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Review: Rocket League

Jul 14 // Zack Furniss
Rocket League (PlayStation 4 [reviewed], PC)Developer: PsyonixPublisher: PsyonixMSRP: $19.99Released: July 7, 2015 Rocket League is Psyonix's follow-up to Supersonic Acrobatic Rocket-Powered Battle-Cars, which had entirely too many hyphens. By dropping the hyphens and making every facet of their concept as simple and accessible as possible, they've made something undoubtedly focused. You are a car, and you must knock a large ball into the opposing team's goal. It never gets more complicated than that. You can play one on one (though I can't imagine that'd be terribly fun), or up to four on four with players around the world or bots. There are different modes available: Exhibition is for local games with four-player split-screen or bots, Season allows you to set up consecutive bot matches over complete with playoffs, and Training teaches you the basics of movement. Starting with Training is a swell, yet ultimately unnecessary idea since you'll have a feel for the driving by the end of your first match. You can accelerate, reverse, jump, double-jump, and boost all over the field and it all feels crunchy and responsive in the best way. The arenas all have just the right amount of friction to feel like you're completely in control of your vehicle at all times. When you try to boost into the ball to score a goal and you careen right past it, you have no one to blame but yourself. The perfectly-tuned controls lend themselves to a desire to acquire mastery, a feeling that seems rare as of late. If you master one skill, proper use of boosting is the one to pick. Since boost juice is finite, you have to drive over boost pads to keep it topped off. Whether you use said juice to dart from the goalie to position to attempt a risky goal or you boost long enough to crash into someone to temporarily destroy them, you'll learn to love judiciously tapping and holding that circle button. Exploding a member of the opposing team only takes them out for a second but can be a viable strategy when things get hectic. While you can play with four players per team, it tends to be too chaotic. You'd think with more players that one person would designate themselves as the goalie, but instead each person gets caught up in an offensive. With a dedicated team it'd probably be a viable mode, but I was playing mostly pick-up games. 3 on 3 seems like the definite sweet spot and is recommended when playing online. Since Rocket League has cross-platform play between the PlayStation 4 and PC, I was always able to find a match within a minute or two. The loading screens are always brief so it's a little too easy to find yourself starting up another match even after telling yourself it's 2 in the morning and you need to texture a patch of drywall tomorrow (that's a normal thing, right?). There's also a carrot on a stick to keep you playing in the form of car customizations. By playing well, you can enter the garage to customize your car's body type, decal, paint job, wheels, boost trail color, antenna, and topper. I rocked a pirate hat on my little pick-up truck for the majority of my matches. These are all purely cosmetic so as not to distort game balance. It would take quite awhile to unlock all customizations, but they're a nice little bonus for the already fun core gameplay. There are seven arenas (though a few of them are the same, with different weather) that are all gorgeous. Watching your little car zip over billowing grass as it rains down on you all in a crisp, smooth frame rate is more aesthetically pleasing than you'd expect from soccer car smash fusion. Though I sort of expected different obstacles or boost pad placement on each arena, I ended up appreciating that these changes are only cosmetic. You always know exactly what you're playing with. I didn't go in expecting much from Rocket League since I'm usually not a huge fan of driving and sports games. Instead of walking away with a confirmed bias, Psyonix's laser-focused concept gave me something fun to whip out the next time I have friends over. I imagine with a bunch of awful beer and willing companions, we'll have a great time. What's next, will I enjoy a game that mixes Metroids and Soccer? We'll see. [This review is based on a retail build of the game provided by the publisher.]
Rocket League review photo
I will only call it 'soccar' once
A good chunk of today's onslaught of complex games has convoluted controls, alienating lore, and feature creep that can sometimes be overwhelming. Every so often, a developer comes along and makes something that just seems nice and digestible -- no need to research the best character build or wiki-scan to catch up on the plot. And sometimes that tasty little morsel is a driving/soccer sandwich.

Review: Batman: Arkham Knight - Batgirl: A Matter of Family

Jul 14 // Chris Carter
Batman: Arkham Knight - Batgirl: A Matter of Family (PC, PS4, Xbox One [reviewed])Developer: WB Games MontrealPublisher: Warner Bros.MSRP: $6.99Released: July 14, 2015 (for Season Pass holders) / July 21, 2015 (wide release) The Batmobile takes a backseat this time in favor of a tale told entirely from Barbara Gordon's perspective before the events of Arkham Knight. WB just couldn't resist the chance to bring The Joker back yet again, and it uses every opportunity to let you know that this is his DLC without really having him do all that much. In other more exciting news, Harley Quinn is back, but with her red and black Animated Series get-up for the first time in the Arkham games. It looks great. All of the action takes place in the Seagate Amusement Park, which can be thought of as a tiny little sandbox that hosts the new DLC area. The Joker has captured Jim Gordon, and it's up to Barbara (and Robin) to save the day. Family kicks things off with a by-the-book Dual Play combat session, then it's off to free roam for Batgirl. For the most part (like all the other playable characters so far), Batgirl operates just like Batman -- she even has identical detective vision. Combat is relatively the same, and even though WB Montreal notes that she's "weaker" than Bruce, it doesn't really feel that way at all. It's very cool grappling about with Robin, but other than the use of a new type of gadget (advanced hacking), it's the tried and true Arkham formula. In Family, Barbara can use her remote hacking device as a "catch-all" basically, to do all sorts of things like short-circuit devices or manipulate objects. Think of it like a super gadget that can do a lot. It's presumably done so you don't have to micro-manage all of Bats' tools all over again, and to give Batgirl a slightly different feel. Here's the thing -- it does work at a base level, mostly because it distills the experience down to a lot of the good bits, and takes away the pesky forced Batmobile sessions. In other ways it feels limited, as you're stripped of most of those wonderful toys. [embed]295688:59441:0[/embed] None of the environments are particularly memorable outside of a nice little cameo I found in a water tank (in fact, most zones are even less interesting than the random spots you'll find in Gotham proper), but the linear format isn't jarring, either. That's mostly because of the fact that the DLC is so short. Normally that would be fine, but the story never really goes anywhere until the very end. Even then, it feels like a footnote rather than an impactful part of the overall narrative. In terms of length, it's meatier than the Harley DLC, but not by much. You can complete the main story in roughly an hour, and sort out all of the other collectibles in another 30 minutes. What I would have really loved to see is a full-roam option with Red Hood, Harley, and Batgirl (I mean, the models are already in the game with grappling and combat animations), but it's not meant to be -- the latter is still confined to her tiny add-on area. There are eight Achievements/Trophies though if you're into that sort of thing. Warner Bros. is really employing an odd strategy with Batman: Arkham Knight's post-launch content and the relatively expensive $40 Season Pass. All that's been revealed so far beyond a bunch of throwaway content (skins, races) is a handful of bite-sized episodes such as this; it's a far cry from the competent Cold, Cold Heart add-on for Arkham Origins last year. While A Matter of Family may be worth it for hardcore Batgirl fans, WB will have to do a lot better than this to justify the cost of the pass. [This review is based on a retail build of the DLC purchased by the reviewer.]
Batman DLC review photo
The Killing DLC
Enough time has passed for me to make a solid judgement on Batman: Arkham Knight. For the most part, I agree with the sentiments expressed in Steven's review of the core game -- Rocksteady tried too hard in many respects, and...

Review: Deception IV: The Nightmare Princess

Jul 14 // Chris Carter
Deception IV: The Nightmare Princess (PS3, PS4 [reviewed], Vita)Developer: Tecmo KoeiPublisher: Tecmo KoeiMSRP: $49.99 (PS4)Released: July 14, 2015 Since the core experience hasn't changed all that much, head to the original review to get a full breakdown of the main mechanics. The gist is that you'll be controlling a character that, for all intents and purposes, can't attack on their own, and must rig an elaborate combination of traps to do their dirty work for them. You'll do this by pausing the game, bringing up a menu, and placing a number of wall, ceiling, and floor traps that can be used with one another for maximum mayhem. For instance, you can hold an enemy in place with a beartrap, shock them with a wall taser, then drop a giant boulder on their head from the ceiling. It's glorious. So before you get confused, The Nightmare Princess is an all-new SKU that includes everything in the original package on top of another story with 100 quests, a new character with a different moveset, and a "Studio" mode so you can create your own scenarios. The extra campaign is easily the new draw, and I have to say, newcomer Velguirie holds her own here. Her tale runs concurrently with Laegrinna's and doesn't feel tacked-on in the slightest. 100 new quests also isn't really anything to shake a stick at either, though it must be said that there's only a few new zones (which are rather small), as some quests re-use old areas from the base game. The second campaign does stand up on its own, and even playing both stories back to back, they didn't overstay their individual welcomes. Velguirie's big gimmick is that she can kick enemies now -- something no other protagonist was able to do in the history of the franchise. [embed]295432:59487:0[/embed] But it's important to put things into perspective here. She can't just karate-kick bad guys into oblivion with flashy combos. It's a simple timed kick on a cooldown that can be used to tactically slot foes into position for traps (or stomp them on the ground), which are still going to do the real legwork here. It's not a game-changer, but again, the story, bonus traps, and the new character design themselves are enough to carry another playthrough. Yep, I said bonus traps, including a deadly toilet, a bolt of lightning, a wardrobe that eats armor, and sticky flooring. At this point there are so many trap combos at your disposal that you're only limited by your imagination.  You'll get to test your inner demon plenty with the Studio mode, the other big addition in Nightmare Princess. Here, you can create enemies with various custom parts and name them, placing each creation inside an existing arena. You can craft fun scenarios like battling the entire Justice League, and even download or upload them online for all to see. It's not as expansive as I would have liked, but the fact that you can download new missions every so often is a breakthrough for the series. Keep in mind that your fun is also going to be limited by how many actual parts you have, which are unlocked by completing both campaigns. Here's the bad news for those of you who already bought the original. While the new story is enjoyable and the Studio is fun to mess around with, you aren't getting a substantial new expansion to pour over for weeks here. Think of it more like a hefty DLC package. In other words, unless you absolutely love Deception, it probably isn't a good idea to shell out $50 for Nightmare Princess. It's a really weird thing for Koei Tecmo to do, as it could have easily provided an "upgrade" for say, $20, and then released a package version on the side. As it stands, you either have to go all or nothing. At the very least, there is the added bonus of being able to import your old save data, so you don't have to complete the original campaign all over again to reap the unlock benefits. Deception IV: The Nightmare Princess is in a really weird spot, but here's the rub -- as a Deception enthusiast, I was more than happy enough to take Velguirie's story for a spin, and I found myself beating the original game again as well as creating a few levels in the Studio. Just know exactly what you're getting into with Nightmare and make an informed decision. [This review is based on a retail build of the game provided by the publisher.]
Deception IV review photo
Hardcore trappers only
I really liked the original release of Deception IV. It was refreshing to see the series get another lease on life after taking a hiatus with Trapt all the way back in 2005, and newcomer Laegrinna fit right in. This...

Satoru Iwata photo
May he rest in peace
It's a sad day for the video game world. Nintendo president Satoru Iwata passed away yesterday at 55 years of age. The cause of his unfortunate death was a bile duct growth. Nintendo announced the news with a brief one-senten...

Review: Nekoburo: Cats Block

Jul 12 // Jed Whitaker
Nekoburo - Cats Block (PS Vita, PlayStation TV [Reviewed])Developer: F K Digital Publisher: Neko EntertainmentMSRP: $7.99Released: July 7, 2015 Square alien cats made of electrical waves are passing the Earth when a solar storm strikes, knocking them to the planet. One of the cats gets found by a human female who takes him home and treats him nicely, so he decides to summon his pals through her television to join him living with his new servant. If this somehow related to the gameplay other than featuring said cats, it was never apparent.  Levels consist of a standard falling from the top of the screen match three mechanic, three cats fall from the top of the screen that can be moved left to right and be reordered on a tilted playing field. Each level has a specific quest such as clearing a certain number of cats of a certain color within a timelimit, or surviving for a set amount of time while cats drop quickly. Matching three or more cats of the same color in a horizontal, vertical or diagonal line will clear them. Clearing cats also fills up a meter that grants items that help clear the board such as horizontal and vertical bombs, a grid warp that clears a set of nine surrounding blocks, clearing all cats of a single color and a rainbow block that clears the entire board.  [embed]295827:59475:0[/embed] Acquiring these items and knowing when to use them are an important part of the game, as each level seemingly has a specific way to complete it. For example, one level has what look to be tofu blocks slowly advancing from the bottom of the screen that can only be cleared with items or clearing cats in horizontal lines. In this level the only real way to complete the level is to constantly build up and use items to keep the middle of the screen cleared, as the middle is the only area that can cause a failure, the other rows don't matter and stack up past the edges of the level with no repurrrrrrcussions. The levels are laid out in such a way that it forces you to learn the mechanics of the game with no hand holding. One level may require so many vertical bombs to be used to clear it, thus teaching you how to effectively use them, another may require rainbow blocks be detonated which is extremely important in later levels.  After every 10 levels a new cat will materialize through the TV in the human's house, in tow with its own personality, background information and colorful comic. Unfortunately the dialogue and background information is so poorly localized it is basically incomprehensible. I've played a lot of poorly localized games in my day -- looking at you Zero Wing -- but this one was easily the worst. Here are two examples of the awfully translated text: "He hope to become an charming men as chocolate," and "Even though fiery rude, he have sense of justice. He did something that against the grain with him, because think to much."  Nekoburo isn't exactly a hard game as it is random -- or more specifically, the difficulty is mostly due to the random generation of the falling cat blocks. Sometimes, exactly what is required to complete a level will spawn, other times you'll have to work for it. This isn't specific to any level though, so it isn't like the levels are specifically designed to spawn cats in a certain way, at least it seems that way on the surface level. Multiple attempts at the same level will eventually yield positive results, allowing level completion, other times the game just seems to be against you. Though this is the case with most puzzle games, so it isn't exactly a new problem with the genre -- it's just worse here. Between levels you can customize the apartment with furniture, and play with the cats with toys, both of which are unlocked by completing certain goals attached to them. While the cats are uber cute, this portion of the game left much to be desired; the furniture can't be moved, and the toys aren't exactly fun to play with more than once. One of the toys is turning on the TV for the cats to watch, the screen just lights up white as the cats sit there, not what I'd call a toy or entertaining.  The story mode can be completed in around six or seven hours, mostly due to trial and error. A survival mode is unlocked around half way through the story mode that is just an endless mode that increases in difficulty, much like marathon mode in Tetris. As there are no online leaderboards and the furniture is little more than pallet swaps there is little reason to continue playing once the story mode is finished unless you're a completionist.  The best thing about Nekoburo: Cats Block is the art style; everything is bright, colorful and super adorable, but take that away and you're left with a generic, poorly translated puzzle game with a tilted playing field that doesn't compliment gameplay. Nekoburo is certainly not the cat's meow.  [This review is based on a retail build of the game provided by the publisher.]
Nekoburo Review photo
Pussies
I love pussies, my dad loves pussies and my Grand Peppers loved pussies before he met his untimely demise on that trampoline -- RIP Grand Peppers may you continue to love pussies in the afterlife. But, we are all fluent in th...

