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Survival Horror

Horror photo
Horror

This new AR project wants to turn your house into a horror game


Is this the real life? Is it just fantasy?
May 04
// Vikki Blake
If just wandering down the corridor in P.T. was enough to send you screaming from the room, how would you cope if a Lisa-like entity came at you in the hallway of your own house?  Night Terrors -- a "highly immersive, ph...
Five Nights at Freddy's photo
Five Nights at Freddy's

Do you 'get' Five Nights at Freddy's?


In less than a year, there's four games and a movie planned
Apr 29
// Chris Carter
I consider myself lucky that I have a number of younger kids in my life (neighbors, local extended cousins) to help educate me on the latest trends. It's not that I feel like I need to keep up with anything per se, I'm past t...
Shout out to P.T. photo
Shout out to P.T.

P.T. scared me more than any other videogame


Don't look upstairs
Apr 28
// Jordan Devore
There was a moment in P.T. that terrified me. I mean truly terrified me. Between the endlessly looping hallway and the haunting cries of a disfigured fetus in a sink, I knew strange things were afoot. It's a disorienting game...
P.T. photo
P.T.

PSA: This is your last day to download P.T., the playable teaser for Silent Hills


For free
Apr 28
// Chris Carter
P.T. was one of the most entertaining games I played in 2014. Even though it was just a demo, the "playable teaser" for Silent Hills was a perfect horror experience, nailing a lot of elements that current horror games complet...
Dementium photo
Dementium

Dementium: The Ward could have been a Silent Hill game


'Konami said they wouldn't let a 'team like us' handle the Silent Hill property'
Apr 28
// Vikki Blake
As the Internet continues to blink with incredulity at Konami's decision to spike one of the most exciting E3 teasers of all time, Silent Hills, here's another head-scratcher of a decision made by the Japanese ...
Forgotten Memories Stream photo
Forgotten Memories Stream

Can a game on mobile fill the gap left in our hearts by Silent Hills?


Let's find out together!
Apr 27
// Jed Whitaker
Forgotten Memories recently released for iOS devices, and looks genuinely creepy. The game clearly takes a lot of influence from the Silent Hill series, going as far as including voice actors from Silent Hill 2, but can a gam...
Five Nights 4 photo
Five Nights 4

First look at the 'final' chapter of Five Nights at Freddy's


Riiiight
Apr 27
// Jordan Devore
When there's this much money to be made, the series must go on. Developer Scott Cawthon is teasing Five Nights at Freddy's 4: The Final Chapter with a horrifying image I'd like to erase from my mind. I don't know what I'm loo...

