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EndWar Online beta photo
EndWar Online beta

Tom Clancy's EndWar Online closed beta starts today, runs through November


'War never ends'
Sep 01
// Darren Nakamura
I had forgotten about Tom Clancy's EndWar Online. It was originally announced just about two years ago, took on some alpha playtesters, and went dark to everybody else. Today, it is coming out of alpha and into a closed beta ...

Review: STASIS

Sep 01 // Patrick Hancock
STASIS (Mac, PC [reviewed])Developer: The BrotherhoodPublisher: The BrotherhoodReleased: August 31, 2015MSRP: $24.99  The story begins with the main character, John Maracheck, woken from a stasis (heh) pod on a spaceship called the Groomlake. It's immediately obvious that something big has happened here, as there is broken machinery, plenty of bloodstains, and no one around. John sets out to find his wife and daughter, in addition to finding out what the hell he's doing here in the first place. I won't spoil anything further, but what follows is a grim and morose tale that will certainly leave an impression on the player. As the story begins to unfold and more elements of the Groomlake's history become clearer, players shouldn't be surprised if a sickening feeling washes over them. There are scenes in STASIS, especially towards the end of the game, that I'm not sure I'll ever forget. The only way I can think to describe them is: fucked up. And that is the kind of "horror" that STASIS sets out to achieve. The game doesn't just throw jump scares at the player in every scene; instead, it builds an atmosphere that will make players uneasy. There are a few jump scares, but they actually work because they're infrequent and unexpected. This is a true horror game: creepy and unsettling, with scenes sure to embed themselves in the player's mind, whether they like it or not. Much of the plot is told through PDA journal entries found around the ship. These entries are well written, and players will find themselves excited to find new ones. Entering a room often reveals quite the scene, and as players read the PDAs, the events that transpired in the room come in to view. All of a sudden that blood splatter or broken machinery makes perfect sense. [embed]308755:60221:0[/embed] The biggest issue the plot has is pacing. For someone who figures out all of the game's puzzles with relative ease, the pacing is great. For those like myself, however, who struggle with classic adventure game puzzles, the pacing can fall apart quickly. In general, I suck at figuring out puzzles in adventure games. That being said, I managed to get through most of STASIS' puzzles without struggling. When I did struggle, however, oh boy was it rough. After spending over an hour trying to figure out what to do, the game's atmosphere and themes crumble away, and the I began to look at it from a mechanical point of view. "Okay, what haven't I clicked on yet," or "which item haven't I tried to use on everything yet?" are signs of desperation and even frustration. At that point, the creepy background sounds and eerie music were just noise and I was furiously clicking on everything in hopes that it would work. For players who end up at this point, I have a few tips. First of all, make sure you've read everything. Many times, hints are offered through various PDA journal entries or in the mouse-over descriptions of things. Read them carefully! Always try to combine items, and use items on just about everything. Finally, if you're truly stuck, look it up! It's better to keep moving with the story than to spend hours banging your head against the wall, hoping for the best. Shoutouts to my Destructoid colleague Stephen Turner for helping me through some of the harder puzzles; that guy is a rockstar. With the exception of those few obtuse puzzles, most of them range from very obvious to "just the right amount of thinking." As mentioned, hints are almost always available to those who are observant enough, even though some don't come off as hints initially. Piecing together these clues feels great, and solving most puzzles provides a strong sense of accomplishment. The game takes an interesting isometric perspective, similar to RPGs like Baldur's Gate or Planescape: Torment. The view cannot be zoomed in or rotated, so what you see is what you get. This is probably for the best, since the game uses a fairly low resolution and zooming in would not be pretty. It isn't always easy to see where to exit a room, so it's best to hover the mouse over the edges of each room to find all of the exits.  Objects that can be picked up or PDAs that can be read have a glint of light, signaling to the player that they should click on it. This helps alleviate the "pixel-hunt" that many adventure games suffer from, though not completely. While interactable items sparkle like a gem in the sky, environmental objects do not. I did occasionally find myself slowly scanning my mouse over an area to see if I had missed something to click on.  While this is inconsequential, the pathfinding in STASIS is a little wonky. Often times John will take the longer route to get to an item instead of the obviously shorter one. Some of the animations are also a bit funky; certain movements don't quite line up with the surrounding environments at times. Both of these have no gameplay impact, but they can break immersion and remind the player that they're playing a video game.  The model for John also stuck out as odd. He's completely dark, like a shadow. Other character models seem to have some texturing done, but John...doesn't. Even when in a room with plenty of light, John stands as a dark figure. It comes off as unfinished, though it seems to be a deliberate choice. The sound design, however, is top notch. Various background noises easily take front stage at times, making an already creepy room into a downright terrifying experience. Sound effects after interacting with specific objects are downright perfect, and make me question the lengths that the developer went to to get such sounds. STASIS is one of the most memorable experiences I've had from gaming in quite a while. Some puzzles can be frustratingly obtuse, but the majority are a pleasure to solve. The game will take most people between six to ten hours to complete, depending on puzzle-solving skill, and just about every moment is sure to stick with the player in some way. STASIS is a game that is not to be missed by anyone craving an eerie and sinister experience. [This review is based on a retail build of the game provided by the publisher.]
STASIS review photo
Something you won't forget
Generally, I tend to avoid both adventure and horror games, which makes my attraction to STASIS a bit perplexing, since it's both of these things. I've been invested in the game's development for years, anticipating its relea...