$8 Dishonored GOTY in day numero dos of GMG Summer Sale

Jul 11 // Dealzon
GMG Summer Sale Day 2 Use coupon: DEALZO-NGMGSA-LESVVC Dishonored & Doom Dishonored: GOTY Edition (Steam) — $8.16  (list price $30) <- free mystery game Dishonored (Steam) — $4  (list price $20) Doom 3: BFG Edition (Steam) — $4  (list price $20) Doom Classic Complete (Steam) — $3  (list price $15) FPS Goodies Half-Life & Counter Strike Series Shadow Warrior (Steam) — $4.80  (list price $40) Quake 4 (Steam) — $4  (list price $20) Brink (Steam) — $4  (list price $20) Rise of the Triad (Steam) — $3  (list price $15) Day of Defeat: Source (Steam) — $2  (list price $10) Duke Nukem 3D: Megaton Edition (Steam) — $2  (list price $10) Return to Castle Wolfenstein (Steam) — $2  (list price $10) Shadow Warrior Classic Redux (Steam) — $1.20  (list price $10) More Top Picks Kick-Ass 2 (Steam) — $13.40  (list price $25) DieselStormers (Steam) — $12.16  (list price $19) Primal Carnage: Extinction (Steam) — $8  (list price $20) Chivalry: Medieval Warfare (Steam) — $4  (list price $25) Chivalry: Deadliest Warrior (Steam) — $2.40  (list price $15) Hotline Miami (Steam) — $2  (list price $10) Top Weekend Deals Elite: Dangerous (Steam) — $40.19  (list price $60) <- match Steam Summer Sale The Witcher III: Wild Hunt (DRM-Free) — $29.99  (list price $60) Dark Souls II: Scholar of the First Sin (Steam) — $24.99  (list price $50) Call of Duty: Advanced Warfare (Steam) — $22.99  (list price $60) Console Hardware Deals PS4 TLOU Bundle + PS Plus 3 Mo. + Extra Controller — $399.99 Xbox One Halo Master Chief Bundle + $40 Gift Card — $349  (list price $399) PlayStation TV — $39.99  (list price $80) Wii Fit U + Wii Balance Board + Fit Meter — $39.99  (list price $70) Sony Playstation Silver Wired Headset — $19.99  (list price $40) Recent Releases 07/21: F1 2015 (Steam) — $35.49  (list price $55) 06/23: Devil May Cry 4: Special Edition (Steam) — $17.99  (list price $25) 06/23: Batman: Arkham Knight (Xbox One) — $44.99  (list price $60) 06/16: Xbox One 1TB Halo: Master Chief Bundle + $40 Gift Card — $399 PC Game Deals Project Cars (Steam) — $34.99  (list price $50) Far Cry 4 (Uplay) — $23.99  (list price $60) Europa Universalis IV: Conquest Collection (Steam) — $14.99  (list price $60) Spintires (Steam) — $10.49  (list price $30) Metro Redux Bundle (Steam) — $8.99  (list price $45) Zuma's Revenge — FREE  (list price $5) Console Game Deals Battlefield: Hardline (PS3, Xbox One, PS4, Xbox 360) — $39.99  (list price $60) Dark Souls II: Scholar of the First Sin (PS4, Xbox One) — $39.99  (list price $60) Destiny (PS4, Xbox One, Xbox 360, PS3) — $19.99  (list price $40) Dragon Age: Inquisition - Pre-owned (Xbox One, PS4) — $17.99  (list price $60) Borderlands 2 (PS3) — $3.99  (list price $15) PS4 MLB 15 The Show (PS4) — $39.99  (list price $60) Disney Infinity: Marvel Super Heroes 2.0 Starter Pack (PS4) — $34.99  (list $60) Lara Croft and The Temple of Osiris (PS4) — $19.99  (list price $30) Madden NFL 25 (PS4) — $14.99  (list price $30) Xbox One The Elder Scrolls Online: Tamriel Unlimited (Xbox One) — $44.99  (list price $60) The Witcher III: Wild Hunt (Xbox One) — $44.99  (list price $60) Disney Infinity: Toy Box Starter Pack 2.0 Edition (Xbox One) — $34.99  (list $60) Halo: The Master Chief Collection (Xbox One) — $24.99  (list price $60) Laptop Deals 15.4" Apple MacBook Pro i7-4770HQ, 16GB, 256GB SSD — $1,819  (list $1,999) 15.6" Asus i7-4720HQ, 12GB, GTX 950M, 1080p — $749  (list $1,000) 15.6" Acer Aspire V3 i7-5500U, 8GB, GT 840M, 1080p — $579.99  (list $760) 15.6" Lenovo Z50 i7-4510U, 8GB, 1080p — $499  (list $950) Game deals from Dealzon. Sales from certain retailers help support Destructoid.
Weekend deals photo
Jumpin' good deals
The weekend arrives and GMG's 2015 Summer Sale chugs on to day two. Some decent pickings this round with Dishonored GOTY for only $8 (plus you get a freebie mystery game). Hotline Miami 2 also hit a historic low pri...

Review: Skullgirls 2nd Encore

Jul 11 // Jonathan Holmes
Skullgirls 2nd Encore (PS4 [reviewed], PS Vita)Developers: Lab Zero GamesPublisher: Autum GamesReleased: July 7, 2015 So now that we've established that Skullgirls is great, we can get to the question you're all probably dying for answers about -- what the heck is a 2nd Encore? Well in this case, it's a boost in visual fidelity, tons of newly recorded voice acting, an 882 page virtual art book (with special pin ups by the likes of Chamba, Robaato, and OMOCAT), a few new single player modes, and five and a half new characters that you may have already download for the prior version of the game. If you haven't been keeping up with the Skullgirls DLC as its been released, then 2nd Encore is undoubtedly a worthy purchase for you. If you have been picking them up as they've been periodically put on the market since last year, then the price tag here may not be worth your while. It all depends on how much you care about owning the most complete, clean looking/sounding version of the game, Visually, Skullgirls 2nd Encore looks heaps better on the PS4 than Skullgirls or Skullgirls Encore did on the PS3. The black bars on the top and bottom of the screen are gone, allowing characters to stretch to their proper proportions, and everything looks brighter and sharper. As for sound, every cutscene now has full voice acting, which does a lot to make the game's world feel more alive. As Skullgirls fans already know, the game has a deep, fairly complicated story, filled with around 100 characters big and small. That said, fighting games aren't exactly well known for their vocal performances, but gratefully, the acting here is all top notch, thanks in large part to the direction of Christina Vee.  [embed]295474:59465:0[/embed] As for new modes, there's stuff for both newcomers and veterans alike. The new Survival and Challenge modes are great for old pros who are looking for new ways to tackle the CPU, and the new Trials mode is a great way to learn new combos or brush up on old ones. There's also a new Quick Match CPU mode that lets you do take on the computer without having to sit through any of the pre-fight delays you might find in Arcade or Story mode. That's all well and good, but the real stars of the show here are the new characters. The only true newcomer here is Robo-Fortune. She's a default part of the 2nd Encore package, but has also been released as a free download for those who already own Skullgirls Encore, so she's not exactly exclusive. That doesn't diminish how exciting she is to play though. Robo-Fortune is a great example of what I was saying about how the developers of Skullgirls seem to take the strangeness inherent in fighting games for granted, and as a result, have built upon that strangeness in ways that's filled with next-level weirdness.  Robo-Fortune was original planned to be a remixed version of Ms. Fortune, one of the original members of the Skullgirls roster and the game's resident "cat girl with a detachable head that can attack independently from its body." If that wasn't thought provoking enough for you, Robo-Fortune takes that concept and adds a few levels of surreal to it. She's a robot copy of a cat girl with a detachable head, and she can actually fire her head into the air like a rocket, only to grow a new one in its place. These stack-able, detached robot heads are a major part of her arsenal, along with her Cable-like beam attacks. She's also extremely chatty, which will likely turn off some players, while others are sure to fall in love with her immediately. Her two big catch phrases are "Beep Boop Meow" and "What am I fighting for!?!" These are questions I ask myself every day, which makes it all the more gratifying to see them finally expressed on the big screen by a robot cat woman thing.  The other four and a half other DLC characters (Beowulf, Big Band, Eliza, Squigly, and Filia's semi-clone Fukua) are equally fantastic, so if you missed out on them before, you'd do best to grab them now. It's also worth mentioning that the game is a Cross-Buy purchase, with a PS Vita port coming later this year. It all shapes up to the definitive, and maybe final version of one of the most beautiful, detailed, and passionately developed fighting games in recent memory. [This review is based on a retail build of the game provided by the publisher.]
Skullgirls review photo
Hold your applause, the show's not over
Skullgirls is one of my favorite fighting games ever. With an innovative combat engine spearheaded by top tier BlazBlue expert Mike Z, animation direction by Mariel Cartwright, and world and character design by Alex Ahad...

Call of Goldbum photo
DLC...DLC finds...a way
Activision has sent us a great deal of information regarding Call of Duty: Black Ops III's upcoming zombie mode today, revealed at its San Diego Comic-Con panel. For starters, the all-new zombies cast features Jeff Goldblum ...

Review: Spectra

Jul 09 // Brett Makedonski
Spectra (PC [reviewed], Xbox One, iOS, Android, Windows Phone)Developers: Gateway InteractivePublisher: MastertronicReleased: July 10, 2015 For all the things Spectra isn't, it does one thing very very well. The chiptune beats instantly remind of Chipzel's in Super Hexagon -- a game which is renowned for its recognizable and catchy music, and for its addictive qualities. There's a logical explanation for this connection: the music is made by Chipzel. Good as that component predictably is, one can't shake the feeling that the developers put the music too far at the forefront of Spectra. It's tied to the core of the game in such a way that Gateway Interactive actually developed around it. The ten levels are procedurally generated for what's happening with the music. Dynamic (racing) tracks for static (music) tracks. The problem isn't so much with the method, but with the absolute lack of variation in it. Spectra takes place on a winding two-lane road (like a Sheryl Crow song) with hexagonal prisms peppered along the way liberally to serve as obstacles. The entirety of Spectra consists of avoiding those barriers, picking up gold pellets, and ever-so-occasionally hitting a turbo marker that not only boosts speed but a score multiplier too. Technically, that score is probably the main reason to play Spectra. It's heavy on arcade-like qualities in that it asks the player to put up with great repetition in pursuit of leaderboard glory. Unfortunately, the procedural generation makes it so that no one can necessarily hunker down and teach themselves how to dominate the game. [embed]295486:59424:0[/embed] Instead, it emphasizes reaction over pattern recognition, which would be noble if the algorithm didn't often feel as if it spawns too many barriers at once. Sometimes it could very well be impossible to escape those situations unscathed. It's mostly unnoticeable on the earlier levels, but it's all too apparent in the later ones. Hampering those efforts is a control system that's not poor, but just slightly too loose for a game that only asks the player to steer. It's more a complication with the ship's animation than the actual controls. Regardless, it causes the tiniest of disconnects. A reaction-based game on a narrow pathway with thousands of hurdles has no excuse for not giving the player complete control. Spectra seemingly knows it as going off-track often grants a split second mercy window to get back on before plunging into the abyss. Besides score chasing, players may find themselves insistent on simply trying to finish each level. Clocking in around three and a half minutes each, it's no small feat as Spectra lends itself well to temporary concentration lapses causing immediate failure. The track length often seems about a minute too long to sustain any spurts of enjoyment. Even completion is unsatisfying as there's no finish line due to the game being unsure how far you will have made it over the duration of the song; rather than any sort of fanfare, a new screen pops up informing you of your accomplishment. I don't usually rely so literally upon Destructoid's scoring guide when assigning a number for a review, but it feels so apt in the case of Spectra. It's like a boring meal that did nothing more than chew up a little time. It does lack any real flavor. It didn't leave me any different than it found me. It's tolerable, but not anything special. Well, the music is special, but it turns out that Spectra can't stand on the merits of its music alone. [This review is based on a retail build of the game provided by the publisher.]
Spectra review photo
Beat it
Spectra isn't a lot of things. It isn't complicated; its mechanics and entire premise can be learned in literally five seconds. It isn't structured; level design is eschewed for procedural generation. It isn't long; an hour of playing will have unlocked all the tracks with plenty of time to retry the many failed ones. Probably most important: it isn't really fun.

