactly the game is looking for. The problem is, neither the word nor the action required is usually very obvious. Puzzles aside, the platforming segments also needed a lot of work. Jumping is very sluggish, and the player is often required to time jumps at the very last possible moment in order to clear pits. On top of that, many of the traps have no warning at all until they have already been triggered, leading to a lot of trial-and-error gameplay. Deaths often felt like they weren't my fault at all, since I usually had no way to know that death was imminent until it was too late (don't even get me started on the final boss, by the way). Luckily, there are no lives and dying simply brings the player back to the beginning of the last puzzle, but it's still frustrating since these types of things happen throughout the entire game. On top of the confusing puzzles and poor platforming, Typoman also had long load times, a surprisingly short length, and a strangely serious, eerie atmosphere which I felt clashed with the otherwise quirky nature of the game. In the end, I was left wondering exactly what type of person Typoman was meant for. As someone who loves words and word games, it wasn't very satisfying to try and figure out which exact words and letters I was expected to use. Getting creative never helped, and instead I usually had to resort to guessing blindly until something worked or simply relying on hints which was no fun at all. And for other people who aren't great at word games or simply don't enjoy them, I can see Typoman becoming very boring very quickly. The beginning of Typoman showed promise, full of amusing and creative moments, something that anyone could enjoy. But unfortunately it wasn't able to hold that momentum for very long and quickly devolved into tedium and confusion, and lots of standing around doing nothing. [This review is based on a retail build of the game provided by the publisher.]
Typoman review photo
Not grate
Word games have always been a passion of mine. Looking at a group of letters and trying to form new words out of them can be fun and intellectually stimulating. So what if we took a word game and combined it with a platformer...

Rocket League Chaos Run photo
Rocket League Chaos Run

Rocket League December DLC adds first non-standard arena

Along with Mad Max-esque battle cars
Nov 18
// Darren Nakamura
We knew a new Rocket League announcement was coming today. It's not any more word on if/when the car soccer game would show up on other platforms. Instead, it's a handful of new car customization options modeled after brutal ...
Hotline 2 level editor photo
Hotline 2 level editor

Hotline Miami 2 level editor beta hitting next month

Happy murder maze designer
Nov 17
// Nic Rowen
It's been a little while since we last heard about the “almost ready” level editor for Hotline Miami 2: Wrong Number. But good things come to masked murderers who lie in wait and our patience has finally been rewa...
Van Helsing Final Cut photo
Van Helsing Final Cut

Van Helsing's Final Cut is the most 'Incredible' yet

Unless you've already played
Nov 15
// Patrick Hancock
Recently, NeocoreGames released The Incredible Adventures of Van Helsing: Final Cut on Steam, a compilation of the three games in the series. Past titles have varied in quality; the first game was good but buggy, the sec...
Smooth Operator photo
Smooth Operator

Sup Holmes shakes tongues with Beardo Games

Sup Holmes every Sunday at 2:30pm EST!
Nov 15
// Jonathan Holmes
[Sup Holmes is a weekly talk show for people that make great videogames. It airs live every Sunday at 4pm EST on YouTube, and can be found in Podcast form on Libsyn and iTunes.] [Update: Show's over every...

