Game database:   #ABCDEFGHIJKLMNOPQRSTUVWXYZ         ALL     Xbox One     PS4     360     PS3     WiiU     Wii     PC     3DS     DS     PS Vita     PSP     iOS     Android




DESTRUCTOID, EST. IN 2006, IS AN INDEPENDENT NEWS COMPANY. WE ARE GAME CRITICS. OUR COMMUNITY IS RAW, VOCAL, AND HARDCORE <3
Support Dtoid by becoming a Huge Member








Dtoid is...

Jonathan Holmes
America's Sweetheart
Jordan Devore
Deputy at Arms
Chris Carter
Reviews Beast
Steven Hansen
Features Chef
Andy Dixon
Community Loveboat

Contributors
Meet the team

Our sites
Flixist
Japanator
Tomopop

Contact Us
Suggest News
Advertising
Privacy
Contact Us



Affordable Space Adventures is the Wii U experience I imagined in 2012 photo
Affordable Space Adventures is the Wii U experience I imagined in 2012
by Darren Nakamura

When Nintendo first unveiled the Wii U, my mind raced with ideas for games that could be created with the two-screen interface. A lot of the cool stuff that the DS did could be transferred to the big screen. Better yet, titles like those that made use of Game Boy Advance-to-GameCube connectivity could surface in a more accessible format.

In practice, it has taken a while for developers to do really interesting things with the GamePad. A lot of the most lauded titles would work fine without the second screen. Affordable Space Adventures is one of the few Wii U titles that feels like it could not be done on another platform. It plays to the console's strengths, finally producing the type of experience the Wii U was made for.

view full story + comments




Hands-on with Cuphead: Equal parts charming and challenging photo
Hands-on with Cuphead: Equal parts charming and challenging
by Steven Hansen

Cuphead has existed in a state of unreality to me since its E3 reveal. Despite seeing footage of the game, it remained in my mind a concept. One that I was in love with, mind. 1930s style animation. A character whose head is a cup. I love it.

But because I've never played a game that was completely hand-drawn on a lightbox to look like a 1930s anime, there was always some weird disconnect between what I saw in the trailer, on-screen, and connecting it to inputting commands on a controller.

This disconnect was mended when I saw a giant corner dedicated to Cuphead at Microsoft's ID@Xbox event last week at GDC. I press a button, Cuphead jumps.

view full story + comments




Keep Talking and Nobody Explodes is a brilliant asymmetrical game photo
Keep Talking and Nobody Explodes is a brilliant asymmetrical game
by Patrick Hancock

In Keep Talking and Nobody Explodes, a game originally developed at a game jam, one player wears the Oculus Rift and sees a bomb that needs to be defused but doesn't know how to defuse it. Their partner only has a binder. Like, a real binder -- no Oculus Rift involved. The binder has all the steps needed to defuse the bomb, but the reader can't actually see the bomb.

It's a game about communication, and it is wonderful not only to spectate, but of course to play. It's really the only game on the PAX East show floor that keeps me coming back for more.

view full story + comments




I nuked the God of Lightning in Mayan Death Robots photo
I nuked the God of Lightning in Mayan Death Robots
by Patrick Hancock

There's been a lot of games that try to copy the success of titles like Worms or Tanks, but often come off feeling too derivative. "Yeah, it's like Worms, but not quite as good" has definitely left my lips a handful of times. Needless to say, I was a little cautious heading in to Mayan Death Robots after hearing such comparisons.

Thankfully, Mayan Death Robots is a unique twist on something that definitely owes its roots to Worms but truly feels like its own experience with innovations. It's exciting to play and exciting to watch, plus you can be a giant robo-monkey and throw banana bombs.

view full story + comments




Final Fantasy XV looks great and feels even better photo
Final Fantasy XV looks great and feels even better
by Kyle MacGregor

Even though the clock was ticking, it was difficult not to stop and smell the roses. I had a behemoth to hunt, but couldn't help myself. A gorgeous landscape teeming with majestic wildlife distracted me from my objective. I whiled away far too much time transfixed by the mosaic of stars painted across the night sky, exploring grottos and forest trails, and poking around a secluded outpost with a stable of Chocobos. I continued to do so until a tap on the shoulder reminded me to get back to the task at hand.

