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Sonic on Piggy Island photo
Sonic on Piggy Island

Sonic's next adventure takes him to Piggy Island


NOT some messed up erotic fan-fic
Sep 02
// Steven Hansen
Something has happened to Sonic. It's been happening for years. Sonic is a weird porn figure, the subject of countless adolescent Deviantart drawings and erotic fan-fics by kids still figuring themselves out. Also, us, when w...

Review: Lara Croft GO

Aug 27 // Zack Furniss
Lara Croft GO (iOS [reviewed on iPad Air], Android, Windows Phones)Developer: Square Enix MontréalPublisher: Square EnixRelease Date: August 27, 2015MSRP: $4.99 Lara Croft GO immediately establishes itself as a contemplative foray into a forgotten world. Meditative music gently ebbs and flows as Lara slowly walks up to a well-preserved ruin in one of the game's few brief cutscenes. The environments are vibrantly rendered in a simplistic yet gorgeous manner while gentle camerawork plays with the foreground, asserting a sense of depth. Lara's expedition takes you deeper into this ancient land, and before long a gargantuan serpent begins pursuing this new trespasser.  Similar to Hitman GO, you can only move along pre-carved lines on the ground and scalable walls, darting from spot to spot. Here, however, Ms. Croft is fluidly animated, doing somersaults and even her famous hand-stand ledge climb on occasion. It's initially jarring to see her do stilted little jumps between spots (there's no way to hold down a run button, as that would quickly end in death), but I stopped noticing it just a few levels in. Enemies and obstacles can only move whenever you do, so movement needs to be precise and measured. Unlike early Tomb Raider games, you'll never die due to stepping a tad too far or misjudging a jump.  Puzzles start as simplistic fare involving levers and floor panels that can only be safely crossed one time, but add elements every few levels (of which there are 40) to stave off repetition. Snakes, lizards, and giant spiders will do their best to prevent you from reaching your desired MacGuffin and each provide their own set of challenges. You'll eventually find single-use tools to combat them, such as a javelin and a torch. Then there are boulders, sawblades, and other traps that will make you doubt every step you take. Since the checkpoints are very forgiving and most levels will only take you a few minutes to complete, dying isn't discouraging. Death, more than anything, is your most reliable tool when it comes to deciphering the machinations of the deathtraps hindering your progress. You'll step on plenty of floor panels only to launch arrows into your soon-to-be lifeless body, but it's never a frustrating affair. While this is appreciated, the one and only quibble I have with Lara Croft GO is that it never quite feels like it fully ramps up to a satisfying difficulty. Despite a couple of "A-ha!" moments, the slow addition of complications and intensifying music build to a climax that doesn't deliver. It's always appreciated when a mobile game can be played in short sessions, but I wouldn't have balked at being stumped a few times. Perhaps it's my love towards past installments and the enjoyment of being utterly stonewalled by a puzzle, having to think about it even when I'm not playing. On the off-chance that you every get completely stuck, you can use microtransactions for hints (this feature was not online when I was playing for review). If you miss the older games in the series, you'll find cute references that aren't cloyingly nostalgic. The main menu is radial like it was in the olden days of yore, and that satisfyingly reverbed BRRINNGG sound effect denoting the discovery of a hidden treasure has returned. Find enough of those treasures and you'll even find costumes from the old games, like the wetsuit from Tomb Raider II. This affords Lara Croft GO some replayability (since you'll be able to finish it in around three hours depending on your skill level), but they aren't exactly well-hidden until the back half of the adventure. Though other games featuring Lara Croft have elicited a gamut of reactions such as horror and anxiety, I never expected to find spelunking so calming. The dreamlike soundscapes bring to mind a massage parlor and slowly slipping into sleep as someone caresses your tired feet. This is an easy game to fall asleep to, and I'm almost positive you'll have good dreams. I don't think Square Enix is claiming that one solely because of the lawsuits that will occur when players start rolling over and crushing their iPads. Lara Croft GO is clearly the product of a love for what the Tomb Raider series used to mean. Your pistols are more of a tool than a weapon, and you certainly won't be killing an island's worth of men. A lovely visual style and a zen-inspiring score provide backdrops to my favorite Croft adventure in some time. I'm now grateful for the delineation between the action-filled Tomb Raider and puzzle-focused Lara Croft games. Even though I enjoyed 2013's hectic reboot, sometimes you just want to stop and breathe it all in, tomb dust and all.
Lara Croft GO photo
Spa Raider
Last year, Square Enix Montréal surprised us by distilling the Hitman series into a minimalistic mobile game with a tabletop aesthetic. It was a risky move, but Hitman GO ended up a critical success that show...