Batman: Arkham Knight photo
Batman: Arkham Knight

Batman: Arkham Knight Crime Fighter pack DLC is out


Part of the Season Pass
Sep 01
// Chris Carter
The next batch of Batman: Arkham Knight DLC is out today -- the Crime Fighter Challenge Pack #1. In short, you're basically getting six AR missions, featuring Robin, Catwoman, Batman, and Nightwing. If you bought the Sea...
Star Wars: Battlefront photo
Star Wars: Battlefront

EA provides details for Star Wars Battlefront October beta


Coming to PC, PS4, and Xbox One
Sep 01
// Chris Carter
EA  has spilled some details for the upcoming Star Wars Battlefront beta. It'll be available in early October on the PC, PS4, and Xbox One platforms, and is a technical test that will feature 40-person battles on Hoth, p...

Video Review: Metal Gear Solid V: The Phantom Pain

Sep 01 // Myles Cox
[embed]308699:60215:0[/embed]
Metal Gear video review photo
Standing on the edge of the crater
In case you haven't seen Chris' written review of The Phantom Pain (or you're not fond of reading), I've prepared a relatively* spoiler-free video review of the long-awaited final(?) entry in the Metal Gear Solid series. *All gameplay footage is spoiler-free. All cutscene footage has been shown in previous trailers.

Resident Evil photo
Resident Evil

Resident Evil Origins Collection is coming to PS4, PC and Xbox One


Resident Evil Remaster and RE 0 HD
Sep 01
// Laura Kate Dale
Rejoice PS4, PC, and Xbox One owners: Resident Evil Remaster and the upcoming Resident Evil 0 HD are coming to your big shiny gaming machines as Resident Evil Origins Collection. The new collection, which packages the pa...
Metal Gear Solid V photo
Metal Gear Solid V

Kojima leaves P.T. Easter Egg in Metal Gear Solid 5: The Phantom Pain


R.I.P.
Sep 01
// Vikki Blake
A long time ago, when Hideo Kojima still worked at Konami and the world was ablaze with expectation about an all-new Silent Hill instalment, Kojima treated us to a brief Metal Gear Solid V: The Phantom Pain/P.T. cro...
Evolve photo
Evolve

Who wants to try Evolve for free?


PS4 players are excluded. Sorry!
Sep 01
// Vikki Blake
If you've been on the fence about Evolve, here's your chance to try-before-you-buy -- developer Turtle Rock Studios is making the game free to play on PC and Xbox One this coming weekend (that's September 4 and 5, 2...
Mad Max review? photo
Mad Max review?

Where is our review for Mad Max?


Soon (tm)
Aug 31
// Chris Carter
It's midnight, and Mad Max has arrived on the PC, PS4, and Xbox One platforms. As you may have noticed, our review isn't up yet. So what gives? Well, we obtained a PS4 copy today. So, as is the case with all of our ...
MGS V photo
MGS V

Metal Gear Solid V's mobile app is rolling out, are you getting Phantom Pain at midnight?


