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Destructoid Originals

Experience Points .14: Dragon Quest VIII: Journey of the Cursed King

May 23 // Ben Davis
Cor Blimey! Yangus... how do I describe this man? He's sort of the comic relief character, he has a weird name, his background is rather shady, he wears some kind of odd spiky fruit husk on his head, he has an annoying catchphrase, he's short, fat, hairy, brutish, and overall conventionally unattractive. And yet I love him so much! Dragon Quest VIII lets the player choose which party member they want to walk around as, so as soon as I figured this out, I obviously picked the big, lovable oaf. I never played as anyone else. I mean, how often do I get to be a chubby hairy dude in a videogame? Not nearly often enough. Yangus' comic relief even manages to make its way onto the battlefield. If he pumps up his Humanity stat, he'll gain some pretty hilarious moves. One such move, Golden Oldies, has Yangus shouting "Grandad!" and calling forth King Trode and a mob of rowdy old men to rush the enemy for lots of damage. And then there's the Underpants Dance, which unfortunately does not involve Yangus dancing around in nothing but his underpants, but rather dancing around while waving two pairs of boxers about in an attempt to shock enemies. They're not the most useful of moves, but I still used them at just about every opportunity, simply because they made me smile. I mean, what's not to love about an underwear attack? Yangus actually got his own spinoff game, Dragon Quest: Young Yangus and the Mystery Dungeon, but of course it was only ever released in Japan (boo!). I'm glad he was apparently popular enough to warrant a game of his own, though! Slime, I choose you! Outside of the main quest, the best part about Dragon Quest VIII is the ability to recruit monsters from the field and form monster teams. These teams are primarily used for the monster arena sidequest, but they can also be sent out during normal battles to help the party fight at any time in the game. I've always loved the monster designs in the Dragon Quest series, so being able to recruit some of them for my own team was really appealing to me. All of my favorites, including the King Slime, Cyclops, Golem, Hoodlum, Orc King, Jargon, Jumping Jackal, and so many others are able to be recruited. I usually had one team full of monsters that I liked, regardless of how powerful they were, and one team comprised of monsters built to win battles. Depending on which monsters are placed on a team together, they might even be able to earn special bonuses or abilities. For example, a team composed entirely of slimes will get double the amount of hit points. My personal favorite team is called My Three Golems. A team of three golems will be granted a special ability which allows them to fuse together, creating a super powerful mega golem named Mazin with 999 HP and all-around impressive stats. So not only are the golems one of my favorite enemy designs, but they're incredibly useful in combat as well! Metallic menaces There's nothing more satisfying in Dragon Quest VIII than landing a killing blow on a Metal Slime. Not only are the metallic gelatinous blobs incredibly difficult to defeat, but they yield a crazy amount of experience points, so hunting them down is definitely worth it. These guys come in three variations: Metal Slime, Liquid Metal Slime, and Metal King Slime. Obviously, the Metal King Slimes are the rarest and most sought after of the slimes. These lustrous foes are so difficult for several reasons. For one, they have ridiculous defenses; most attacks will only deal a single point of damage or nothing at all, barely causing more than a scratch. They also have an extremely annoying tendency to run away from battle as soon as possible, meaning players have to rush to destroy them as quickly as they can before the slimes are able to slip away. Not to mention the Metal Slimes are rare enough that even seeing one usually causes my heart to skip a beat, only for my hopes to be swiftly dashed as the slime runs away in the first turn. Players need to have a solid strategy and plenty of luck in order to take them down. It takes a lot of patience, but it's worth it. The first time I defeated a Metal Slime was one of the best feelings ever! Shakin' it is all I know In just about any JRPG, you can expect to fall victim to status effects. JRPG veterans are always prepared to be poisoned, paralyzed, burned, confused, and put to sleep. But what about becoming so obsessed with dancing that you can no longer focus on fighting? In Dragon Quest VIII, they got a little creative with the status effects by adding in a few silly ones, including an effect known as the dancing bug. Certain enemies will occasionally break into a dance so infectious that the team of brave warriors just can't help but join. Characters who catch the dancing bug will be unable to act for a turn, since they'll be too busy busting a groove. The penalty of the effect is nothing special, just a missed turn, but it was so unexpected that it immediately became my favorite thing. Sometimes I'd just sit there and allow dancing enemies to attack me, just so I could watch each of my characters let loose and have some fun. It almost feels like more of a reward than a penalty. Who cares about a missed turn when it means I get to watch Yangus prancing around? Le Puff-Puff There's a running joke in the Dragon Quest series known as "Puff-Puff." It's a pervy joke based on the idea of rubbing one's face between a woman's breasts. Usually not my thing, but I have to admit that the secret Club Puff-Puff room in Dragon Quest VIII definitely made me laugh. It was actually the first time I had encountered the term before, so when I found the room I didn't quite know what to expect. A burly muscleman greeted Yangus at the counter and invited him into an adjacent room where a girl in a bunny outfit beckoned him into a chair and offered to give him a "Puff-Puff." I accepted out of curiosity. The screen went black, there were weird bouncy noises, and the woman asked, "Have you ever felt a pair as warm and soft as mine?" Uhhhhh... When the lights came back on, Yangus was sitting there with a blindfold on as the woman was rubbing two slimes on either side of his face. Blissfully unaware Yangus looked like he was having the time of his life, and I couldn't help but laugh at the unexpected turn of events. As a gay man, it reminded me of that scene in The Emperor's New Groove where Yzma pulls up her skirt and everyone starts cringing until they realize she's just revealing a hidden knife. "Whew, ohh okay!" The endless corridor Of all the fantastical locations and creepy dungeons in Dragon Quest VIII, there's one area that always stood out in my mind as being particularly interesting. In the final dungeon, the Black Citadel, there's a certain room shaped like a huge circle. The party enters from a hallway off to the side, eerily decorated with four statues of the party members themselves, and loops around the circle. But strangely, it just brings them right back around to the entrance. The first time I encountered this room, I was very confused. I ended up backtracking around the circle again thinking I had missed something. There's this huge circular room, with lots of windows and doors lining the exterior, but nothing to find there? No new paths or anything to interact with? I kept wandering around, thinking I had surely just missed some small thing, when I suddenly noticed the room had changed. As I was looping around, the windows and doors I had passed several times before had become mysteriously boarded up, and the ground was all cracked with pools of poisonous-looking water seeping in. What's going on? I looped back around to the entrance again, only to find that the entrance had disappeared! And even more unsettling, the statues of my party members had all been beheaded! Was I trapped and doomed in this creepy eternal hallway? Since there was nothing else I could do, I made another loop and the hallway started to change again. The walls lined with windows and doors began to disappear, only to be replaced by dungeon cells full of skeletons. Finally, an exit opened up across from where the entrance had been, although the beheaded statues were now completely decimated. Talk about creepy, but at least I was finally out of that place! Later on, when exiting the castle, I had to run back through the scary endless hallway (nooo!). The room slowly began to reform back to its original state, and the statues rematerialized. And then, right when I tried to leave through the entrance, the statues attacked me! Of course the creepy self-mutilating statues would come to life. To be honest, this area is kind of a chore to navigate, having to run through this long hallway until the entrance and exit appear, but the atmosphere of the place really left an impression on me. I was genuinely on edge the entire time, thinking something awful was about to happen. When did the survival horror genre creep its way into my light-hearted JRPG? I certainly didn't expect it, but I also kinda liked it! Past Experience Points .01: The Legend of Zelda: Majora's Mask.02: Shadow of the Colossus.03: EarthBound.04: Catherine.05: Demon's Souls.06: No More Heroes.07: Paper Mario.08: Persona 4.09: Final Fantasy IX.10: Mega Man Legends.11: Rayman Origins.12: Metal Slug 3.13: Animal Crossing
Dragon Quest VIII photo
A slime appears!
Experience Points is a series in which I highlight some of the most memorable things about a particular game. These can include anything from a specific scene or moment, a character, a weapon or item, a level or location, a p...