Review: Uncanny Valley

Apr 27 // Stephen Turner
Uncanny Valley (PC) Developers: Cowardly Creations Publisher: Cowardly Creations   Released: April 23, 2015  MSRP: $8.99 (10% off until April 30) Things start off well enough with a panic-inducing nightmare, followed by a car journey through the pixelated wilderness. As Tom, the new night watchman at Melior -- an abandoned robotics facility -- it's your job to keep the pilot light running until the place gets bought up by new owners. Tom's only companions are Buck, a grouchy and overweight guard, and Eve, a cleaner who takes a keen interest in the new arrival. But while Tom suffers from nightmares of the past, his rounds at the facility quickly draw him into something much, much worse. Sure, there's a mystery to be found, but like a kid trying to pull a prank on you, it reveals its hand far too soon. In fact, with so many audio tapes freely scattered around the workplace, you'll figure out the major twist before you make it past the first night. Overall, Uncanny Valley is a good story poorly executed. It's choppy and muddled due to a reliance on repeat playthroughs and a presentation of two distinct halves. In the first half of the game, you're given a seven-minute work shift. In that time, you're allowed to go anywhere on four separate floors, where you can read emails, collect audio tapes, or play the arcade machines. Once the time limit is up, you have a choice of snooping around for longer (in which case, Tom eventually collapses from exhaustion) or getting back to your room for a good night's rest. Whatever happens, you're always thrown into a nightmare sequence that can be completed or failed without much consequence, beyond the reward of more backstory. [embed]291010:58344:0[/embed] Then after several shifts, time management is suddenly dropped in favour of a more traditional survival horror experience. It's an odd design choice; one minute, you're scrambling around to fit an investigation into your work schedule, and the next, you're given all the time you need, right before the point of no return. And it's in the second half that Uncanny Valley falls apart. It's certainly more engaging, even if it does wear several influences on its sleeve. There's a health system lifted from Call of Cthulhu: Dark Corners of the Earth, where injuries slow you down, make you louder, or ruin your aim, while the hide-and-seek gameplay intentionally evoke memories of Clock Tower. Unfortunately, and especially for long standing horror fans, it's the consequence system and vague puzzles that turns all the goodwill into a frustrating experience. For example, after your first enemy encounter, you're conditioned to stay out of their way, but then a door puzzle requires you to get attacked, just so you can control an enemy and let it aid you into the next room. There's thinking out of the box and then there's going back on everything you just said. The consequence system, while subtle early on, ends up being a detriment to the narrative. Get knocked out at one point and you go from Scene A to Scene C, skipping Scene B and its vital exposition in the process; all because you didn't react quickly enough or even know there was a choice. Tailored, unchangable choices are fine, but in one ending, a character shows up injured from a scene I never encountered. In another ending, a suspicious group wait outside for Tom without an introduction or a reminder of their identity. You just had to play better to know. And for that, beyond the facility's macabre history, you never really get enough motivation to care. Your decisions are informed by player experimentation rather than character incentive. In Clock Tower, Jennifer has the option to escape early on, mainly because of Scissor Man and a sense of self-preservation. Here, in an obvious homage, Tom chooses to run away simply because you stumbled upon Buck's car keys, long before you encounter the horrors in the scary basement. As previously stated, Uncanny Valley is intentionally designed for repeated playthroughs, but after the second, third, and fourth try, it feels like a chore as you piece together the core plotline from different decisions. Detours aren't forbidden in storytelling, but with several listless endings on offer (plus one or two deliciously disturbing ones), it never feels definitive. Once you get the gist, there's no need to go back for dimishing returns. But there are positives lurking under all this frustration. For a short game (clocking at 2 hours at best), it does panicky horror quite well; holding off on the worst elements and planting the seeds early on, like the only working generator in the woods. It's more a case of when things strike, not what will strike. Once alerted, enemies smash through doors and chase you down until they fall apart. The shadowy horde that follow Tom in his nightmares are another horrific highlight. The pixel art is equally vivid and grim, with body horrors roaming the hallways and disturbing sciences haunting the background. The soundtrack flicks between reflective melancholy and weighty industrial themes, and the voice acting on the audio tapes is perfectly pitched as offbeat and ominous. All in all, it captures the doom-laden mood of '70s sci-fi perfectly; though, why the game chooses to make all the in-game dialogue as one-lined text is just puzzling. Unfortunately, I never finished my fourth run. Another save bug deleted a key item from my inventory and progression ground to a halt. I felt that after several endings and Tom's history explored, I'd seen enough. All of which brings us back to that original dilemma, for which I'll sadly say that, no, Uncanny Valley isn't worth it. It's a game that rewards you for being better on the next attempt, which means a lot of players will get that same jarring and incomplete experience as I did, early on, only for it to be replaced by waning interest as repetition sets in. I wanted to enjoy Uncanny Valley, especially with its opening concept and jump scares, but despite all the assurances and hard work with those patches, it just wasn't to be. [This review is based on a retail build of the game provided by the publisher.]
PC photo
Should've taken that job at the fireworks factory
I didn’t have the greatest of starts with Uncanny Valley. After only 15 minutes of play time, I’d wandered into one of the “bad” endings seemingly by accident. On my second attempt, I encountered so ma...

P.T. delisting photo
P.T. delisting

You only have a few days left to be spooked by P.T.


There was a Playable Teaser here, it's gone now
Apr 25
// Nic Rowen
It's time to “shit your pants,” get off the pot, and download P.T. if you haven't already. Because come April 29, its going to disappear from the PlayStation Store.  P.T. may only be considered a demo or teas...
Resident Evil photo
Resident Evil

Resident Evil HD Remaster has a million sales under its umbrella


Ella ella ella ay ay under its umberella ella ella ay...
Apr 24
// Brett Makedonski
As it turns out, people still love some old-fashioned scares. That's evident by the latest news coming out of Capcom's camp: Resident Evil HD Remaster has broken one million units sold since its January release. That's a...
Don't Starve Together photo
Don't Starve Together