On Android now
Aug 31
// Chris Carter
[Update: Sony is reporting that "some PS4 owners" who pre-ordered digitally will have to wait until 12:00 AM Pacific. This is my reaction.] Metal Gear Solid V: The Phantom Pain is launching in just a few hours. Are you g...
Metal Gear Solid V photo
The first hit is free
Having obtained a retail copy of Metal Gear Solid V: The Phantom Pain, I've had a chance to test out the online functionality a bit, as the servers have been switched on in preparation for the game's midnight launch. You may ...

Call of Duty photo
Call of Duty

Nuketown reborn in Black Ops 3


But there's a catch
Aug 31
// Robert Summa
If you are a fan of the Nuketown maps in the Call of Duty: Black Ops series, then you'll be happy to hear that Treyarch is bringing the popular map to Black Ops 3. However, this time it's got an edgy name and you'll need to p...

Review: FEIST

Aug 31 // Caitlin Cooke
FEIST (PC)Developer: Bits & BeastsPublisher: FinjiRelease: July 23, 2015MSRP: $14.99 In FEIST you control a small furry creature trying to make its way through a mysterious forest rife with larger, furrier, and angrier beasts who have a penchant for killing and/or capturing your kind. Along the forest path you encounter smaller monsters who, unsurprisingly, are also extremely hell-bent on killing you. The only protection you have is within the environment -- ie grabbing a stick, pinecone, or other forest object to hurl at the creatures, or if that fails then running away. Much of the game consists of learning these monsters’ patterns and using the environment to either avoid or directly confront the problem. Making use of the environment is also critical in progressing throughout the levels -- crates, sticky pine cones, ropes, and rocks are all puzzle mechanics which allow you to move through the game, sometimes while also being ambushed. There is very little direction in how to approach each situation, so often times arriving to the solution involves lots of experimentation and do-overs. For example, leveraging a crate as a shield against a dart-throwing centipede and pushing other monsters into the fray is a common tactic to avoid death. Nothing is randomized, even the behaviors of enemies are predictable, however FEIST manages to make each level extremely difficult by throwing a lot at the player. The encounters are sometimes clustered and can escalate quickly if not approached in the right manner. There aren’t any power ups in the game so relying on your platforming skills and muscle memory is key. In other words, FEIST is not a game where you have time to pause and think of what the solution is -- it’s best to run through, burn out, and repeat what you’ve learned from your death. I find that because of this premise, FEIST teeters on the edge of being almost too demanding. If you’re not able to master these precise movements and quick reactions, the game can become frustrating fairly quickly. The first couple of chapters through the forest were intriguing, latching onto more of a puzzle-solving nature, but sadly as I progressed I found the mechanics and monsters to be repetitive and annoying. The visuals are simple but captivating, displaying a bright and sunny environment beyond the veil of the dark forest -- a constant reminder that you’re trapped. The music is also entrancing, matching the ambience of the game and sometimes even providing a sense of calm in the chaos. I did find myself hoping for more setting to accompany the strife of actually making it through the levels -- as FEIST only has a loose story that wasn’t entirely clear, or interesting for that matter. Unfortunately, FEIST also suffers from a number of other issues. For a game that demands so much precision, so much is left out of the player’s hands. In many situations monsters have a hive mentality or tossing mechanism which essentially throws the player back and forth, making it useless to combat. It’s also impossible to tell how many hits you can reasonably take, as there is no health bar yet many ways you can get hurt to varying degrees. It’s also unclear when, or if, the game is saving your state. When dying, it brings you back to the beginning of the scenario as expected, however when exiting the game there is no clear indication of where you will begin when re-entering. At one point, I had spent an arduous amount of time getting through a level only to find that when I picked the game back up the next day, it had erased my progress and placed me back at the beginning of the chapter. Despite it drawing similarities from Limbo and other games in the genre, FEIST manages to separate itself and make the experience its own through dynamic gameplay and an emergent environment. However, that experience is a brutal one, and something that is extremely hard to swallow. Although its premise was simple and delightful at first, playing through FEIST was a trying experience and one that I would not want to repeat. Others who have a penchant for unforgiving games like the Souls series may find joy here, and if you’re looking for something more thoughtful or forgiving, keep walking.
FEIST Review photo
Masochism at its finest
FEIST is at first glance very reminiscent of Limbo, checking all the boxes in terms of its dark visuals, lonely atmosphere, eerie music -- it even has the same creepy, hanging crates and doom spiders. Despite the similarities...