Splatoon photo
Splamiibo
Day one DLC is a tricky thing. If it's too good, people will howl that it should have been in the stand alone game at launch. If it sucks, then you can bet your sweet bippy that dogs will hunt. All of that goes triple for an...

Newstoid #1 photo
The day is finally here!
The moment you've all been waiting for that has been months in the making, Newstoid is finally officially here! We have all the hot scoops, hot hosts, and side-splitting laughter you could ask for. Not to mention the hot bea...

Easy Joke photo
Easy Joke

Employee kidnappings up 500% after Doug Bowser begins work at Nintendo


Bob Ganondorf in billing also suspected
May 22
// Fake News (So You Cannot Sue)
The warm welcome for Doug Bowser, the new Vice President of Sales at Nintendo of America, is over after it was reported female employee kidnappings have increased 500% since he started earlier this week. More than 10 beauti...
Squid Now Art Film photo
By your favorite person alive, me!
"Better than anything David Cage has been making" - Edgar Velasco (MoonSpiderHugs) "You've gotta be squidding me." - Zainré Fang "So Nintendo hired David Lynch to create a Splatoon commercial?" - quetzalcoat...

Mobile Gear Solid photo
Mobile Gear Solid

Konami proves mobile is the future of gaming with Metal Gear Solid V iOS port


Apple Watch version under consideration
May 18
// Fake News (So You Cannot Sue)
Last week, Konami announced its intention to focus on mobile gaming going forward, saying the platform is the future of the industry. This morning the company proved that even the most complicated console game can feel righ...
Game News Haikus photo
Game News Haikus

Game News Haikus: Bloodstained, Fallout 4, The Witcher 3, and more


Zen-distilled stories
May 18
// Darren Nakamura
To fans of weird deadpan comedy poetry: I'd like to extend my humblest apologies for the hiatus. I'd like to say I was celebrating the 10th episode by taking some time off, but the reality is that I have just been super busy...
Sup Holmes photo
Sup Holmes

Sup Holmes braids a second quest with David Hellman


Sup Holmes every Sunday at 4pm EST!
May 17
// Jonathan Holmes
[Sup Holmes is a weekly talk show for people that make great videogames. It airs live every Sunday at 4pm EST on YouTube, and can be found in Podcast form on Libsyn and iTunes.] [Update: Show's over every...

