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Gearbox Software

Humble Borderlands Bundle photo
Humble Borderlands Bundle

Borderlands headlines the current Humble Bundle

A good entry point for newbies
Jun 23
// Darren Nakamura
Today is just a Borderlands day, it would seem. Not only did the third episode of the stellar Tales from the Borderlands release today, but now we have word that the mainline loot-shooters will be doing the whole Humble Bund...

Review: Tales from the Borderlands: Catch a Ride

Jun 23 // Darren Nakamura
Tales from the Borderlands: Catch a Ride (iOS, Mac, PC [reviewed], PlayStation 3, PlayStation 4, PlayStation Vita, Xbox 360, Xbox One)Developer: Telltale GamesPublisher: Telltale GamesReleased: June 23, 2015 (Mac, PC)MSRP: $4.99, $24.99 (Season Pass)Rig: AMD Phenom II X2 555 @ 3.2 GHz, with 4GB of RAM, ATI Radeon HD 5700, Windows 7 64-bit [Editor's note: there will be no major spoilers present for the episode reviewed here, but events in previous episodes may be discussed.] When we last saw Fiona and Rhys, the duo had just constructed the Gortys Project while Vaughn and Sasha were being held hostage. Atlas Mugged ended with a significant Telltale choice for Rhys to make: trust Fiona in her ability to improvise the situation or trust the shadow of Handsome Jack residing in his own cybernetic head. Though the decision was given a lot of weight, the episode concluded before we got to see much of an effect. As it turns out, the opening sequence to Catch a Ride plays out quite differently depending on which option was selected earlier. It's enough of a difference that along with the review code, Telltale sent a message imploring me to play through the episode twice in order to see just how far-reaching the consequences are. The differences are there, and they persist until about the third act, but at that point the two branches sort of homogenize together. Without giving away too much, trusting Handsome Jack unlocks the help of three characters who aren't necessarily available to those who instead trusted Fiona. However, by the end, all three are out of the picture one way or another, despite that they could have been particularly useful. [embed]294552:59205:0[/embed] It shouldn't come as a surprise to anybody who has played a Telltale game in the past few years that the overall narrative threads all begin and end in the same place, but Catch a Ride does feel like an improvement in that regard, if only slightly. Though the player cannot really affect how the story ends, certain scenes play out differently enough to warrant another look. One silly change I appreciated was that Rhys's Echo Eye ability is corrupted if he lets Jack into his systems. Instead of the dry humor found in the default descriptions, Jack inserts his own brand of over-the-top musings. I do wish this idea were taken further; there is a section in which Rhys has to hack a computer and having a digitized version of Handsome Jack ought to have helped in that situation. Fiona also goes through some questionable design territory with her abilities. Where her sleeve gun was previously limited, providing the possibility for interesting choices, its power is unlocked in the episode. It nullifies the opportunity cost that piqued my interest in Atlas Mugged; when I spent that incendiary bullet singing Finch's hair off in the second episode, I thought that would be the last time. Now it almost feels like Telltale is trying to set Fiona up to be a proper Vault Hunter in Borderlands 3. While on the one hand it will definitely be cool to see Telltale's original characters in Gearbox's next effort in the main series, it would detract from her uniqueness as a smooth-talking con artist were she to become another gunslinging badass. Speaking of characters, we do get a few new cameos from the main series here, although their inclusion feels a bit like fan service. After playing through twice, I'm still not quite sure why they were there, but it could very well be something that is planned to be explained in the future. As it stands, they show up, say some funny lines, do some outrageously violent things, and advance the story in a way, but their motivation isn't clear. That is a relatively minor complaint, especially considering the best thing Catch a Ride has going for it is one of the new characters. Gortys turns out to be a friendly robot and she easily has some of the best lines in the episode. With the personality of an earnest young child, she feels so out of place in the dark wastelands of Pandora that I couldn't help but be charmed. Everybody on the planet is gruff, insane, murderous, jaded, or at least sarcastic so having one character who is none of those is just perfect. Some of Gortys's lines tap lightly on the fourth wall; those are worth a lasting grin. There is one scene of hers in particular that had me laughing heartily, both times I played through. Even knowing it was coming, the setup and delivery were so on point that it killed. Ashley Johnson's voice work was perfect for the role. I don't know how this story ends, but I hope Gortys survives the ordeal in one way or another, because Borderlands needs to keep that character around. It may seem like a lot of my thoughts on Catch a Ride are negative, but they are minor quibbles in the grand scheme. Though I'm a little disappointed the two protagonists aren't using their unique skills as much as they did in the first episode, the story they team up to tell is still completely engrossing. The writing is as sharp as ever, with plenty of laugh-out-loud moments. The end of the episode has just the right amount of cliffhanger to it. Tales from the Borderlands: Catch a Ride feels like a complete chapter in the story, but now I have a rough idea for what to expect in the next two episodes. With that narrative skeleton in mind, I am looking forward to watching the rest of the series play out now more than ever. [This review is based on a retail build of the game provided by the publisher.] Tales from the Borderlands: Atlas Mugged (iOS, Mac, PC [reviewed], PlayStation 3, PlayStation 4, PlayStation Vita, Xbox 360, Xbox One)Developer: Telltale GamesPublisher: Telltale GamesReleased: March 17, 2015 (Mac, PC)MSRP: $4.99, $24.99 (Season Pass)Rig: AMD Phenom II X2 555 @ 3.2 GHz, with 4GB of RAM, ATI Radeon HD 5700, Windows 7 64-bit
Telltale Borderlands photo
Worth the fare
[Disclosure: Anthony Burch, who consulted on the story for Tales from the Borderlands, was previously employed at Destructoid. As always, no relationships, personal or professional, were factored into the review.] Ever s...