Don't Starve Together adds Reign of Giants DLC for free


Still isn't out of its testing phase though
Apr 21
// Chris Carter
Don't Starve was released all the way back in 2013, but developer Klei Entertainment still isn't done with it yet. In addition to the Reign of Giants expansion/DLC in 2014, Don't Starve Together, a multiplayer game currently...
The Evil Within photo
The Evil Within

The Evil Within debuts 'The Consequence' DLC today


Starring detective Juli Kidman
Apr 21
// Chris Carter
The Evil Within didn't live up to everything I thought it would be, but it's still a very unique survival horror title in a sea of action-oriented affairs. Today you can grab the second major bit of DLC, titled The Cons...
Alan Wake photo
Alan Wake

Remedy plans to Wake up Alan once more


Developer says horror sequel may still return
Apr 21
// Vikki Blake
I loved Alan Wake. Maybe it's because I overdosed on Stephen King as a kid and have always had a particular penchant for that whole fiction-becomes-fact thing (if only to keep alive the dream that one day, McDreamy is go...
Underwater horror photo
Underwater horror

SOMA is in beta, but we can't play it (and that's probably for the best)


It's just you and me now, Omnitool
Apr 15
// Jordan Devore
The next spooky game from the team behind Amnesia: The Dark Descent is officially in beta. No, you can't play it yet. Neither can I. But around 40 people are testing a "pretty much" content-complete build of SOMA right now, w...

