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Heroes of the Storm photo
Heroes of the Storm

Legacy of the Void owners can get Artanis early in Heroes of the Storm

Or just stockpile your gold
Oct 06
// Jordan Devore
I haven't even seen the Medic yet! Before I know it, Artanis will be here too. He's headed to Heroes of the Storm as a melee warrior on October 27, 2015, but there's a way to get him early. Folks who pre-purchase StarCraft II...
Your favorite stores? photo
Your favorite stores?

Steam Controllers and Machines only available at select retailers this year

GameStop, EB Games, and Game UK
Oct 06
// Jed Whitaker
In a strange twist, it has been announced that Valve has partnered with GameStop in the USA, Game UK, and EB Games in Canada to be the exclusive non-digital retailers for Steam Controllers and Steam Machines through the holid...
HoloLens photo

HoloLens dev kits are $3,000 (apply now!)

Shipping Q1 2016
Oct 06
// Jordan Devore
I remember hearing chatter that Microsoft's augmented-reality headset, HoloLens, would cost significantly more than an Xbox One. While we probably won't know the exact price tag for quite a while, the company has begun taking...

I'm not too impressed by the Star Wars Battlefront beta

Oct 06 // Chris Carter
Today, I had the chance to play the beta on PS4, and I came away with some mixed thoughts. Right now in the beta there are three modes available: Drop Zone, which supports 16 players, Walker Assault, which supports 40, and Survival (a two-player gametype that can be played offline or online). The former is a gametype that sees two teams of eight battling it out for pods, which randomly drop from the sky and inhabit the battlefield one at a time. It's up to each side to locate the pod, capture it, and maintain ownership until a timer runs out. Once it's done, power-ups will pop out, and it's onto the next one. I actually liked the objective-based feel of Drop Zone quite a bit, and the timers feel spot-on to add some form of tactical depth to each match without feeling like a slog. Walker Assault might be 40 players, but it will allow 10 in a lobby to initiate a match. It's here that I witnessed a fairly keen matchmaking system, which drew in players gradually and located games that were mostly full first before dropping me into an empty lobby. This asymmetrical mode sees rebels defending Uplink objectives to call in Y-Bombers from imperials. It has more of a classic Star Wars feel to it, most notably due to the inclusion of AT-ATs, AT-STs, and Tie Fighters (which are essentially killstreak power-ups now, picked up on the battlefield) into the proceedings. Although we only started with 10, it gradually escalated to a crazy 20-on-20 match, and that glorious Battlefront entropy was in full force. As for the gameplay, again, there are no microtransactions, and you'll have to unlock everything through credits. There is some rank-gating involved, but not nearly as bad as other online shooters (at least, so far), and the credit system allows you to buy, for the most part, the exact equipment you want -- from rifles, to thermal detonators. The game uses a card system for equipment (which isn't nearly as kooky as Titanfall's Burn Cards) that lets you customize which slot each piece of gear falls into (L1/LB or R1/RB, with an additional slot for Triangle/Y). I really dig the option to default to first- or third-person at any point as well. I don't miss classes or squads. [embed]314178:60645:0[/embed] The game feels...a bit cheap at times in terms of its gunplay. It looks beautiful (it can go 4K on PC) and runs smoothly, especially when you're gazing up at the sky and watching ship battles take place before your eyes, but there's a certain clunky feel to combat. Weapons really lack impact or "oomph" all around, and I experienced a bit of lag at times. You can chalk part of that up to being a beta, but the game is right around the corner after all. Survival mode lists four potential locations on the menu (Hoth, Sullust, Endor, and Tatooine), but only the latter is playable the moment. AI battles are also shown, but aren't active in the beta as well. It's horde mode, in essence, with a gradual ramping up in difficulty with each wave. It's here that I was able to experience most of the perks (which are unlocked from the start), such as a vertical jetpack boost, grenade launcher, and a temporary boost for your primary, all of which have cooldowns involved. To be blunt, without a second player, this mode gets old quick. After just three waves I wasn't really feeling it, as there isn't a whole lot of deviation from the horde formula, and the fact that you're a grunt rather than a hero character really puts a damper on things. I don't expect to get much play out of this outside of the occasional session with a friend or my wife by way of local co-op. For diehards, though, you'll probably enjoy tackling the various challenges like "no death" runs. So there's the Star Wars: Battlefront beta so far. It's not bad by any means, but I'm not sure it's worth the full asking price. When the actual game launches next month we'll have a better idea of all of the different modes involved, but again, solo players will probably want to wait for a price cut straight out of the gate.
Star Wars Battlefront photo
But I'm not disappointed either
There seems to be a healthy amount of skepticism surrounding the upcoming release of Star Wars Battlefront, and I don't blame people. After all, EA is involved -- always lurking in the shadows, ready to strike at consumers. T...