Telltale Borderlands photo
Telltale Borderlands

Meet Gortys in this Tales from the Borderlands: Catch a Ride trailer

She's adorable
Jun 23
// Darren Nakamura
The third episode for Tales from the Borderlands is out today on PC and PlayStation consoles (with the rest out this week) so Telltale sent along this shiny new trailer for it. In it, we see some cameos from Vault Hunters Br...

Borderlands players will probably dig Battleborn

Jun 12 // Jordan Devore
Sure, the copious amounts of loot are gone. And this isn't a wasteland -- it's the last star in the universe. But damn, Battleborn really will feel and sound familiar to Borderlands players despite having an extended cast of 25 playable characters. The roster has the diversity of a typical MOBA lineup, and the rate at which you're leveling up and acquiring new abilities matches that genre. First, Gearbox and 2K had us watch a group of people play a level to, uh, show us how it's done. Then we played that same level. Then we played it again. Then we played it a third time. The intention was to highlight the variation in characters, I guess -- and there's plenty -- but the format also reminded me how grating funny dialogue often becomes on repeated playthroughs. Our short slice of the campaign was set on a snowy area with suitably solemn music. It was mostly linear, with wider areas interspersed for larger engagements. I first chose a gentlemanly robot sniper who could call in an owl. He was great at safely taking down our primary foe -- alien monsters called the Varelsi -- from afar while my four co-op partners soaked up damage. After that, I picked a vampire-looking samurai with twin blades. He was ferocious, but I kept managing to lose my shields and then my health and then I needed to be revived. Sorry about that! I'm squishy! Even if I didn't quite get a handle on how to play him well, I still enjoyed the first-person slicing. On my third playthrough, I went with a witch who shot dark energy out of her four arms and could open portals from which hellish things would leak out. I liked her. Leveling up occurs regularly. Again, think Dota 2 or League of Legends. Instead of separate skill trees like in Borderlands, you're presented with a single either-or decision, one for each of your ten levels. You're able to choose between things like increased shields or higher weapon damage, and boost certain abilities over others. If you're like me, you'll wish you could just have every upgrade. As for mission objectives, the preview build was a lot of pushing forward, wiping out every enemy. Eventually, we had to protect a spider mech guy as he trundled along to his final destination where an inevitable boss battle took place. Along the way, we picked up shards from chests and fallen foes that could be spent on upgrading the mech's offensive or defensive capabilities as well as turrets during the final fight. Doing so seemed unnecessary, but I'm sure we were playing on one of the friendlier difficulty settings and that it can get real tough if you want a challenge. While I didn't get to see much of Battleborn, I'm more into it than I thought I would be as someone who isn't particularly crazy about Borderlands. I think it's the gunplay, which feels tighter here. There's also more care-free room for experimentation in terms of character selection and how you want to build them out. I'm unsure about the PvP, but I'll probably want to round up four friends to run through the story mode when this releases on PC, PS4, and Xbox One this year.
Battleborn preview photo
Hands-on impressions of the story mode
[Disclosure: Years ago, Aaron Linde used to write for Destructoid. He now works on Battleborn at Gearbox Software. As always, no relationships, personal or professional, were factored into this preview.] To sum up Battleborn ...

Telltale Borderlands photo
Telltale Borderlands

Tales from the Borderlands Episode 3 out June 23

Catch a Ride
Jun 11
// Darren Nakamura
In life, sometimes it's best to celebrate the little victories. For instance, the forces of the universe have prevented me from attending E3 this year, but as a consolation, Telltale is releasing Tales from the Borderlands Ep...
2K photo

Take-Two announces new 2K AAA project

...but doesn't tell us what it is
May 19
// Vikki Blake
2K is working on a new "soon-to-be-announced" AAA title. "Throughout the coming year, we will continue to execute our proven strategy of launching a select array of the highest-quality titles, led by new annual releases of NB...
Butts photo

Laura's Gaming Butts: Bord-Arse-Lands

Give me a handful of that Handsome Jack ass
Apr 16
// Laura Kate Dale
Hello all and welcome to Laura's Gaming Butts, Destructoid's weekly YouTube show about butts in videogames. Yep, it's a video podcast where I get guests in to talk about butts. Professional journalism at its finest. This wee...