Review: Yoshi's Woolly World

Jul 08 // Laura Kate Dale
Yoshi's Woolly World (Wii U)Developer: Good-FeelPublisher: NintendoMSRP: $49.99Release Date: June 26 (EU) / October 16 (NA) Sitting at around 10 hours to complete, Yoshi's Woolly World is a delightful journey through a world full of pleasantly enjoyable surprises. Colours are bright, wool textures are detailed, and animations are always fluid. The game's world is polished where it needs to be, but isn't afraid to have the kind of natural rough edges present in a game about thread and sewing materials. From loose threads that unravel when pulled to fabrics that fold in asymmetrical ways, the game world just feels like an incredibly tangible physical space. Woolly World really shines when it takes advantage of the design aesthetic. From Shy Guys brandishing crochet hooks threateningly to fish spitting out water that, thanks to being made of wool, can be run along, the game excels when it fully commits to its core design concept. Mechanically, Woolly World is at its best and most challenging when it pushes Yoshi out of his comfort zone. Yoshi's abilities are all designed to keep him out of harm, from eggs that can dispatch enemies at a distance to a very forgiving and lengthy jump arc. The times when Yoshi's Woolly World forces you to take a leap of faith that pushes that jump to its limits, requires you to fight enemies in close quarters and experiments with the characters weaknesses are some of the best moments of Yoshi gameplay out there. It's just a shame those moments are few and far between. [embed]295585:59414:0[/embed] The vast majority of Yoshi's Woolly World doesn't push the titular hero's moveset in ways that really challenge the player. While levels frequently throw minor new gimmicks in that freshen up the feel of progression, they rarely have any real effect on the challenge of playing the game. It's not necessarily a problem; if you're looking for a calm and relaxed exploration of new mechanics in a colourful world then this certainly delivers that in spades. But yeah, be aware that the challenges are often spread out for the player. There are a bunch of collectibles to go after in the game, most of which are monotonous to collect and offer very little reward. The main exception to this is collectibles that allow you to re-skin your Yoshi, which are pretty enjoyable to seek out. The game's co-op mode does give you the benefit of being able to use your partner as a source of wool if you run low, but the levels in the game were very clearly designed to be played single player and more often than not, your secondary player will feel like they're hindering progression rather than helping with it. Yoshi's Woolly World is best described as easy, beautiful, and inventive. While the times it offers challenge are a little too spread out for my liking, the game looks and sounds stunning, and offers players a variety of new sights to experience along their journey. If you're looking for something to play to unwind, something pleasant and positive, this would be a pretty darn solid choice to go with. [This review is based on a retail build of the game purchased by the reviewer].
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Pleasantly fluffy
Yoshi's Woolly World is the epitome of adorable. From Yoshi's cute, easily read facial expressions to the bright colourful world he inhabits, the intricate minor details to the tactile physicality of the world, this game took...

That's it, I'm done with hardcore amiibo collecting

Jul 08 // Chris Carter
I know, it's dramatic, right? Declaring that I'm not going to collect a series of toys with this level of bravado? But here's the thing -- Nintendo had every opportunity to fix these issues along the way, and outside of recognizing the situation a handful of times over the past eight months or so, hasn't made any real efforts to patch things up. In fact, most of the time, it's oblivious to what's going on. It's getting so bad that in multiple regions, it has stopped shipping to the US due to the fact that scalpers and customers alike are basically leeching the entire stock, causing shortages all over the world. Here are some recent developments that gave me pause. More exclusives -- because it worked out so well in the past Right out of the gate, exclusive amiibo promotions were a bad idea, but they net a hefty profit for Nintendo, so they're going to keep happening -- this was unfortunately confirmed by a Nintendo representative late last year in a Reddit AMA. While other portions of the world don't have to deal with them, they've been increasingly annoying to handle in the US. I thought maybe with each increasing day Nintendo would learn a thing or two about customer satisfaction, but each wave comes with...well...a unique wave of disappointment. Just recently, Nintendo announced that Dark Pit would be exclusive to Best Buy, and that pre-orders would not be happening at all. This situation has "nope" written all over it. For the last wave, you had to basically choose what store you wanted to wait in front of overnight -- Target, or Toys"R"Us, to get the exclusive you wanted. I waited outside of a few retailers with friends for fun, but I'm not doing it every other month. There's too many damn amiibo Oh hey there's eight Animal Crossing amiibo now, in addition to the AR card line, none of which have release dates outside of "fall" and "holiday." Like Dark Pit and most of Wave 4, I doubt any of these will be available for pre-order. Then there's Chibo Robo, which you can only get by buying the entire game as a bundle. Then there's the rest of the Smash Bros. line, three Yoshi's Woolly World variants (that don't even come out in the US until the fall), two retro Mario variants (making this the fifth Mario variant), three amiibo for Miis, and two R.O.B. colorations. Eight Animal Crossing amiibo? Who asked for this? I mean, I get the need for Tom Nook and K.K. Slider figures, and maybe Mabel, but Cyrus and Dibby -- who are these people clamoring for these characters? I get that I don't have to buy them, but at this point Nintendo is just asking for over-saturation, while gating content out of their respective games unless you buy them. If they were easy to purchase it wouldn't be as big of a deal. Expensive cross-promotions? ::I'm out.gif:: It finally happened. Nintendo decided that exclusive retailer deals weren't lucrative enough, and struck a deal with Activision. At first, I was hesitant -- okay, so there's two amiibo total, and they work with both Nintendo and Activision products with a little switch on the bottom, cool! Then they announced that each figure would be exclusive to the expensive starter edition of the game. Shortly after, they announced "Dark" variants on top of that, for sale in the $99.99 editions of the game. Maybe I'll end up having them all eventually. I have a lot of great friends, and they've randomly gifted me amiibo in the past, and gave me a heads-up when figures go up for retail price. At this point though, I'm no longer making it my goal to "catch 'em all." Nintendo is a business first for sure, but it's bungled this situation beyond recognition. [Image via reddit]
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It's becoming a shit-show
I currently own every amiibo released in the US, including variants. It was very fun for a time, collecting them with friends, but it got increasingly less fun. I always said that I would stop when it got ridiculous, and lead...

GameFan/Destructoid photo
Congratulations you're on the way out
It's been a good year for Destructoid. We got more unique views in June 2015 than any other month in the history of the website. There are a lot of reasons for that, not the least of which being that our staff has worked the...

Weekend Deals: Wii U Splatoon bundle & 'Buy 2 Get 1 Free' GameStop used game sale

Jul 04 // Dealzon
Top Deals Wii U Splatoon Special Edition Bundle + Essentials Kit — $274.99  (list price $300) Wii U + Super Mario 3D World Bundle + Essentials Kit — $274.99  (list price $300) Nintendo 2DS (Refurbished) — $60  (list price $75) GameStop Sale: Buy 2, Get 1 Free ALL Pre-owned Products Recent Releases 06/25: Total War Attila: The Last Roman (Steam) — $8.95  (list price $15) 06/12: LEGO Jurassic World (Steam) — $25.99  (list price $40) 06/09: Europa Universalis IV: Common Sense (Steam) — $10.49  (list price $15) PC Gaming Deals GMG EA Sale Battlefield: Hardline (Origin) — $35.99  (list price $60) Dragon Age: Inquisition (Origin) — $35.99  (list price $60) The Sims 4 (Origin) — $35.99  (list price $60) Titanfall Digital Deluxe Edition (Origin) — $19.99  (list price $40) FIFA 15 (Origin) — $19.99  (list price $40) Mass Effect Trilogy (Origin) — $11.99  (or 3, 2, 1 for $5.99 each) Battlefield 4 (Origin) — $9.99  (list price $20) Need for Speed Rivals (Origin) — $9.99  (list price $20) Dragon Age Origins: Ultimate Edition (Origin) — $8.99  (list price $30) Command and Conquer Ultimate Collection (Origin) — $5.99  (list price $20) Kingdoms of Amalur: Reckoning (Origin) — $5.99  (list price $20) Mirror's Edge, Battlefield 3, Crysis 3, Dead Space 3 (Origin) — $5.99  (list price $20) Resident Evil Sale Resident Evil Revelations 2 (Steam) — $29.99  (list price $40) Resident Evil HD Remaster (Steam) — $14.99  (list price $20) Resident Evil: Revelations (Steam) — $10.20  (list price $30) Resident Evil 6 (Steam) — $10  (list price $40) Resident Evil 4 HD (Steam) — $8  (list price $20) Resident Evil 5 (Steam) — $6.78  (list price $20) Total War Sale Total War Grand Master Collection (Steam) — $41.25  (list price $165) Total War: Attila (Steam) — $30.14  (list price $45) Total War Master Collection (Steam) — $30  (list price $120) Total War: Rome II Emperor Edition (Steam) — $15  (list price $60) Total War: Shogun 2 Fall of the Samurai Collection (Steam) — $9.99  (list price $40) Empire Total War Collection (Steam) — $8.75  (list price $35) Napoleon: Total War Collection (Steam) — $7.50  (list price $30) Medieval 2: Total War Collection (Steam) — $6.25  (list price $25) Iceberg Sale StarDrive 2 - Digital Deluxe Edition (Steam) — $26.24  (list price $35) Endless Legend Classic Edition (Steam) — $24.49  (list price $35) Endless Space Gold Edition (Steam) — $8.75  (list price $35) Horizon (Steam) — $7.50  (list price $30) Lords of the Black Sun (Steam) — $7.50  (list price $30) Stardrive (Steam) — $7.49  (list price $30) Killing Floor (Steam) — $4.49  (list price $20) Darkness Within 2: The Dark Lineage — $3.24  (list price $13) Nuclear Dawn (Steam) — $2.50  (list price $10) The Good Life (DRM-Free) — $2.50  (list price $10) Dark Matter (Steam) — $2.50  (list price $10) Baron Wittard: Nemesis of Ragnarok — $2.49  (list price $10) Tiny Troopers (DRM-Free) — $1.24  (list price $5) Console Game Deals Diablo 3: Reaper of Souls Ultimate Evil (PS4, Xbox One) — $29.99  (list price $60) Evolve - Pre-owned (Xbox One, PS4) — $14.99  (list price $60) PS4 Borderlands: The Handsome Collection (PS4) — $39.99  (list price $60) NBA 2K15 (PS4) — $25.99  (list price $60) The Last of Us Remastered (PS4 Download Card) — $9.99  (list price $50) Xbox One Borderlands: The Handsome Collection (Xbox One) — $39.99  (list price $60) Saints Row IV: Re-elected + Gat Out Of Hell (Xbox One) — $17.99  (list price $40) Madden NFL 15 (Xbox One) — $12.99  (list price $40) The Walking Dead: Season 2 (Xbox One) — $12.99  (list price $30) Xbox 360 Call of Duty: Ghosts (Xbox 360) — $7.99  (list price $30) Assassin's Creed IV Black Flag (Xbox 360) — $6.99  (list price $60) PS3 Assassin's Creed Rogue (PS3) — $9.99  (list price $60) Batman Arkham Origins (PS3) — $6.99  (list price $20) Metal Gear Rising: Revengeance (PS3) — $6.99  (list price $25) 3DS Shin Megami Tensei: Devil Survivor 2 RB (3DS) — $39.99  (list price $50) Xenoblade Chronicles 3D (New 3DS) — $29.99  (list price $40) 4th of July PC Sale: HP 17.3" HP Envy i7-5500U, 16GB, 512GB SSD, GTX 950M — $939.99 (list price $1,700) 15.6" HP Envy i7-5500U, GT 850M, 16GB — $684.99 (list price $1,280) 15.6" HP Envy Slim i7-4722HQ, 8GB, GTX 950M — $634.99 (list price $900) HP ENVY Phoenix 810se PC, i7-4820K, GTX 745, 12GB — $729.99 (list price $1,300) HP ENVY Phoenix 850qe PC, i7-4790, GTX 745 — $694.99 (list price $1,100) Lenovo 17.3" Lenovo Y70 i7-4710HQ, GTX 860M — $1,099 (list price $1,400) 15.6" Lenovo Y50 i7-4720HQ, GTX 860M, 16GB — $989 (list price $1,600) 15.6" Lenovo Z51 i7-5500U, 8GB, AMD TROPO XT2 — $799 (list price $1,180) 14" Lenovo Y40-80 i7-5500U, Radeon R9 M275, 8GB — $629 (list price $1,150) Best Buy 17.3" MSI Apache i7-4720HQ, 12GB, GTX 965M — $1,049.99 (list price $1,350) CybertronPC Borg-709 PC AMD FX-6300, GT 750 — $679.99 (list $800) Alienware Alpha PC i3-4130T, GTX 860M — $399.99 (list price $550) Game deals from Dealzon. Sales from certain retailers help support Destructoid.  
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B2G1 returns for the 4th
Nothing to do this 4th of July? How about some deals? Because we've got some deals. I mean they're not Black Friday good but they're pretty good. Sorta. Kinda. (Do we earn our copywriting merit badge now, Mr. Scoutmaster?).&n...

Dtoid/GameFan digital magazine is now free for everybody!