Adam Tierney and Mariel Cartwright on the evolution of Til Morning's Light

May 17 // Jonathan Holmes
Tell us about the origins of Til Morning’s Light. Where did the concept come from and how did you two get involved? Adam: It started as an original WayForward pitch that Mariel and I teamed up on 5 or 6 years ago. In fact, I think it might have been the first project we worked on together. Mariel: I had just gotten started working with WayForward at the time, as one of my earliest game industry gigs. I do a lot of art for WayForward’s game pitches, and this was one of the first ones I did art on! I always thought it was a cool concept so it was great to see it come back after all this time. Five years is a long time. What changed about the concept between that initial document and the game you ended up making? Adam: Not as much as you'd think. From the beginning, the main character was always a teenage girl named Erica, locked in a haunted house, trying to survive overnight and escape by morning. The enemies were different - just bugs and rats and bats, from what I recall. And the concept was originally envisioned as a 2D sideview game (like the original Clocktower), whereas the final game is fully 3D. But thematically, it didn't change much. Mariel: Yeah, surprisingly, from my end the biggest thing visually that changed about Erica was her outfit. It was actually fun to revisit just a few drawings I did back then and really try to bring that character to life. Can you talk about each of your roles on the game? Mariel: I was the lead concept artist.  I designed Erica, the NPCs, and most of the creatures under Adam’s direction. I also storyboarded all the cutscenes in the game, and did a few bit illustrations you’ll see in the game. Adam: I wrote and directed Til Morning's Light, and led the design team. I basically oversaw all creative aspects of the production, working with all the artists and coders as they implemented everything. How would you describe Erica? What did you hope to accomplish with her? Adam: I've always loved the standard setup of a young female protagonist in horror games and films. In the original pitch, we had a very clear visual for Erica (from Mariel's art), but she didn't have much of a defined personality back then. After the game was signed with Amazon Game Studios, we came up with the idea of making her very meek and timid at the start of the game, then slowly evolving her to be more aggressive and powerful over the course of her adventure, so that the girl who came out at the end would feel like a completely different character. Mariel: I think Erica is someone that a lot of girls can relate to— smart, self-aware, but shy and afraid to stand up for herself. Adam: Stephanie Sheh (who voices Erica) really brought Erica to life as sort of a cute dork. Once we heard her take on the character, all remaining dialog was written with that personality in mind. So Erica got a little more hammy and sarcastic as production went along. In what ways does Erica “evolve” over the course of the game? Adam: In terms of VO and story, she begins the game timid and easily-frightened. Her wit and sarcasm is still there, but it's less confident. As the game progresses and she has to defeat all these insane bosses and creatures, Erica gets more and more frustrated and aggressive, so that by the end of the game she's the strongest person in the house. It was a lot of fun to build a story around the idea of your main character slowly evolving over the course of 12 story hours. Mariel: She also changed visually as well - starting with just her normal outfit at the beginning and becoming more tattered, dirty and messy as she progresses through the house. It’s a cool way to evolve her both mentally and physically and show how far she’s come. How would you compare Erica to other WayForward characters? Adam: She's much more subtle than most of WayForward's heroines. With characters like Shantae, Patricia Wagon, and Kebako (Cat Girl) you have very loud, action-packed, dynamic personalities that hit the ground running. With Til Morning's Light, there were still the usual WayForward sensibilities (especially in the visual design and gameplay), but we wanted a very slow build of the characters, and a slow reveal of plot points, with more emphasis on emotional highs and lows than we typically include in our game stories. Mariel: Yeah, Erica is less cartoon-y and more relatable of a character, I think. I definitely I see a bit of myself in her and I’m sure many others will too. Is Til Morning’s Light a “horror” game? How scary is this thing? Adam: Most people would consider it a horror game, I think. "Spooky" might be a slightly more accurate term. There are lots of unsettling, creepy moments, but there's no real blood or gore. If you've ever seen the film Coraline - which is kind of a film for teens, although there is still real risk and death - we're tonally pretty close to that, but maybe a little bit older and darker. I'd say our bosses are probably the scariest thing in the game - even though they're each charismatic (in their own ways), they're also a tremendous, deadly threat to Erica. What’s the gameplay like? Is it a mix of action and puzzling? Adam: Yeah, the game is equal parts exploration, combat, and puzzling. You explore the mansion grounds, which spans over 100 unique locations. Advancing through the game is very lock-and-key driven (in typical horror genre fashion). Combat is rhythm-based, using a touch input system of taps and swipes that get more complicated and challenging as you advance. And puzzling involves a little of everything - deciphering clues, finding pieces, combining and manipulating objects - everything you've come to expect in this genre. Mariel: Erica is a normal girl that’s been thrown into a crazy situation, so she doesn’t have an arsenal of weapons to blow up her enemies. She instead has to rely on what she has, which is basically just herself, so the combat and puzzles were designed around that. Are there any unique features in the game you can talk about? Adam: Most of the ghosts you encounter in the game are friendly. As a general rule in this game, ghosts are good and creatures are bad (and it's explained why through the story). But occasionally you'll come across a ghost that's lost and attempts to flee from Erica. These moments provide a game-long secondary objective to locate and essentially rescue all the 'lost souls' in the game (ghosts without memory of who they are or where they come from). This process involves first revealing the ghost by using the camera on Erica's phone (a mode that's enhanced in the Fire phone version of the game), then after the ghost is revealed, chasing it around the area until Erica absorbs it. Performing this process on all lost souls in the game yields a very special reward. What’s the story like in this game? And how did that come together? Adam: As I mentioned, it's really all about Erica. Although there are over a dozen speaking characters in the story, the story revolves around her. And even the types of secondary characters we included were done as a way to highlight different aspects of Erica (romance, confidence, being a child, being an adult, etc). I'd say the story legitimately runs the gamut of being very funny at times, then very unsettling, then very depressing, and ultimately a (hopefully) very satisfying conclusion. Mariel: I did all the storyboards, so it was important to really show how she changed from scene to scene. Everything from her expressions, posture, and appearance changed as the story progresses, so I’m hoping people really relate to that. Adam: The story was developed between WayForward and Amazon Game Studios. As a publisher, they are very collaborative and tend to assign 'experts' in each area of the game. So rather than me working on the game's story with only producers, they had a story expert who would go back and forth with me on plot, characters, and drafts of the script. The process was very exciting, and I think the story and dialog we ended up with is more developed than if we'd just put it together on our own. The game is getting a release on iOS, Fire phone, and tablets. Were there any challenges in making a game like this for mobile devices? Adam: Not really challenges as much as things we needed to keep in mind. Thematically, there are a lot of complex actions Erica performs in the game. But we wanted the game's controls to essentially support single-touch throughout the adventure. So boiling down a fairly complex, traditional horror game design to a handful of single screen taps took some real thought. The combat, as I mentioned before, is rhythm-based, and this came from us experimenting with a variety of different approaches early on. Initially, we tried combat that was directly-controlled (hit for hit), but to get that feeling good on a mobile device, we had to essentially overpower Erica (which worked against the game being a horror title). So, we ultimately went with a minigame-like rhythm interface, similar to Buddha Finger or Elite Beat Agents. Once we did that, we were able to have tight, challenging combat, but still keep Erica as only a semi-confident combatant. How is TML different from other action-adventure games offered on the iOS and Fire devices? Adam: First and foremost, it's a really meaty game. I think gamers will be surprised by just how much content is here - story, characters, locations, secrets, battles, etc. It feels like a console experience shrunk down for mobile devices, rather than the more bite-sized adventures you often see on mobile. There also doesn't seem to be a tremendous amount of deep horror games on mobile devices. There are a few that attempt this – Amazon Game Studios just shipped another great horror game, Lost Within, on mobile devices a few weeks ago. But overall, I think most publishers and developers don't attempt the genre on mobile because they doubt the possibility of something being creepy and immersive on a tiny screen. Hopefully Til Morning's Light will go toward proving that these types of games are very possible, and work well, on mobile devices.  How has working with Amazon on this game been? Adam: Amazon Game Studios has been a dream to work with. They're very hands on, but at the same time never interfered with the process or put up walls. I think their primary goal is to understand the kind of game that the developer is envisioning and then do everything they can to help realize that vision. Whether we were tackling story or combat or puzzling, I don't recall ever getting any mandates or notes I disagreed with (which as publisher, would be completely within their rights to do). They just sought to fully understand what this game was all about then use any and all expertise they had available to help make it as great as possible. I look forward to working with them on another project in the future. Were there any previous games in particular that influenced your work on Til Morning’s Light? Mariel: Oh man, I love horror games— Silent Hill, Clock Tower, Resident Evil, Fatal Frame — with a soft spot for ones with female protagonists, like Haunting Ground. I love stories where a normal girl is thrown into a terrifying situation and has to fight her way out, so I tried to channel that into Erica. Adam: I've loved horror games and films ever since I was a kid, so I'm sure it all had a subtle influence on this game. My project previous to Til Morning's Light was a Silent Hill title, which is my favorite game series. So SH fans might note some similarities in this game. The same goes for Resident Evil, Luigi's Mansion, Castlevania, Metroid - anything creepy with room-by-room progression.  Who’s the target audience for this game? Adam: Core gamers, the same people enjoying the best games on PS4, Xbox One, Wii U, and Steam PC right now. From the beginning, Amazon Game Studios let us know that this product should appeal primarily to core gamers, which is why Til Morning's Light is a very robust, console-like experience. Obviously we tailored the controls to what works best for mobile devices and tweaked some of our design implementations based on how people enjoy mobile games. But the goal was generally to create something very substantial and immersive. At the same time, there's no real blood or gore in the game. So although it can get pretty dark and unsettling and tense at times, younger gamers who aren't easily frightened should also find the game appropriate to play. Anything else you want to let our readers know about Til Morning’s Light? Mariel: I’ve wanted to be part of a horror game for a long time, so it was awesome to be given the opportunity to work on Til Morning’s Light. I can’t wait ’til it’s out so everyone can see what we put together! Adam: This is the most personal game I've ever worked on, and the talent on this team was some of the best that WayForward's ever put together. I can't wait for gamers and horror fans to check the game out, and hopefully it resonates with you all the same way it did with us.
Til Morning's Light photo
Skullgirls and WayForward devs speak
[Til Morning's Light is a new horror adventure title from WayForward and Amazon Game Studios, bringing together talent from titles such as Aliens: Infestation, Skullgirls, and... Sailor Moon? We've got a v...