Review: Borderlands: The Pre-Sequel: Claptastic Voyage

Mar 29 // Darren Nakamura
Borderlands: The Pre-Sequel: Claptastic Voyage (Linux, Mac, PC [reviewed], PS3, PS4, Xbox 360, Xbox One)Developers: 2K Australia, Gearbox SoftwarePublisher: 2K GamesReleased: March 24, 2015MSRP: $9.99 (included in Season Pass and The Handsome Collection)Rig: AMD Phenom II X2 555 @ 3.2 GHz, with 4GB of RAM, ATI Radeon HD 5700, Windows 7 64-bit With the premise of entering the mind of Claptrap, The Pre-Sequel had a ton of freedom with where it could go and what it could do. As with the Dungeons and Dragons-esque setup for Tiny Tina's Assault on Dragon Keep, the narrative hook allows Vault Hunters to leave the planet of Pandora (or its moon Elpis) in favor of even more fantastic locales. In practice, Claptastic Voyage takes players from the samey blue-gray moon surface and industrial complexes to samey blue-gray electronics (that look a lot like industrial complexes). At least, that's how the first half goes. It's immediately disappointing that the limitless setting produces such uninteresting environments, but that changes further in. A little ways into the DLC the Vault Hunters can access Claptrap's old memories, revisiting areas featured in previous titles like Fyrestone or Overlook. Eventually, the shooting goes deep enough into Claptrap's mind to find wholly original, diverse environments. The Escherian temple of Claptrap's subconscious is particularly fun to explore. One thing that Claptastic Voyage does especially well is to fill in gaps in the overarching story that have only previously been hinted at. It does this with the memory exercise in Overlook, illustrating the town's deterioration to the state players find it in Borderlands 2. It ends with a direct lead-in to BL2, showing how Claptrap meets Sir Hammerlock in the frozen tundra on Pandora. It even goes so far as to explain Claptrap's penchant for dubstep where it wasn't present in the original Borderlands. [embed]288904:57729:0[/embed] All that said, while the details are cute for fans of the lore, the main plot in Claptastic Voyage has been done several times in the Borderlands series. Perhaps it's intentionally self-referential, but the plot device that introduces the main villain early on as an ally who "unexpectedly" betrays the heroes is tired at this point. He is clearly designed to let the player know what's up, so watching the characters go along and be flabbergasted by the betrayal creates a sort of disconnect between player and protagonist. At a micro level, the writing follows what we have come to expect from the series. Though it isn't as laugh-out-loud funny as Tales from the Borderlands has been, it hits the right notes of dark comedy. It manages to get through its eight-to-ten hour campaign without making nearly as many pop culture references as the last few games in the series have done. Gameplay is largely unaltered from The Pre-Sequel's main campaign. It remains fast and frenetic to moon jump and butt slam between enemies. There are very few zero-atmosphere environments in Claptastic Voyage, so players are free to use the double jump without having to worry about running out of oxygen. Almost all of the enemies are new in some way, with viruses, bugs, and protection software given physical manifestations to explode. Even the old standby enemies like bandits and psychos behave a bit differently, able to phase in and out of existence occasionally since they are computer projections generated by Claptrap's memory. The theme of software given life extends to in-universe advertisement, with foes who do nothing but stream audio to the player until they are destroyed. There are also pop-up ads: chest-high walls that appear from the ground and can either be closed or serve as randomized mini stores for health or ammunition. The final boss deserves special mention, though not necessarily for the best reasons. It begins as an interesting fight, with a lot of different tasks the player has to juggle. There are jump pads, helpful "volatile bits" to trigger, lava to avoid, small enemies to keep at bay and use for revives, and the main boss who can deal some serious damage if he is ignored. It's exciting for the first 10 minutes. Then it keeps going. Then the boss transforms and recharges his shield. Then it keeps going. Then he transforms and recharges his shield again. I timed it; it took me 45 minutes to solo that one fight, and that was on my second try. (On the first try, I spent what felt like an hour, made it to his final form, died, and started back at the beginning of the fight. I quit for the night.) It illustrates how 2K Australia can get some aspects of Borderlands so right, but just miss the mark in other ways that bring the whole experience down a bit. The boss just has too much health, and that one element turns it from an interesting fight into a slog. It's almost as if it is intended to be a raid boss, except that it's required in order to complete the story. In fact, there is no optional raid boss like there have been in past Borderlands DLC packs, which is a little disappointing considering how phoned in the raid boss in The Pre-Sequel's main game is. That said, 2K Australia does its own thing for high level content. In addition to farming the end boss for Legendary drops, a special arena unlocks after getting through the story. It boils down to fending off waves of enemies in an arena, but it allows parties to customize various aspects of the battle. Players can increase or decrease the difficulty and add "mutations," like bonus damage for certain gun manufacturers or increased magazine size at the cost of decreased reload speed. Of course, more difficult settings yield more valuable loot. It's an interesting idea that I'd like to see explored further in future installments. Overall, Claptastic Voyage is an improvement to Borderlands: The Pre-Sequel. It seems like 2K Australia has been listening to a lot of the criticism of the base game. Aside from some invisible walls, I didn't experience any of the bugs here that detracted from The Pre-Sequel. The environmental design starts off disappointingly unimaginative, but soon goes to unexpected places. The core gameplay is as fun as it has ever been. However, Claptastic Voyage still suffers from some of the problems that plague the entire series. The main plot is average, lacking any real standout moments worth discussing. It exists as a vehicle to get players between gunfights or to the more entertaining optional missions. This won't go down in history as an example of exceptional DLC, but it does what it does well and it's worth the time to play through.
Claptastic Voyage review photo
With Borderlands: The Pre-Sequel, I like and dislike different parts of it in almost equal measure. The combat is exciting and the characters are likable. On the other hand, the environments are a little dull and it suff...