Jul 03 // Jonathan Holmes
Perhaps most importantly, this issue features exclusive artwork by the guy who made this space duck. As much as I love words, the art here is really the star of the show. There's so much beautiful stuff, paying tribute to franchises like MOTHER/EarthBound, Street Fighter, Smash Bros., Splatoon, and a lot more. Our exclusive Bloodstained cover art isn't too shabby, either. I've had to look at it just about every day for the past month and a half, and I'm still not sick of it.  To download the magazine for you computer, tablet or phone, go here, start an account, and enter code DTOID0215. You can pre-order the print version of the magazine over here, though orders are filling up fast.  
Dtoid/GameFan mag photo
Tell your friends!
Full disclosure: I was initially against the idea of allowing people to download the debut issue of Destructoid/GameFan magazine for free. That's not because I want money. My paycheck won't change regardless of how many issue...

Review: Roving Rogue

Jul 03 // Chris Carter
Roving Rogue (Wii U)Developer: Padaone GamesPublisher: Padaone GamesMSRP: $9.99Released: July 2, 2015 The basic gist is pretty genius. Players will take control of Kurt the Righteous, who has just slain the final boss of the game. But what happens when said big bad dies? You can't just jump out of a window at the top of his massive fortress, right -- you have to walk back through where you came from. That's what you'll be doing throughout the course of Roving Rogue. Kurt only has one mechanic to master, so you won't get too flustered as you're busting your way out. Using a two-button system, one button jumps, and the other teleports. By quickly tapping the latter button you can warp a short distance, and holding it will stop your progress and allow you to aim a cursor in whatever direction you desire; it's a lot like Daud's blinking power in the Dishonored DLC. It's an easy concept to pick up, and it works very well. Players can opt to make a lot of jumps manually for safety, or go for a riskier teleport jump at nearly every turn. It makes every platforming portion a choice, but you can only teleport through specially marked "golden" walls to prevent you from breaking the game too hard. While the controls are on point, the levels on which you perform these antics are a mixed bag. Once you've played the first 10 stages or so you've basically seen it all, a feeling that's augmented by the fact that there are only six enemy types in total, all of which essentially operate in the same patrolling manner. There are some new ideas presented on occasion like darkness, and a switch between horizontal and vertical layouts, but it never really iterates beyond that. Four player co-op is definitely a big draw if you happen to have three other people on hand. [embed]295212:59321:0[/embed] Like the level design, the way the developers have chosen to approach the lore is also both brilliant and flawed. Although the premise is based on Kurt's tired old memory loss trope, you're basically rediscovering the fluff of the game's universe as you play it. Picking up collectibles will in turn decrypt diary entries explaining the initial journey throughout the castle, and why you're actually doing it. It even lends itself to multiple endings if you find enough. On the flipside, there's also a less stylish storytelling element -- Twitter feeds. I can't stand these, as they're basically a collective of memes and hashtags that are seemingly chosen at random, presented between levels. They're easy to skip, but feel wholly unnecessary. As for the visual style itself it's a bit plain when it comes to most of the game's animations and structures, but I actually dig the Loderunner feel to it, and as I stated previously, it does play well. Roving Rogue failed to really capture my interest throughout the entire adventure, but from a raw gameplay perspective I had some fun with the platforming bits. You'll enjoy it even more with friends. [This review is based on a retail build of the game provided by the publisher.]
Roving Rogue photo
Beam me up, ninja
When I heard of a game concept that starts you off at the last boss and takes you back through his castle as the story progresses, I was intrigued. Sadly, the mere premise of Roving Rogue is probably its strongest quality.

The Red Hood DLC pack for Arkham Knight is disgustingly short

Jul 03 // Chris Carter
[embed]295280:59335:0[/embed] [Straight-up, I'm not going to spoil the story for you, but be aware that this tale takes place after the events of Arkham Knight, and that many commenters may indeed spoil it for you below -- you have been warned.] First, the good news. Red Hood takes the path of least resistance, and can be seen as an anti-Batman vigilante of sorts -- Under the Red Hood was a fantastic film, and I think Rocksteady nailed that vibe here. Red Hood is pissed (for good reason), and he isn't going to let anyone get away with their crime sprees -- unlike Batman, who is content with putting people back in Arkham only for them to break out at a later date. Similar to Harley and all of the other characters in Knight, Hood feels the exact same in the close-combat sections (just mash attack and the counter simple-minded AI), with the added power of some unique animations like...murdering people with his pistols. Unlike Harley who simply couldn't use silent takedowns, this gives the DLC a distinctly different feel, and the tone is fairly unique to the series in general. I'm also a fan of Black Mask, so seeing him return was a treat. All of this is cut short by the fact that it's roughly 10 minutes long, which naturally gives it no room to grow any of the characters or deliver anything worthwhile. You'll be greeted with a combat scene, a brief Predator sequence, then another combat bit with Black Mask, who doesn't exhibit any real unique boss qualities (again, it's "this boss throws adds at you constantly, have fun"). It's a disappointment, to say the least, as both DLCs could have been so much more if they were an hour long, had more involved stories, and interesting boss mechanics. Rocksteady is teasing a few more of these "Arkham Stories" with the Season Pass, and I sincerely hope they're more than this.
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Man do I love this character though
Just yesterday, we gave you the rundown on the Harley Quinn DLC pack for Batman: Arkham Knight. Much like many aspects of the core game, it was a letdown, mostly due to its length and the fact that it doesn't really provide a...

The Harley Quinn DLC pack for Arkham Knight is painfully brief

Jul 02 // Chris Carter
[embed]295181:59315:0[/embed] Much like Azrael and Batman's other playable companions, Harley's fighting style is nearly identical to the Dark Knight, and other than a few new animations, feels exactly the same -- though, she does have a "party popper" batarang substitute that functions like a Spider-Man web trap. Sadly, the most enemy waves will throw at you is roughly four standard foes and a shield-wielding cop, which doesn't really allow you to dig deep with the Free Flow combat system. A lack of nuanced gameplay permeates in the stealth portions too. In the few Predator sequences that are included, stealth is not really a priority for Harley. She employs laughing gas rather than smoke bombs, tumbles and leaps up walls instead of grappling, and so on, including exploding jack-in-the-boxes rather than explosive gel. Thankfully there are a few differences, most notably the fact that her "detective vision" shows her more demented side with graffiti written on the walls. Harley also cannot employ silent takedowns -- in fact, they're called "loud takedowns," and will always alert guards. She can however use a "Mayhem" ability that lets her knock out enemies in one hit for a limited time, and use Ivy's plants to take out enemies from afar. The entire affair is far too linear, taking place in the Blüdhaven Police Department. It's a prequel, so you know exactly how it plays out if you watch the intro, with a bit of stupid Penguin chatter (I never really liked Arkham's rendition of him) littered between the loose collections of challenge rooms. It all culminates with a final battle with a major hero from the story that uses the tired "throw adds at the player until he wins or loses" mechanic. There are some bright spots, like the idea of Harleen's inner self trying to reason with her insane "Harley" personality, but those concepts aren't really explored in half an hour. If you're a huge fan of Harley you can buy it this fall once its "pre-order exclusivity" (so dumb) is up, or you can just wait for the Game of the Year Edition where it will most likely appear as well. The same goes for the GameStop exclusive Red Hood pack, the PS4 exclusive Scarecrow DLC, and all the costume exclusives.
Harley Quinn photo
Less than 30 minutes
Harley Quinn is at it again this time with a pre-order exclusive DLC (yuck) for Batman: Arkham Knight. I have good news for everyone who didn't bother pre-ordering -- you aren't missing much. The entire add-on basically amounts to less than 30 minutes of the same core gameplay as Knight, minus the Batmobile-fest.

Blizzard: 'We have the freedom to bring any character we want into Heroes of the Storm'

Jun 30 // Chris Carter
Destructoid: Let's start out with a simple question -- what inspired Blizzard to create Heroes of the Storm? Kaeo Milker: It all started out as just a cool way to show off what the StarCraft II Editor was capable of for BlizzCon back in 2010. We’d just launched StarCraft II: Wings of Liberty and set a few very small teams of developers loose on creating fun mod maps for the show. These teams built several maps, and we selected four to bring to BlizzCon, including one that was an homage to Warcraft III Defense of the Ancients that we called, “Blizzard All Stars.” The expectation was that we’d release these maps to StarCraft II shortly after the show, but something special happened with Blizzard All Stars and the feedback we received changed the course of things.  There was so much excitement about the game from our team, from Blizzard, and from the BlizzCon attendees that we had to take a step back and reconsider how much additional work should go into the map before its release. We ended up holding it back and we assigned a handful of developers to continue working on it en route to BlizzCon 2011, where we showed it again as, “Blizzard DOTA.” There were new heroes, a redesigned map, and some different takes on game mechanics, and we got even more positive reinforcement on its potential. This growing excitement from internal folks as well as our community led to some very intense conversations about the scope of the game and how we should approach it.  Some serious discussions spawned where we started asking questions like, “What if we ignore the recent games in this space and approach this as a reimagining of what those early mods could have become?” Those conversations led to a decision to make a standalone game where we’d throw out the expectations and rules, and simply make the game we wanted to play. That decision was super scary in its departure from the norm, but also very liberating, and we ended up calling that game Heroes of the Storm when we re-announced it at BlizzCon 2013. D: Tell us a bit about the beginnings of the MOBA genre and its origins. How did the team react to this level of engagement out of a use map settings creation? K: The genre originated all the way back with our own mapmaking community’s Aeon of Strife UMS maps from the original StarCraft. Those maps set the stage for the now-familiar single-hero control and multi-lane map layouts that later inspired mapmakers in Warcraft III to create offshoots including the immensely popular Defense of the Ancients maps. Along the way, many of the RPG-like mechanics that were core to Warcraft III’s gameplay like individual heroes, unlocking and empowering abilities via hero leveling, and item-based stat manipulation were creatively used to evolve the gameplay from Aeon of Strife into that of DOTA and everything that’s come since. It’s inspiring to look back on the game genres that have incubated and spawned from the Blizzard mapmaking communities. The team responsible for Heroes of the Storm also made the original StarCraft as well as Warcraft III, and many of the people working on Heroes of the Storm today were either here at Blizzard or active in our communities when this all started. We’ve all watched this evolution with equal amounts of respect and admiration for everything our players have created. D: Can you give us a rundown of what to expect going forward after launch, both in terms of timelines and content? K: Historically for our team, launching a game has meant that it is “done,” but with Heroes, launch is truly just the beginning. The content and features in the game today represent the foundation of a game that we expect to be in constant evolution moving forward, and we have a growing team that’s been refining our tools and processes to allow us to create and deliver more stuff, more often. We’re moving into a phase now where we’ll be bringing new heroes into the game every 3-4 weeks and are planning for incremental changes and additions to the game even between hero releases.  We currently have several battlegrounds in development and we’ll continue to bring them into the game multiple times a year, starting with the Eternal Conflict release where we’ll introduce a collection of Diablo-themed battlegrounds, heroes, skins, mounts, and events over the next few months. There’s a lot more in store that I can’t talk about yet, but know that we have some amazing things in development and our team is just as excited about this game as our players are! D: What niche do you believe Heroes fulfills in the current MOBA scene today? K: Heroes of the Storm is Blizzard’s take on a genre that has been around for over a decade. We’ve set out to capture and accentuate the elements of these games that we found most compelling, while improving or eliminating the things that we found detracted from the fun. We approach this process with all of our games from the perspective of gamers, and again, we set out to build the games that we want to play.  The game we created features some pretty dramatic departures from the norm like action-packed 20 minute games, an ever-growing pool of objective-based battlegrounds, team leveling, per-hero talent trees that let players modify each hero’s playstyle, and of course, real Blizzard heroes and worlds – all wrapped up in the fun, light-hearted humor we’re known for. It’s free to play, so I invite everybody to check it out and see if it’s the kind of game they want to play, too. D: What is the current state of the MOBA genre financially as a whole? Is there room for more major releases? K: I’m much more of a development guy than a business guy, but clearly there is a ton of interest in this genre and there has been since the Warcraft III days. I’m excited about that interest not because of some potential financial opportunities, but because it represents players who might be open to checking out our game and I think we’re doing something really different with Heroes that can build on the things they’ve loved from past games, while also addressing concerns from players who may not have liked those other games.  Ultimately, I think there’s always room for great games. Our focus is to make the best games we possibly can, and history has shown us that if we stay true to that goal and uphold our commitments to quality and fun, success is within our reach. D: Who is your biggest competition currently, and what do they do right? K: We’ve always looked at other game companies less as competition and more as part of a community that’s pushing game development, technology, user experiences, gameplay, genres, and the industry forward together. Coexisting in a creative space like gaming can help lead to refinement and innovation, and that’s a very healthy thing for us both as developers, and as gamers.  We’ve clearly benefited from the things other developers have learned with similar games – the right choices as much as the wrong choices  –  and as we’re starting to see already, they will in turn benefit from the things we’re trying as well. D: What efforts are you going through in terms of growing Heroes as an eSport? K: This year will be a time where we establish Heroes as an eSport alongside establishing Heroes as a game. We’re off to an amazing start with Heroes of the Dorm, where we brought college teams together from across the US and Canada to battle it out for full college tuition. That event cemented the legitimacy of Heroes as an eSport given the intense competition and its undeniable strengths as a spectator event. The recently-announced 2015 Road to BlizzCon will be the professional extension of that path we’ve started down, and we’ll all get to watch the very best teams from each of our regions work their way through their regional qualifiers and semi-finals en route to the ultimate global showdown at BlizzCon. Like the game, our eSports support will be in constant evolution and I’m very excited to see what develops. D: Walk us through a basic outline of what it takes to create a hero from start to finish. K: Hero creation is a very involved, multi-month process that relies heavily on iteration tied to ideas and feedback from many people across our team, and even across Blizzard. It all starts with paper design, where a Hero Designer comes up with a written pitch for the hero, its playstyle, and its kit. After several rounds of feedback and refinement, that paper design gets approved for prototyping. Our tools allow our Tech Designers to stand up a first playable version of the hero with placeholder art, sounds, and effects very quickly and an exhaustive process of playtesting and iteration begins amongst our design team. This process can span several weeks, with constant reaction to feedback every step of the way.  Once the design team is feeling good about a hero’s progress, it graduates to team playtesting. These tests take place several times per week and several hundred of our team members and support personnel are invited to participate and provide feedback to help further refine the hero’s design.  Another multi-week reaction cycle begins based on that ongoing feedback, and only after successfully making it through the team playtesting phase does a hero graduate to full production where we unleash the full power of the development team on its finalization.  During production, our art, user interface, writing, sound, localization, and quality assurance teams begin their respective processes creating, refining, and testing the version of the hero you’ll eventually play in the game. Throughout the hero’s journey, each developer bolsters their part of its creation with a ton of polish and love, and that really shows in the final product. D: Can you give us an idea of potential heroes or kits you've been working on for future patches? K: Sure, up next is…wait a sec…nice try!  I can confirm that we’re spending some time with Diablo heroes for the Eternal Conflict before returning to heroes from other game worlds. Beyond that, all I can say is that anything’s possible – any hero from any Blizzard game, ever!  D: As a follow-up, are you concerned that certain franchises like Warcraft may be overrepresented? K: We currently have a disproportionate number of Warcraft heroes, but more than anything that is a function of the abundance of incredible Warcraft heroes to pull from when we started out. Our goal moving forward is to bring in excellent heroes from all of our games – past, present, and future. We value variety tremendously in this game and are trying to provide players with a dynamic experience where they have choices to make which give them the ability to directly impact that experience. This starts with selecting the hero they want to play and continues with choices in skins, mounts, team compositions, battleground strategies, and talent builds. Be on the lookout for an ever-increasing number of non-Warcraft heroes coming into the game with our Eternal Conflict event starting later this month! D: What is one hero from the Blizzard universe that will absolutely not fit in Heroes of the Storm? K: So far, this hasn’t been an issue. We have the freedom to bring any character we want into the game and enough flexibility in our game mechanics and design to re-interpret each one in a way that captures their essence while tailoring their gameplay for the best possible experience in Heroes. It’s an amazing space to play around in and we’re really enjoying this limitless potential. D: Finally, what is your favorite current hero? K: I love Kerrigan and have played her extensively since the first day of our Development Alpha. Her combo-driven, melee assassin kit brings out the overcommitting lunatic in me and I play her much more aggressively than perhaps any other hero in the game – for better or for worse. She’s incredibly powerful early game and can scale really nicely into late game, especially when paired up with another hero to complement her kit (Tassadar is one of my favorite partners). Beyond her gameplay, I have a personal connection to the character dating back to my passion for the original StarCraft and leading through my 8+ year investment in producing StarCraft II. And I’ve been saying this a lot lately, but my daughter is even named Kerrigan! While Kerrigan is my all-time favorite, I’ve been maining Nazeebo lately and have him on the cusp of hitting Level 20.  I relish the perfect Zombie Wall and am thrilled pulling off the well-timed Ravenous Spirit to clean up a team fight from afar after all of the enemy interrupts have been blown. Ayyyeeeee!!!
Heroes of the Storm photo
A Q&A with the game's lead producer
Heroes of the Storm has been out for almost a month now after a lengthy set of alpha and beta sessions, and I'm still enjoying it as much as I did at launch. Blizzard has vowed to constantly support and update the game w...