Review: Clandestine

Nov 14 // Patrick Hancock
Clandestine (PC)Developer: Logic ArtistsPublisher: Logic ArtistsMSRP: $24.99Released: November 5, 2015 Clandestine takes place in 1996, with the Soviet Union still fresh on everyone's mind. Players play as either Katya or Martin, field operatives who investigate bad guys who have done bad stuff. Honestly, a lot of the plot went over my head, generally because my friend and I were laughing so hard over voice chat that we missed just about everything. Clandestine falls perfectly into the "so bad, it's great" category with its cutscenes. Movements are rigid and imprecise, voice acting is god awful, and things clip through each other. In fact, the characters' boss has a goatee that clips through his face when he talks. Sure, this could be seen as a terrible oversight from the developers, but it's so in-line with the quality of the rest of the aesthetic that somehow it works. The game's structure has players walking around a headquarters between missions in order to get new information on what just happened, as well as what is coming next. It's nice to have legitimate downtime before each mission, and roaming around the building with a friend can yield wonderful things. HQ is essentially a playground that becomes a game of "what goofy position can I get myself into next?" In a way, it reminded me of walking around the base in Perfect Dark. [embed]320445:61104:0[/embed] Mission objectives often have Katya sneaking into specific areas to either interrogate someone for information, or set up a rootkit on a computer for Martin to hack into and download specific data. While boiling the objectives down to their core makes Clandestine sound same-y, the variation of maps and context keep things fresh from mission to mission. There are even some choices the players can make that affect specific plot elements and mission objectives. Gameplay entirely depends on which character players control. Katya's gameplay is third-person stealth, while Martin's is computer-terminal hacking. Katya's controls will be familiar to anyone who has played a third-person game before. She can stick to walls, which is a bit janky at times (but never janky enough to ruin a mission). Her job is to avoid detection from guards and cameras by not being seen or making too much noise. Katya players can approach a mission as they please; it's possible to go in and out without trying to make a peep, or bring a slew of firepower and kill anyone they deem necessary. The game rewards players for a variety of playstyles, and doesn't really encourage one over another.  Players controlling Martin have a completely different game in front of them. Martin's screen is split into four sections: hacking network, camera feed, tactical map, and console. The console is there simply to display mission objectives. The hacking network is a grid of terminals that Martin can hack into. Some are PCs in the map, others are locked doors, and some are miscellaneous objects around the level. Martin controls a little avatar in the network and moves along the grid with the WASD movement keys. Hacking a computer will reveal its login credentials, hacking a door will tell Martin the code, etc. The network admin also has an avatar that chases the player down, disabling them for about five seconds if caught. The tactical map is a blueprint of the level that Katya is currently in. If Katya comes up to a locked door, she can ask Martin to get the code. Martin can click on the door on the tactical map, it will highlight its node in the network, then Martin can make his way over to it and get the code, tell it to Katya, and Katya inputs it on her end. This is a simple, yet elegant asymmetric design that truly requires teamwork to pull off. Katya has a camera on her at all times, which Martin can use to see what she sees. He can also hack into cameras around the map, taking over their vision on his camera feed. If Martin controls a camera, it will not "spot" Katya, so she's safe to roam the area. This also allows Martin to scan a room before Katya enters, which is incredibly useful given the fact that Martin can also tag guards on the map, making them visible to Katya through walls. Players flying solo as Katya can switch between characters at will. While it works, it's missing the best element of Clandestine: working together with a buddy. When alone, the hilariously bad cutscenes are suddenly just...disappointing. The coordinated tactics aren't there. It feels like a much more shallow game in its single-player mode. Players can join random games online, but doing so will always make the joining player control Martin. This is especially frustrating if two friends want to switch roles. The best way we could figure was to send each other our save files when we wanted to switch roles, and then change who hosts the game. Despite the serious tone set by the plot, it's best to go into Clandestine with a light-hearted approach. The movement is a bit clunky, the animations and voice acting are stiff as a board, and there's plenty of visual issues. However, the core gameplay and asymmetric ideas work well together. Grab a friend (this step is very important), jump on to a third-party voice chat program, and go play Clandestine. I have no doubt you'll come away with a memorable gaming experience. [This review is based on a retail build of the game provided by the publisher.]
Clandestine review photo
An asymmetrically wonky good time
Asymmetric multiplayer is not an easy feat to pull off efficiently. Sure, it's relatively simple to create two gameplay styles within the same game, but to make them blend together to create a unique ebb and flow is something...

Japanese indie games! photo
Japanese indie games!

Doujin mecha shooter Steel Strider out now

Available for $6 via Steam
Nov 14
// Kyle MacGregor
Steel Strider, the sequel to Gigantic Army, is now available on Steam, Nyu Media has announced. The new shooter comes from Astro Port, the Japanese indie team behind this summer's Tokusatsu-inspired STG Supercharge...
Electronic Super Joy photo
Electronic Super Joy

Electronic Super Joy Wii U team talks self-censorship and the ESRB

Sexy sounds, slashes, & business reality
Nov 12
// Jonathan Holmes
It pains me that some game publishers and developers feel the need to arbitrarily add or remove sexual content to their games in order to make them more marketable, but that need is an inevitable part of any art business. If ...
Rocket League photo
Rocket League

Psyonix is 'looking at all kinds of platforms' for Rocket League

More news later this year
Nov 12
// Darren Nakamura
Thus far, Rocket League has seen some phenomenal success on PC and PlayStation 4 (in part due to the PlayStation Plus promotion), and developer Psyonix hasn't been shy about its desires to move onto other platforms in the pas...

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