Forest of the Sleep photo
Forest of the Sleep

Proteus developer announces Forest of the Sleep


A game based on Russian fairytales
Aug 27
// Joe Parlock
Proteus developer Ed Key has announced his latest project. Apparently making one pretty game with Proteus wasn’t enough, and so he’s back with Forest of the Sleep. Forest of the Sleep is a collaboration betwe...
Amazon Underground photo
Amazon Underground

Amazon Underground boasts 'actually free' Android apps and games


Shh, don't tell anybody
Aug 26
// Darren Nakamura
Well this is interesting. Normally we brave, noble Android users get the shaft in terms of software, with iOS set up as the lead platform for a lot of games and developers muttering "we're working on an Android version set to...

Clicker Heroes photo
Clicker Heroes

We're doomed: Clicker Heroes hits iOS, Android


Be strong
Aug 25
// Jordan Devore
It's a good thing I swore off Clicker Heroes. It was bad enough playing the game on a desktop computer. Now, the perpetual time-waster is available for iOS and Android. There's no escape. For the uninitiated, this is an idle ...
Tabletopia Kickstarter photo
Tabletopia Kickstarter

Tabletopia wants to be the premier digital board game platform


A magical world made of tables
Aug 24
// Darren Nakamura
So we already have Tabletop Simulator, but a new challenger approaches. Tabletopia aims to bring board games into the digital space in a similar manner, and it has taken to Kickstarter for its last push in funding. It works b...
Monster Strike photo
Monster Strike

Japanese mobile game making $4 million a day


Monster Strike is just printing money
Aug 22
// Kyle MacGregor
Monster Strike, a mobile action RPG developed by Japanese social networking service group Mixi, made $387 million between April 1 and June 30, according to the company's latest financial report. As Tokyo-based consultant Dr. ...