During a meeting with Square Enix today in Boston, the publisher gave me over an hour to delve into Final Fantasy XV: Episode Duscae, but it just wasn't enough time. I want to spend more time in this world, leaving no stone unturned, and now I find myself eagerly awaiting the opportunity to do just that when the demo launches alongside Final Fantasy Type-0 HD later this month.

view full story + comments








Planet of the Eyes is a treacherous place for Polaroid robots photo
Planet of the Eyes is a treacherous place for Polaroid robots
by Darren Nakamura

Crash landing on an alien planet is the worst. There's hazardous flora, deadly fauna, and even rock formations that seem to have some sort of blood lust. That just piles on top of the existential crisis of being a robot with an unknown purpose. Such is the existence on Planet of the Eyes.

I played through a couple of demo sections at PAX East. One showed off puzzles while the other demonstrated more action platforming. Both were rife with opportunities for robot death and dismemberment. At the very least, the planet is beautiful as it is repeatedly and mercilessly trying to kill me.

view full story + comments




Downwell has a simple premise but it's damn fun photo
Downwell has a simple premise but it's damn fun
by Darren Nakamura

A glance at Downwell's tricolor palette in still shots doesn't really do it justice. Watching it in motion gives a better idea what it does, but not until actually playing it does it all click. It is built around a simple mechanic: press the button to jump; press it again in the air to fire gun boots downward.

The recoil doesn't act as a double jump exactly. No extra height can be gained from the shots, but the little protagonist's descent can be slowed. The catch is that the boots have limited ammunition in a magazine and reloading requires a stop on solid ground. Those simple mechanics produce a surprising depth in the trip down the well.

view full story + comments




Soul Axiom is a cross between Journey and Tron photo
Soul Axiom is a cross between Journey and Tron
by Mike Cosimano

Everything you could say about Soul Axiom feels reductive. It looks like Journey mixed with Tron, except when it looks like Tron mixed with Tron. It’s a puzzler that evokes The Talos Principle in both its non-linearity and its environmental conundrums. And the story is a spiritual successor to developer Wales Interactive’s previous title Master Reboot. This is the kind of stuff I try to avoid when doing previews.

But it’s still accurate, and it doesn’t diminish how interesting this game looks. Soul Axiom is an unsettling and compelling techno/cyber-thriller, with a killer visual style that matches its high-concept premise. Whether it actually delivers on its many promises is another thing entirely, but there’s a lot to be excited about so far.

view full story + comments




Borderlands: The Handsome Collection shines in some spots, has problems in others photo
Borderlands: The Handsome Collection shines in some spots, has problems in others
by Brett Makedonski

Traditionally, Game Developers Conference is a very busy show. After what seems like a three-month hibernation, the game industry slowly creaks back awake and GDC is the first time everything's in full gear again. As always, this conference is packed with games worth lookng forward to.

However, that doesn't mean we can't look back if the circumstances are right. Borderlands: The Handsome Collection is one title that warrants such treatment, as it bundles Borderlands 2 and Borderlands: The Pre-Sequel together on PS4 and Xbox One. It's a big ol' pack of content, but while it promises a wealth of things to do, there are some worrisome snags.

view full story + comments




Dyscourse is a survival game that's light on survival photo
Dyscourse is a survival game that's light on survival
by Mike Cosimano

Owchemy Labs’ Alex Schwartz is one of the bravest men I know. In the midst of GDC, perhaps the most inside baseball-heavy of all conventions, he told a member of the press that Dyscourse was a "survival game." Of course, that phrase was immediately followed by caveats, but to use a genre descriptor that has become an enormous red flag takes an enormous amount of courage.

It also takes a great deal of faith in your game, which, as it turns out, is well-earned. Dyscourse is like Telltale's The Walking Dead filtered through old-school LucasArts. There are branching narratives, witty dialogue, an eclectic visual style, and choices that will affect whether a character lives or dies. But there’s also survival. Except it’s not actually survival. Follow me so far?

view full story + comments




Volume is a more thoughtful approach to Metal Gear Solid VR Mission-like stealth photo
Volume is a more thoughtful approach to Metal Gear Solid VR Mission-like stealth
by Steven Hansen

Volume is a fitting name for a polygonal, Metal Gear Solid VR Missions-looking stealth game with enough rectangles to feed a geometry class for the entire year. In the case of Mike Bithell's Thomas Was Alone follow-up, however, "volume" is more about sound than shapes.

Lead Locksley can't kill or attack. It's all about being a sneak. Noise, then, becomes an important weapon for luring guards from their posts, and every bit of noise fractures the world so you can nicely see its effect, along with the ever-present enemy fields of vision.