Review: Samurai Warriors Chronicles 3

Jun 30 // Chris Carter
Samurai Warriors Chronicles 3 (3DS [reviewed], PS Vita)Developer: Omega ForcePublisher: Tecmo KoeiMSRP: $29.99Released: June 30, 2015 In a sense, although Chronicles 3 is a continuation of the existing Chronicles offshoot series, it actually ends up being bite-sized take on Warriors 4, but with a few twists in tow. Players will create their own warrior right off the bat and follow a more personalized story, putting them smack in the middle of famous figures like Takeda Shingen. It's a strategy fitting for a portable, even if it takes some liberties when it comes to gameplay. What this does is it allows Samurai newcomers to instantly acclimate themselves without having to know any background on the franchise whatsoever. Even with the last full iteration, it was tough to glean a lot of ancillary backstory about armies and characters unless you had kept up with the series. With Chronicles you can just jump right in, and it will assist you in filling in the blanks. There's a bit of choice involved in the pre-battle cutscenes, but it's mainly an illusion and more of an excuse to learn more about the cast. This goes double for the story, which doesn't really change, and is more of a predetermined narrative for your character. Having said that, the "bonding" system does allow you to unlock new scenes (and a few levels) the more you battle (or pay to drink tea) with fellow officers. [embed]295006:59270:0[/embed] For the most part, gameplay is roughly the same: there's your standard attacks and combo openers as well as supers. It's fast, and despite claims of being "repetitive," it's still a damn fun approach to beat-'em-ups. Chronicles 3 takes things a bit further though (as it has in the past) and allows you to swap between four characters in the battlefield at will, which is better than Samurai's recent two-character mechanic, and a great way to always keep you in the action. Instead of running back and forth constantly, you can just switch to someone else. The main storyline took me roughly 10 hours to complete, then it's off to individual battles while you grind up your character and earn gold to buy new outfits. Instead of a bunch of different bonus gametypes, you'll have a simple challenge mode at your disposal, which is basically a score attack on a timer. Most of your enjoyment will derive from grinding it out for rare weapons and fighting enemies across the span of the entire campaign all at once. It's fun, but its appeal is definitely limited and your mileage may vary. I would have preferred more modes. Sadly, the 3DS hardware has not been kind to Chronicles. The game looks incredibly generic, especially in comparison to the detail that was put into Samurai Warriors 4's new character models. You can't even make out faces for enemy soldiers a lot of the time, much less the set pieces in the background. As a reminder, this review is based off the 3DS version (the only one that was provided), which does have the added benefit of constantly displaying the map on the bottom screen. The 3D effect enhances the experience a bit, but sadly, also contributes to some slowdown. It's never unplayable, but it does make things worse and I don't recommend using it. Samurai Warriors Chronicles 3 is held back by the switch to the 3DS, and I recommend just picking up the past core entry instead. In the meantime, I'll attempt to locate a Vita version to see how it compares to Warriors 4, which was also released on the Vita earlier this year. With some of the performance issues smoothed out, this personal story would be more worth telling. [This review is based on a retail build of the game provided by the publisher.]
Samurai Warriors review photo
Not quite as punchy on a portable
Samurai Warriors 4 was a noticeable advancement for the series, and added a number of interesting mechanics like instant character switching and more varied move sets for each character. It even solved a few common compl...

Review: Her Story

Jun 29 // Laura Kate Dale
Her Story (PC [reviewed], iOS) Developer: Sam BarlowPublisher: Sam BarlowMSRP: $5.99Released: June 24, 2015 From the first set of clips tagged murder, I had several options of which narrative thread to pull at first. Did I want to look for clips related to the victim's name first? Maybe I should try to track down the name of the person accused of the crime? Perhaps I wanted to go in a completely different direction and try to find references to the murder weapon on the database. Right from the start, several different avenues opened up and the number of narrative options to explore only expanded as I went deeper into the case. You can't organize clips you find chronologically or watch them in order without re-searching for them, meaning that a lot of the work of piecing the narrative together is down to you as the player. There's an in game application that will show you which pieces of the case you've watched and which you have not, but it's up to you to keep track of where each statement falls in the timeline of police interviews and how their placement fits together. Much of the mechanical challenge in the game comes from piecing the story together in a way that draws conclusions you're personally satisfied with. At around two hours in, I had seen enough that the game offered to let me see the credits roll, but I personally wanted to know much more of what was happening and ended up playing for around six hours on and off before I was truly satisfied with my understanding of the events. Others I know felt they knew everything they needed within half an hour. In terms of pacing, Her Story lasts however long you want it to in regards to narrative. Any time you feel the game is ready to end, you can draw your conclusions and walk away. Ultimately, Her Story is a really inventive way of exploring a narrative with an impressive number of twists and turns. Every time I thought I understood what was happening, a clip would become unearthed that turned my understanding of the case on its head. The story was personal, uplifting, dark, twisted, insightful, and unnerving all at once. I know we get a lot of talk of narrative-focused adventures as "not games," but this is a narrative that undoubtedly benefits from its open-ended interactive nature. If this isn't a perfect example of how video game interactivity can enhance a narrative, I don't know what is. Being able to unearth these twists out of order, rushing to understand what you've found, and bouncing tonally back and forth across a series of interviews truly is the perfect way to experience this skillfully crafted narrative. It's not a typical structure for a game, but the mechanics really do work in the context of the narrative. If you like the idea of an open-ended '90s murder mystery with no guarantee you'll find a solid answer to its mysteries, then I can't recommend this highly enough. Her Story is a spectacular video game, and one of the most gripping personal narratives I've experienced in some time. [This review is based on a retail build of the game provided by the developer.]
Her Story review photo
Let's solve a mid-'90s murder
Her Story is certainly not what you would call a traditional video game. Set entirely on a police computer database in the English town of Portsmouth, it breaks a lot of new ground in terms of blending its narrative and gamep...

Review: J-Stars Victory VS+

Jun 28 // Laura Kate Dale
J-Stars Victory Vs+ (PS3, PS4 [reviewed], Vita) Developer: Spike ChunsoftPublisher: Bandai Namco EntertainmentRelease: June 26, 2015 (EU), June 30, 2015 (US) I may not be the most knowledgeable anime fan out there, but I'm always willing to try out a new series if it looks interesting. As such, I was pretty excited coming into J-Stars Victory VS+. I was hoping to experience well known characters I already knew, as well as finding new characters to get invested in and try watching going forward. Unfortunately, J-Stars Victory VS+ was a bit of a disappointment in that regard. The representations of characters I already knew didn't feel accurate and the hooks to get invested in new series just weren't there for me. So, as this is a fighting game first and foremost, let's talk about the fighting mechanics at play. Every character has one light attack button, a heavy attack button, a special attack button, a block and a dash. While these are tailored to each character, the movesets all feel very similar to play using. While it's cool to see Ichigo pull off a Getsuga Tensho and Goku a Kamehameha, both on a mechanical level act near identically. Every move is an approximation designed to fit a specific combat system's mold, which ultimately takes away some of what makes these characters unique. Defensive techniques like cancels are minimal, so if you wait for an attack animation to start then start mashing buttons you'll usually win. J-Stars Victory VS+ is not a game of skill, it's a game of waiting for any enemy to attempt anything slower than a light attack, interrupting with a light attack then button mashing while they remain locked in your combo. [embed]294934:59255:0[/embed] So, ignoring the fact the combat system itself lacks depth, lets look at how this functions as a pure fanservice game. Just looking at the numbers there is a lot here for fans of Shonen anime to love. There's representation from newer series like D.Gray-man as well as older series like Rurouni Kenshin and a whole host of series in between. There's even inclusions from my super niche sports anime, but only as support characters rather than full playable roster members. Damn, I was just about ready to praise this game for supporting my niche interests. So, let's talk about the modes on offer in J-Stars Victory VS+. There's J-Adventure, where you sail around the world on a tiny boat given to you by god to earn your way into a tournament of champions, where everyone involved seems perfectly fine with the fact god gave them a boat that couldn't get most of the places it needed to go and needlessly pads out the experience with narrative fluff between fights. This mode has four arcs, each of them near narratively identical. I couldn't see any reason players would want to go through all four of these, they're all equally padded and dull. Your other options are Victory Road which sets up special fights loosely themed around anime dream team fights, a standard Arcade mode which offers minimal challenge, local free battles and online free battles. None of these modes felt terribly coherent or fleshed out. On paper, the roster of nearly 40 playable characters is certainly impressive, but what makes these characters unique is rarely utilized fully. Each character's ultimate attack feels decidedly less visually impressive than comparable titles like Naruto Shippuden: Ultimate Ninja Storm 4. The story mode offered on disk features static 2D images of characters that may say the odd single word to each other, but otherwise remain silent. Their dialogue feels terribly homogeneous, stripped down so that every character speaks with the same uniform voice. This doesn't feel like a series of characters clashing for the first time, rather it feels like one person in many different outfits badly acting out their alternative universe fanfiction. Where the games opening cinematic gave me hope for a visually impressive, fanservice heavy experience, the single player largely boiled down to watching static images talk to each other in a weirdly unemotional tone then fight for no adequately explained reason. It just wasn't compelling. Ultimately, J-Stars Victory VS+ only succeeds as numbers on paper, the game itself being largely disappointing. The roster have had much of what made them unique stripped down, stopping me getting truly excited about the characters I knew and preventing me getting a sense of which characters were worth me investing future time watching. The mechanics are shallow, the fanservice is surface level and it only succeeds in terms of its pure number of supported characters. Overall, I walked away rather disappointed. [This review is based on a retail build of the game provided by the developer.]
J-Stars Victory VS+ photo
Mash, mash, mash, mash, mash, mash......
J-Stars Victory VS+ is a game that's mechanically light, heavy on fanservice volume but that only ever skims the surface of the characters it includes. If you want an anime brawler that focuses on the sheer volume of anime ch...

