also
pigs have learnt to use jetpacks to fly around a blue moon made of hell freezing over
Videogames make a lot of money these days, but so does porn. Money /= legitimacy in the eyes of out culture. Comics used to make a lot of money too, but it was the underground comics scene (that madde almost no money) that birthed Maus, and it was Maus and its Pulitzer prize that got the world thinking that maybe comics are "legit".
Makes me wonder when our Maus is going to come along. Whenever it does, I'm sure it wont be like Uncharted, Heavy Rain, or some other game that works very hard to imitate a Hollywood movie. Maus never would have gained the respect of our culture if it didn't embrace the things about sequential art that make the medium special. Maus would have never won the Pulitzer if was trying to be Citizen Kane.
But who really cares that the world thinks, right? We know that gaming is "legit", and that's all that counts.
Sorry, I just hate whenever anyone starts the history of video games with Nolan Bushnell and Pong.Mainly because the Magnavox Odyssey had same exact game on it. Also Nolan Bushnell was asshole.
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I hope never. Should that day come, I'll be sure not to buy it.
Maus' success was more right time, right place than it actually being good product IMO. I personally don't feel it stands the test of time.
"Maus would have never won the Pulitzer if was trying to be Citizen Kane. "
Except it was. It was a purposely heavy handed comic with the intention to "legitimize" the art form to be comic's "Citizen Kane".
Also, Tide is a product. Maus is a graphic novel. Bit of a difference there. Though I do agree with you about the right time/right place bit. The world of graphic storytelling was definitely lacking was a Holocaust portrayal featuring cats and mice.

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