More Sonic on PC photo
More Sonic on PC

Sonic Lost World heads to PC next month

Other 'past Sega titles' to follow
Oct 06
// Jordan Devore
Sega is bringing Sonic Lost World to PC on November 2, 2015. It's priced at $29.99 and the NiGHTS-infused Nightmare Zone, a stage available as DLC for the Wii U version, is included. In his 2013 review for Destructoid, Jim St...
Phantom Pain DLC photo
Phantom Pain DLC

Metal Gear Solid V adds $0.99 horse armor, human outfits

Do it (defecate)
Oct 06
// Jordan Devore
Compared to what Konami is doing with microtransactions surrounding forward operating bases (FOBs) in Metal Gear Solid V: The Phantom Pain, this batch of cosmetic DLC is tame. These outfits are $0.99 a piece and are currently...

Review: Skyhill

Oct 06 // Stephen Turner
Skyhill (PC) Developers: Mandragora Publisher: Daedalic Entertainment Released: October 6, 2015 MSRP: $14.99 One man’s late-night extravagance ends up being his good fortune as Perry Jason’s penthouse suite shields him from a biological attack. Every guest and staff worker is transformed into a bloodthirsty mutant, leaving him the only human seemingly left alive. But without supplies and a wife lost to the city, he has no choice but to venture down 100 floors to escape this hotel-turned-house of horrors. Sounds easy, right? If only he wasn't already starving to death and in need of some makeshift weapons. Skyhill has the look of a horror game, but it’s a light RPG/roguelike/survival game at heart. You scavenge for food and items, combine ingredients for better supplies, all the while keeping an eye on your increasing hunger pains. It's not a scary game, especially with the comic book horror presentation, but it does an excellent job of handing the tension over to the player and their decisions. Every new floor is a gamble, every consumable carries short-term and long-term effects, and every push downward has to be thought out in advance. Essentially, Skyhill is about knowing when to hold and when to fold. [embed]313976:60617:0[/embed] Starting off in the VIP Room, which also serves as an upgradable home base, you work your way through each floor to reach the lobby (the end goal). Movement is done through a simple click on a room, but every location depletes a point from the hunger bar. Finding food is always the top priority; without it, movement depletes the health bar instead. Much of Skyhill is spent yo-yoing up and down the eponymous building, collecting random items, taking them back to the VIP room to craft better upgrades, then venturing back down to your last location. It might sound like a chore, but it's actually quite effective at creating an air of desperation; pushing forward due to a lack of supplies or a regained purpose. If you’ve played any survival games before, you’ll know what to expect from Skyhill’s crafting system. The tier system is easy to use, and it always tells you the items you need or already own. But keeping a hold of higher-tier items is a challenge, as you’ll always come across an elevator shaft that needs fixing with a certain item that you just created for something else. The same difficult choices happen with food supplies, too; eat the basics now for a short-term boost, or hold out to make bigger meal later on. It’s always a tough call. Of course, Skyhill wouldn't be a horror game without combat. Due to cramped environments onscreen, the game opts for turned-based attacks and statistics. Each mutant type has 2-3 body parts to attack, but the more damage you can inflict, the less likely you are to hit. Players can level up their stats – damage, speed, dexterity, and accuracy – by gaining XP after every fight. Though, honestly, the RPG elements don't really change up the combat, say, beyond landing more hits, and both end up becoming Skyhill’s weaker elements in the second half. Without an option to dodge (though you can retreat), combat is always tit-for-tat, and whoever gets the best string of hits wins. If there was ever a perfect representation of Skyhill’s negative traits, it would be found in the building itself; a rinse-and-repeat of exploration between two rooms and a stairwell. Skyhill never evolves, even close to the ground floor, preferring instead to throw more mutant attacks in the way. The only reason the final 50 floors are tougher is because they're more of a drain on resources; just more of the same without the breather. Still, Skyhill manages to be a decent stab at survivalist horror; rightfully using certain mechanics to avoid an even lesser game. It’s hard to imagine the combat working in real time due to the tiny spaces, or that if every room were visually more complex, it would lead to some tiresome pixel hunting. In a way, Skyhill is economical in what it does, even if it means being the old double-edged sword. That said, when you get right down to the core of it, see how the elements work in your favour or conspire against you, Skyhill admirably creates this tense game of hubris and courage, one that never lets up until you escape or, far more likely, die. [This review is based on a retail build of the game provided by the publisher.]
Review photo
'We're on an express elevator to hell!'
100 floors up, countless mutants on the way down, and only one way out of town. No, this isn’t your average council estate in Swansea. This is Skyhill.