Narcosis explores the horrors of the deep ocean with intense VR gameplay

Apr 14 // Alessandro Fillari
[embed]283983:56360:0[/embed] Narcosis (PC)Developer: Honor Code, IncPublisher: Honor Code, Inc  Release: Fall 2015 Set at the bottom of the Pacific Ocean at an underwater research center, you play as an industrial diver who must fight for survival after a sudden and catastrophic accident leaves him stranded and alone. With the research center mostly destroyed and its crew killed, the lone survivor must retrace his steps and find a way to the surface. But with horrifying underwater predators roaming the surroundings, and a damaged diving suit with diminishing oxygen, the diver must keep a strong head -- or else nature or even his own wavering psychological state could overcome him. Referred to as a "slow-burn" experience by the creatives behind the game, this 'survivor-story' features a more atmospheric take on traditional horror titles, blending the show-don't-tell school of storytelling from Gone Home with the dread and somewhat other-worldly feel from Silent Hill. Humanity has only explored a small percentage of our planet's oceans, and with many aquatic environments and creatures left undiscovered, it's an incredibly interesting and captivating place to explore for a horror experience. On the surface it seems just like the film Gravity set underwater, and while that's not too far off, there's a strong focus on setting and interaction with the elements. We don't really get too many games set in the depths of the ocean, let alone a horror game taking place on the sea floor. And Narcosis definitely does a lot to play up the mystery and isolation to a very tense and anxious effect. Speaking with David Chen, the lead writer for Narcosis, he spoke at length about how they sought to convey their interpretation of survival horror. "We're kinda struggling to label the game, as it has many of the hallmarks of survival horror," said lead writer David Chen. "There are no zombies or a viral outbreak, it's really about seven or eight hours of this guy trapped at the bottom of the ocean. So we think it's a really, relatively unique premise for a game, as a lot of other titles have you saving the world, revenging your family, or bottling up some ancient evil -- but here, you're trapped alone in the dark on the bottom of the ocean." While underwater gameplay is almost notoriously awful in most games, Narcosis does the smart thing by keeping it simple. Movement is slow and hulking, which makes sense as you're wearing a heavy diving suit under large amounts of pressure from the ocean. Walking is your top-speed, but with the aid of charge pack, you can boost for short-distances. As you maneuver around the ocean floor and the ruins of the research center, you'll have to be mindful of your surroundings as there are many dangers ahead. With only your suit lights and some flares giving you clear vision, you'll often times find yourself in total darkness. Moreover, you'll have to monitor your oxygen and health levels, which can be restored by pickups found in the debris. By far the biggest threat is the presence of underwater predators. Resembling nightmarish squids and over-sized crabs, these creatures stalk for prey, and they see the diver as their next target. Some creatures are large in size, which may require you to evade their gaze. While you have a knife to defend yourself, attacking with it is slow and somewhat clunky -- which of course is by design, as the weight of the ocean and your suit makes movement slow. During one encounter, I came across a squid creature that nearly destroyed the diver's helmet with its powerful tentacles. Using a well-timed knife attack, I was able to strike it down as it charged at me. But of course, there's yet another issue to contend with. Given his perilous situation, and the fact that the diver only has his thoughts to keep him company, his psychological and emotional state can often become compromised. As you maneuver through the disturbing, alien landscape of the dark and claustrophobic ocean floor, and through the horrific aftermath of the destroyed research center, the diver's mental state will begin to decay, which gives rise to horrifying hallucinations. During my exploration of the research center, I had to trek through the remains of the station to look for clues to reach the surface -- all the while avoiding predators that have taken up residence, and finding the floating remains of the scientists and divers that died in the accident. With oxygen getting low, and finding many empty diving suits eerily standing up in hallways, as if they were looking at me, I finally came to a small room which housed four suits. Once I stepped in, I looked around for any clues, but I soon realized that the door had disappeared, and I was suddenly surrounded by diving suits, all staring back at me with their blank and empty helmets. As I kept turning, looking for a way out, I found that the room had suddenly given rise to a narrow hallway, with parallel rows of diving suits on each side. Each of them were facing each other in a somewhat ceremonial fashion, as if they were greeting me or welcoming me back home. Once I reached the end of the hallway, I finally found my destination: a small room housing computers with sensitive data. Once I turned around, the hallway and many diving suits weren't there; the lone survivor had just simply stepped into the room. Referred to as "Narcosis moments," there will be times when the diver's paranoia warps his perception, resulting in surreal moments that blur the line between reality and imagination. Bare in mind, I playing with the Oculus Rift during the demo, which made me so incredibly anxious. Moreover, this was all happening in real-time with no cutscenes or breaks. It was like witnessing some strange trip that wouldn't end. As I got more nervous, the sense of dread kicked up significantly, which made exploration all the more tense. While Narcosis is totally playable without the use of virtual reality, the developers found that the new technology helped to amplify a lot of the visual and atmospheric moments they created. "We describe it as a very understated use of VR, as in it's not flashy or flamboyant, but the core fiction of the game really lends itself to the use of VR as it accurately shows your limitations," said Chen while discussing their use of the tech. "It really lends itself to the sense of immersion, a sense of place, and the feeling of suspense." "It's a narrative-driven game, it's a story-based game, so we want to have appropriate emotional beats," Chen continued. "It's not intended to be a relentless freakout, but as the game has developed with VR, we discovered ways to try new things with it, as opposed to the more obvious 'aaaaaahhh' [motions jump-scare] moments. [...] While we definitely have some freaky stuff, we're trying to be more tasteful." Even during my fairly brief session with Narcosis, I was quite impressed with the VR. As opposed to relying on horror tropes and gimmicks, such as jump scares or stalking foes that appear all-knowing and invincible, this title lets the environments and its clever visual tricks do all the talking. I felt nervous during key sections, and knowing that only a few hits from predators could destroy my suit, simply hesitating and watching my oxygen meter sink was stressful. Set for release later this year, Narcosis is an intellectual and subdued take on survival horror. Which isn't all that common today, given that we're often using guns and other gadgets to overcome enemies. Going more for a general experience rather than a super 'gamey' affair, it seeks to show that the horrors of the deep ocean, and nature itself, are an uncaring and unwavering force that outmatch man on nearly every level. And there's certainly no greater foe than nature itself.
Narcosis preview photo
Deep deep down
Last year during Game Connection Europe, Steven had some special hands-on time with developer Honor Code, Inc's upcoming underwater survival horror title Narcosis. As a psychological-horror survival game, players find themsel...

Alien glitch photo
Alien glitch

Maybe Ripley's arms are made of fire?