Beyond Earth & Civilization titles 81% off in Weekend Deals

Jun 27 // Dealzon
Civy Deals Use Code: GET23P-ERCENT-OFFGMG Civilization: Beyond Earth (Steam) — $15.40  (list price $50) Civilization V (Steam) — $5.77  (list price $30) Civilization IV: Complete (Steam) — $5.77  (list price $30) Civilization III Complete (Steam) — $0.96  (list price $5) Xbox One + Free Game + $50 (Saturday Only) Update: AC Unity now included for free in the bundles below. Xbox One Halo MCC Bundle + 2 Free Games + $50 Promo — $349 Xbox One 1TB Halo MCC Bundle + 2 Free Games + $50 Promo — $399 Recent Releases s06/25: Total War Attila: The Last Roman (Steam) — $9.95  (list price $15) 06/23: Final Fantasy XIV: Heavensward — $29.99  (list price $40) 06/23: Devil May Cry 4: Special Edition (Steam) — $16.49  (list price $25) 06/23: Batman: Arkham Knight (PS4) — $49.99  (list price $60) 06/23: Batman: Arkham Knight (Steam) — $32.99  (list price $60) <- ehhhh maybe wait? 06/23: Evolve Hunting Season 2 (Steam) — $19.25  (list price $25) 06/09: Europa Universalis IV: Common Sense (Steam) — $10.49  (list price $15) Upcoming Releases 07/21: F1 2015 (Steam) — $35.49  (list price $55) 11/06: Call of Duty: Black Ops 3 (Steam) — $51.49  (list price $60) TBA: Trine 3: The Artifacts of Power — $18.69  (list price $22) TBA: Guild Wars 2: Heart Of Thorns + 2 Steam Games — $44.99  (list price $50) PC Game Deals Mac Game Store Super Summer Sale Use Code: PCGAMES5OFF Borderlands 2 Complete Edition Bundle (Steam) — $14.24  (list price $60) Daedalic Comedy Bundle (Steam) — $11.39  (list price $80) Broforce (Steam) — $11.39  (list price $15) Blackguards Franchise Pack (Steam) — $11.24  (list price $75) Star Wars Starter Pack (Steam) — $4.14  (list price $70) <- KOTOR, Jedi Knight I & II, etc. Games Republic Summer Blockbuster Sale Dark Souls II: Scholar of the First Sin (Steam) — $26.79  (list price $40) Dark Souls: Prepare to Die Edition (Steam) — $4.99  (list price $20) DLGamer Hot Deals Ultra Street Fighter IV (Steam) — $15  (list price $30) Sid Meier's Civilization V: Complete Edition (Steam) — $12.50  (list price $50) Borderlands 2: Game of the Year Edition (Steam) — $10  (list price $40) XCOM: Enemy Unknown The Complete Edition (Steam) — $9.99  (list price $50) More PC Games Killing Floor 2 (Steam) — $25.49  (list price $30) Cities: Skylines Deluxe Edition (Steam) — $17.95  (list price $40) Football Manager 2015 (Steam) — $17  (list price $50) Cities: Skylines (Steam) — $14.49  (list price $30) <- cool beans. Alien: Isolation (Steam) — $12.50  (list price $50) World of Diving (Steam) — $9.24  (list price $20) Lost Planet 3 (Steam) — $6.25  (list price $25) Remember Me (Steam) — $6  (list price $30) Valkyria Chronicles (Steam) — $5  (list price $20) <- get it Console Game Deals $50 PlayStation Network Code (Digital Delivery) — $45  (list price $50) Bloodborne (PS4) — $39.99  (list price $60) The Order: 1886 (PS4) — $19.99  (list price $40) <- maybe  at this price? Final Fantasy Type-0 HD - Pre-owned (PS4, Xbox One) — $19.99  (list price $40) Gran Turismo 6 (PS3) — $14.99  (list price $30) Assassin's Creed 4: Black Flag + AC Rogue (PS3) — $14.99  (list price $60) Xbox Live Gold 3 Month (Digital Code) — $14.95  (list price $25) Battlefield 4 (Xbox One) — $11.99  (list price $30) Plants vs. Zombies Garden Warfare (Xbox One) — $11.99  (list price $40) Laptop Deals 15.4" MacBook Pro, i7-4870HQ, 16GB, 512GB SSD — $2,049  (list $2,499) <- only $2k, you peasants. 14" Lenovo Y40-80, i7-5500U, Radeon R9, 16GB, 512GB SSD — $849  (list 1,600) 15.6" Asus, i7-4720HQ, 12GB, GTX 950M — $749  (list $1,000) Game deals from Dealzon. Sales from certain retailers help support Destructoid.
Weekend Deals photo
Facing Gandhi's wrath
Steam's Summer Sale is behind us but the the Summer PC gaming discounts continues on, especially on Civilization titles. This weekend GMG launched a wave of discounts on this year's Civilization Beyond Earth, drops to on...

And Destructoid's E3 Game of the Show is...

Jun 26 // Niero Gonzalez
Metal Gear Solid V: The Phantom Pain Konami isn't shy with what it has in Metal Gear Solid V: The Phantom Pain. With most titles, publishers tend to sit you down and let you play through a well-crafted chunk of game -- maybe 15 minutes before shuffling you off the station. That's the common preview experience. Not this time. Instead, Konami plunked three of our editors -- Jordan, Steven, and Brett -- down in chairs and let them have at The Phantom Pain from the very beginning. Jordan and Brett got a solid two hours in; Steven wound up with a staggering 14 hours. If this is some sort of vertical slice trickery, it's the most elaborate in the history of video games. Much more likely is that we got to see the final product (or very close to it), and Kojima's going out with a bang. The Phantom Pain has an open world that somehow doesn't feel all that open. Just ahead at pretty much all times are guards who are dead set on shouting things at you, throwing bullets with their guns, and just generally blowing the cover off this whole stealth operative you fancy so much. But, it's plenty open world in the sense that nothing seems scripted. You're given the reins (to a horse and the game), and the plan-of-attack is entirely up to you. The encounters often sprawl and there are just so many ways of doing anything and everything. For that to be pulled off with any degree of competency takes some seriously skilled design. That's not to say that our efforts were always executed with a degree of competency. The Phantom Pain has a way about it where you just sense that nothing you did was quite good enough. Sure, it got the job done, but that's not how real Snake would've done it. Botch job and all, it still has a neat "totally meant to do that!" air about it. Man, that kid makes fucking up look cool. Wait. Now, go ahead and jettison a guard away with a weather balloon -- err, your Fulton. That guy works for you now. And that horse you're riding? He poops when you want him to. Big Boss, indeed. All that stuff is indicative of what will surely make The Phantom Pain a great video game. Not only is it incredibly polished and detail dense, but it also has enough silly stuff to remind you that you're playing a game. There's plenty of weirdness to be found, and Kojima's tightly tethered it to the title's core mechanics. As we finished our play sessions, it was tough for us to imagine a game that would be more deserving of Destructoid's Best of E3 award. Metal Gear Solid V: The Phantom Pain just plays so damn wonderfully. In hindsight, Konami wasn't going out on a limb by letting us have at it at our own pace; it did exactly what any publisher would do if it had something this special on its hands.
E3 Game of the Show photo
So many good options
We've hemmed. We've hawed. Destructoid's editors and judges have kindly suggested, boldly voted, bickered, scolded, stabbed each other with rapiers, revenge-slept with each other's illegitimate cousins, and finally have come ...

Review: LEGO Jurassic World

Jun 26 // Ben Davis
LEGO Jurassic World (PS4 [reviewed], PS3, PS Vita, Xbox One, Xbox 360, Wii U, 3DS, PC)Developer: Traveller's TalesPublisher: Warner Bros.MSRP: $59.99Released: June 12, 2015 As a huge Jurassic Park fan, LEGO Jurassic World is pretty much exactly what I expected from a dinosaur game themed around children's toys. There is no shortage of humor, plenty of satisfying references to the movies and books, playable dinosaurs, and I get to run around as Ian Malcolm with his shirt torn open. What more could I ask for? LEGO Jurassic World's story is built around the plots of the movies, but while the movies can be tense and thrilling, the game remains silly and lighthearted. Death scenes from the films are played out in a comedic fashion. The LEGO characters are never actually killed; instead, they usually end up sharing a goofy moment with the dinosaur that attacks them. For example, Gennaro can be seen cleaning the T. Rex's teeth with a toilet brush after being pulled from his restroom hiding place, and the raptor tamer who dies in the very first scene of Jurassic Park only loses the precious sausage he was holding onto rather than his legs (there's a weird recurring sausage joke for some reason, which I can't say I really understood). Meanwhile, other parts feature raptors riding motorcycles, wearing fruit hats, and chasing lawn mowers through the long grass, so the dinos are generally more charming than they are terrifying. Of course, for a LEGO game, this was kind of a necessity. [embed]294839:59241:0[/embed] Gameplay is heavily puzzle-based, requiring obstacles to be solved by choosing the specific character required for the task. Most of these obstacles are accompanied by button prompts, and there are numerous quick time events scattered throughout as well. There is also some light combat, whenever the party is attacked by dinosaurs or InGen employees, but it involves little more than punching things until they get dizzy or fall apart. Characters do have health bars, but the only penalty for dying is losing a few studs, so it's not really a big deal. The health bars honestly feel wholly unnecessary, as there aren't any lives and characters already essentially feel invincible. They could have probably scrapped that mechanic entirely. It's possible to play as nearly every character from the Jurassic Park films, even minor characters such as Mr. DNA and that weird boy at the dig site who says raptors look like giant turkeys. Each character has their own unique skills which typically play off of their personalities and roles in the films, all of which will need to be utilized in order to traverse each level. Some characters, like Dr. Grant and Gray Mitchell, are good at building things out of dinosaur bones; characters like Lex Murphy and Kelly Malcolm can scream loud enough to shatter glass; characters like Tim Murphy and Ian Malcolm have items that can illuminate dark areas (night vision goggles and flares, for example); and others like Ellie Sattler and Owen Grady aren't afraid to get dirty and rummage through dino droppings (by diving in head first, no less!). It's necessary to play as many different characters in order to clear all of the puzzles and obstacles in the game. Of course, there's not only human characters, but dinosaurs to control as well. Most dinosaurs are unlocked by collecting amber bricks hidden in every level. They can be summoned via dinosaur creation pads, and sick dinosaurs can be healed in order to join the party as well. The dinosaurs come with their own sets of skills; Triceratops can charge and bash open large objects, Dilophosaurus can melt certain things with its venom, T. Rex can roar loud enough to shatter stuff, and Velociraptors can pull switches and sniff out hidden objects. The craziest option is the enormous Brachiosaurus, which can be used to crush certain platforms with a huge stomp, but it's so gigantic and slow that it's almost hilarious. It's even possible to play as Pteranodons and Mosasaurus, although they're restricted to the aviary and aquarium, respectively. Story mode will take the player through twenty levels centered around many of the most memorable and action-packed scenes from the movies. It's really fun to reenact classic scenes like the very first T. Rex attack, the raptors in the kitchen, the San Diego crisis, and more through the playful lens of the LEGO world. Every level is filled with puzzles to solve, obstacles to overcome, and a set amount of collectibles to find. Many levels implement chase sequences, such as running from the Gallimimus herd, or puzzle-based boss fights, like taking down Indominus Rex. There's nothing too complicated, though, so it should be an easy ride for most players. Upon completing each level in story mode, free play mode will be unlocked, allowing players to choose any character they want and switch to someone else at any time. Many of the collectibles can only be obtained in free play, since the characters in story mode might not have the required abilities, so it's necessary to play each level at least two times in order to find everything. Outside of story mode, players can also freely explore each of the four parks. The parks contain more collectibles to find, sick dinosaurs and workers in peril to help, characters to unlock, photograph locations, races, and more. The parks on Isla Sorna are unfortunately rather small and unexciting, but Isla Nublar's Jurassic Park and Jurassic World are both huge and full of all sorts of attractions and cool areas to discover. Strangely, though, once story mode is completed, free play in the parks takes place entirely during nighttime, which kind of bothered me as some areas just seem much less exciting in the dark. I'd prefer to view these beautiful parks in the bright sunshine. [Edit: Apparently, this can be changed, but only by fast travelling to specially marked areas on the map. Still an odd choice, but at least there are options!] Split-screen co-op is also an option, and players can jump in and out of the game at any time. Co-op can make solving puzzles and overcoming obstacles much easier, as players will not need to switch between characters as often and multiple tasks can be completed at once. For such a light-hearted adventure as LEGO Jurassic World, I can definitely see co-op being a popular option. The best aspect of LEGO Jurassic World for me was all the little nuances and nods to the films which were sprinkled throughout. Idle animations for characters usually highlighted certain aspects of their personalities or referenced specific moments from the movies. For example, Zach Mitchell will put on his headphones and start dancing, Amanda Kirby will test her megaphone (put that thing away!), and Ian Malcolm will run a Chaos Theory experiment by dripping water onto his hand. Many of the trophies also make great references to the movies; I think my favorite is the "Hello John!" trophy which is awarded for having both characters set to John Hammond. I also loved that Mr. DNA was in charge of all the tutorials and loading screen trivia. Aside from borrowing plot, characters, and locations from the movies, LEGO Jurassic World also borrows sound clips. While some new dialogue was recorded specifically for the game (mostly for the Jurassic World section), a lot of the dialogue is taken directly from the films. This can be entertaining at times (hearing Jeff Goldblum's ridiculous laugh on the helicopter never gets old, even when it's coming out of a LEGO character's mouth), but it can also be quite jarring. Since the tone of the movies does not match the tone of the game, the dialogue is often way too tense and emotional for what should be silly, light-hearted scenes. There are also many instances where background noise from the films can be heard in the game's dialogue, which sounds really strange when compared to the newly recorded dialogue. Unfortunately, LEGO Jurassic World is not without its fair share of bugs. During my time with the game, there were several instances where I had to restart a level after a character got stuck between a wall and an object and couldn't move or jump to escape, or after they fell through the ground when I switched away from them. There were also a few instances where, after spawning a dinosaur and taking control of it, I could no longer switch to any other character and was permanently stuck in my dinosaur body. Usually, this meant I lost all progress on that level up to the point where I got stuck, so that was always a bummer. While it may have its flaws, I was still perfectly satisfied with my time in LEGO Jurassic World. Fans of the LEGO games should basically know what to expect, and Jurassic Park fans should be more than happy with the story, cutscenes, characters, and references. It captured all of my favorite Jurassic Park moments and added its own unique sense of humor into the mix, and that's essentially all I really wanted. And if you still need a reason to play this, just remember that is has LEGO Jeff Goldblum. Let's be honest: that's all anyone really needs. [This review is based on a retail build of the game purchased by the reviewer.]
LEGO Jurassic World photo
Hold on to your butts
Another year, another beloved franchise gets the LEGO treatment. This year, blocks and dinosaurs come together in LEGO Jurassic World, a compilation of games spanning the entire Jurassic Park film franchise. Released simultan...