It's about sight, too. Sound, sight, shapes. These things come together to make a readable stealth game with enough abstraction that it feels more puzzler than sneaking romp. Think Hitman GO compared to Hitman.

view full story + comments




Smash Bros. dev bringing blocky puzzler BOXBOY! to 3DS photo
Smash Bros. dev bringing blocky puzzler BOXBOY! to 3DS
by Steven Hansen

HAL Laboratories (Super Smash Bros., Mother) has been busying itself with a couple Kirby games recently, but it looks like someone over there had an idea for a lil puzzle game and rolled with it.

BOXBOY! (already released on the 3DS eShop in Japan) is minimal outside of its charming animations. It is black, white, and mostly made of squares. You can walk Qbby left and right in an overworld with a Ms. Pac-Man-esque bowtied Qbby trailing behind. Enter doors to start a world, most of which seem to be designed around a particular technique. Five worlds (with around seven levels each) were playable during my GDC demo. There are 17 in total.

Aside from running and jumping, Qbby can bud blocks from his body. Each level gives you a limit to how many blocks you can produce at any given time, while there is also an overall number of blocks you can use on a stage. Getting to the end while collecting one or two black crowns will net you a "perfect" rating (and give you currency to unlock fun extras).

When you start, you can produce one block from your body and usually throw it to use as a step to reach a higher platform. As the levels go on and the block limit gets higher, you use new techniques. One section is themed around using blocks as a hook. That is, you produce three stacked blocks straight up, followed one to the right, forming a hook atop your head. You can then latch that last block onto a high ledge and have Qbby contract up to that latched block like folding in one side of the accordion.

I'm fine with the absentee art style (and Qbby's dumb lil feet as you move the box back and forth), but I never felt stumped throughout the first five worlds. It was more relaxing than puzzling. Maybe that's the point. Or maybe the later worlds will combine the various techniques a bit more, or make it so the limit of blocks you can produce per stage actually feels like a restriction; I never ran out.

view full story + comments




Warhammer: End Times - Vermintide goes all in with hectic co-op action photo
Warhammer: End Times - Vermintide goes all in with hectic co-op action
by Alessandro Fillari

I've long been an admirer of the Warhammer franchise. While a lot of people seem to put more of their attention towards the 40K universe, the high-fantasy setting of the former is so rich and features such a breadth of potential. As such, I was surprised to hear last month that Fatshark is making a new Warhammer title.

During a special hands-on session at GDC, the folks behind Warhammer: End Times - Vermintide showed off their co-op title that'll seek to offer hardcore action within the high-fantasy universe, while giving loot hungry players the urge to explore the street and depths of Ubersreik. 

view full story + comments




Guild Wars 2: Heart of Thorns seeks to redefine MMO endgame progression photo
Guild Wars 2: Heart of Thorns seeks to redefine MMO endgame progression
by Chris Carter

Guild Wars 2 is an ambitious project. While ArenaNet's initial offering of Guild Wars was more of a social dungeon crawler than an MMO (the company called it a CORPG, or competitive online role-playing game), the sequel was a bonafide massive experience.

The kicker? ArenaNet was still able to cut out the subscription fee, effectively making Guild Wars 2 buy-to-play and allowing players to return at any time.

Here we are over two years later with the Heart of Thorns expansion on the horizon, and the developer continues to find ways to innovate.

view full story + comments




The Flock is an intense, scary game of flashlight tag photo
The Flock is an intense, scary game of flashlight tag
by Alessandro Fillari

With so many horror titles out, it's difficult to keep things interesting for players. While some focus on throwing countless monsters at you, others seek to make players feel nearly powerless against a limited number of foes. But what about a title that seeks to create a blend of the two? The Flock is a unique title that mixes multiplayer action with the sense of dread felt in horror games.

At the Indie Megabooth at GDC 2015, developer Vogelsap showed just how intense flashlight tag can feel in an unnerving and darkly atmospheric setting.

view full story + comments




Megaton Rainfall is superhero action on an epic scale photo
Megaton Rainfall is superhero action on an epic scale
by Alessandro Fillari

Last month, we got a tease from an upcoming indie action title that will put players in the role of a superhero during an alien invasion. The trailer certainly inspired a lot of interest, as it was more somber and earnest, not loud and over the top like other superhero games we've seen.

Watching the footage, I got the impression Megaton Rainfall was a mix between Superman and Earth Defense Force, which sounds like it would make for an exciting title. Thankfully, we didn't have to wait too long to play, as the sole developer Alfonso Del Cerro was excited to get the game in player's hands at GDC 2015's Indie Megabooth.

Dubbed a "first-person superhero game" by its creator, Megaton Rainfall feels like a unique blend of genres.

view full story + comments