Amanda? More like Ash
Apr 13
// Brett Makedonski
In what was probably an alternate ending to Alien: Isolation, Amanda Ripley looked down and noticed that her arms were fire. How she went through decades of life without realizing that her limbs were constant chemical combus...
Resident Evil Vita photo
Resident Evil Vita

Resident Evil: Revelations 2 creeps to Vita in summer


Some online features delayed to hasten the release
Apr 10
// Kyle MacGregor
Resident Evil Revelations 2 is on its way to PlayStation Vita this summer, according to Sony. The Vita version will contain all four episodes packaged with any downloadable content released up to that point, aside from consum...
Survival Horror photo
Survival Horror

Uncanny Valley '101 Trailer' shows us the gory joys of working the night shift


'I was watching. I saw the whole thing. First it started falling over, then it fell over.'
Apr 08
// Stephen Turner
Do any of you remember the movie Nightwatch? No, not the Russian one with the iffy sequel. I mean the one with Ewan McGregor as a security guard at the local morgue, constantly harrassed by a presumably drunken Nick Nolte an...
P.T. story photo
P.T. story

P.T.'s puzzling story explained in depth


That freaking fridge
Apr 07
// Jordan Devore
The timing on this video could not be better. As a new PlayStation 4 owner, one of the first games I knew I had to download was P.T., a playable teaser lead-in to Silent Hills. It's a weird game -- "experimental," if you lik...
Fatal Frame Wii U photo
Fatal Frame Wii U

Nintendo is bringing Fatal Frame Wii U west in 2015


Yes, please!
Apr 01
// Kyle MacGregor
The latest Fatal Frame game is coming western Wii Us later this year, Nintendo just announced. For months fans were nervous  this wouldn't get localized, but now we have solid confirmation that it will be hitting western shores roughly one year after the original Japanese release.
Silent Hills photo
Silent Hills

Kojima Productions logo removed from Silent Hills website


Maybe it's nothing, but things are getting concerning
Apr 01
// Laura Kate Dale
In the midst of all the recent rumblings regarding Hideo Kojima potentially leaving the Metal Gear series behind after Metal Gear Solid V is released, today it turns out there's yet another troubling sign on the horizon. Repo...
Forgotten Memories photo
Forgotten Memories

Forgotten Memories iOS debut on April 23, watch the launch trailer now!


Wii U, Vita, Android, and PC will have to wait an ickle bit longer
Mar 30
// Stephen Turner
As you may recall, Forgotten Memories: Alternate Realities came out of near-nowhere with its Silent Hill 2 cast additions, after several years off the development grid. If you're still wondering what Guy Cihi's delightf...
ATARI photo
ATARI

Atari's buggy, unfinished Asteroids MMO is out now


...on Steam Early Access
Mar 27
// Kyle MacGregor
Atari has taken a break from bullying indie developers to release Asteroids: Outpost, a gross and twisted cash-in on the beloved space shooter that first delighted arcade patrons in 1979. The "open world sandbox survival game...
More Alan Wake plz photo
More Alan Wake plz

The Alan Wake franchise has sold 4.5 million units (so make another game already!)


You know you wanna
Mar 25
// Jordan Devore
According to Remedy CEO Matias Myllyrinne, who is "happy on behalf of the team," the Alan Wake franchise has sold more than 4.5 million units across Xbox 360 and PC to date. I can't hear numbers like that and not call for a s...
Slender: The Arrival photo
Slender: The Arrival

Slender: The Arrival is out on PS4 and Xbox One today


I'm holding out for Svelte: The Comebackening
Mar 25
// Darren Nakamura
Do people still think Slenderman is scary? I don't really know; it seems like the well-dressed humanoid has faded from the collective consciousness lately. Maybe it's just that I don't visit meme websites any more. Slender: ...
Xbox One & PC photo
Xbox One & PC

State of Decay: Year One Survival Edition debut trailer, releases April 28


GOTY 2013, if you don't mention The Last of Us to me
Mar 19
// Stephen Turner
State of Decay was one of those pleasant surprises back in 2013. Sure, the sandbox/RPG-lite horror game was a little rough, but it was an intense experience full of free flow situations, base building, and likable survivors....