Review: Alphabear

Aug 22 // Darren Nakamura
Alphabear (Android [reviewed], iPad, iPhone)Developer: Spry Fox, LLCPublisher: Spry Fox, LLCReleased: July 8, 2015MSRP: Free (with microtransactions) The core mechanic in Alphabear is easy to pick up, but it bears an elegance upon close inspection. Letter tiles are placed on a variable-sized grid, and players are tasked with forming words with those letters. Using a letter clears it from the board, replaces it with a bear, and reveals new letters in any adjacent spaces. Bears can grow in size as long they have a full rectangle of cleared tiles to fill. Each tile has a countdown on it, decrementing by one for each turn taken. If any countdown reaches zero, that letter turns to stone, removing it from the pool of usable letters and taking up valuable real estate where bears could live. The end goal is to score the most points, which come from two main sources: words formed during a game and bear size at the end. Each letter's value decreases with its counter, so word values are calculated from both length and how close each individual letter is to expiring. For bear size, the aim is to create the biggest bear possible; one full-board bear is worth more than two half-board bears. [embed]307196:60082:0[/embed] All of these mechanics come together to make a game that isn't just about showing off vocabulary and anagram skills. For one, there is focus and direction. Tiles with low counters are shown in increasingly alarming colors, where those one turn away from fossilization pulsate with a deep red but those with four or more are a placid green. Instead of dumping upward of two dozen letters on the player and saying, "make some words," it makes using certain tiles more urgent, bringing them to the forefront. Maybe I could make a ten-letter word with these tiles over here, but I really need to use this J that's about to expire. It also causes the player to think ahead: not only does one want to use all of the tiles showing a one this turn, but he should also make sure he can deal with the tiles showing a two for next turn. Another important result of the base mechanics is the idea of spatial importance. The tiles all have a location, and clearing a tile in a certain area might be more beneficial than doing so in another. Some spaces are marked with a star or a skull, signifying the letter set to appear there will either have an unusually high countdown or an especially low countdown. Setting off a skull when there are several twos left in play is a bad move. The mechanics make the center of the board more important too, because a stone in the way there will prevent having a screen-filling bear at the end, but a stone along the edge or in a corner will only decrease its size by a small amount. The boards aren't all the same; the layout of a particular board affects how players will attack it. The last bit of significance that emerges from Alphabear's mechanics is a strong risk/reward scenario. Forming long words is worth more points right away, but it opens up more tiles at once. It brings more opportunities for even larger words but also more opportunities to miss using a tile in time. Play it safe, unlocking only a few new tiles per turn and banking on a large bear at the end, or go big on word scores at the risk of losing out on bears? There isn't a definite answer. In a word, Alphabear brings strategy to a genre that has severely lacked in it in the past. Considering the countdowns, board layout, and the available letters brings much more nuanced decision-making than the typical directive of "make the biggest word you can think of." Sometimes it's better to make a weaker word in the moment in order to pull ahead in the end. Every single turn presents this mental exercise. Outside of the main meat of the gameplay, there is also an almost Pokémon-esque collection mechanic. Completing a level above a par score nets the player a bear; completing it above a gold score gives a chance for a powerful rare bear. Each of these bears has its own costume and consistent with Spry Fox's modus operandi, they are all adorable. Look at Milky Bear (below)! It's a bear dressed up as a carton of milk. So cute. Each bear has its own powers to bring to the levels. Some only affect score, some have a noticeable impact on gameplay. By collecting the same bear multiple times, it levels up, increasing its multiplier. This makes high scores for future runs of the same board easier to attain. Not only does Alphabear inject strategy into a word puzzle, it also uses these light role-playing game elements to keep me playing. A particular level might be too hard now, but I can come back to it later with some beefed up bears and try it again. At the end of a level, the newly hatched bear will form a series of phrases using the words played during the game. You might have seen these on social media already. It's a silly little touch, but it adds another bit of meta to the experience. Not only do people go for high scores, they also go for words that would make for funny sentences to share with friends. The one big sticking point for many is Alphabear's free-to-play scheme. It uses an energy mechanic (honey), allowing for only a couple of games before honey is depleted. It builds up over time or can be accumulated by watching ads. Personally, I loved the gameplay so much I paid the five bucks for unlimited honey and haven't regretted it. Even then, the bears each have cooldown periods and the other currency (used to wake up sleeping bears and to play special levels) suffers from diminishing returns over the course of a day, so players who buy unlimited honey may still feel stifled. Spry Fox wants players to come back day after day; I'm fine with that, but I know there are many out there who aren't. Indeed, I'm still playing Alphabear on a nearly daily basis. I couldn't say how many hours I've put into it already (I'd estimate maybe 20?), but I'm not even halfway through all of the chapters. The injection of strategic concerns to a word puzzle is such great design. I would like that enough on its own, but the collection aspects, cute bears, and social media meta elevate it further. [This review is based on a free game with microtransactions purchased by the reviewer.]
Alphabear review photo
Word
If you had told me three months ago there was still untapped potential in the genre of using letter tiles to form words, I probably wouldn't have believed you. If you would have told me a word puzzle game would end up being o...

Spider cheats photo
Spider cheats

Hate spiders but want to play Spider? Use this cheat code to play as a walrus


Goo goo g'joob
Aug 20
// Ben Davis
I reviewed Spider: Rite of the Shrouded Moon a couple weeks ago and really enjoyed it, but some readers were concerned about the fact that they would have to play as a spider, because, well... spiders are pretty creepy. If yo...
Gassy Mob photo
Gassy Mob

Fart on everyone and run away with Gassy Mob


Devolver Digital publishing, of course
Aug 19
// Darren Nakamura
Fart. Toot. Fluff. Pass gas. Flatulate. However polite you want to be while describing gas escaping from a butthole, it's still a pretty impolite thing to do in public. Impolite and funny (to me). Like this classic gem: Why ...
Hearthstone update photo
Hearthstone update

Hearthstone version 3.0 is out, hints of upcoming co-op mode


Grand Tournament launches next week
Aug 19
// Jed Whitaker
Blizzard's ever-popular free-to-play digital card game Hearthstone just got a major update ahead of the release of its next expansion, The Grand Tournament. Blizzard just recently revealed all 132 new cards included...
Pac-Man 256 photo
Pac-Man 256