Review: Final Fantasy XIV: Heavensward

Jun 26 // Chris Carter
Final Fantasy XIV: Heavensward (PC, PS3, PS4 [reviewed])Developer: Square EnixPublisher: Square EnixMSRP: $39.99 ($12.99 per month)Released: June 19, 2015 (Early Access), June 23, 2015 The "40 hours" of questing claim by Square Enix for the main story (levels 50-60) is accurate, but there's a caveat. You'll have to do a combination of sidequests, daily hunt marks (which can be done solo), and dungeons to push through some gaps, particularly in the middle levels. A few portions can be off-putting sometimes in terms of pacing, especially since the sidequests aren't nearly as good as the main story questline. Having said that, there wasn't any point, even the aforementioned lows, where I stopped having fun. There's just so much to do at this juncture of Final Fantasy XIV. I would frequently stop to do world hunts, which respawn every few hours or so in each area. They're even more fun now once you've unlocked flight for that particular zone, and all of the old hunts still exist too, albeit with smaller rewards for kills. You could hunt all day if you wanted to. I'd visit my new apartment in my friend's beachfront property villa in the Mist, and see what was going on with their new workshop -- a feature that lets you build Free Company (guild) airships in Heavensward, which go on expeditions for more items, similar to Retainer quests. Although I don't tend to craft in any MMO I play, I hung out with a group of crafters and chatted for hours about the new crafter meta and theories for some testing, which are insanely deep. For those who aren't aware, each crafting and gathering class has its own miniature storyline, and crafters in particular now have a even more complicated method of creating new high quality items. Crafting was always like a puzzle, allowing players to learn the best rotations for creating the best items, but now, there's an "endgame" of sorts for the profession, featuring a separate system of crafting in guilds to help build airships, and more complicated patterns that will fetch big gains on the auction house. Flying makes gathering nodes more fun, which is a big improvement on the 2.0 system -- and more nuanced with new gathering abilities. I also took a break and started a Dark Knight, Astrologian, and Machinist, which are all new jobs in Heavensward. Although there's a debate going on regarding the latter's low damage output, I've grouped and played all of them, and each brings something unique to the table. The Dark Knight is really fun to tank with, as he can drop his "Grit" stance (having it on lets you take less damage) on occasion, which unlocks a whole host of damage-dealing abilities. [embed]294750:59242:0[/embed] As a general rule you always want to be doing your core job and tanking with Grit, but when you need that extra push, the Dark Knight is ready and willing, and feels far more engaging than the existing Warrior. The Astrologian sacrifices a bit of firepower (compared to the White Mage and Scholar) but makes up for it with a variety of different healing tricks, and the Machinist is one of the most complicated DPS classes in the game. They are all worthwhile additions, and each role (tank, healer, ranged DPS) fits perfectly in the current meta. By the time I was done with the story and hit level 60, I had played far more than 40 hours. While there are some predictable plot points and far too much Final Fantasy grandstanding, I have to say I enjoyed it as a whole. I really dig the dragon theme that permeates throughout the expansion (they commit to it), and I was satisfied with the conclusion, especially the final boss, which Final Fantasy fans will love. The epilogue also does its job of sufficiently teasing all of the upcoming free content updates, so I'm pumped to see where this goes. The dungeons are all par for the course, which again, is a theme with this expansion. Every dungeon, including the three level 60 ones at the end, have the same linear design that is crafted to prevent you from speedrunning them. Gone are the labyrinthine paths of some low-level dungeons, as well as the tricks of the trade of the vanilla endgame areas; the structure is basically the same every time. Thankfully, the boss fights are spectacular, and nearly every zone features an encounter that has something I've never seen before. Without spoiling it, my favorite dungeon has a fight where a bird flies up into the air, and causes the entire battlefield to fill with fog, forcing you to find his shadow before he comes back down. Another hilariously tasks players with picking up totems and placing them in certain areas to prevent a boss from casting a ritual that ties his health to them. Every fight is intuitive so you won't be scratching your head going "how does this work?" but you will have to actually try. It's a good balance, even if I wish some of the dungeons were a bit more open. The two Primals (Ravana and Bismarck) are worthy additions to the game, and both have EX (extreme) versions that will test your might at level 60. Ravana is an awesome fight that I refer to as "the ninja bug," and it basically feels like how Titan should have been, with a circular arena that you can fall off of. Bismarck on the other hand is like nothing else in Final Fantasy XIV, featuring the titular whale flying right next to a floating rock that the party is standing on. Players will have to hook him with harpoons (you can shout "call me Ishmael" while doing it) and whale on the whale's weak point temporarily. I feel like Ravana is faster-paced and more fun, but again, Bismarck is unique. Currently the endgame consists of gathering law tomes (obtained by high-level dungeons and hunts), buying item level i170 gear, and upgrading them to i180 by way of items from seals. Bismarck EX will net you i175 weapons, and Ravana earns you i190. You have two weeks to fully upgrade your left and right-side gear to face the first part of the Alexander raid, who will debut at that time (with the tougher "Savage" difficulty unlocking two weeks after that). Said raids will be even better thanks to the new loot systems, which can give a raid leader more control over who gets what (finally). With everything there is to do in the game though, it doesn't feel like a grind to get to that point. Did I mention Heavensward was beautiful? I'm pretty sure I have often, but I'll do it again just to drive the point home. It looks fantastic, from the snowy landscape of Ishgard to the Souls-esque Dravanian Hinterlands, complete with lush plains and hellish mountains filled with fiery depths. I would often stop just to admire the scenery, which is even easier thanks to flying mounts. Every time I visit an old content area I long for the chance to use a flying mount, but alas, it's only available in new zones. Specifically regarding the PS4 version, it's starting to feel the sting of the more open areas a bit, particularly when it comes to longer load times (which can be a pain while zoning in for hunts) and some slowdown. I should mention that said slowdown never becomes unplayable, even with 50 other players slashing away at the same world hunt target. It can just get a bit sluggish is all. My view is partially colored by the fact that the new Direct X 11 version on PC looks gorgeous and runs smoothly. Down the line you have new storylines to look forward to, as well as the aforementioned Alexander raid, more 24-player casual raids (which aren't currently in yet), a new PVP map, and a new multi-part relic weapon quest that will debut next month for all jobs. None of this was factored into this review, but it's something to be aware of -- based on its past track record, Square Enix will continue to evolve the game and make it better. Final Fantasy XIV: Heavensward is more A Realm Reborn, which is a fine thing to strive for in my book. Whether you're the type of player who enjoys crafting, endgame content, or role-playing, there's so much to do here for people of all skill levels it's insane. While I fizzled out a bit after completing the main story in 2.5, Heavensward has rekindled my flame. [This review is based on a retail build of the game provided by the publisher.]
Heavensward review photo
Par for the heavens
When our story began last week, I was a level 53 Paladin, soldiering through the new content for Final Fantasy XIV: Heavensward. I stand before you now as a level 60, having played everything that's currently available. My opinion on the expansion hasn't changed much, which is a good thing.

Review: Sonic Runners

Jun 25 // Chris Carter
Sonic Runners (Android, iOS [reviewed on an iPhone 6])Developer: SegaPublisher: SegaReleased: May 25, 2015MSRP: Free-to-play Sonic Runners is very clearly, well, a runner, but it's far more than meets the eye. It's level-based, features a variety of locales from Sonic's past, has a cute little story involved, and plays wonderfully well, just like how you'd imagine a good mobile Sonic game would. Our hero will run from left to right automatically through stages that mirror the classics from his storied history, and players can tap anywhere on the screen to jump. Tapping again will trigger another leap, and the process of jumping will inherently attack enemies. A lot of depth lies beneath the surface, with multi-tiered stages that are a lot like Robot Unicorn Attack's maps, giving you a good sense of adventure on a constant basis like a true platformer. Gathering more coins and pickups in a short period of time will grant you a combo bonus, which in turn earns you more points, which assists in your progress with the story and your skill unlocks. It looks great on paper and in action as well, sporting a cool bright look that differentiates itself from the classic titles while giving it a distinct style. It's great how Sonic Runners actually feels like a Sonic game through and through, from the "dying while having no rings" mechanic to plungers, to loops, and Tails' flight power and Knuckles' power dash are great additions. Sonic and the rest of the cast have individual experience levels, and can equip "buddies" (like Chao) for minor statistical bonuses. You can also level-up characters to beef up their response to power-ups and point bonuses for specific objectives. Like I said, it's surprisingly deep, and will keep you interested for the long haul rather than supply you with a selection of different cosmetic options. [embed]294806:59239:0[/embed] Unfortunately, Sega decided to be unreasonable with the free-to-play nature of the game. First, you'll have to go through a grueling signup process that involves updates (which crashed when I first tried to install it this morning), online checks, and age verification (so you don't spend all your parent's money). From there, you'll head on down to the microtransaction layer, of which you will likely never return. Let me just list off everything that's present in the game: two roulettes, one for each type of currency that you earn or buy spins for, an energy system that takes 30 minutes to recharge per life, a revive system that involves watching an ad to restart from your death point, three types of currency you can buy (yellow rings, red rings, and lives), friend invite bonuses (10 will get you Amy), and a ticker that shows "current deals" on the currencies involved. This is exacerbated by ads that run every so often after a level, seemingly for no reason, that happen to play the ad's audio alongside of the game's music. Sometimes, this happens while you're getting a post-match bonus tallied. It's exhausting. While playing each round and having a bit of confined fun will often have you forgetting about all of these elements, it's not long before they're thrown back into your face. The energy system is probably the worst part, limiting your playtime regardless of whether or not you wade through everything else. In practice, Sonic Runners is a fun mobile tribute to the Blue Blur, and the team that designed it should be proud -- this is how you bring a storied console franchise to the Android and iOS marketplaces. Unfortunately, the team in charge of that team decided that said fun should be gated by needless locks with cash keys, which is a problem. Give it a go and see if you can stomach the microtransactions. As for myself, I'm taking frequent breaks, mostly because I'm forced to.
Sonic Runners photo
Did Eggman design the microtransactions?
Hey, Sega actually made a really cool mobile Sonic game...then promptly proceeded to beat it down with layers and layers of microtransactions. Oh Sega, you scamp!

