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5:00 PM on 08.21.2014

Ancient Space is a new space RTS from Paradox Interactive

If you're anxiously waiting for that Homeworld HD remake to arrive, we can console ourselves with another nice-looking space-based RTS game in Ancient Space which will dock with us later in the autumn for PC and Mac. Develop...

Alasdair Duncan


Updated! Panel details revealed:

Hironobu Sakaguchi Reflection: Past, Present, Future of RPGs

The father of Final Fantasy, Hironobu Sakaguchi, has announced his PAX Prime 2014 panel where he will discuss his history developing role-playing games, along with revealing more about his new RPG, Terra Battle. Find out more info at PAX Prime website.






Alien: Isolation is haunting and uncompromisingly scary photo
Alien: Isolation is haunting and uncompromisingly scary
by Alessandro Fillari

Though it was initially seen as "Jaws-in-space," the legacy for Alien is certainly much more pristine than the one with the giant shark. Originally released in 1979, the first Alien would eventually become a much-loved horror film that spawned a major movie franchise. And while the sequels would get more attention and prominence among fans, the original still holds a special place in the hearts of fans.

After the release of some rather disappointing Alien titles, and with the Cameron interpretation of Alien as the de-facto standard for the franchise, the developers at Creative Assembly believed it was about time fans went back to the roots of the series. Just a week before gamescom, Sega invited Destructoid out to get some quality time with Alien: Isolation, and to speak with the game's creative lead, Alistair Hope. During our time, we got to learn just how different horror is when faced off with something out of your league.

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3:00 PM on 08.07.2014

You get 12 inches of pure Master Chief with the UK-only Mjolnir Edition of Halo: Master Chief Collection

The Halo: The Master Chief Collection Mjolnir Edition has been revealed and includes a 12-inch Master Chief figure made by Artfx. The figure has two sets of interchangeable arms so you can pose Master Chief all nonchalant wit...

Brittany Vincent

12:15 PM on 08.07.2014

Gunpoint designer Tom Francis has made some good progress on Heat Signature

Last time we saw a bit of Heat Signature, it was essentially just a proof of concept. The thruster physics and heat detection was functional, but the procedural generation of ships was a little wonky and there were no clear ...

Darren Nakamura



Father of the Wasteland: How to trust your fans and revive a classic photo
Father of the Wasteland: How to trust your fans and revive a classic
by Alessandro Fillari

Take a moment and think about your dream game. You've probably been thinking about this for awhile. It's always in the back of your mind. Whenever you see new a title promising to do what your dream game does, you wonder if it can possibly reach it. Your dream game, it feels fleeting and impossible, but the joy and wonder it evokes is still real and raw. 

Suddenly, you've been given the chance to make you dream game real. Friends look to you and hope you won't screw things up. Now you've got strangers invested in it. With so many people now following you, watching you, wanting you to make your game, it puts an enormous amount of pressure on you. 

Sounds nerve wracking, right? This is all too real for Brian Fargo and his development studio inXile Entertainment. Two years after an enormously successful Kickstarter for Wasteland 2, they're quickly approaching the time for its release. We were invited to meet Fargo during his press tour for the game. During our talk, we learned just how much inXile and the creator are putting on the line with this revival of a classic post-apocalyptic adventure.

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1:00 PM on 07.27.2014

They grow up so fast: Game Informer interviews Aaron Linde about writing Battleborn

It doesn't feel like it has been that long since former Destructoid reviews editor Aaron Linde moved on to work in the game industry, but it has been almost six years now. In that time, he has contributed to a number of deve...

Darren Nakamura

5:00 PM on 07.16.2014

Oh man, I need Halfway in my life right now

I already liked Chucklefish. The indie developer best known for making Starbound has gone on to act as a publisher for smaller teams with great ideas. The studio has helped to release Hopoo Games' Risk of Rain, and is p...

Darren Nakamura

1:15 PM on 07.08.2014

Yup: Cliff Bleszinski is making a sci-fi arena shooter

Former Epic Games designer Cliff Bleszinski is back from his hiatus. He's been teasing his next project for a while now, commenting that he'd like to make an arena shooter for PC and dropping concept art. The mystery game, Bl...

Jordan Devore



Dreadnought's huge spaceships are a fairly untapped idea, but still feel familiar photo
Dreadnought's huge spaceships are a fairly untapped idea, but still feel familiar
by Darren Nakamura

The reveal trailer for Dreadnought pushes a lot of the right buttons for science fiction fans. It puts potential players into the right frame of mind and really sets up the scale of the endeavor. Combatants will not be darting around in fighters, they will be commanding huge, lumbering vessels that scoff at smaller ships. "Probably just debris, sir."

Despite the inherent coolness of taking control of a ship on the scale of a Battlestar, it is not something that comes up too often in games. In practice, it makes sense: the speed and control afforded by a smaller vessel is exciting, and that alone does not translate to huge ships. However, with its focus on tactical combat, Dreadnought makes it work, and it does so while remaining accessible to new players. Even though it treads less traveled ground in its subject matter, it features classes and tactics that will feel familiar to most gamers.