Borderlands DLC screens photo
Borderlands DLC screens

Borderlands: Claptastic Voyage screenshots, we got 'em

Full spoilers ahead
Mar 29
// Darren Nakamura
The first and only big story piece of downloadable content released for Borderlands: The Pre-Sequel earlier this week, and I just finished playing through it. As usual, I took a bunch of screenshots as I played through. Fair ...
Borderlands Golden Keys photo
Borderlands Golden Keys

Celebrate Borderlands: The Handsome Collection by stocking up on Golden Keys

Why grind for loot when it's right there in a golden chest?
Mar 24
// Darren Nakamura
Borderlands: The Handsome Collection is out today. One of the major selling points for those who have already played Borderlands 2 and/or Borderlands: The Pre-Sequel on last generation hardware is the ability to import save d...
Borderlands screenshots photo
Borderlands screenshots

Tales from the Borderlands Episode 2 screenshots, we got 'em

Over 100 Atlas Mugged screenshots
Mar 17
// Darren Nakamura
Another Telltale episode, another excessively large set of screenshots taken as I played through with an Xbox 360 controller while keeping my pinky finger on the F12 key. Tales from the Borderlands still looks great despite t...

Review: Tales from the Borderlands: Atlas Mugged

Mar 17 // Darren Nakamura
Tales from the Borderlands: Atlas Mugged (iOS, Mac, PC [reviewed], PlayStation 3, PlayStation 4, PlayStation Vita, Xbox 360, Xbox One)Developer: Telltale GamesPublisher: Telltale GamesReleased: March 17, 2015 (Mac, PC)MSRP: $4.99, $24.99 (Season Pass)Rig: AMD Phenom II X2 555 @ 3.2 GHz, with 4GB of RAM, ATI Radeon HD 5700, Windows 7 64-bit [Editor's note: there will be no major spoilers present for the episode reviewed here, but events in previous episodes may be discussed.] To its credit, Telltale owns up to the long wait between episodes. The opening line is Marcus commenting on how long it has been since the last part of the story. Then he goes into a recap of the main events from Zer0 Sum, leading into the beginning of Atlas Mugged. Hyperion executive Rhys and Pandoran con artist Fiona have stumbled onto some unknown but hopefully valuable Atlas technology, just in time for a digital reconstruction of Borderlands 2 antagonist Handsome Jack to load into Rhys's mind. Jack comes and goes over the course of the episode, typically when Rhys suffers head trauma, and he often offers his brand of morally bankrupt help. Though he only appears during certain scenes, Handsome Jack sort of steals the show. Rhys, Fiona, and the rest of the gang have some good lines, but Telltale's treatment of Jack is on point. He is simultaneously deplorable and hilarious, which serves the concept of Telltale adventure games well. In Borderlands 2 he was a likable villain; in The Pre-Sequel he was a detestable hero. Here, he can be either, allowing the player to choose whether to heed his more outlandish suggestions or to risk progressing without his aid. [embed]288757:57654:0[/embed] Episode 2 has the two protagonists separating and reuniting again and it still works great as a narrative device. Seeing the what from one perspective and then the why from the other gives extra insight to events, though Atlas Mugged lacks some of the punchier revelatory moments that Zer0 Sum had. There are still some secrets set up for later, like the function of the Gortys Project or the identity of the paddy hat-clad character. Fiona gets an upgrade to her single-shot pistol in this episode, allowing it to deal an elemental damage of her choice among incendiary, shock, and corrosive. Knowledge of the shooters in the series seems to help with knowing which element to use in which situation. Another kink thrown in is in addition to having limited ammunition, each element appears to be usable only once, so players may be locked out of one they want for the future. It's the kind of inter-episode mechanic that may or may not pay off intellectually until later. Neither of the established characters who made cameos in the first episode show up again here, but a few new ones do. Scooter and Athena are among those who make an appearance, and I hope for the narrative's sake that this isn't the last we see of them. Given her background with the Atlas corporation (see: The Secret Armory of General Knoxx) Athena plays a particularly interesting role that brings up questions I hope to see answered. From a gameplay perspective, this runs by the standard of modern Telltale titles. It includes the unique Borderlands hooks like Rhys's bionic eye and Fiona's management of money, but they are less emphasized than in the previous episode. Tales still feels like a Borderlands game, but slightly less so now than before. Though puzzles have basically been expunged from Telltale's modus operandi -- and I have come to terms with it -- there is one section where it still stings a little to think about. In it, Rhys has to restore power to an electronic system and it skirts the edge of requiring just a touch of critical thinking, but it ends up being a simple exploration exercise. The setup almost begged for some sort of puzzle; it was disappointing that the solution was so mundane. Past that, the main gameplay is exactly what we all expect from Telltale. Dialogue trees, quick-time events, and the occasional big choice to make. Keeping consistent with the first episode, the writing is sharp, the jokes are plentiful, the plot is intriguing, and the action is over-the-top. What it lacks is easily forgiven because what it contains is really good. Visually, Tales from the Borderlands is as great as ever. The bright colors and hard edges still work well with Telltale's engine, and they juxtapose against the dark comedic themes in a way that never seems to get old. I did experience a couple of minor graphical glitches, but 99% of it ran like a dream. In the end, Atlas Mugged is not quite as good as Zer0 Sum. It had me chuckling five minutes in, but there were fewer laugh-out-loud moments. It maintained high intensity in its action sequences, though none quite compared to the earlier death race. It used the unique Borderlands mechanics just a bit less. Its narrative lacked any jaw-dropping twists or powerful moments of clarity, but it still remained engaging throughout. Though it is slightly less than excellent, it is still great, and I can hardly wait to see where it goes next. Telltale, please don't make me wait so long before Episode 3. [This review is based on a retail build of the game provided by the publisher.]
Borderlands review photo
It's here Atlas
[Disclosure: Anthony Burch, who consulted on the story for Tales from the Borderlands, was previously employed at Destructoid. As always, no relationships, personal or professional, were factored into the review.] Tales ...