Street Fighter V photo
Street Fighter V

Capcom details Street Fighter V pre-order bonuses, Collector's Edition


So many CEs today!
Aug 31
// Chris Carter
Today is just the day to unveil Collector's Editions, guys. Capcom is the latest to join the craze, with details for Street Fighter V. It'll come with the game, a 10-inch "fully painted" Ryu statue, a 48-page hardco...
King's Quest photo
King's Quest

King's Quest's second episode will be out 'soon'


Love this game
Aug 31
// Chris Carter
Back in July, the first episode for the new King's Quest series was released, and it was pretty fantastic. The second episode has been revealed as "Rubble Without a Cause," and will heavily feature the goblin horde. Rub...

Review: Satellite Reign

Aug 31 // Josh Tolentino
Satellite Reign (PC)Developer: 5 Lives StudiosPublisher: 5 Lives StudiosReleased: August 28, 2015MSRP: $29.99Reviewer's Rig: Intel Core i5 3.40Ghz, Nvidia Geforce GTX 780 Ti, 8GB RAM I mentioned the discrepancy between my memory of what Syndicate was and the fact of how it actually played, and Satellite Reign's existence makes that difference all the more apparent. That's because, despite the latter game's obvious tonal and thematic debt to Syndicate, it's a closer cousin, mechanically speaking, to Firaxis' XCOM: Enemy Unknown.  Whereas Syndicate and Syndicate Wars had you controlling a squad of roughly identical agents, each distinguished mainly by the weapons you had them carry, the corporate wetworks team you run in Satellite Reign's consists of four distinct character classes; each class has unique abilities unlocked through the leveling system, as well as individualized ways of dealing with the obstacles in their way. Soldiers can attract and resist enemy fire or hardwire enemy power generators to turn off turrets, doors, and cameras. Hackers can shut down security systems, use drones, and "hijack" enemy and civilian NPCs to puppet as they please, a la Syndicate's Persuadertron. Support agents heal their comrades and can use a "World Scan" ability to trace systems and find suitable hacking targets. Infiltrators can use ziplines, vents, and cloaking devices to sneak past guards while packing powerful melee and sniper attacks.   [embed]307082:60210:0[/embed] This class system, in addition to the game's requisite suite of cybernetic augmentations, weapons, and equipment, as well as an XCOM-like cover system, makes every encounter and excursion in Satellite Reign a far more involved affair than in its inspiration. Whereas those older encounters usually boiled down to how quickly your guys could mow down theirs, here, every member can work in concert, their abilities complementing each other to lay even the toughest defenses bare. Evasion, subterfuge and pitched combat all have their place, and can happen at virtually any time on the game's open map. That open map is another way 5 Lives stands apart from its peers and inspirations. Instead of missions, whether bespoke like in Syndicate or procedurally-generated like in XCOM, Satellite Reign opts for an open-world structure set on what the developers claim is one of the largest maps ever generated for the Unity Engine. The map is that of a city owned and run by Dracogenics, a massive future megacorporation propped up by selling "Res-tech", a cloning technology not unlike that seen in The Sixth Day. Your team, part of a rival corporation, is dropped into the city with an older, pirated version of Res-tech (their explanation for respawning), and tasked with overthrowing Dracogenics' monopoly in the name of business, no matter how much murder and robbery it takes to do so. Everything happens on the map, as your agents claw their way through the city, with nary a loading screen between tasks. Each district, from neon-soaked Downtown to the smog-choked Industrial zone, houses a number of side missions designed to reduce Dracogenics' control. For example, infiltrating the local police station can lengthen the time it takes for guards to call in reinforcements, while planting bugs in a surveillance center keeps security cameras from recognizing your agents too quickly. Breaking into the district bank can increase the speed at which ATMs funnel cash into your coffers. Bribing a disgruntled sanitation worker can unlock a side entrance into a heavily-guarded military base. Locating a conveniently hung power line might give your agents a quick way over the walls, but only if your Soldier can sabotage a nearby generator to keep that line from frying anyone trying to slide down it. It all feels interconnected and detailed in the manner of the best obstacle courses and levels. Through it all your agents will be getting their hands on new gear, unlocking new abilities, and getting more formidable, as the game's structure allows for a near total freedom of approach. Virtually every scenario can be handled in the way you choose (short of peaceful negotiation), limited only by your ability to coordinate your agents and their own equipment and abilities. Every upgrade makes you feel more powerful, but not just in a simple "numbers went up" sense, but in the way that new upgrades unlock new options and ways to break past barriers that limited you before. Unfortunately, like a proper cyberpunk story, Satellite Reign's shiny, polished exterior reveals some grit and ugliness upon close examination. Civilians walk aimlessly to and fro, only there to provide a source of fresh clones for your agents and inconvenient witnesses for their crimes. The open-world structure of the game excises the possibility of truly lasting consequence, with the world, guard patterns, and even destroyed cameras eventually resetting over time. Enemies are a touch too durable as well, their multiple layers of armor, health, and energy shielding limiting certain approaches, and turning most firefights into drawn-out affairs as enemies summon reinforcements faster than you can kill them. Perhaps the most disappointing thing about this otherwise brilliantly-executed game is how hollow its world feels. Despite the gorgeously rendered city visuals and a goodly amount of text to be found by digging through random data terminals, Satellite Reign's city feel less like a world than a cyberpunk-themed playset. You direct your little squad of action figures around and play as you like, but rarely feel lost or immersed in the setting. It would be churlish and greedy to demand storytelling on the level of, say, Deus Ex from the game when it already does everything else so well, but it's saying something when Syndicate still manages to establish a better mood despite being nearly twenty-two years older. At the same time, rough edges like that are a small price to pay when Satellite Reign does Syndicate better than Syndicate ever did.  [This review is based on a retail build of the game provided by the publisher.] [embed]307082:60210:0[/embed]
Satellite Reign Review photo
Guerilla Startup
I can still remember the first time I played Syndicate. It was after school in late 1993, and I was messing around on an office computer while waiting for my mother to finish a meeting and take me home. I remember the cool mi...