Bob's Burgers pinball photo
Bob's Burgers pinball

Bob's Burgers coming to Zen Studios pinball games

I don't see Tina, the best character
Oct 06
// Darren Nakamura
Joining Family Guy in Zen's "Balls of Glory" Pinball Pack is the vastly superior Bob's Burgers. The table is set up on the street outside the titular restaurant, with It's Your Funeral Home & Crematorium next door and Jim...
Witcher 3 photo
Witcher 3

Decapitation won't stop the foes in Witcher 3: Hearts of Stone

Try something else
Oct 06
// Brett Makedonski
Geralt of Rivia has found himself opposite all kinds of opponents. Ghouls and beasts and insects and vampires -- the list goes on and on. So, when he's facing boring ol' humans, well, that's about as mundane as his life gets...
Battlefront PC specs photo
Battlefront PC specs

Why the hell does Star Wars Battlefront recommend 16GB of RAM on PC?

That seems excessive
Oct 06
// Brett Makedonski
The Star Wars Battlefront beta starts in just a couple of days, and everyone's invited; there's no barrier to entry. Well, let me clarify. There's one barrier to entry if you're on PC -- you need to have a rig that'...
Far Cry Primal photo
Far Cry Primal

Everything we know about Far Cry Primal

Humanity's the underdog
Oct 06
// Brett Makedonski
Well, that didn't take Ubisoft long, eh? Yesterday's tease via stream lasted only a day before the French publisher couldn't stand the excitement anymore and announced Far Cry Primal. Here's what we've learned since then. Far...
Heroes of the Storm photo
Heroes of the Storm

Heroes of the Storm's Medic patch is live, with a host of other changes

Small additions
Oct 06
// Chris Carter
In addition to the all-new StarCraft-based Medic support character, the newest Heroes of the Storm patch brings in a few other quality of life additions. The UI is now re-tooled to provide more information to the player,...