Borderlands Pre-Sequel photo
Borderlands Pre-Sequel

Borderlands: The Pre-Sequel's Claptastic Voyage trailer shows glitch guns, confetti

And 'irreparable psychological trauma'
Mar 11
// Darren Nakamura
Gearbox showed off the trailer for the upcoming Borderlands: The Pre-Sequel downloadable content to a select group of fans during its panel at PAX East, but it is now available for anybody to watch. Maybe even you? Yes, if y...
Telltale Borderlands photo
Telltale Borderlands

Tales from the Borderlands Episode 2 trailer brings more bangs and booms

Atlas Mugged
Mar 09
// Darren Nakamura
Yesterday, PAX East attendees were treated to a sneak peak of the trailer for Tales from the Borderlands Episode 2: Atlas Mugged. Today, it is available for mass consumption. Things are heating up on Pandora for Rhys, Fiona,...
Gearbox x Harmonix photo
Gearbox x Harmonix

Borderlands characters are now in Dance Central Spotlight

From Inside Gearbox panel
Mar 08
// Darren Nakamura
Gearbox and Harmonix have worked together in the past with a dance section in one of last year's trailers for Borderlands: The Pre-Sequel. At the PAX East Inside Gearbox panel, Gearbox and Harmonix announced a new p...
Brothers in Arms photo
Brothers in Arms

Gearbox hints at the possibility for a new Brothers in Arms

Troy Baker wants it
Mar 08
// Darren Nakamura
At the Inside Gearbox panel today, Troy Baker and Laura Bailey were on stage promoting Tales from the Borderlands, when Baker went into a story about how he loved working on Brothers in Arms, and how the final cutscene felt l...
Telltale Borderlands Ep 2 photo
Telltale Borderlands Ep 2

Tales from the Borderlands Episode 2 set to release week of March 17

Atlas Mugged
Mar 08
// Darren Nakamura
Telltale's panel came and went with some fun stories of the studio's journey but nary an announcement of what the developer is doing now. Judging from the comments in just about every Telltale article that goes up, the second...
Borderlands Pre-Sequel photo
Borderlands Pre-Sequel

Borderlands: The Pre-Sequel: Claptastic Voyage comes out March 24

Inside the mind of Claptrap
Mar 08
// Darren Nakamura
During today's Inside Gearbox panel at PAX East, Gearbox unveiled the trailer for the fourth piece of Borderlands: The Pre-Sequel downloadable content. The story content picks up after the end of The Pre-Sequel and leads into...

Borderlands: The Handsome Collection shines in some spots, has problems in others

Mar 05 // Brett Makedonski
Having demoed both games in The Handsome Collection, The Pre-Sequel came off as simply unimpressive. Moving it to current consoles and harnessing the increased power of the PS4 isn't enough to make the four-player local co-op consistently work. Requiring the game to render everything four times over took a noticeable toll on game performance. Despite playing a level that was relatively unpopulated, the frame-rate dropped an annoying amount. It's likely that this won't be the case with fewer users, and there's always the possibility it'll be patched out through optimization in the coming weeks. Another niggling spot in The Pre-Sequel was the menu interface. It's oddly zoomed in by default, and the player needs to zoom out to see the full picture. Although it didn't present much of a problem in our brief demo with a throwaway character, players who actually care about their character builds and weapons will be in and out of those menus with great frequency. [embed]286397:56948:0[/embed] For as much as The Pre-Sequel didn't impress, Borderlands 2 absolutely did. Playing the Tiny Tina add-on, our group of four made our way through extremely busy sections with no dip in performance. That's where Handsome Collection players who look forward to local co-op are going to be most pleased with this package. Apart from those impressions, these are basically identical to the two games as they were on legacy consoles. Gearbox confirmed that nothing's been changed with regard to any overarching systems such as drop rate. It's the Borderlands you already know and (maybe) love. Actually, as far as The Handsome Collection goes, you might be better off not knowing Borderlands yet. It seems like it's a nice introductory package for those that held off on exposure to the series. Anyone that has an extensive history with it will welcome the ability to import characters from legacy consoles (including level, Badass Rank, and campaign progress), but nothing shown marks much of an improvement from what's already been played. Aside from four-player local co-op, it probably doesn't offer enough incentive to most people to convince them to re-invest.
Borderlands preview photo
Borderlands 2 impressed, The Pre-Sequel did not
Traditionally, Game Developers Conference is a very busy show. After what seems like a three-month hibernation, the game industry slowly creaks back awake and GDC is the first time everything's in full gear again. As always, ...