Pac-Man 256, from the developers of Crossy Road, is out now


On Android and iOS
Aug 19
// Chris Carter
Developer Hipster Whale hit it big with Crossy Road, and for good reason -- it's a fantastic little mobile game. Now they're back with Pac-Man 256, which sees the iconic character in an endless runner format, wacka-ing his wa...
Fallout on Tinder photo
Fallout on Tinder

Bethesda wants you to swipe right on Vault Boy on Tinder


And then play Fallout Shelter
Aug 18
// Brett Makedonski
After all this time stuck in adverts for Vault-Tec, Vault Boy needs a little love too. The Fallout mascot has turned to matchmaking app Tinder to look for companionship. It's so awkward when you come across the profile o...
Borderlands screenshots photo
Borderlands screenshots

Tales from the Borderlands: Escape Plan Bravo screenshots, we got 'em


Is episode five out yet?
Aug 18
// Darren Nakamura
Wow wow wow. This episode was so good, guys. I don't think I've ever given a 10/10 to anything on Destructoid before. Y'all need to play this series. For those who would rather just look at some pretty pictures, I have those ...

Review: Tales from the Borderlands: Escape Plan Bravo

Aug 18 // Darren Nakamura
Tales from the Borderlands: Escape Plan Bravo (iOS, Mac, PC [reviewed], PlayStation 3, PlayStation 4, PlayStation Vita, Xbox 360, Xbox One)Developer: Telltale GamesPublisher: Telltale GamesReleased: August 18, 2015 (Mac, PC, PS3, PS4)MSRP: $4.99, $24.99 (Season Pass)Rig: AMD Phenom II X2 555 @ 3.2 GHz, with 4GB of RAM, ATI Radeon HD 5700, Windows 7 64-bit [Editor's note: there will be no major spoilers present for the episode reviewed here, but events in previous episodes may be discussed.] Things were looking bad for Fiona and Rhys at the end of the third episode. Sure, Gortys found her first upgrade and the path to the Vault of the Traveler became clearer, but newcomer Vallory had the group pretty well pinned under her thumb by the end. Complicating matters was the revelation that the final Gortys upgrade isn't even on Pandora; it's up on Hyperion's moon base Helios. For a series known for fast travel between exotic locations and featuring interstellar travel as part of its lore, it's easy to forget just how infrequently anybody takes a trip off Pandora. Usually, denizens of the wasteland are stuck there. And so the first act of this episode involves the non-negligible task of actually getting from Pandora to Helios. The group grows as August and Vallory's henchmen ride along to ensure Rhys and Fiona don't try anything funny and Scooter hops in as the on-board mechanic. It's a pretty motley crew, well deserving of the '80s rock credits sequence rocket launch montage. [embed]306135:60017:0[/embed] Telltale continues to demonstrate its comedic mastery with Tales from the Borderlands. One of the funniest parts comes from a totally visual gag within the launch montage. It elicited more laughs with no words than some comedy games do with thousands. The written jokes here are on point too. Each of the characters brings something different. Gortys remains a highlight through the whole ordeal, even if she has fewer lines than she did in the previous episode. Fiona's sarcasm hits just the right notes. Handsome Jack is about as likable as a murderous psychopath can be. The plan that comes together even allows players to act like total assholes without having to feel too bad about it. The trip to Helios also allows for one of the most bizarre scenes in recent memory. Without spoiling too much: it's a classic Telltale quick-time event action sequence, but it involves a horde of Hyperion accountants and a lot of mouth-made sound effects. It isn't all laughs. The series has had its serious moments in the past, but Escape Plan Bravo will cement Tales into the overall Borderlands lore. It is no longer a side story on Pandora. It feels like its own proper entry in the timeline, with real effects on the world Gearbox built. It's a stark contrast with Telltale's other current series Game of Thrones. While the events in that series are important to the Telltale-designed protagonists, they aren't important to anybody else in that world. Telltale's characters and story in Tales from the Borderlands are important to Borderlands as a whole. I have to imagine there is at least a modicum of trepidation when handing over a franchise to another developer, but if Gearbox had any fears that Telltale wouldn't do right by Borderlands, those fears would be unfounded. If anything, it feels like Gearbox needs to hire the Telltale writers to consult on Borderlands 3. Escape Plan Bravo solidifies Tales as a must-play series for those interested in the Borderlands universe. I cannot wait for the last episode, The Vault of the Traveler. There is so much to resolve: Vallory, Handsome Jack, Vaughn, Gortys, the masked man, Felix, the vault. I'm stressing out just thinking about it all. There isn't much more to say without spoiling the best episode of Tales from the Borderlands yet. I laughed. I cried. I haven't been able to say that about a Borderlands game since Tiny Tina's Assault on Dragon Keep, or about a Telltale game since the first season of The Walking Dead. [This review is based on a retail build of the game provided by the publisher.]
Borderlands review photo
Encore! Encore!
[Disclosure: Anthony Burch, who consulted on the story for Tales from the Borderlands, was previously employed at Destructoid. As always, no relationships, personal or professional, were factored into the review.] Tales ...