Review: Armikrog

Oct 06 // Caitlin Cooke
Armikrog (PC)Developer: Pencil Test StudiosPublisher: Versus EvilReleased: September 30, 2015MSRP: $29.99 The game opens with a spectacular bang, showcasing an animated sequence of our hero Tommynaut and his sidekick Beak Beak crash landing into Armikrog, a strange complex on planet Spiro 5. Within its walls there are puzzles to explore, secrets to unlock, and history to discover as Tommy and Beak Beak make their way through the desolate alien buildings full of various oddities to find a way home. From the onset Armikrog contains the charming, silly humor you’d expect from a TenNapel game, and of course throwback themes that reference The Neverhood. Gameplay rests on your ability to explore and figure things out on your own, moving from room to room collecting items that will come into play later. The age-old point-and-click rule of thumb “click on literally everything” especially rings true as each area contains various puzzles which you (hopefully) put together to make it through to the next building in the complex. There’s not much life to Armikrog save for a few adorable fuzzy blocks, raptor-like creatures on wheels, and alien octopi who speak in a strange tongue – but it’s up to you to figure out why. A statue of a wise-looking man appears in different rooms from time to time and talks to you in a whimsical manner imparting general advice, but that’s about the most interaction you’ll have besides chatting with Beak Beak. Just like being in The Neverhood, for the most part, you’re on your own. At any given time you can switch between controlling Tommy and Beak Beak with a simple click. Beak Beak’s abilities allow him to fit into small doors and occasionally fly around which prove useful when finding various items, however that’s generally the extent of the dual-character system. Tommy doesn’t really have any special abilities going for him (besides being the protagonist, if that counts). It’s fairly obvious when you need to use Tommy vs. Beak Beak, like when a button needs to be pressed or stood on, but the tricky part is understanding the order of when these things need to happen as contextual clues are virtually non-existent. The gameplay mechanics are quite simple since there’s not much to the action besides clicking on things and moving from room to room, however it’s the complication of the controls which may throw players off. Old-school game logic is very much prevalent – I often took an extremely long time to figure something out only to realize I wasn’t in the exact spot for it to trigger. There were also moments when the opposite was true, and actions were far too fluid – like a traveling cart that can send you flying in various directions if you’re not careful. Puzzles range from straightforward to insanely obtuse, and there were a few interesting ones in between that hit the sweet spot. I particularly enjoyed a music-based puzzle that popped up from time to time which had me placing little adorable nursery toys in a certain order. For the most part, puzzles rely on your ability to keep track of certain themes and recall various symbols and patterns throughout your journey. Unless you want to rely on GameFAQs, keeping a notebook and pen handy are pretty much key. Armikrog didn’t hold my hand and indicate what I’d done right or wrong, so blindly guessing and forging through by clicking around was a common strategy. I found myself backtracking through rooms multiple times to see if I had missed anything, but more often than not I just had a general misunderstanding or difficulty navigating puzzles. Some puzzles have a distinct or unclear order to them that won't register if done incorrectly. I also had trouble with certain color-specific puzzles – some feature yellow and orange, or blue and purple pieces that I found to be nearly indistinguishable from each other. Those who have a hard time with colors may have difficulty getting through these puzzles as well. The lack of an inventory, although a callback to The Neverhood, was still something sorely needed. After picking up an item, Tommy puts it into his stomach, and it’s never to be seen again save for when you click on the correct place on the screen. I would often forget which items were on hand, making it hard to connect the dots when the time came. There were also a few outdated choices in terms of the interface – the manual save/load function is ancient, the cursor is plain without indicating what can be interacted with and how, to name a few. I believe Armikrog aimed to be specifically old school in this sense, but it was a tad frustrating. Whether these choices were intentionally nostalgic or not, it got in the way of actual gameplay. Armikrog could use a bit more tightening in general. Subtitles were inaccurate to the point that it was fun for me just to turn them on and see what dialogue was meant to be in the game originally. However, the biggest offender was the bugginess around puzzles. At some points, they wouldn’t trigger correctly – for example after feeding a bug to Beak Beak (which is meant to trigger his flying abilities), he just sat there staring at me instead. There was also one point when he became stuck in his flying state, unable to move or trigger anything. Saving often is necessary to prevent situations like this. On the brighter side, the environments are stunning and truly make the game come to life in a way that was hard to achieve back in The Neverhood days. Graphics are crisp and vibrant, animations are smooth, and the environment is full of quirky textures like fuzz and moss that make it pop. The clay is of course the hallmark style of the game, and sometimes I found myself getting lost looking thinking how long it took someone to mold that particular scene. Music by Terry Scott Taylor was wonderfully quirky, but I wish there were more of it throughout. It was especially noticeable when working on a puzzle for a long time, as a single song would play and stop for a long period of time, then pick back up again later at a random interval. Similarly, despite the voice acting being top notch, I also noticed that sound clips would fade in and out when Tommy or Beak Beak were meant to speak – subtitles would appear but nothing would come out of their mouths. Armikrog’s story is simple and charming, even though the pacing is a tad rushed for my tastes. Besides the opening sequence, there’s not much to the plot until the very end. I was hoping for more substance, or even more silly vignettes to keep me company – but perhaps I’m being selfish considering how long it takes to animate one of those sequences. Overall, I appreciated the atmosphere and especially one of the very last puzzles, which I felt was one of the more creative things I’d ever experienced in a game. Armikrog does not surpass The Neverhood, but just like a successor to any celebrated piece of media, that would have been an impossible task. However, it does contain a unique charm in its own right which fans of The Neverhood or other old-school point-and-click adventures will especially appreciate. Those followers will likely forgive its faults for a taste of nostalgia, but others new to this realm may find it too outdated and unpolished.
Armikrog review photo
Claymation heaven
I still have my original copy of The Neverhood, bestowed upon me when my family bought our first Gateway computer in the mid-'90s. I was in complete awe over the challengingly silly puzzles, phenomenal claymation, and the ecl...