Deus Ex: Mankind Divided photo
Deus Ex: Mankind Divided

Deus Ex: Mankind Divided dated, with a whole mess of pre-order nonsense


'Augment your pre-order,' haha
Aug 31
// Chris Carter
Square Enix and Ubisoft sure know how to do a terrible mean Collector's Edition! Deus Ex: Mankind Divided will launch on February 23, 2016, and with it, multiple "tiers" of pre-order bonuses and a Collector's Edition tha...
LawBreakers photo
LawBreakers

New footage has surfaced for Cliffy B's LawBreakers


Skill shots and domination streaks
Aug 31
// Laura Kate Dale
Oh hey, are you itching to see more footage of Cliff Bleszinski's upcoming futuristic sci-fi shooter LawBreakers already? Well, thanks to the official LawBreakers Twitter account this weekend, we have a whole bunch of new pie...
Metal Gear Solid V photo
Metal Gear Solid V

The only file on the PC retail version of The Phantom Pain is a Steam installer


A single 8MB file for a 28GB game
Aug 31
// Joe Parlock
Oh Konami, why do you do these things? Do you not know people are mad at you for recent events? Do you not know people have been avidly awaiting Metal Gear Solid V: The Phantom Pain for years? How do you continue to fuck up, ...
Cities: Skylines photo
Cities: Skylines

Cities: Skylines After Dark trailer shows off your city's nightlife


Get your drunk arse home, mayor
Aug 31
// Joe Parlock
Cities: Skylines was absolutely fantastic. Developer Colossal Order did a fantastic job of balancing its fun city creation tools with a detailed simulation that made SimCity look like some matchsticks held together with sick...
Atlas Reactor photo
Atlas Reactor