Telltale Borderlands photo
Telltale Borderlands

Tales from the Borderlands Episode 4 trailer blasts off


'I was wired ready!'
Aug 17
// Darren Nakamura
Tales from the Borderlands: Escape Plan Bravo hits this week, so as is its custom, Telltale has released a trailer to pump audiences up for it. In Catch a Ride we learned Gortys's second upgrade was somewhere up on Heli...
Mii too photo
Mii too

Chinese console knocks off PS4 and Xbox One


Shameless, utterly shameless
Aug 16
// Kyle MacGregor
You'd think China recently ending its ban on foreign video game consoles would end this particular brand of malarkey, but here we are talking about the "OUYE," yet another shameless knock off box. The manufacturer of this And...
Disney Magic Kingdoms photo
Disney Magic Kingdoms

Disney Magic Kingdoms lets you build your ideal theme park


Zack-land isn't far away
Aug 16
// Zack Furniss
Have you ever walked around Disneyland and thought, "Nope, this ride is in the wrong place, they should sell churros at every booth, and there are definitely not enough restrooms in TomorrowLand"? If you share my incredibly s...
Breath of Fire 6 photo
Breath of Fire 6

Breath of Fire 6's Ryu is the protagonist's older brother


Series portal site, webcomic up
Aug 14
// Steven Hansen
Has it really been two years since Capcom took the wind out fans' sails with Breath of Fire 6, the mobile game? Time flies. Capcom has put up a nice Breath of Fire series site filthy with bios, pictures, videos from all game...
I'M THE GREATEST photo
I'M THE GREATEST

Fallout Shelter Android leaderboards already hacked into oblivion


1,000,000,000,000,000 points
Aug 14
// Steven Hansen
Ah, Fallout Shelter has finally come to Android devices. Let's just see who has been excelling at the....oh. Forget it, Jake, it's the easily hacked Android leaderboards. via [Reddit]
Gathering Sky impressions photo
Gathering Sky impressions

Gathering Sky is out today on Steam and mobile, and it's quite relaxing


I want to fly like an eagle
Aug 13
// Ben Davis
Gathering Sky, a game from indie studio A Stranger Gravity about controlling a flock of birds, released on Steam, iOS, and Android today. I got a chance to play around with the Steam version this week, and it's a pretty neat ...
Fallout Shelter photo
Fallout Shelter

Fallout Shelter is now available on Android


For free, still
Aug 13
// Chris Carter
Fallout Shelter isn't as completely devoid of free-to-play tactics as Bethesda would have you believe, but even for a AAA mobile game, it's pretty good. While fans were pissed that it was only announced for iOS following thei...
 Evangelion photo
Evangelion

Neon Genesis Evangelion invades Super Robot Wars X-Ω


Shinji Ikari returns
Aug 12
// Chris Carter
Before you get too excited, note that Super Robot Wars X-Ω is a mobile game. Ok with that out of the way, Bandai Namco has announced that Eva Unit 01 will be joining the cast of the game, complete with pilot Shinji Ikari. He joins guests from 28 properties, including Code Geass, Star Driver, Zegapain, and Full Metal Panic. Uh, this is enough for me to check it out at some point!
Telltale Borderlands photo
Telltale Borderlands