Dead Star photo
Dead Star

The developers of ReCore sure are keeping busy

Armature announces Dead Star
Oct 05
// Jordan Devore
Dead Star is a top-down space combat game in development at Armature, the Austin studio formed by some key folks who worked on Metroid Prime 3: Corruption under Retro Studios. It has ten-on-ten multiplayer with dogfights, out...
Indivisible photo

Skullgirls dev's metroidvania RPG Indivisible is looking pretty dang good

Up on Indiegogo, with a playable demo
Oct 05
// Darren Nakamura
Back in July we got a barebones announcement that Skullgirls developer Lab Zero Games has been working on a role-playing game called Indivisible and that it would begin a crowdfunding campaign for it late in September. It's ...
Rocket League photo
Rocket League

Celebrate Halloween in Rocket League

Play this month to earn gear
Oct 05
// Jordan Devore
Halloween will be here before we know it -- especially if you're a Rocket League fan. If you play the game between October 18 and November 2, you'll be able to earn spooky customization items as post-match drops whether you w...
Sci-fi adventure photo
Sci-fi adventure

Pollen is a sci-fi thriller without jump scares

VR optional but recommended
Oct 05
// Jordan Devore
Another game for the "best played in virtual reality" list. Pollen, as you might recall from that time Brett ran a story about bees, is a sci-fi exploration game set on the largest moon of Saturn. You're on a research station, pulling and prodding things to solve puzzles, take in the environmental storytelling, and find out "what hides under Titan's surface."
Hearthstone photo

Hearthstone will finally be available in Japan soon

'Later this month'
Oct 05
// Chris Carter
The time has finally come for Hearthstone to hit Japan. Although the game wasn't previously that popular in the region (partially due to the fact that they had to play an international version), Blizzard will bring the g...
Home Free photo
Home Free

Dog RPG Home Free funded in five days

Kicks Arfer
Oct 05
// Darren Nakamura
Things have been looking kind of sad over on Kickstarter lately. Aside from the huge names making games like Mighty No. 9, Yooka-Laylee, Bloodstained, and Shenmue 3, it seems like the ratio of successes to failures has i...
Star Citizen photo
Star Citizen

Star Citizen developer CIG threatens to sue outlet over recent allegations

This whole situation is out of control
Oct 05
// Chris Carter
Strap yourselves in, it's time for another Star Citizen story. Depending on who you talk to, Star Citizen is somewhere in-between the most ambitious game of all time, or a complete train wreck (the answer is likely ...
Undertale photo

Undertale is the highest rated PC game on Metacritic right now

Beating out Half-Life 2 and BioShock
Oct 05
// Laura Kate Dale
A couple of weeks back Destructoid's very own Ben Davis reviewed Undertale, a very EarthBound-inspired JRPG that melded a unique battle system, non-combat progression options, and a charming narrative to create an incredibly ...
No Man's Sky photo
No Man's Sky

No Man's Sky developer creates a Stephen Colbert star system on the Late Show

Oct 04
// Ben Davis
Sean Murray of Hello Games, the studio working on No Man's Sky, recently appeared on Stephen Colbert's new late-night talk show, The Late Show with Stephen Colbert. The developer discussed the overwhelming scale of the game (...
Blacksea Odyssey photo
Blacksea Odyssey

Harpoon enormous space creatures to shreds in Blacksea Odyssey

And rock an epic beard while doing it
Oct 04
// Ben Davis
Developer Blacksea Odyssey recently announced a top-down shoot-'em-up by the same name, in which you can play as a cybernetic old man with a crazy long beard and hunt down giant space creatures with a harpoon. Blacksea Odysse...