What if Twitter was a Real Life Party? Video games and violence

May 16 // Jonathan Holmes
With video games in particular, there's absolutely no way of knowing what effect games alone will have on a person on a long-term basis. Some studies saw that many people show a diminished capacity for empathy after playing some videogames, but other studies show the opposite. Unless science is able to gather a perfect test group that is able to be studied by the effects that video games have on them alone, it will never be able to provide us with any conclusive answers. More qualitative, general observations aren't much more helpful. Sure, there are more mass shootings in America now than ever before, but the violent crime rate is also down overall. It would be easy to guess that means the rise of violent video games in America gives most people a positive outlet for aggression, decreasing their capacity for violent crime, while having the opposite effect on a group of outliers who later become mass murderers, but that kind of guess would be completely silly. That kind of guess would have to discount all the other concurrent trends in America today, like the increased levels of violence in film and movies, the increased use of thought- and mood-altering drugs (both street and prescriptions) in modern society, the drastic changes in our sociological/political/nutritional landscape, the Internet's influence on culture in general, and so many other factors. If you know a social scientist who can isolate video games from all those factors in determining how a person has been affected by his or her environment, I've got a crisp $20 bill with their name on it.  Regardless, this video wasn't meant to be a serious debate about all these issues, so I'm not even sure why I'm getting into them now. It's just a little animated reenactment of an unusual and semi-cute interaction I had with someone on Twitter. I hope you like it.  
WIT WAR LP photo
Social media animated!
One of the great things about the Internet is the limitless opportunity for social interaction it provides. While it always saddens me to see people use Twitter and other social media tools for the primary purpose of putting...

Newstoid, a Smash 4 guide by ZeRo, exclusive Bloodstained art, and more

May 13 // Jonathan Holmes
We've also got announcements related to our digital/print magazine with GameFan. We're in the process of generating some exclusive artwork from Bloodstained for our cover, an all new full color Arem comic by Corey "Reyyy" Lewis, an exclusive preview of Metal Gear Solid V, and a very special Smash Bros. for the Wii U and 3DS mini-guide by Gonzalo "ZeRo" Barrios.  And that's not the half of it! I wish we always had the opportunity to pop the hood and show you what we're cranking away, but any time spent opening the hood is time that could have been spent cranking. Thanks as always for cranking along with us, and please stay tuned for more announcements coming soon.   
Newstoid photo
Newstoid, a Smash 4 guide by ZeRo,
Destructoid is a lot like Willy Wonka's Chocolate Factory. It may look like just another unpredictable carnival of joy and horror on the surface, but behind the scenes, there are hordes of even more wonderful, horrible thing...

IGA plays photo
We had no sword or whip
Nearly 25,000 people have backed Castlevania: Symphony of the Night assistant director and subsequent series producer Koji "IGA" Igarashi's Kickstarter project, Bloodstained: Ritual of the Night. This, despite the fact that ...

WIT WAR LP photo
WIT WAR LP

'What if Twitter was a Real Life Party?' is coming for you


Social media animated!
May 12
// Jonathan Holmes
Hey, did you see those two little old ladies talking about Majora's Mask while innocuously almost eating eyeball cookies? If not, you're missing out.  After seeing that short, I knew that the team at Farleywink Animatio...
A poem for Kojima photo
A poem for Kojima

Movable Breasts: A poem for Hideo Kojima


I hope he likes it
May 12
// Jed Whitaker
I was inspired to write a poem for the father of Metal Gear Solid, after reading our very own Kyle MacGregor's A Gardevoir for all Seasons poem. I tried to make it about something he likes: movable breasts.  Kojima, senpai, won't you love me too?
Cooking drama photo
Cooking drama

Male gamer faces unwanted catcalls, ogling at Cooking Mama competition


#MenGameToo
May 11
// Fake News (So You Cannot Sue)
A recent Cooking Mama tournament in Portland, Oregon was mired in controversy after a series of posts on reddit exposed the rampant sexism that happened towards male competitors at the event. Kyle Phillips, who flew from In...