Tales from the Borderlands Episode 4 out next week


Have some screenshots
Aug 12
// Darren Nakamura
From the announcement of the "crowd-play" event at PAX Prime, we knew Tales from the Borderlands: Escape Plan Bravo was imminent. I figured the event attendees would have advance knowledge and the rest of us would get it the ...
1849 Gold Edition photo
1849 Gold Edition

1849 Gold Edition released, letting you live out your gold rush fantasies


Little House on the Prairie but they die
Aug 12
// Joe Parlock
There’s a little game I feel too many people missed by the name of 1849. It’s an indie historical city simulator by Somasim, borrowing from games like CivCity: Rome and Zeus. Set in the United States during the C...
Bling Bling for Blizzard photo
Bling Bling for Blizzard

Wowzers, Hearthstone pulls in $20 million per month


How much of that is you?
Aug 11
// Jed Whitaker
Research firm SuperData is reporting that Blizzard's free-to-play Hearthstone: Heroes of Warcraft is making $20 million a month; more than any other digital card game. When compared to other popular free-to-play games, Hearth...
The Walking Dead photo
The Walking Dead

The Walking Dead: No Man's Land features tactical zombie killing


Voice work not as bad as 'Merlinderl'
Aug 11
// Darren Nakamura
Oh! A game based on The Walking Dead that focuses on tactical zombie survival? Sure, sounds great. Or maybe it doesn't technically sound great, as Norman Reedus really hams up the voice work in this trailer, going overboard w...
Bandai Namco photo
Bandai Namco

Bandai Namco might be localizing Tales of Link


Trademark filed in Europe
Aug 09
// Kyle MacGregor
As spotted by Gematsu, Bandai Namco filed a European trademark for Tales of Link last week. The free-to-play role-playing game launched on iOS and Android devices in early 2014, but only in the Japanese market. Given the publ...

Review: Spider: Rite of the Shrouded Moon

Aug 08 // Ben Davis
Spider: Rite of the Shrouded Moon (PC [reviewed], PS4, Vita, iOS, Android)Developer: Tiger StylePublisher: Tiger StyleRelease Date: August 6, 2015 (PC, iOS) / TBA (PS4, Vita, Android)MSRP: $12.99 Spider is primarily about eating insects and getting high scores. You play as the titular character in a large, seemingly abandoned estate, and come equipped with all of the skills a real spider would have. It can cling to almost any surface, move around very quickly, jump incredible distances, and spin webs to trap prey. Playing as a speedy, acrobatic hunter feels really great, and the controls are very responsive and precise. But on top of the slick web-slinging gameplay, there's also an underlying puzzle game hidden in the recesses of the estate for players who want to delve a bit deeper. The core gameplay is simple enough to learn the basics very quickly. Basically, jump from one surface to another while spinning a web to start building, and try to create geometric shapes which will be filled in automatically once completed. These webs will trap passing insects, which can then be eaten for points and more silk to spin more webs. Eating multiple insects without leaving the web will increase a combo meter, but the combo will reset to zero once the spider touches any other surface. [embed]297461:59879:0[/embed] Gameplay leaves plenty of room to develop new skills and strategies to maximize your score. Combos remain as long as the spider is touching a web, so you can try building multiple webs to jump between to keep the combo going. More points are earned by eating smaller insects first and saving the larger and rarer ones until the combo meter has built up a bit, so figuring out which insects to catch and eat in which order can drastically alter your score. Different insects require different strategies to eat them. Most have to be caught in a web, but some will need to be led into the web somehow and some can only be caught in strong webs. These strong insects might destroy webs that are too weak, releasing any other captured insects in the process. Other insects can only be killed by being tackled, such as hornets and ants. These have a separate combo meter which runs out in ten seconds unless the spider tackles another insect to keep it going. Just jump into them to eat them. No webs necessary! But be careful, because some of them can fight back. Spider also has an interesting time and weather mechanic. The game detects your location and mimics the current time and weather in-game, between four different scenarios (clear day, rainy day, clear night, and rainy night). You can choose to opt out of the location services as well, in which case it just uses the developer's location. It also tracks the current phase of the moon if it's a clear night. The time, weather, and moon phases all affect gameplay in different ways. Certain insects only come out when it's daytime or while it's raining, and some areas can only be accessed during certain weather conditions. Sometimes, the level will feel completely different between night and day. For example, one level in the barn is filled with a normal variety of flying insects during the day, but at night it becomes infested with hornet nests, totally changing the way you play it. My only complaint is that I felt some of the levels could have used more obvious differences between the various time and weather scenarios, but for the most part there was a good variety. Then there are the moon phases, and this is where the underlying puzzle game comes in. While roaming the estate as a spider, you'll come across secret areas and clues pertaining to certain mysteries. Many of these clues can only be found and solved if special requirements are met, such as playing during a new moon or at night while it's raining, although some of them can also be completed whenever. Solving mysteries will unlock more areas to play, and the game cannot be truly beaten until all clues are found and the final mystery is solved. While time traveling and altering weather mechanics is an option for those less patient players, Spider is really meant to be played slowly over a period of time. Try playing at different times of the day to find new stuff. Or if it starts to rain one day, then try to find some time to jump into the game and see what all has changed with the gloomy weather. Once you start finding clues, you can begin to synchronize your gaming schedule with the phases of the moon and plan out certain nights to return to the game to check on something. Eventually, as the month goes on, you'll start to unravel the mysteries of the estate. Or, if you don't care about all that, there's still the incredibly fun web-slinging, insect-catching action to focus on, which should be more than enough to keep you engaged. I'm sure some players will be more involved with achieving high scores and climbing up the leaderboards than trying to solve riddles and look for clues. Either way you choose to play, it's still a great game. [This review is based on a retail build of the game provided by the developer.]
Spider review photo
Strong web
I will take any opportunity to play as an animal in a video game. Let me control a dolphin, a wolf, a shark, or even a tiny little mosquito and I'm happy. As you surely already guessed, Rite of the Shrouded Moon puts the...