The paradox of selling The Beginner's Guide

Oct 03 // Darren Nakamura
When the game begins, writer and narrator Davey Wreden talks about a person he used to know named Coda. He builds a history between them: they met at a game jam, Wreden was fascinated by Coda's games, this one particular game was the first Wreden saw though it isn't the first presented to us, and so on. He inserts little details about the relationship, like how they used to argue about whether games need to be playable to be meaningful. Given the mundane setup, there's no reason not to take Wreden at his word. He speaks directly to us, letting us know our role. We are people playing a collection of art games, and he is our guide through it all. Everything fits as a nonfiction work. As we play further, we see the games get darker in tone. Coda crafts inescapable prisons. He has players destroy the machine that produces his ideas. He creates game worlds with obstacles that are impassable without altering the code. Not only that, but the time between each "release" increases. In the beginning, Coda's games have only a few weeks between them. Toward the end, he is spending months. Wreden takes notice, and he worries about his friend. At this point, I was a little worried myself. So Wreden went on to show Coda's games to others, thinking the validation of hearing how good his stuff is might work him out of his funk. This sets in motion the climactic sequence, a game built specifically for Wreden. After some grueling tasks only surmountable through attrition or reprogramming, we come to a hallway filled with messages. They are the first explicit thoughts we get from Coda, after a whole game of supposing from themes and symbolism. And the message is clear: Davey, stop trying to analyze me and stop showing my games off as if they were yours to share. This sequence hit me hard. "Oh god," I thought, "I've been wading through this guy's personal space this whole time without his permission." I felt like I just took part in something terrible. I felt a chill run down my body. I felt awful. Wreden addresses the irony himself, in his increasingly distraught voice over. By releasing The Beginner's Guide, he's doing the exact opposite of what Coda wanted, and he's a terrible person for it, but he just can't get it out of his mind and he needs help finding Coda, to find out what makes him tick. It was here I went back through other details I hadn't previously given much thought. In the original email chain Davey Wreden sent to Destructoid, he made it clear William Pugh, his collaborator on The Stanley Parable, was not involved in this project. At the time I shrugged it off as an unimportant piece of information for my purposes. Looking back on it, it only gave more credence to the whole narrative; Wreden wanted to leave Pugh out of this, making sure everybody knows he alone had done a very bad thing. But then I thought about one thing: the price. Wreden is selling The Beginner's Guide for 10 dollars. He took a collection of somebody else's games, which include a game about not sharing his games, and is selling it for profit. That's just unthinkable. Suddenly, the illusion popped. I had been taken for a ride. Coda is not real. He never was. Herein lies the paradox. As a complete narrative package, The Beginner's Guide had me fooled. I was so emotionally invested in the history and events because it felt so real. I felt genuine regret over my actions affecting a real person in this world. But the entire history surrounding Coda is a fabrication. It has to be. Wreden crafted a fiction so convincing I was sad and angry. I couldn't stop thinking about it. Isn't that worth 10 bucks? For me, there's no question. Of course it is. But the fact it costs anything pulls back the curtain on it. Would the experience be even more powerful if it were free? I think so. I would probably still think Coda is real if it weren't for this detail. The Beginner's Guide is easily worth the price, but it would be worth even more if it cost nothing.
The Beginner's Guide photo
Or, I'm sorry if you're real, Coda
The Beginner's Guide released a couple days ago, and it made me feel stuff. If you are not averse to having feelings, you might want to play it. More importantly, if you have not yet played it, you probably don't want to cont...

Faster Than Light OST photo
Faster Than Light OST

The fantastic FTL soundtrack is on vinyl

Shipping next year
Oct 02
// Jordan Devore
My favorite modern game soundtrack belongs to Dustforce, but Ben Prunty's celebrated music for FTL: Faster Than Light isn't far behind. Time and time again, these albums have helped calm me down when there were just too many ...
Rocket League science photo
Rocket League science

The cars in Rocket League handle differently

See how they compare
Oct 02
// Jordan Devore
I've seen ridiculous feats in Rocket League that I'll never be able to compete against, but every little tip helps. YouTube user Reelly Plays has begun testing some aspects of the game that you might not have picked up on -- ...
Friday Night Fights photo
Friday Night Fights

Friday Night Fights - Quick and dirty threesomes

Game with the Dtoid Community!
Oct 02
// Mike Martin
Just like Angela likes it. In a rush, busy day, no time for words. I know it's disappointing to all three of you who care about the crap that comes out of my mouth. Instead of my silly rants, just stare at that header and thi...
Heroes of the Storm photo
Heroes of the Storm

Blizzard is bringing a few big changes to Heroes of the Storm soon

Death timers and snowball prevention
Oct 02
// Chris Carter
Heroes of the Storm is about to get the Medic and Artanis heroes, but there's a few big changes on the way for the core game. The first adjustment is death timers. Blizzard feels like they were way too low early on in a ...
The Witcher 3 photo
The Witcher 3

Check out the main theme for The Witcher 3's Hearts of Stone DLC

Oct 02
// Chris Carter
The Witcher 3's Heart of Stone DLC is coming on October 13, and will have 10 hours of content in tow. But before it drops, you can listen to the main theme above from composer Marcin Przybyłowicz. Wild Hu...