Very Quick Tips: Homeworld Remastered Collection

Mar 02 // Jason Faulkner
Camera and movement: You’re in full control of the camera, so if you’re not careful it can be easy to suddenly find yourself disoriented. Use the arrow keys to pan the camera instead of holding the mouse on the edge of the screen. This allows you to quickly snap the camera in another direction and lets you still use the mouse to control your units. Pressing spacebar brings up your sensors manager, which allows you to see a representation of all resources and units, both friendly and enemy on the field, and issue orders and select units. If you’re plotting long-range attacks or movements, this is the screen to use. Don’t forget to utilize vertical movement. After pressing ‘M’ to bring up the movement disc, you can hold shift and move the mouse up and down to set which height you want to move as well as horizontal movement. Waypoints are your friend. Don’t wanna move straight through a minefield on the way to your destination? Use waypoints to plot around it. Fleet management and resources: The most important concern while playing is to ensure you have a steady supply of resource units (RU). If you lose all your resource collectors to the enemy and you’re out of RU then you’re going to have to start retiring units to get enough money to build more. Your best bet is to build a few and keep them docked via the Launch Manager so that if an enemy takes your mining operations out, you can jumpstart a new RU flow. Make sure your resource collectors aren’t having to sit around with the cargo bays full waiting to land. Build multiple resource controllers and keep them as near resources as possible to maximize collector turn-around time. Researching and building ships takes a ton of time and RU. Find which ships fit your playing style and research their technologies first so you’ll have a template for the fleet you want in your head before you start the game. If you try and research and build every ship, you run the risk of having an unbalanced attack force and being overwhelmed. Spread ship construction between your mothership, carriers, and shipyards. This can make the difference between getting the jump on your enemy and getting caught with a meager force. Combat: Unfortunately, Homeworld Remastered Collection uses the Homeworld 2 engine, so you have to baby your units a little more than fans of the first game may remember. Setting formations is very important, otherwise your ships are going to head full-speed towards the location you command them to. Ships in formation together will advance towards their destination at the speed of the slowest ship in their flotilla. Use the right ships for the right job. A flight of interceptors isn’t going to take down a heavy cruiser, but you don’t want to send a heavy cruiser to take out a single frigate. Using the group command, I suggest you split your main fleet(s) into subsections that you can split off for specialized attacks. Make sure you use those carriers for what they were made for. Docking fighters and corvettes to a carrier and hyperspacing to your destination is the best way to carry them into battle to support the rest of your fleet. While in hyperspace, you can hit the “auto-launch” command and when your carrier appears at its destination it will immediately disperse your fighter and corvette groups. Have a few units that can make repairs on standby either ready to jump in, or guarded by escorts. Make sure if your fighters are getting hammered to press “D” to have them dock with a carrier, mothership, or support frigate, they’ll touch down and launch fully repaired. Advanced tactics: Your fleet will exit a hyperspace jump in the same orientation they entered it in. You can use this to arrange your units in a square and jump in surrounding your target. This will expose less of your units to the enemies firing arcs and allow you to disperse the maximum firepower you can. Hide your Mothership by either moving straight up or straight down and away from your starting position. Most players will only send their probes in a straight horizontal path to search for others and you can evade that search pattern by moving into an unorthodox location. Minelayer corvettes can be used to deny resources to an enemy. Even if you don’t plan on setting up operations in an area, send a few minelayers to saturate it with mines. That way when an enemy comes to use it, their resource collectors will be destroyed. Salvage and capture every thing you can. Every ship you salvage or capture is one ship the enemy doesn't have and one ship that you didn't have to pay for. When playing Kushan or Taiidani, I typically designate a carrier with salvage corvettes docked along with four to six frigates as escorts as a quick strike capture force. You'll want to use around six corvettes per unit to capture ships the most efficiently. The marine and infiltrator frigate serve the same purpose for the Hiigarians and Vaygr and only require a light corvette for fighter escort.
Homeworld tips photo
The Mothership is standing by
Although Homeworld Remastered Collection is classified as real-time strategy, there are some elements that set it apart from its brethren. The 3D camera and movement add another whole axis to worry about that some may find di...