Resident Evil Revelations 2's extra episodes are fun, but non-essential

Mar 17 // Chris Carter
[Small spoilers below in regards to the main ending in "The Struggle" section.] The Struggle The first bit involves Moira, post-campaign, surviving on the island after Claire has left. You'll get a little background as to what it takes to truly deal with a zombie threat after the "big bad" is out of the picture, which is an interesting little way to deal with an epilogue. The only thing I'm not big on is the fact that it wraps up a few loose ends, which you can't access if you bought everything piecemeal. In that case just go ahead and watch it online. The most interesting part of The Struggle is the setup. Old school Resident Evil fans will remember pre-RE4 Mercenaries -- the game mode was born out of RE2, but really started to take form in 3. Before the endless arena setup in 4, players were tasked with getting from point A to B in a certain amount of time, killing enemies they see fit for score, and scavenging for supplies along the way. The Struggle is just like that, but with a twist. Permadeath is a thing, but if you hunt animals while fighting off enemies you can earn "rations," which act as extra lives. The entire affair isn't lengthy, clocking in at roughly 30 minutes per playthrough, but it's definitely fun and hectic on the higher difficulty level. All of the areas are from the core game so don't expect anything new. The fact that it's co-op only adds to the replay value. I wasn't expecting much, but I still go back from time to time to replay it again even after beating it. Little Miss This side-story that takes place in the middle of the story features Natalia, with an interesting little dynamic -- an alter ego named Dark Natalia, which can be operated by a co-op partner or with the "switch" mechanic found in solo play. Your task is to find her missing teddy bear roaming about various existing maps and sneaking around enemies to do it. The kicker is that Natalia can no longer sense enemies through walls, or point to highlight areas of interest. That role is passed on to her dark persona, which is now completely invisible to enemies and has all of the original abilities from the campaign. Her catch is that she can't interact with doors or objects, so you need to lead around both personas in tandem to succeed. With a co-op partner it's a really fun way to spend an afternoon, even if it's also on the shorter side. For either of these episodes I wouldn't go out of my way to buy them, but as an extra for the Season Pass or disc, they're absolutely worth playing.
RE: Revelations 2 extra photo
Exclusive to the Season Pass or the disc
As you might be aware, Capcom is taking a really weird approach to Resident Evil: Revelations 2. In addition to bringing in an episodic format, they've also hitched two secretive "extra episodes" to the package, exclusive to ...

Review: Resident Evil Revelations 2: Episode 4

Mar 17 // Chris Carter
Resident Evil Revelations 2: Episode 4 (PC, PS3, PS4, Xbox 360, Xbox One [reviewed])Developer: CapcomPublisher: CapcomReleased: March 17, 2015 (Episode 4)MSRP: Four episodes ($5.99 each), Season Pass ($24.99), boxed ($39.99) [Now that everything is said and done, you can read reviews for the first three episodes here (1, 2, and 3), an assessment of the Raid Mode DLC here as well as a tips guide, an explanation of what the "Extra Episodes" are here, and a full breakdown of all the prices here.] While Claire and Moira took the main stage last time, Barry and Natalia are decidedly the focus in the final episode. The former pair has a really short episode ahead of them, which answers nearly all of the questions posed so far and explains how everything unfolded before Barry ended up on the island. You'll make your way through a cool little laboratory area to get said answers, with a final non-combat confrontation with the Overseer, and a short action-oriented sequence. It's brief, and sweet. I'm really impressed by the Barry side in the fourth episode however, as it may be the best chapter yet. It's long, varied, and full of tense moments, especially with the continued dynamic of Barry and Natalia. There are plenty of miniature puzzles on-hand that surpass the crate-based affair of the previous chapter, and the maps are a bit more open this time with plenty of hidden areas and nooks. One of my favorite elements involves areas with a deadly gas, where both Barry and Natalia are forced to constantly move to higher ground to get a breath of fresh air. You can spend roughly 30 seconds in the gas before the screen starts to become hazy and you pass out, which lends itself well to some tricky sections with lengthy mine tunnels filled with enemies who are impervious to its effects. To say it gets tense is an understatement. The finale, without spoiling too much, takes place in a setting similar to the very first Resident Evil game. It's a lot smaller than a fully fledged Spencer Mansion, but it's easily the highlight of Revelations 2 for me, and brings back plenty of fond memories -- especially so for the Tyrant-like final boss fight. More of this, Capcom. [embed]288704:57767:0[/embed] It's at this point that I started to really go back and see what I could squeeze out of everything -- and it's a hell of a lot. I completed a few previous chapters in the Time Attack mode setting, one chapter with invisible enemies, and I went back and found a lot of hidden emblems and secrets that I missed. There's a ton of special extras like a classic black and white horror filter setting, bonus weapons, costumes, concept art, and multiple difficulty settings to master. Finding out that Episode 3 had a small alternate ending for Claire's story is also pretty awesome. Over the past month, Raid Mode has also stood the test of time, and I still play it on a weekly basis. I've said pretty much everything that needs to be said about it in past reviews, but I can't stress enough how deep it is, and how long it will take to truly complete, even with one character. Capcom really outdid itself for this one, and I'm looking forward to the next evolution. At the end of its road, I'm happy to recommend Resident Evil: Revelations 2. It's my favorite Resident Evil in years, and with a pricetag that's $20 cheaper than most retail releases, it offers up hundreds of hours of entertainment for those who are willing to dig into Raid Mode. Like many other classic entries before it, I'll be happily playing this one years down the line. [This review is based on a retail build of the game's Season Pass provided by the publisher. DLC was purchased by the reviewer.]
RE: Revelations 2 review photo
A fitting finale
That's it, folks. Resident Evil: Revelations 2 is finally done with its odd episodic format, delivering small chunks every week for the past month or so. The final package is out in all of its glory, including the disc v...