Castlevania's IGA back with 'dream game' Bloodstained: Ritual of the Night

May 11 // Steven Hansen
Bloodstained stars Miriam, an orphan stuck in the middle of "a classic tale of magic, or rather faith and belief, versus science," Igarashi told me through a translator. A group of alchemists, fearing its waning relevancy as science captures the 18th century setting, try to warn against the world losing faith. Start fucking loving science, they warn, and a bunch demons will take over. When that doesn't happen, egg on face, the alchemists start fusing demonic crystals into orphans to call the demons to earth, attempting to instigate a global annihilating "told ya so." The demon crystals have a, "natural inclination to expand, eat away at hosts' bodies," not unlike bad videogame companies, perhaps. "Stained glass" acts as an artistic motif reflected in the art style, but those pretty shades in characters' skin are also the basis of gameplay. Enemies drop materials, which are forged into gems, which can be formed into weapons. Rare materials can be forged into ability crystals that can be stuck in Miriam's body. They can also be combined in a number of ways, like adding a strength+ attribute crystal to a double jump for a double jump attack move. Igarashi explained the new system would be a little less repetitive than old Castlevania's, naming Aria of Sorrow specifically, where "you're just grinding on the same enemy to create the same thing." Why stained glass? "Stained glass is already cool-looking as it is, but stained glass weapons is badass." A recent walk through Grace Cathedral in San Francisco has me in agreement. Igarashi, "wanted to have a more colorful palette," and so on top of the stained glass, you have a blue-heavy protagonist, purple tinted key items (candles, keys), and an active blood orange sky in the background (thanks to parallax scrolling) inspired by an 18th century Icelandic volcano eruption that killed 23,000 Brits and bore a "bloody sun rising." All of this is framed by classic Gothic gray. If the mock up is any indication, it could look lovely. That's a "could," of course, because the game has not been made yet. Igarashi is someone you can likely depend on to make a Castlevania-style game. Inti Creates has been delivering for a long time. And Bloodstained isn't even held hostage by its Kickstarter, though it's meant to fund the last "20%" of development (and make for physical, pressed Xbox One and PS4 discs). Still, it's a way's out. Igarashi hasn't been gone from Konami much more than a year and shopping this proved difficult, hence last year's "hold." Igarashi "scoured the globe" and "pitched every major -- even minor -- publisher on this concept." "There was a ton of interest, but for various reasons, from, 'we do distribution for Konami and...don't want to anger them,' to 'Oh, this looks like a Japanese game.' But they didn't realize Igavania games sold better in America than any other territory." Incidentally, despite the widening popularity of the term "metroidvania," the team is eschewing the "castle" and "metroid," opting for the term "Igavania," explaining, "We want to make sure we don't anger Nintendo, and Igavania is a more accurate name." This project will likely irk someone at Konami regardless -- "Konami doesn't know about it," Igarashi said last month -- perhaps even more if it proves successful, like Mighty No. 9 or the recent not-Banjo-Kazooie platformer from ex-Rare folks, Yooka-Laylee. Given those examples (or Double Fine Adventure Game, or a number of others), it feels like a sure thing, but Igarashi does seem a bit more unsure after constant publisher rejection. "A lot of them were more interested in AAA stuff," he said. "There's a big disconnect between what the publishers are giving people and what the fans want." Inafune's success, specifically, "proved that the Western audience would put its money where its mouth is and support the creators that it loves." Igarashi doesn't expect he'll generate "anything close" to Mighty No. 9. He remains modest about the whole thing. "I spent the last year trying to make this work because I believe that's what the fans are telling me. And if the Kickstarter campaign shows that's not the case, then in the end the publishers were right and I was wrong." "From Iga-san's perspective," the translator, explains, "the most frustrating, saddening part is that he did his due diligence. He tried to work within the standard publisher model." It does seem surprising that Mr. Castlevania shops around a Castlevania and no one bites. Then again, why did Igarashi have to leave Konami in the first place to make this sort of game? "In the good old days, it used to be, as a producer you'd put your neck out on the line to make a game and if it's didn't work out, then you'd be done," Igarashi explained. Speaking specifically of Konami, at least as far as he left it a year ago (and somehow it was in a better state then), "Recently, there's more of a delicacy at [Konami] towards how they handle IP to the point where rather than maybe making new games, 'let's just not touch it'" becomes the mantra. "Or, 'we have to do it a bigger way." The 3D Castlevania, perhaps. Igarashi thinks it's "more risk averse" because someone used to, "pledge it would be okay, and it was their responsibility," but given that he would've have pledged on a new Castlevania, or Metal Gear Solid creator Hideo Kojima's likely ending relationship with the company, I'm not sure that's all of it. But Konami is in the past now. Inti Creates is making Bloodstained under Igarashi's direction. "We had several developers that were interested," he explained. "We needed a team that was both capable, but more importantly passionate. "They said, 'Listen, ever since becoming an independent studio, we've wanted to do three games.' One was a Mega Man type game, which they're now doing. The second was an Igavania game. And the third is a Zelda-type game, which they will probably never get a chance to do," Igarashi chuckled. Nintendo seems more open these days, though. Igarashi did dredge up some past, scoring the composer of Symphony of the Night, Michiru Yamane. "I basically tricked her into joining the campaign by getting her really drunk and making her promise she would help," Igarashi said. "You think that's a joke, but it's the truth." I believe it. And I believe Bloodstained: Ritual of the Night's campaign shouldn't have a problem, "proving that this is a concept that the fans really want." I mean, all you have to do is ask "Sword or whip?" and they flip.
IGA's metroidvania photo
Publishers wouldn't touch it
Last year, Castlevania: Symphony of the Night assistant director and subsequent series producer Koji "IGA" Igarashi left Konami after nearly 25 years with the company. At GDC that year, Igarashi ended his interesting Symphony...