Review: Read Only Memories

Oct 02 // Ben Davis
Read Only Memories (PC [reviewed], Mac, Linux)Developer: MidBossPublisher: MidBossReleased: October 6, 2015MSRP: $9.99 The story of Read Only Memories begins with the appearance of a peculiar robot named Turing, who breaks into the player character's apartment after their creator, Hayden, was mysteriously kidnapped. Turing decides that the player character, who is a journalist and a friend of Hayden's, is the most statistically likely to be able to help them. Thus begins the search for Hayden in the technologically advanced, cyberpunk-inspired city of Neo-San Francisco in 2064. In this futuristic setting, scientists have discovered many new ways of enhancing the human body through cybernetics as well as genetic modification, meaning it's common to see people with robotic limbs, blue skin, rabbit ears, and other such bizarre enhancements walking around as if it's completely normal. Not to mention the ROMs, robots like Turing, which are just as commonplace and are on the verge of becoming sapient, able to think and feel as humans do. As expected, anti-hybrid and -cybernetic groups such as the Human Revolution have begun to pop up warning people of the dangers of such technologies. [embed]313479:60589:0[/embed] During the player's search for Hayden, they will meet a colorful cast of strange and interesting characters and be asked to participate in some rather shady activities, sneaking around the law in an attempt to learn secrets and uncover truths. Some characters can be trusted while other cannot, but they're all able to provide leads, information, and other helpful things if the player can successfully persuade them. The gameplay largely consists of your typical point-and-click adventure mechanics, nothing really new here but it works just fine. People and objects can be interacted with by looking, touching, talking, or using an item. Interacting with the same thing multiple times might yield different results, so sometimes it's a good idea to look at, touch, or talk to someone or something more than once. There's also a wide variety of items at the player's disposal, which can be picked up and used in certain situations. There is no item combining to be done, however, and pixel hunting is not a problem since anything that can be interacted with will be highlighted by mousing over it, so many of the more annoying adventure game elements were left alone. Much of the gameplay centers around conversations and choosing dialogue options, but there are plenty of puzzle-solving sections as well. These include direct puzzles, such as looking at a map and closing off intersections in order to divert a cab back to the player, as well as more indirect puzzles like trying to find the right item to gain access to a house or figuring out how to coerce someone into giving up information. None of the puzzles are too obtuse, and some of them are rather forgiving if the player messes up at first. The story features several branching paths and alternate endings, depending on how the player chooses to interact with characters and how successful they are at figuring out puzzles. It's possible to befriend or make enemies with several of the characters, so try and decide who will be the most helpful and choose the appropriate responses. Breaking the law and causing mischief seem to be unavoidable, but how it's done is up to the player. As most of Read Only Memories involves reading text, I found the writing to be entertaining and engaging, if overly-technical at times. They did a great job of giving every character a thorough backstory, making each of them interesting and relatable with their own quirks and behaviors. I particularly enjoyed Turing's fondness for painting and the player character's strange obsession with plants. There were, however, a few groan-worthy references and an occasionally disappointing lack of variety in dialogue options. Read Only Memories originally set out to do one thing: foster the inclusion of diverse characters, especially those of the LGBT persuasion. Thankfully, the end product is much more than just that. The characters' sexualities and gender identities, which include plenty of gay and straight, trans- and cis-gendered individuals, are revealed in a natural way or left up to the player's imagination. Meanwhile, we have a story built around mystery and intrigue, with topics of crime, technology, and politics taking the forefront of the discussion in the lives of these characters who just happen to be a certain way. Personally, I felt the LGBT themes were handled appropriately and naturally without being too heavy-handed, but I'm sure some will disagree with me. I would recommend Read Only Memories to anyone who enjoys point-and-click adventure games, as it's an excellent addition to the genre, borrowing many of its key elements while ditching some of the more obnoxious ones. It's also a great choice for anyone who is looking for more diversity in their video games, as it does a wonderful job of promoting inclusion without making it the sole focus. Plus, there's an awesome, adorable little robot friend to hang out with, and who doesn't want that? [This review is based on a retail build of the game provided by the publisher.]
Read Only Memories review photo
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