RE: Revelations 2 photo
RE: Revelations 2

Resident Evil: Revelations 2 takes Raid online by end of month


Someone to (Terra)save you
Mar 16
// Brett Makedonski
Resident Evil: Revelations 2 has been a solid showing from Capcom thus far. The only real snag has been the approach to cooperative play, as it's not yet available for Raid mode. That'll change within a few week's time. ...

Review: Resident Evil: Revelations 2: Episode 3

Mar 10 // Chris Carter
Resident Evil Revelations 2: Episode 3 (PC, PS3, PS4, Xbox 360, Xbox One [reviewed])Developer: CapcomPublisher: CapcomReleased: March 10, 2015 (Episode 3)MSRP: Four episodes ($5.99 each), Season Pass ($24.99), boxed ($39.99) This time around Claire and Moira find themselves in a spooky ruined factory, which keeps the good creepy vibes of the past two episodes going. The area isn't as straightforward as most, offering up a few fun puzzles, including a classic Spencer Mansion spike ceiling, and a neat flashlight-centric section. It gives Moira more to do without forcing it, and is especially fun with two players. I particularly loved the slaughterhouse part of the episode, with waist-high pools of blood and plenty of creepy slasher-flick imagery -- same with the sewers. The stealth sections also feel warranted and not wasted. The pair is definitely the focal point this time around, as their story is roughly twice as long as Barry's portion. Claire's conclusion features a boss fight, which operates similarly to past Tyrant confrontations. All in all it's a great outing for the duo. Barry's bit doesn't last that long, but it's basically one big box puzzle after a short foray into the sewers. Natalia's sixth-sense powers still come into play in a big way, but with a lack of new enemies it isn't quite as exciting as the previous episodes where anything could happen. The box part as a whole isn't bad, per se, but it's reminiscent of the tedium that older games exhibited from time to time. Still, the combat holds up, and makes up for any dull moments. [embed]288386:57668:0[/embed] Plus, I'm definitely happy with how the big picture is coming along this far into release. At this point I've gone back to past episodes to earn more costumes and extras, trying to get the best rank possible to unlock even more while earning experience along the way. I've also been on a medallion hunt kick, and damn those things are hidden quite well. It's old-school gaming at its finest, and it feels more true to the series than a lot of other games have. Of course, Raid Mode is still the main draw for me, and the more I've played, the happier I've become. The systems are starting to show even more depth than before as I accumulate a larger weapon pool, and the modification system used for customizing weapons and making them your own is excellent. I've also stumbled across the Inherit mechanic, which allows you to pass on unique traits or abilities (like Wesker's evade cancel or Hunk's cloaking) to other characters. I have zero interest or need for DLC, which hasn't been necessary even this far down the line. Playing Very Hard mode with all of your skills in tow and the weapons you've crafted is simply amazing. If you were on the fence for Resident Evil: Revelations 2, you may as well wait a week and pick up the disc version. Stay tuned next week to find out how the final episode is and what my thoughts are on the complete package. [This review is based on a retail build of the game provided by the publisher.]
RE Revelations 2 review photo
I hope you like sewers, kid
When I first approached Resident Evil: Revelations 2, I was fairly cautious. I had been burned many times by Resident Evil games in the past, but having played through Episode 1 and 2, most of my concerns were alleviated. At this point, I think I can heartily recommend Revelations 2 as a whole, even if Episode 3 drags momentarily.


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