One with nature: Playing as animals in videogames

May 10 // Ben Davis
Playing as a shark in Depth is my new favorite thing. Controlling the sharks feels incredible; they move and behave exactly the way I feel a real-life shark might, darting swiftly through the water, stalking their prey, and thrashing about in the heat of battle. The sharks' controls are simple: move through the water with the mouse and WASD, right click for a short lunge, left click for a long lunge, and once it's got something in its mouth, thrash the mouse around like crazy to kill it faster. That's pretty much it, aside from holding shift to swim faster and pressing E to activate a special passive ability, but that's really all a shark would need to be able to do. Players get to choose between four types of sharks: the tiger, the great white, the mako, and the hammerhead. Each has its own strengths and weaknesses. The great white is sort of like the tank shark -- lots of health but little stamina, with a special ability to increase defenses. The mako (my personal favorite) is the opposite; it has lots of stamina but little health, with the ability to mark targets for extra points. Tigers and hammerheads are somewhat balanced stats-wise, but the tiger has the ability to blend into the environment while the hammerhead is able to quickly kill divers by ramming them into walls. There's also an all-powerful and truly terrifying megalodon, but he's only available in a special mode. You'd think a shark would clearly have the upper hand in a fight against divers in the water, but it's not so simple in Depth. The divers come armed with a vast array of equipment to fend off the sharks, including sea mines, sonar buoys, nets, shields to disrupt the sharks' senses, and weapons like bang sticks, harpoons, and rifles which can easily take down the large predators with careful aim. This means sharks have to be very careful about when and how they choose to attack. After a while, I start trying to think like a shark. What would a hungry shark do in this situation? Wait for the opportune moment to strike, or go all in and hope for the best? Those seals swimming around are starting to look mighty tasty and much easier to kill than these humans, but they're just a side dish. It takes a bit of work to get to the main course. The challenge of playing as a shark comes from planning an attack strategy. Swimming recklessly into a room full of divers with no escape plan will most likely lead to a quick death. It's better to examine the area for all possible entrances and exits, then swim in, grab a diver, and quickly swim out while killing them before the other divers have time to react. Another good plan is to circle the area and wait patiently for any divers to venture away from their group, picking them off as they swim out into open waters, greedily searching for treasure. These strategies of circling and waiting, examining the surroundings, and attacking at swift speeds all seem to mirror behaviors that real sharks often employ. Of course, it's good to keep in mind that actual sharks are not normally as aggressive towards humans as the sharks in Depth need to be in order to win. More often than not, real sharks are circling out of curiosity rather than hunger. But that's where the videogame aspect of Depth comes in. It wouldn't be nearly as fun to swim passively around the divers as they leave the sharks alone to collect gold. There needs to be action, and hungry sharks need to eat something, so why not humans? Sorry divers, but we can't be friends in this game! Getting into the mind of a shark for a few hours, even in a fictional world, just feels awesome. Sharks are not something I see everyday. I've seen some at the aquarium, although plenty of other people have encountered them personally out in the ocean. They're scary, but they're also beautiful, intelligent creatures. We may never know what a real shark is thinking, but taking the role of one in a videogame might bring us a bit closer to understanding them. And this is true for other videogame characters as well. Aside from Depth, several other games have managed to capture realistic animal gameplay in the past too. While the main character in Mister Mosquito may appear very stylized and cartoonish, he flies around and bites people in a way that feels like I could be controlling a real-life mosquito (barring his inexplicable ability to push buttons on electronics by throwing his weight around). The Shelter series also lets players take control of animals in their natural habitats, with games centered around families of badgers and lynxes. Another one of my favorite games in this regard is Tokyo Jungle. The animals in Tokyo Jungle feel really great to control, as they go around hunting for food, mating, and generally trying to survive like any animal would. I particularly enjoy the variety of animals available to choose from in Tokyo Jungle. There's everything from cats and dogs, to chickens, lions, bears, porcupines, ostriches, elephants, and even dinosaurs. I can inhabit the minds of all sorts of animals! I hope to see more games adopt realistic animals as main characters in the future. With so many different kinds of animals in the world, there are surely an endless amount of possible ideas for fun and exciting games centered around them. Now if we could just create a game where I could play as a majestic whale...
Playing as animals photo
I'm a shark!
One of the greatest aspects of the videogame medium is its ability to allow players to inhabit the mind of someone, or something, other than themselves. You can be people from all different walks of life, with all kinds of sk...

Sup Holmes photo
Sup Holmes

Making The Shining funny and ordinary parenting scary with Pippin Barr


Sup Holmes every Sunday at 4pm EST!
May 10
// Jonathan Holmes
[Sup Holmes is a weekly talk show for people that make great videogames. It airs live every Sunday at 4pm EST on YouTube, and can be found in Podcast form on Libsyn and iTunes.] Last time on Sup Holmes, w...