Trion announces turn-based strategy game Atlas Reactor


'Turn-based game... but competitive!'
Aug 31
// Joe Parlock
Rift developer Trion Worlds has announced its newest project: Atlas Reactor. A free-to-play, simultaneous turn-based strategy game, all players carry out their turns at the same time, meaning there isn’t hours and hour...
Steam photo
Steam

Steam now sells over 6000 different games


I've got a lovely bunch of videogames
Aug 31
// Joe Parlock
Ever since Valve opened Steam’s floodgates with Greenlight, the amount of games on the platform has exploded. NeoGAF noticed the other day that that number has skyrocketed to over six thousand games, either fully releas...

Kona is a hauntingly beautiful survival adventure

Aug 30 // Alessandro Fillari
[embed]308447:60214:0[/embed] Set in the wilderness of Northern Canada during the early 1970s, you play as private detective Carl Faubert as he investigates the mysterious events occurring at a remote village of Atamipek Lake. What starts as simple job of finding the unknown culprits behind the vandalism of private property, it soon becomes apparent that things are not what they seem and Carl finds himself in a whole mess of danger. With nearly the entire population of the town missing -- along with wild animals looking for their next meal -- he'll have to rely on his wits and resourcefulness in order to survive mother nature's cold embrace of the land, and learn the truth of what happened in the isolated town. As the first episode of a planned series, Carl will explore two square kilometers of land in search of clues and supplies. While on his investigation, he'll find abandoned homes and public points of interest that will give him leads. Along the way, he'll learn more about the town's unique characters while searching through their abandoned homes, notes, and other clues left behind. I really liked the atmosphere and tone that Kôna gave off. Exploring the town felt like opening up a time-capsule from the '70s, and many objects, media, and other knick-knacks from the era are presented in authentic fashion. Though be careful, exploring the environment will take a toll on Carl, and he'll have to look after himself during his journey through the wilderness. Interestingly enough, the game's survival elements do a lot to play into the core structure of intrigue and dread that the game encapsulates. While most adventure and narrative-driven games like Dear Esther or Everybody's Gone to the Rapture have players focus on story and not worry about their characters getting hurt, Kôna goes all in with survivalist gameplay. Players will manage Carl's health, temperature, stress, and carrying capacity, which adds another more pressing element to the title's structure. Eventually, you'll acquire firearms to ward off wild animals, such as packs of roaming wolves, but ammo is in extremely short supply. I was impressed to see that the two gameplay focuses, which are totally different from one another, actually work quite well together. If anything, having to mange resources and Carl's well-being adds to the urgency of the environment. Though my time with Kôna was quite brief, I really enjoyed what the developers have come up with. Blending survival elements into the narrative structure of an adventure title was alluring, and my short stint in the great white north offered a lot of intrigue. The developers are also working on special VR features for the title, which will create an even more immersive experience. Though the game is still some time away from release, Parabole has got something quite special with this evocative title.
Kna photo
Whiteout in the great white north
It's not often we see a title that blends one of the many hallmarks of the adventure genre, a focus on a rich and evocative setting, with the tense and resource-focused gameplay of survival games. But...

Through the Woods uses psychological horror to retell a classic myth

Aug 30 // Alissa McAloon
Conversations between the mother and her doctor drive the greater plot. The events of Through the Woods happened long ago; the players are simply helping the mother with her retelling of the tale. The demo begins with the mother alone in the dark woods with only a flashlight to guide her way. Branches crunch beneath her feet as she slowly makes her way through the environment. From time to time, an object in the distance catches the light of the flashlight. These objects, the mother explains to the doctor, are reflectors her son often collected. Reflectors sometimes trigger a short conversation between the mother and the doctor, but more often than not simply serve as a welcome reminder that you're on the right path. Eventually the forest directs her toward an isolated cluster of cabins. As she tries to open each door, she calls her son's name into the night. After finding every door locked, the door farthest from her creaks open and the soft sound of a woman's singing beckons her toward the cabin. I was somehow still surprised when the door then slammed shut behind her. The sound something loudly drooling and shuffling nearby filled my ears and it was then I became well acquainted with the run button. The game bills itself as psychological horror and it isn't hard to see why. Through the Woods uses a finessed merging of sound, design, and narrative to craft an experience that is equal parts intriguing and terrifying. I can't wait to give Woods another shot when it releases next year, but chances are I'll be playing with the lights on. 
Through the Woods photo
Norse mythology is messed up
I knew I was in over my head with Through the Woods the very second I started the demo. The moment I put those headphones on, the loud world of PAX disappeared and was replaced with the unsettling ambiance of a dark forest. ...