Lara Croft GO captures the essence of pure Tomb Raider

Aug 08 // Brett Makedonski
Lara Croft GO fits soundly into that latter category by more than just name alone. Despite being a mobile title, it nicely captures the spirit of the very first Tomb Raider games. Donning her classic outfit, Lara works through level after level in search of an artifact. Puzzle-solving and exploration are earmarks, just as they had been all those years ago. However, the mobile format is what makes GO distinct. Rather than continuous action, this game is turn-based which places a greater emphasis on thinking before moving. A rudimentary example might be a pair of snakes that are facing opposite directions. You always have to attack from the side or back, lest they strike and kill you first. There's only one path that allows for the correct order of operations; the others just leave you dead. But, even when Lara Croft GO deals out frustration, it doesn't negate progress. This is the mobile crowd, after all -- a group that might not have the patience to have its time wasted. Checkpoints come frequently and everything is ever-so bite-sized. On a micro-level, the scale of each section is obviously intentional. Routon says that the studio knows who it's developing for. Despite Lara Croft GO allowing for minimal time investments, Square Enix Montreal is seeing a more encouraging trend. "People intend to play for five minutes, and they end up playing for an hour or more," Routon comments. "We tell playtesters they can leave, but they say they want to finish this puzzle first. I guess that's not a bad thing." [embed]297421:59880:0[/embed] It really doesn't come as a surprise that people don't want to put Lara Croft GO down. It elegantly encapsulates what makes Tomb Raider work, and boils it down to its purest form. Swipe, swipe, swiping on the screen is so simple, yet it doesn't feel cheap to lead Lara on an adventure in this fashion. Helping production values are the strong aesthetic and the narrative told only through gameplay details. Although it's in the mobile market, Square Enix Montreal prices its titles more traditionally. GO will be available on August 27, but the cost is unknown right now (Hitman Go released at $4.99). Once invested, this game is fully playable at any speed; there are no energy meters to temper progress. Routon confirmed that there will be microtransactions of some sort, but their nature will be puzzle solutions for those who are struggling. In a wasteland of freemium games, this price model is commendable. More commendable, however, is the way that Square Enix Montreal boldly gets back to the roots of Tomb Raider. Series veterans will rediscover a Lara Croft that they know and love in a format that's undiscovered to them. Fitting, seeing as Tomb Raider should be all about discovery.
Lara Croft GO preview photo
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Antoine Routon grinned. "We have people knocking down our door saying 'Can you do our game too?'" Routon's the lead programmer at Square Enix Montreal -- the publisher's studio that's dedicated to mobile titles. Square Enix h...


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