Review: Homeworld Remastered Collection

Mar 02 // Jason Faulkner
Homeworld Remastered Collection (PC)Developer: Gearbox SoftwarePublisher: Gearbox SoftwareReleased: February 25, 2015MSRP: $34.99Rig: AMD FX-6300 @ 3.5 GHz, with 8GB of RAM, ATI Radeon HD 7950, Windows 8.1 64-bit Starting on the desert planet Kharak, Homeworld follows the tribal peoples of the Kushan. The discovery of the ancient starship Khar-Toba in one of the planet’s vast deserts confirmed what many already speculated: Kharak was not the origin of the Kushan people. The Guidestone was recovered from the ruins of the ship and carved upon its chipped face was a map of the galaxy leading to a distant star inscribed with a single word: “Hiigara.” No translation was needed as every Kushan knew it. The map was pointing “home.” Over the next hundred years every man, woman, and child worked toward one objective: to complete the ship which would carry over 600,000 of them to their ancestral home planet. It would be equipped to overcome any adversity and be the first Kushan space-faring vessel to be capable of faster-than-light travel thanks to the salvaged Hyperspace Core found on the Khar-Toba. You are Fleet Command, and the Kushan are depending on you to lead them to Hiigara. Along the way you’ll face off against the corrupt and despotic Taiidani Empire, trade with the enigmatic Bentusi, and discover the past of your race as you attempt to reclaim your rightful place in the stars. Your exodus across the galaxy is a relentless struggle against the odds and is one of my favorite campaigns in video game history. By the time you make it to the end there is a true feeling of satisfaction. Even though most of the story is told through voiceovers and the movements of starships, I felt truly connected with the Kushan as if I actually went through the journey with them. [embed]288437:57575:0[/embed] Unfortunately, Homeworld 2’s story is of less consistent quality. Without spoiling the excellent saga of the original, all I can say is that it takes place 100 years after the conclusion of the first game. Although it’s still interesting, it can’t compare to the tenacious flight of the Kushan. I found to to be a bit tangential, and the antagonists of the game, the Vaygr, don’t evoke the same raw anger that the Taiidani did. I highly recommend that if this is your first time playing the series to play them in order, as the charm of the original makes the second one shine a bit brighter than if it was played on its own. However, gameplay between the two is very similar, and in Homeworld Remastered Collection, the lines are further blurred as both games now use the same engine. Up to the release of this collection, unlike the gameplay and plot, graphically the series was showing its age considerably on modern computers. Although changing a .ini file will enable 16:9 on the original games, it’s simply not a big enough change to do the game justice. However, Gearbox’s new models, effects,  cutscenes, textures, and skyboxes have brought the series back to life. They remain faithful to the original while fitting in enough subtle changes to make them interesting. Those expecting revolutionary visuals though will be disappointed. The new textures do have a bit of a muddled look about them, but with the amount of models that can be on screen at once, it may be for the best that they didn’t go overboard. The series is played on a completely three-dimensional field. Unlike Starcraft or Command and Conquer, you’ll have to worry about enemies from above and below you as well as on all sides. Even though these games are 12 and 16 years old, no game series since has replicated this formula, leading them to still feel as fresh as any game coming out this year. Your focal point will be your mothership, and its survival comes above all else. Typically, you’ll need to concentrate on collecting and refining resources from the various asteroids and gas clouds which dot the map, and use them to build your fleet. At its core, combat depends on a rock-paper-scissor system of effectiveness and is easy to get into, yet offers quite a bit of tactical finesse. One thing I liked a lot was that during the campaign, ships you’ve built or salvaged will transfer to the next mission. It adds a huge incentive to actually shepherd your units, and I found myself giving carriers and Assault Frigates names and characterization and reveling in their victories and yelling at the screen when my favorites were blown apart because I made a mistake. Although the movement system is still top notch and unique to this series, but the A.I. that controls the ship could use some work, particularly with formation settings. Both games are in the Homeworld 2 engine which had a distinctly inferior formation and posturing system than the first and unfortunately it’s made for a ton of frustration. I found myself having to micromanage my ships when moving a large fleet because even when I put in the command to fall into a formation, they sometimes refused to stay with the group. In particular in my last session, my fleet of over a hundred ships flew together in formation perfectly except for two Support Frigates. Instead of falling into their battle line and matching speed with the rest of the formation, they wanted to race ahead towards wherever the fleet’s destination was with not a care in the world that they were the weakest frigate-class ships in the game. Although I was able to get them to rejoin the fleet if I ordered formation again after each movement command, it was frustrating to worry if my units were going to race blindly to their death whenever I had to pay attention to another situation. One of the big changes with Homeworld Remastered Collection is that the games are somewhat combined. Playing vs. A.I. or online multiplayer, instead of having to choose from either the Kushan and Taiidani, or Hiigarians and Vaygr, you can choose from all four. I was afraid that this would throw the impeccable balance that the game’s combat depends on off, but they’re all similarly matched, and the dynamic that the combination of both game’s playable races create ended up making the game more interesting. Steam Workshop support makes installing mods a cinch as well, so not only do your have the unique dynamic between these four races for the first time, but you can easily add new material. There’s quite a few of the more popular mods on the workshop for the original versions of the games, and before too long you can be sure we’ll see ports of mods and new mod. Online multiplayer is currently in beta, and requires a Gearbox SHiFT account, which is free and fairly easy to sign-up for. Once I linked my SHiFT account to Steam I really didn’t notice any interference from it when I played online. The first couple days I had the game it was shaky, with the service sometimes unavailable and a few game crashes. However, although I didn’t notice a patch, something must have been changed on Gearbox’s end because I have now played four online matches with no issues. When committing to playing online, just remember, it can take two or three hours depending on the map and number of players to actually complete a match on Homeworld Remastered Collection. Although I absolutely love the feeling of victory after facing down three other players, I hope that future updates add an option to get a match done a bit faster. The major disappointment I had with the collection is the absence of the excellent Homeworld: Cataclysm. The reason given by the developers was that the source code was lost or incomplete, but having a copy of the original or even a cinematic giving its backstory would have been great, especially for new fans to the series. Honestly, I found the fight against the Beast to be a more engaging story than that of Homeworld 2’s artifact hunt, and the changes in units and gameplay were much more interesting than the sequel’s replication of the first’s formula. Hopefully the success of these remasters will inspire Gearbox to attempt to reconstruct Cataclysm, and maybe even create a continuation of the series. Seeing these classic games back in print is wonderful. It’s always saddened me that these two titles, along with some of the best games of the late ’90s and early 2000s, are impossible to get. My adolescence was spent playing titles from industry icons Sierra, 14 East, Interplay, and Black Gate, and I hope that the recent storm of successful and well-made remasters gives someone the incentive to revive even more greats from the past. Whether you’re a fan of sci-fi, real-time strategy, or simply just video games in general, Homeworld Remastered Collection is a must-have if you haven’t played the series before. For those who spent years guarding their precious pressings of these classics, it’s time to rejoice, the Homeworld series is just as good as you remember it. [This review is based on a retail build of the game provided by the publisher.]
Homeworld Remastered photo
Lost and found and turned around
In 1999, I was 11 years old. It was a time when every video game purchase was a gamble. The best you could do was to read a review or watch a grainy, minute-long Quicktime video that you spent an hour to download on 56k while...