Dragon Age: Inquisition photo
Dragon Age: Inquisition

Dragon Age: Inquisition's DLC epilogue is called Trespasser


Plus, Golden Nugs for all!
Aug 30
// Josh Tolentino
Dragon Age: Inquisition isn't even a year old yet, but for some reason it feels like it's been forever since it came out. I played it, had a gay old time with my slender elven Knight-Enchanter, finished the story, then settl...

Cliff Bleszinski: 'I respect that core gamers see free-to-play as a dirty, dirty thing'

Aug 30 // Brett Makedonski
[embed]308383:60188:0[/embed] At this point, LawBreakers co-developer and Killzone series director Arjan Brussee chimed in "If you have a small barrier of entry like an early access fee, then I think that can work. For us, if you look at the game, it's definitely a triple-A type of experience. We don't want to charge $60, but our fans are used to paying money to play games with the Killzone and Gears of War stuff. So, I think we can leverage the free-to-play thing and do cool stuff in that space." Brussee's right in saying that this is a segment of the gaming population that doesn't have a problem coughing up some cash for games. The challenge comes in getting them on-board with free-to-play -- especially those who are distrustful of the model. But, Bleszinski wouldn't want to go back to the traditional sales metrics. "Yeah, for me, that's completely dead. That's pre-orders, that's 'how many do you get in the first two months' and then it's an exponential curve downward after that," Bleszinski said about the idea of his metrics for success suddenly shifting. "People who are still doing that: have fun. For me, that's old. For us, it's about a ramp." Bleszinski continued "We may not make a lot of money in the first couple months. But, in the first year, we may start to ramp up. These games are like a locomotive where they get going and going. Once they get momentum, you look around and say 'How did this game get so damn big?' The marking is a steady launch over the course of a bunch of different beats throughout the year as opposed to blowing the wad at Christmas while everyone else is blowing their wad. Or, the Super Bowl where you try to get Liam Neeson and Kate Upton to do goofy ads. We're in it for the long-run here."
LawBreakers free-to-play photo
But he's done with the traditional model
When Cliff Bleszinski formed Boss Key Productions to create the game now known as LawBreakers, he always knew that free-to-play was the model he wanted. That statement's not as black and white as it sounds. There's a lot of i...