Review: Batman: Arkham Knight

Jun 25 // Steven Hansen
Batman: Arkham Knight (PC, Xbox One, PS4 [reviewed])Developer: RocksteadyPublisher: Warner Bros.MSRP: $59.99Released: June 23, 2015 Arkham Knight is stitched together with exceptional technical proficiency at the cost of tonal instability. City shared this problem. It insists on the direness of the narrative while letting you busy yourself with 69 (hah) AR challenges. It's worse in Knight, with even more dire stakes (there is nothing to do but escalate, of course) as Scarecrow intends to ruin all of Gotham with the help of the titular Arkham Knight.  There is so much "content" beside the main story path, but most of it is busy work. I've still not rescued all 20 captive firefighters spread throughout the city. Militia members set up dozens of roadblocks across Gotham's three islands that impede the Batmobile, but you can always go around them, or avoid driving except when mandated, given that Batman's grapple and glide are some of the coolest traversal methods in games. Clearing them isn't even that useful. It's just about getting to the super villain (most of whom have no story aside from "they're doing crime") at the end and notching the completion percentage. And of course this brings us to the Batmobile. It is cool and god awful. Calling it to pick Batman up; ejecting from it at high speeds and doing takedowns; the fact that all of Gotham's pillars and corners are destructible, so you typically don't do much crashing; remote control driving it towards Batman, who automatically jumps into it while you maintain control and momentum; the tank mode convincing me I need a Transformers game or Armored Core reboot. [embed]294804:59235:0[/embed] This all works well. It was also a lot of work for Rocksteady. Thus, there are heavy, mandated Batmobile segments, like the aforementioned waves of tank fights, and even a hilarious tank stealth section against bigger, stronger tanks. The Batmobile is cool as something I might occasionally use, but all the work that went into it means it needs a lot of screen time. It's actually pretty fun to chase Firefly through the streets in it, even if you have to do that several times before he's been punched enough to quit. When I'm forced to ferry passengers to the police station in it just so more drones can be thrown my way, it becomes a nuisance. When one side mission involves chasing missile-spongy armored cars while smaller armored cars attack me, over and over, it's not so fun. Everything is strung together nobly, but it's a case if "they were so concerned with whether or not they could, they didn't stop to think if they should." Disjointed content put together as well as possible mirrors a main story that works too hard to put Batman in his car. The shorter side missions that pop up woven into the narrative are much more fulfilling than saving 20 different firemen, stopping Two Face's goons from robbing several banks or destroying five or so of Penguin's weapons stashes (though the latter teams Bats with Nightwing and the dual fighter segments are fun). Thankfully I hardly looked at the map screen this time around because there's a d-pad button just to bring up a mission select wheel so it's easy to ping pong between waypoints like an errand boy. I also hardly looked at the upgrades, usually going several hours at a time before dumping like 50 points into skills I mostly didn't use (but do reinforce that car for the mandated tank segments). I can't tell if there is less punching this time around. Maybe it's been replaced by Batmobile segments. There are also more stealth options, including fear takedowns that can be used to instantly incapacitate up to eight enemies at a time (ok, upgrades are sometimes helpful, as it starts at three). I can string together perfect, room-clearing 60x combo fisticuffs with the best of them, but combat never drags in Arkham Knight, which I appreciate because my favorite thing to do is to explore the city. That does bring up a series-long issue of detective mode and waypoints guiding you to the point of feeling like a middle manager. It's nice to just notice side missions -- hearing strange shrieks, hearing opera blaring over a PA system, seeing a building on fire -- rather than being directed towards them, but that's the problem with dealing with this size of open world necessitated by the series trending upward as far as stakes raising goes. But when you stumble on mutilated bodies and every time -- five times! -- the answer is to scan one obvious thing on each of three layers (skin, muscle, bone) with detective mode, you're not really doing anything, much less detecting. Batman is boring, right? The character. Sad about parents, righteous, rich, mostly ideal. When comic fans point to his spot at the top of the echelon it's always about the supporting cast (villains, namely). And so, post Joker, what is there to do? Two things, neither of them original, but one of them done well. Without getting too spoilery, the Joker has inevitably left his mark in the Arkham universe and these ramifications are handled nicely in one half of Arkham Knight, even if they open the door for perhaps the most unoriginal and obvious Batman story to take seed beneath Scarecrow's reign of terror in the other. Scarecrow, to Rocksteady's credit, plays a great villain here, though he does so from the shadows. Because Batman is Batman, it's hard to feel the stakes sometimes, but Scarecrow is good for manipulating Bats and leaving him one step behind, more and more panicked and fragmented. The Arkham Knight, meanwhile, mostly tries to kill you with very large vehicles. The whole tenor of the character feels at odds with his Scarecrow partnership. There's the weird red tactical camo print and his general, impotent rage. His voice, which seems to waver beneath the autotune, is a mix of haughtiness and incredulity. He hates Batman, knows Batman is strong, is sure that he's better, and gets real petulant every time something goes wrong. His hugely amassed, literal army -- ex-United States soldiers now mercenaries -- occasionally remark about how better outfitted they are now than when they were government employees and ask if all this gear is overkill for just one man.   And it's not, because Batman is Batman and he feels immune to even the direst of straits. It makes the villains -- Knight, namely -- look goofy as plan after plan are foiled, though Scarecrow holds it together fairly well as the story takes shots at characters adjacent to Batman. The most interesting story stuff is happening within Batman's head, though, and that's where the series returns to effective use of jump scares (not a bad thing!), Dutch angles, and unreliable world distortion. Shifting the world around the player, moving things that the player isn't looking at. There's some cool, occasionally chilling toying going on, but it's mostly wrapped up in the end of the game. Getting there, Arkham Knight struggles to surprise and delight as Asylum and City. One musical boss "fight" stands out as a show stealer, but it would have been nice to have more inventive moments like the Mr. Freeze fight from City.   If the Batmobile was Rocksteady's gambit in that regard, it failed. It makes for a better occasional use gadget than core gameplay system. The Riddler side mission sums up Arkham Knight's issues fairly well. Apropos of nothing, he becomes a racing aficionado and constructs massive death tracks beneath the city to go with his death traps. This is to cram more Batmobile segments in. He does his same, tired shtick for a third game, this time holding Catwoman captive, but also he's made both race tracks and robots to fight, just to add more. He even explains in-game why if he wins because Batman can't beat the robots, it still counts as a victory of cunning. He's doing mental loops to defend padding. At one point, he taunts that even a chimp can follow basic instructions. Sometimes that feels like Arkham Knight. More of the same isn't all bad; too much more of the same is, especially at the cost of upsetting the balance between familiar and new. Riddler's story can't be resolved (nor can you get the full ending) until you do the 300 or so Riddler trophies/riddles/whatever, but you can at least take it far enough to free Catwoman. Arkham Knight is a solid, if uneven send-off for Rocksteady's trilogy. Combat and predation are still satisfying. The narrative mixes unsurprising, but well done segments with unsurprising and uninteresting elements. It's full of nods, winks, nudges for batfans, even if certain super villain side missions feel needlessly tossed in. It makes me worried about what will happen with Batman in a new developer's less comfortable hands, and excited for what Rocksteady might do, itself free of the Batman myth. [This review is based on a retail build purchased by the reviewer.]
Batman review photo
Long Halloween
[Note: This review is based on a retail PlayStation 4 copy of Batman: Arkham Knight, not the PC version that is so broken publisher Warner Bros. temporarily delisted it from sale] If the difference between the real Batman and...

Goodnight sweet Knight photo
Wow
It looks like Warner Bros. is doing the right thing and pulling Batman: Arkham Knight from Steam. The publisher released the following statement on the game's Steam community: Dear Batman: Arkham Knight PC owners, ...

Review: Devil May Cry 4 Special Edition

Jun 23 // Chris Carter
Devil May Cry 4 Special Edition (PC, PS4, Xbox One [reviewed])Developer: CapcomPublisher: CapcomMSRP: $24.99Release Date: June 23, 2015 After booting it up, you'll have the option to play the original campaign with Nero and Dante, solely as Vergil, or a joint story of Lady and Trish, mirroring the former pair's split-story. Each character has their own customizable set of controls, and the Legendary Dark Knight mode (previously exclusive to the PC version) is open from the very start. I immediately sprung for Vergil and was not disappointed. If you're a newcomer, you'll likely want to replay the base story for some background, as the new characters merely have a new intro and ending to cap things off. It's essentially the exact same levels and bosses, but thanks to the fundamentally reworked movesets, the experiences feel nothing alike. Also for newcomers, the "automatic" control option returns for easier combos, as well as an automatic level-up function where the game chooses your upgrades for you. Veterans will be pleased to find a turbo option (increasing the speed by 20%) as well as your typical lock-on tweaks. Those of you out there who never played the PC version are in for a treat, as Legendary Dark Knight is about as balls-to-the-wall as it gets. The entire screen in nearly every area is littered with enemies, and it even goes so far as to add in endgame foes in the second mission. [embed]293573:58903:0[/embed] Despite the fact that there aren't any other major new modes, this is not a lazy remake by any means, as the three aforementioned character additions spice things up considerably. Vergil is probably my personal favorite new playstyle; possibly my favorite of the entire series. His style is fast and flashy, as he can still "trick" teleport up, down (which can also be used to cancel attacks), and forward, but he has a major new mechanic to manage that makes him more unique. Vergil now has a "concentration" gauge, which increases when he is walking, taunting, or connecting with abilities, and lowers when he runs, whiffs attacks, or gets hit. Raising this gauge increases your statline and opens up some new powers that are reliant on a full meter. It completely changes the way you play, as walking like a badass is now a priority, and missing attacks is more punishing. That's not to say that the game is "impossible" if you don't feel like mastering concentration on a normal or easy difficulty level, it just makes it more fun -- though it will increase your chances of survival later on. Take one advanced tactic from Vergil: teleporting. By using a sword projectile, Vergil can "stick" an enemy for later. By using the forward trick, you can instantly teleport to that marked baddie. He's extremely mobile, much like Dante's trickster style in Devil May Cry 3 or his appearance herein. To me, Vergil is the main event. Trish and Lady crash as well, starting with a small pizza party intro with Dante. Lady's playstyle, like Vergil before her, completely changes the way one would approach Devil May Cry, mostly because of her reliance on guns. In previous games, guns could always be used with effectiveness, but weren't really ideal. With Lady though, they're front and center. She has her Kalina Ann rocket launcher (which doubles as a grappling hook to mirror Nero's platforming abilities in the story), handguns, and a shotgun. While the latter two guns mesh with Dante's gunslinger style, the Kalina Ann acts almost nothing like it did in Devil May Cry 3. Her rocket sports a few melee abilities, a rocket-jump boost, and a throw, but the focus for her is ranged combat. Additionally, since Lady is human, she uses a super grenade blast instead of a Devil Trigger. It's really hard to get a good style rating at first, but once you learn to start chaining throws and juggling with different guns and abilities, it gets real fun real fast. Classic bosses like Berial are seen in a whole new light when you're trying to turtle and keep them at bay with rockets. I didn't expect much from Trish, but she's come a long way since her appearance in the first game. Her entire style hinges on the fact that she can't switch weapons, and instead just has a shit-ton of moves at her disposal. This sounds lame on paper. It's anything but in practice, as said moves are a ton of fun. In addition to a smorgasbord of powers from the entire series, she also sports some movesets from Ultimate Marvel vs. Capcom 3, as well as Round Trip, a boomerang of sorts that will continue to attack enemies while she's doing her thing. Dante himself though is still the king. He has access to his five styles (Trickster, Swordmaster, Gunslinger, Royalguard, and Dark Slayer), which can be switched out at any time using the d-pad. If you haven't seen the absolutely insane combos and possibilities that this system creates, take a look at this. Yes, with 1080p visuals and 60fps, you can still craft and employ advanced frame-specific mechanics, and beyond. With how deep the combat system is even to this day, I expect plenty of similar discoveries for the rest of the cast. That cast, by the way, is added in a way that feels like a natural continuation of Devil May Cry 3, which is a nice touch. I love little details like the fact that everyone has their own lock-on reticle. Sadly, the bad news is that all of this extra content doesn't necessarily fix the level design. The core problem hinges with the halfway point of the campaign, in which Dante (or Vergil/Trish) backtracks through the story, fighting the same exact bosses all over again. Not every level is exactly the same per se, but it's enough to grate on most players, especially since the pacing slows down a bit near the end. To unlock Dante, you'll have to play as Nero, and to unlock Trish, you'll have to play as Lady for a while. It's not that this system is bad per se because of how strong the combat systems are, it's just odd, as it feels like Capcom rushed its development a bit. The boss fights themselves are challenging and enjoyable, but having to do them all over again (or more, once you hit a gauntlet-like area at the end) is a bummer. The same goes for trekking through locales you've already seen at length. Having said all that, the juice is worth the squeeze, even more-so than before because of the new playstyles. While Nero operated like a handicapped Dante in the original edition, Vergil, Trish, and Lady have all cemented their places into the pantheon of Devil May Cry, to the point where I would love to see at least one of them (if not all) return in a future iteration. Devil May Cry 4 Special Edition reaffirms the series' status as the current king of the action genre. It may not fix some of the blemishes inherent to the game's campaign, but the new characters and styles are fantastic, and will have players creating combo videos for years to come. With respect to DmC and everything it accomplished, this is the Devil May Cry I want to see in the future, Capcom. [This review is based on a retail build provided by the publisher.]
Devil May Cry review photo
Real Dante returns
It wasn't until I played the very first Devil May Cry game that I knew I was an action fan. I must have beaten it five times at launch, pouring through every facet over weeks, perfecting my frame-by-frame combat abilities -- ...

Rumor: Hidden data reveals new Splatoon stages, modes, and weapons

Jun 21 // Jonathan Holmes
Here's a list of the rumored weapons. I'm particularly curious about the Gatling Hyper and the Bamboozler.  1. Sploosh-o-matic - Squid Beakons & Killer Wail 2. Neo Sploosh-o-matic - Point Sensor & Kraken 3. Neo Splash-o-matic - Burst Bombs & Inkzooka 4. N-ZAP '89 - Sprinkler & Inkstrikes 5. Custom Dual Squelcher - Squid Beakon & Killer Wail 6. Luna Blaster - Ink Mines & Inkzooka 7. Luna Blaster Neo - Splat Bombs & Bomb Rush 8. Range Blaster - Splash Wall & Inkstrike 9. Custom Range Blaster - Splat Bombs & Kraken 10. Rapid Blaster Pro - Seekers & Inkzooka 11. Rapid Blaster Pro Deco - Disruptors & Killer Wail 12. L-3 Nozzlenose D - Burst Bombs & Kraken 13. H-3 Nozzlenose - Suction Bombs & Echolocator 14. H-3 Nozzlenose D - Point Sensor & Inkzooka 15. Carbon Roller - Burst Bombs & Inkzooka 16. Carbon Roller Deco - Seekers & Bomb Rush 17. Inkbrush Nouveau - Ink Mines & Bubbler 18. Octobrush - Squid Beakons & Kraken 19. Octobrush Nouveau - Splat Bombs & Inkzooka 20. Bloblobber 21. T_BigBall_Strong01 22. Triple Bloblobber 23. T_BigBall_Diffusion01 24. Bomlobber 25. T_BigBall_Launcher01 26. E-liter 3K Scope 27. Custom E-liter 3K Scope 28. Bamboozler 14 Mk I 29. Bamboozler 14 Mk II 30. T_Gatling_Standard00 31. T_Gatling_Standard01 32. T_Gatling_Hyper00 33. T_Gatling_Hyper01  
Splatoon photo
Ryu not confirmed (yet)
It's seems that Nintendo may have once again let some of their future plans slip out through the magic of hidden data. Some hard working hackers have found content in Splatoon's code that reveals two yet unreleased stages (Ca...


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