Experience Points .13: Animal Crossing

May 09 // Ben Davis
The mouse next door Animal Crossing is all about the villagers. Whenever I start a new town, I pray I'll get at least a couple cool neighbors. I usually try to pester or ignore the less desirable ones until they eventually move out to be replaced by someone better. And when an awesome neighbor finally moves in near me, I make a point of hanging out with them every day, hoping they'll be my best friend. There are a ton of animal villagers I really like, but I think my favorite will always be my first friendly villager, Samson the mouse. Samson lived in the acre right below me in my very first town. He has the sporty personality, so he's constantly talking about lifting weights and keeping active, with a very optimistic and happy attitude. I used to visit his fruit-themed house every evening before bed, listening to him brag about how many push-ups he could do and asking if there were any errands I could run for him. I was always glad to see him walking around town. Then I tried visiting my friend's town one day, and a while later I noticed that Samson had moved. He'd left to go live in my friend's town, and I was super bummed. It always seems to happen to the villagers I like the most, while the ones I don't particularly care for seem to stick around forever. Luckily, I've had plenty of other cool neighbors to keep me company ever since Samson left, like Punchy, Apollo, Puck, Leopold, Lobo, and Octavian. I never managed to get Bob in any of my towns, though. Bob is the best. A blast from the past The GameCube version of Animal Crossing was the only one to get NES games as items (at least in the US), which is a shame because it was one of my favorite things about the original game. The NES titles are furniture items which can be placed in players' houses. Interacting with them while they're on display will allow the game to be played. And not just a demo of the game. The entire thing was playable! NES games were particularly hard to come by, usually only found in Tom Nook's lottery at the end of the month, or in Crazy Redd's black market tent. There are 19 in total that can be obtained, although some of them can only be found through cheat codes. I only owned a few of these games growing up (Excitebike, Super Mario Bros., Punch-Out!!, and Legend of Zelda), so the rest of them were completely new to me. I spent a ton of time playing all of the NES games, which I collected and displayed in my basement. I probably spent the most time playing Balloon Fight, Clu Clu Land, and Ice Climber, since those titles were very unfamiliar to me, and also Pinball, which was strangely addictive. It was crazy that they included so many, though. Animal Crossing was essentially twenty different games in one package. It just took a bit of work to find them all. Gone fishin' If you know me at all, you know that I love the ocean and everything in it. So it should come as no surprise that my favorite activity in Animal Crossing is fishing, of course! Fishing in Animal Crossing is pretty simple, compared to most fishing in videogames. The player only needs to line the lure up with the fish's face, wait for it to bite, then hit A and voila! The fish is caught! No need to worry about reeling anything in or having the line break. It's all about careful aim and a bit of patience. It's also probably the quickest way to make money, so I often found myself fishing out of necessity to pay off my debts, but still had fun doing it. I love how specific the game gets with the various types of fish, too. All of the fish featured in Animal Crossing can be found in the real world. There's normal fish that everyone has heard of, like goldfish, piranha, and catfish, and also some really exotic ones that only ichthyologists would know about, including arowana, arapaima, and coelacanth. I actually learned a lot about real-life fish and bugs just from playing Animal Crossing! Oh, and the player character likes to come up with the most awful puns for everything they catch. So there's always that to look forward to while waiting for a fish to bite! The cat without a face There are tons of animal characters to encounter, aside from just the villagers living in town. Special characters will occasionally stop by for a visit, depending on the time, the date, or other circumstances. There's a giraffe fashionista, a wandering walrus, a carpet-dealing camel, an accident-prone seagull, and more. One such character is Blanca, who will sometimes appear on the train when a player goes to visit another town. Blanca is a white cat with a blank expression, and I mean that in the most literal sense. She does not have a face. It's actually kind of horrific when you think about it. I mean, how is she even talking to me? How does she eat? How does she breathe?! After a rather unsettling conversation (apparently she washed her face off?), she asks the player to draw her a new face. A menu pops up, similar to the menu for designing clothing at the Able Sisters' shop, allowing the player to draw whatever they want on Blanca's head. Players can make her look as beautiful or as scary as possible. And I'm sure there are plenty of people who drew immature things for a laugh, like drawing on a roommate's face with a marker after they've passed out. Later, she can be found walking around town with her freshly designed face. Even though I usually tried to give her normal features, they often still looked rather strange and stretched out. Poor Blanca! Her appearance is forever at the mercy of others, and other people can be pretty cruel. At least she provides a fun little mini-game, and the results are almost always amusing. Canine in concert Everybody loves K.K. Slider, right? He's the hip hound that stops by the train station on Saturday nights to play live music. He basically makes Saturday the most exciting day of the week. I always made it a point to play the game every weekend around 8pm to see him. K.K. will play just about any style of music imaginable, from rock 'n' roll, to country, to reggae. He'll take specific requests, or just play whatever, and after a concert he'll give the player an air check so they can listen to his music at home. Obviously, I had to collect them all. There's a ton of K.K. songs that I enjoy, but the songs I had playing most often on the stereo were K.K. Cruisin', Go K.K. Rider!, and K.K. Ballad. Of course, I'm sure everyone else has their own favorites. You really can't go wrong with a K.K. song. Well, except for maybe K.K. Dirge... that music makes my skin crawl. Between K.K. Slider's tunes and the ambient music that changes depending on the time of day, Animal Crossing has one of the most unique applications of a soundtrack I've seen. Certain songs will always scream "Animal Crossing!" to me more than others, just because of how and when I played. For me, it's all about the 8pm music and K.K. Cruisin', but other players could have an entirely different opinion. Happy holidays Animal Crossing handles time mechanics in a rather remarkable way. Not only is there a day and night cycle, but even the seasons change in real time. Different seasons bring different weather, different events, and different animals into the game. Playing during winter almost feels like an entirely new experience after playing during the autumn months for so long. And as if that wasn't enough, Animal Crossing even has several in-game holidays which correspond with actual holidays in the real world. That means if the player starts their game on October 31, for example, the villagers will be celebrating Halloween, running around dressed as Jack-o'-Lanterns, asking for candy, and handing out prizes. The holiday events were always entertaining. The fireworks displays on New Year's Eve and July 4 are really pretty and fun to watch from the pond. During the Harvest Festival, players have to save a frightened turkey from becoming a feast. A reindeer comes to visit on Toy Day, handing out toys to the player when he's found. On Groundhog Day, the resident mole -- I mean, "groundhog" -- makes an appearance to predict the upcoming weather. They even celebrate the player's birthday, which the other villagers will sometimes ask about in order to get the date right. All of these time-sensitive events are a great way to keep players thinking about the game even after they've stopped playing for a while. Once Christmas season began, I found myself wondering what kinds of events might be happening in the world of Animal Crossing, and planning a time when I could jump into the game and explore. And when spring rolled around, I felt compelled to visit the game again just to find all of the new fish and insects the warmer weather attracted, and to see if anything changed around town. I had Animal Crossing on the mind all year round! Waiting 'til the end of time Time doesn't stand still in the world of Animal Crossing, even when it's no longer being played. If a player boots up the game after a year-long hiatus, they'll notice that the town has changed a lot since they last played. It will become overrun with weeds, houses will become infested with cockroaches, mailboxes will be overflowing. It's a huge mess to deal to with. And yet, the villagers that still haven't moved away have not forgotten about their human friend. In fact, they've been counting the months since they last spoke with the player. Even if it's been several years, they still count the months. Every single month, waiting, hoping, feeling sad and abandoned, refusing to pull their weight and CLEAN UP THE DANG TOWN THAT THEY LIVE IN, LIKE I'M THE ONLY ONE-- ahem. Got a bit carried away there. I apologize. I always thought it was really crazy that the game carries on without me even when I'm not playing. It makes me wonder what's going on in all the different towns I've created over the years, hiding away in various memory cards. Are my favorite villagers still there waiting for me? Or have they moved on to a new home after feeling neglected? Maybe I'll pop into the game again someday and find out. Past Experience Points .01: The Legend of Zelda: Majora's Mask.02: Shadow of the Colossus.03: EarthBound.04: Catherine.05: Demon's Souls.06: No More Heroes.07: Paper Mario.08: Persona 4.09: Final Fantasy IX.10: Mega Man Legends.11: Rayman Origins.12: Metal Slug 3  
Animal Crossing photo
So, you've decided to move out?
Experience Points is a series in which I highlight some of the most memorable things about a particular game. These can include anything from a specific scene or moment, a character, a weapon or item, a level or location, a p...

Swery: D4 on PC is '100 percent bona fide D4'

