I apologize for being anal, but I can't let that one slide by. The MGS2 theme was written by <a href="http://en.wikipedia.org/wiki/Harry_Gregson-Williams">Harry Gregson-Williams</a>, who isn't Japanese.
On to the tinfoil-hat stuff. I agree that the piece isn't exactly well known, but (just to play devil's advocate) that could theoretically make it easier to plagiarize, since there's less chance of getting caught. Additionally, Wikipedia says the piece was originally written for a 1964 movie and was played heavily following its release in Russia, so it's not outside the realm of possibility that Williams could have heard it.
Personally, I don't think it was plagiarized. What we hear seems to fall within the realm of coincidence. To steal an entire melody would be career suicide for a composer, and, as has been pointed out, the two compositions do vary significantly. However, it's possible that Williams may have heard the piece and referenced it subconsciously while scoring MGS... it's still played from time to time on classical radio stations.
However, "Take Me Out" by sh*t fashion band Franz Ferdinand blatantly rips off "Trampled Underfoot" by Len Zeppelin and that's just deeply gay of them.
Also, this just in: Metal Gear Solid sucks balls.
oh well elvis stole a bunch of black peoples music and claimed it as his own and he did great... Its not a huge deal since its some russian classical music and everyone in russia is to busy doing drugs and listening to techno under their new dictatorious government.
To take that even further, I've heard gamers indignantly exclaim: "WHAT THE HELL THEY COPIED MARIO" upon hearing "Mars, The Bringer of War".
Yeah, we're definitely an uncultured lot.
Still, this isn't good enough, despite what Zac Bentz says. Sure, it's similar, but it's not stealing. There are direct lines from the Star Wars score (first one) that are taken straight from Gustav Holst's "The Planets" suite. That shit is balls.
This is just gay.
Most people tend to think of the diatonic scale: ABCDEFG. There's hardly ever a reason to bring the chromatic scale into things. If were going to count all the sharps and flats, there's nothing to stop us from moving on to the double-sharps and -flats, and then we're here all day.
And as far as the accusation goes, I don't think any real composer would knowingly do anything like that. As Qualamari mentioned, a moment like this would be the death of a career. It's more than likely some Jungian collective unconscious thing.
Still creepy though.
Most people tend to think of the diatonic scale: ABCDEFG. There's hardly ever a reason to bring the chromatic scale into things. If were going to count all the sharps and flats, there's nothing to stop us from moving on to the double-sharps and -flats, and then we're here all day.
And as far as the accusation goes, I don't think any real composer would knowingly do anything like that. As Qualamari mentioned, a moment like this would be the death of a career. It's more than likely some Jungian collective unconscious thing.
Still creepy though.
While it is very possible that HGW could have easily plagiarized Svridov..it is much easier to consider that he is referencing this theme in his own way. It happens from time to tine..whether it is on purpose or subconsciously. This also happens in literature and they usually call this allusion, but anyways..
The theme is very similar, but I didn't like what Svridov did at all with it..instead of using a brilliant theme to his advantage, he basically completely drops it and moves on like it was a one night stand. HGW embellishes on the theme and develops around it. I mean come on people..there is a reason why you've never heard of this guy (or at least I never have and I typically like Russian composers).
I could probably tell you more, but I don't have a conductor's score to either of these. To summarize--->
Svridov=Epic Fail
HGW=Epic Win
Me=epic fail

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