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Hello Games talks about No Man's Sky for 12 minutes and oh my God photo
Hello Games talks about No Man's Sky for 12 minutes and oh my God
by Jordan Devore

Hello Games' sci-fi exploration survival game No Man's Sky is looking and sounding as amazing and unbelievable as ever. Here's an in-depth conversation with founder Sean Murray at E3 2014 explaining what is and isn't possible within the procedurally-generated title.

"This isn't an ambient universe," he said. "This isn't something you just wander around and look at trees and breathe it in. There is danger everywhere. So the creatures are dangerous, the ecology. But more than that, in space, there are friends -- like the wingmen who fly besides you, the enemies who are attacking those freighters -- but in terms of gameplay systems, this is a universe and you make your own gameplay within that."

Those ships shown in the most recent trailer were AI-controlled, but the universe in No Man's Sky is shared. "You could encounter other players," Murray explained.

"The reality is the likelihood of that is tiny, basically. What we're dealing with is planet-sized planets -- so even just one planet, if a million of us played, we would still be really far apart." That said, "...there are elements where you will get crossover and interaction from other players, but that's not what this game is about ... We're the opposite of an MMO."

As high as expectations are, I have a feeling Hello Games will deliver, or come remarkably close.

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10:45 AM on 05.27.2014

Float and sputter: Halo assets coming to Minecraft: Xbox 360 Edition

Previously, we have seen Skyrim and Marvel come to Minecraft: Xbox 360 Edition, but the flagship Xbox franchise Halo has been suspiciously absent. You don't think Microsoft would pass up on an opportunity to marry two of its...

Darren Nakamura





2:00 PM on 05.24.2014

Icarus Proudbottom takes control of a spaceship in Starship Captain

Last we saw Icarus Proudbottom, he was teaching us typing, and before that he was demonstrating his chocolate fountain. Suffice it to say, the Icarus Proudbottom franchise is all over the place, in the best way possible. Now...

Darren Nakamura



The old world European electronic noir of Transistor photo
The old world European electronic noir of Transistor
by Steven Hansen

As much as Jen Zee's mood paintings and art catalyzed what would become Transistor early on, so too did Darren Korb's music. The soundtrack is an important part of Transistor and while I'd like to be able to yell at you to go freely listen to it right now, there are some meaningful compositions that should first be experience in-game.

Making music is, "different at different stages of the process," Korb said. "At the beginning, there aren't a lot of other assets happening. There's not a lot of other stuff that defines the tone of the game so I'll kind of go off and try some things. I'll come back like, 'here's a thing and it feels this way,' and try to develop a center for the identity of music and the feel.

"As the process goes on, I can look at the art and look at the gameplay. That will affect and change the direction a little bit. Or I can regroup and go in a different direction. Once it's in and once we get a better sense of where the game is going story-wise, well here's a scene we need a specific thing for. It won't be blind, throwing darts and it hits something." That's when you get tracks that should be enjoyed in-game, but, like with Bastion, the early music helps set a tone.

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Transistor's sword was a briefcase at one point photo
Transistor's sword was a briefcase at one point
by Steven Hansen

Parts I and II of this series have touched on various elements of Transistor's design, but not one of its most striking facets, the artistry that immediately arrested many of us when Transistor was announced. We also sat down with Jen Zee at Supergiant, the artist behind this indelible style, and talked a bit about artistic influences, design process, refusing cyberpunk, and briefcases.

"We came off Bastion and Bastion is such a bright and colorful world that we kind of wanted to try something different. It was reactionary," Zee explained. "We did a fantasy world already, what can Supergiant do in the sci-fi world? What would that look like? We attempted to go for a more pallet-controlled world that would just feel a little more dark than Bastion.

"The difference between Bastion and Transistor for me, the big difference, is that I wasn't on board at the very start of Bastion -- pre-production. But I definitely got to scratch an itch where I kind of wanted to in a sense write a love letter to classical artists that I grew up really liking, like William Waterhouse or [Gustav] Klimt, or Alphonse Mucha. I wanted to inject that somehow into the art we made for Transistor because there's no other opportunity like the one that's right in front of you to express yourself the best you can. So I think that it's a combination of reactionary to Bastion, things that we wanted to do on Bastion that we never got to do, and also things that I wanted to do my whole life."

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7:00 PM on 05.20.2014

Listen to the incredible Transistor soundtrack right here

Transistor is out today for the PC and PlayStation 4! The game is pretty great, and I've been enjoying my time with it so far. I'm especially loving the music, from the soundtrack itself to the fact that there's a dedicated ...

Hamza CTZ Aziz



Under a red sky Part II: Transistor's strategy for doing strategy photo
Under a red sky Part II: Transistor's strategy for doing strategy
by Steven Hansen

Make sure to read Part I in this series. It deals with development crunch time, getting a game ready to launch, and the genesis of Transistor post Bastion. Now we're continuing the abrupt, jerky carnival ride through time and getting to the middle bits, to Transistor's design philosophy as it came together and the games that the people who made it love.

Come sit with us on Amir's dad's old, burgundy couch and learn about furniture utility with Supergiant's Amir Rao (co-founder), Greg Kasavin (writer), and Darren Korb (composer).

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