Cliff Bleszinski: We want players to actually use verticality

Aug 29 // Brett Makedonski
[embed]308291:60187:0[/embed] "I don't mean to slag any other games, because those core loops of getting a lot of kills quick are what kill streaks and kill streak rewards are built on," Bleszinski said. "With us, we want to have a little bit of that dance, a little more like Halo where if someone gets the drop on you, you at least have a shot at either getting away or at least taking a dent out of them so they might die by your teammate." The hook that allows LawBreakers this freedom lies in the world-building. Because of a cataclysmic event known as "The Shattering," Earth is left with pockets of low gravity in certain areas. Conveniently enough, LawBreakers' maps are set in some of these areas, which should make for interesting and varied gameplay. Bleszinski was visibly excited about this. "We see these moments where there's this giant zero-gravity pocket where everyone's vertical and people are actually knocking each other around with rockets. One of the comments on Twitter was someone asking if rockets actually propel people. Since you have a rocket jump now, you actually have a radius. We found that with rockets not being a one-hit kill (because we don't really want them to be), even with Kitsune who's a very light character, once we have the law equivalent of her, she probably might be a couple rockets minimum. Still, it's a light character, but we want you to juggle." There's a reason he wants players to juggle. "When you introduce low gravity and the concept of juggling as well as a rocket that you can air-burst with the alt-fire, you see somebody flying through the air blind-firing propelling themselves, and you can suddenly send them over to the other side of the map by air-bursting a rocket and then follow through with your stomp move and kind of chain your moves together. We want the FPS dance to kind of come back." That FPS dance means that players stay alive longer and actually get to make use of the game's vertical axis. "It's a lot greater than your Call of Duty grind. It's a little bit faster than your Titanfall one. It's somewhere around Halo-ish is what I like to say," Bleszinski ultimately said of Spencer's original time until death inquiry. Figuring out exactly how to properly execute all that action is the tough part. LawBreakers' gameplay trailer showed a handful of different characters, each with their own abilities and traits. Bleszinski and his team are now in the position of getting all of those characters work in conjunction with one another without any of them sticking out like a sore thumb. "Perfect balance is nearly impossible to get," Bleszinski commented. "We're still working on it. Right now, in the current build that people are playing off-site, it's very asymmetrical -- two unique classes on both sides. The Law has all sorts of weapons whereas the Breakers have like area-of-effect stuff. That's been really hard to balance. One of the first things we're going to do when we get back is, you have Breacher on the Law side, we're figuring out who the Breacher equivalent is on the Breaker side. That's something that when we go back to symmetrical gameplay, I think it's going to be easier to balance. But, it'll still be slightly asymmetrical." It may not be exactly what he's shooting for, but Bleszinski made reference to a revered fighting game when talking about balanced gameplay. "I saw a graph where they're pointing out the Smash Bros. characters from the original that we've used over the years. Smash Bros. may be the most perfectly balanced game ever because they kept finding a new character and a new exploit without the game ever being patched or updated." An interesting analog, but LawBreakers won't take that approach. Bleszinski continued "Thankfully, we're going to be a living product so we can keep introducing updates, hopefully every couple weeks. Pump that shit through, have test kitchens and things like that. Basically, if we find an exploit that breaks the game, fix it. But, also recognize when there's an exploit that adds to the game. You know, rocket jumping is one of those accidents that actually is cool." Bleszinski and Boss Key can expect to find a lot of those exploits given the combination of possibilities between several unique characters and maps with variable gravity. There are a lot of factors at play. Some exploits will evolve into part of the game, some will get squashed. Those that make verticality more enjoyable and contribute to the FPS dance (as Bleszinski put it) have a better chance of surviving.
Bleszinski interview photo
Doing the FPS dance
Just this week, Cliff Bleszinski and Boss Key Productions pulled back the curtain on LawBreakers -- the free-to-play arena shooter that has been in development under the codename Project BlueStreak. It's more than just the co...

Burly Men at Sea is such a delightful adventure

Aug 29 // Jordan Devore
[embed]308368:60185:0[/embed] I think I would've preferred to play with touch controls given the way movement flows, but using a mouse was fine. Burley Men at Sea is coming to Windows, Mac, and iOS, so we'll have that choice. The demo at PAX was only a hint, and I am intrigued. Toward the end, a whale swallows the bearded brothers, which one of them finds "really very discouraging." I helped them escape by finding and tugging on the creature's uvula, prompting a quick blowhole escape. It's real cute. There's promise of folklore creatures and I can't wait to see how they translate to this art style.
Hands-on preview photo
Scandinavian folklore
Strolling through the Indie Megabooth at PAX Prime, Burly Men at Sea stood out thanks to its clean, charming art direction. The adventure game has a small presence within the bustling independent area, but I sincerely hope ot...

Viridi photo
Viridi

Grow your own virtual succulents with Viridi


And play with your own virtual pet snail
Aug 29
// Ben Davis
Viridi is a free-to-play gardening simulator which released on Steam last week in which you grow and care for a pot of succulent plants. The plants grow in real time even while the game is closed, so this isn't the type of ga...
MEOW MEOW MEOW photo
MEOW MEOW MEOW

The best video game trailer ever that I can't stop watching


WHO LET THE CAT IN!?
Aug 29
// Jed Whitaker
I was browsing through the latest releases on Steam when I came across Let the Cat in, a free-to-play game about helping kittens get into a house and was ported from mobile devices. That isn't important though, what is is it...

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