Homeworld Remastered photo
Homeworld Remastered

Homeworld Remastered's new vid is a modern trailer for a modern launch

The Age of S'jet begins again
Feb 25
// Josh Tolentino
My Steam clock tells me that Homeworld Remastered Collection unlocks in less than nine hours, but that just means there's just enough time left to put up this here launch trailer, which is brimming with all the bombast ...
Homeworld trailer photo
Homeworld trailer

Homeworld Remastered Collection trailer shows off sexy-voiced cultist or something

'If you will not join, then die'
Feb 19
// Darren Nakamura
All right, I'll admit it: I know almost nothing about Homeworld. After reading the plot synopsis on Wikipedia (yeah journalism!), I got the gist of how things go, but with all of the alien races involved I can't really place...
Borderlands photo

Borderlands leaving old gen behind

New gen gets all the newness
Feb 03
// Robert Summa
Coming out of an always-exciting earnings call that publishers love to have, it was revealed that the next Borderlands game will be for next-gen only (or new gen or current gen or whatever gen you want to fight about on the I...
Burch leaves Gearbox photo
Burch leaves Gearbox

Borderlands 2 lead writer Anthony Burch is leaving Gearbox

Going to Los Angeles to work on a new RocketJump project
Jan 30
// Darren Nakamura
Almost five years ago, Anthony Burch went from being a Destructoid staff member to a Destructoid alumnus, moving on to work as a writer at Gearbox Software. On his personal Twitter account this morning, he announced that he w...
Lady Hammerlock video photo
Lady Hammerlock video

Borderlands' Sir Hammerlock thinks his sister is an 'exceedingly bad person'

'She's wealthy, she's merciless, she's not a hero'
Jan 27
// Darren Nakamura
The Lady Hammerlock Pack of downloadable content is out for Borderlands: The Pre-Sequel today so 2K and Gearbox have released an introduction video for the Baroness. While she is not really a villain, she is not exactly a he...
Borderlands 3 photo
Borderlands 3

Gearbox 'ready to start' Borderlands 3, begins hiring process

This could be you, apparently!
Jan 25
// Mike Cosimano
During the official Borderlands panel at PAX South, Gearbox chief Randy Pitchford confirmed the company was "ready to start" production on a new game in the franchise, later taking to Twitter with an open call to developers l...
Borderlands Pre-Sequel photo
Borderlands Pre-Sequel

Borderlands: The Pre-Sequel's new downloadable character is out this Tuesday

Gearbox hints about the upcoming story DLC too
Jan 25
// Darren Nakamura
The inaugural PAX South is wrapping up today, and Gearbox's panel just ended. We heard about the plans with Homeworld earlier, but the studio's cash cow for the past several years has been the Borderlands series, so of course...
Homeworld Remastered photo
Homeworld Remastered

We Can Go Homeworld Again: Gearbox sets date for Homeworld Remastered

Engine trails ahoy!
Jan 25
// Josh Tolentino
Finally! The Mothership has arrived. It's been quite a while since we last heard word from Gearbox and its plan to spruce up the Homeworld series for a much-needed rerelease, but more details have just jumped in, includ...
Borderlands photo

These are the most popular Borderlands characters

As decided by the fans
Jan 08
// Mike Cosimano
Per the official Borderlands Twitter account, Krieg, Claptrap, and Tiny Tina are the series' most popular characters amongst Borderlands fans. There's no clear indication which character received the most votes, but I wager C...

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