May 07 // Brett Makedonski
The reason that Swery doesn't feel that the Kinect-to-mouse transition is a concession of sorts is because control method isn't what's at the core of D4. Swery elaborated "D4 is a game that doesn't derive its entertainment value merely from the fact that you can control it. My design has always been focused around the 'sensory replication' element. All input devices have their own special characteristics, and I feel that I've created separate control schemes that are all designed specifically for the Kinect, controller, and now the mouse." This "sensory replication" Swery speaks of isn't some marketable-sounding term that he tacked on to describe control schemes; it's something he spends a lot of time thinking about and crafting experiences around. In fact, further hypothesizing by Swery is the reason the PC port is even happening. He explained how D4 on PC came to be by saying "I started working on the PC version at the end of last year, through to GDC this year. At that time, I had made no plans about releasing it. It was just an experiment to help prove the contents of my GDC speech. To sum up [my speech]: 'Even without Kinect, the theory of symbolization and sensory replication through minute observations is still possible, and pieces that replicate sensations in this manner can enhance the overall empathy that people experience.' In order to prove this, I started making a sample version of the game that could be played using only the mouse. I revealed it to people at GDC and PAX East, and since people responded more positively than I had expected, I decided to develop an official release." That official release won't come as easy as one might think. This is Access Games' first time working on a PC title. (The poorly-received PC port of Deadly Premonition was controlled by another studio, and Swery says that Access wasn't able to exert control over the process because it didn't own the rights to the game.) Because of Access' inexperience developing for PC, Swery describes the process as including "a lot of unexpected surprises and problems." He went into detail by saying "Like I talked about earlier, we had to figure out how to create sensory replication with the mouse. Since we couldn't use Kinect, we needed to figure out how to make the PC version a game that anyone could easily enjoy with the mouse. Our game designers, programmers, and UI designers really had to rack their brains about this. Next, we had to think about adding user options and confirming minimum system requirements and recommended specifications that didn't exist in the console version. Since we created an original shader for D4 using our own code, it was hard to make it backwards compatible simply through changing settings in Unreal Engine, so we had to adjust the code and add new parts to it. Since we've only worked on console games so far, this was a brand new experience for us." Above all else, Swery's says he's dedicated to not letting the PC version of D4 go the way of Deadly Premonition. "The team that worked on the Xbox One version of D4 is in charge, and I've also been taking part in the adjustments. We're really serious about this, and intend to treat the D4 IP with the utmost care." One thing that he wasn't too serious about was commenting on his feelings about Microsoft announcing one year ago that it'd release a version of Xbox One without Kinect. After all, Swery had likely undertook this project with the understanding that Kinect would be something that's in every living room that an Xbox One is in. All of a sudden, that wasn't the case. Swery took the high (and humorous) road by simply chiming in "#ThanksObama." Temporary comedic relief aside, Swery seems very serious about D4 and its future. When asked about reading fan theories (a pastime that's dominated the Destructoid office at times), Swery said that he refrains out of respect for the fans. He clarified by saying "D4 is of the mystery genre. With this genre, the fun comes from 'enjoying' all the mysteries up to the end. I think it's natural for people to closely watch the developments, hypothesize, and then think up their own opinions and theories. That's what's so great and important about the mystery genre. With that in mind, I think I have no right to take part in those sorts of discussions." For all the transparency and openness behind the whole process of getting D4 to PC, Swery turned mysterious again when the topic on everyone's mind came up: Is a second part to D4 ever getting made? "I still can't talk about what'll be coming next. All I can say is that I'm working my hardest!," he said. Figures. But, maybe with the help of a PC audience pushing for more D4, we'll get the resolution we need. Or, maybe we'll get more fights with a cat lady. Both are welcome with open arms.
Swery interview photo
Kinect didn't make the game
To say that developer Hidetaka Suehiro -- or, Swery65 as most everyone knows him -- has a knack for creating unique and strange videogame experiences would be an understatement. He has a loyal cult following, as anyone that l...

Review: Forgotten Memories: Alternate Realities

May 07 // Jed Whitaker
Forgotten Memories: Alternate Realities (Android, iOS [reviewed on an iPhone 6 Plus], Playstation Vita, Wii U)Developer: Psychose Interactive Inc.Publisher: Psychose Interactive Inc.Released: April 23, 2015 (iOS) / TBA 2015 (Android, PlayStation Vita, Wii U)MSRP: $4.99 Rose Hawkins wakes up after being shot in the face, only remembering that she was searching for a missing girl named Eden. She doesn't recall who shot her, how she is alive, or where she is.  Upon exiting the room Rose is greeted by a hallway formed in red curtains, the kind you'd find at any theater. An antique dictation device is waiting for her, and a message plays automatically from a woman named Noah who has been waiting for her. Noah knows Rose by name, and promises her more information on Eden if she can free her nurse friend from the asylum she is about to enter. Rose comes face to face with Noah in a throne surrounded by mannequins one last time before entering the asylum, Noah still talks through audio dictation for some reason. This is the kind of tone you can expect from Forgotten Memories. [embed]291661:58457:0[/embed] Like any psychological survival horror game, the story is deep, twisted and leaves a lot of questions unanswered. Most of the lore you'll come across in case files, notes, and a couple of cutscenes. Forgotten Memories is very old school in this regard, but still manages to have an engaging story worth searching for. Old school is a  word that can be used to describe most parts of the experience, for better or for worse. I almost didn't finish the game due to how difficult the game is, just because the developers felt the need to shove in old school mechanics for old school sake. Saving the game requires tracking down a computer and using a floppy disk, an item that is extremely limited in the game. While classic survival horror games used this save game mechanic, most notably the original Resident Evil series, it sucks for a game on mobile, especially when the game is brutally difficult. Forgotten Memories' app store description originally warned prospective buyers to only purchase the game if you are a hardcore gamer due to the level of challenge involved. They weren't joking -- I almost didn't finish it to how quickly and often I'd die. Luckily I must not have been the only one as the developer quickly released an update that included an easy mode. It provides players with unlimited saves, more ammo, easier enemies and more medkit pickups, among other tweaks. Even with this easy mode I found myself in situations with a sliver of health, no medkits and some distance between myself and the nearest save point.  Touchscreen controls were a mistake, plain and simple, and hopefully they don't carry over to the Vita and Wii U versions of the game. The left side of the screen controls character movement, while the right side controls the camera and aiming. The first place touched on the left side of the screen acts as a center axis, and Rose will move in the direction of your fingers position in reference to said axis. Camera and aiming control seems inconsistent on how much movement there is, often times leading to needing multiple swipes just turn around. On the right side of the screen are also icons that allow you to run or go into an aiming mode with your flashlight or weapon. With a weapon drawn tapping anywhere on the screen will cause Rose to attack. The pipe, the only melee weapon I found in my playthroughs, can be used three times consecutively to perform a powerful combo attack that pushes enemies backwards. Since this piece of junk is your main weapon, combat boils down to letting enemies get close enough to attack, performing the combo, rinse repeat. It leaves a lot to be desired. Shitty controls aside, Forgotten Memories nails the survival horror atmosphere unlike any game I've played in years. Haunting violins can be heard as you search for clues and keys, pounding drums mixed with noise play during combat, and the intro music is haunting, a mainstay of the Silent Hill series. I found my heart beating in my chest with my breath held as I ran past enemies to escape rooms. Hearing distorted singing coming from a shadow-like child that is just down the hallway where you need to go is fucking horrifying. While it is indeed a horrifying affair, it ends all too abruptly at just under an hour and a half on my first playthrough.  Having been in development for years, Forgotten Memories feels like it was purposely cut short to allow for sequels or download content. That being said, the pacing is tight and there is no filler whatsoever, but it still feels like the first chapter of a longer game. Aside from the brevity, awful controls, and dull combat, the game is easily recommendable for those looking for that Silent Hill feel. Though only the desperate should pick up the mobile version, or those that have a compatible controller, otherwise wait for the console and PC releases sometime this year. While the graphics are some of the best I've seen on mobile, they can only be better elsewhere. Forgotten Memories: Alternate Realities is about the best you can do for survival horror currently, if you can stomach the control scheme. [This review is based on a retail build of the game provided by the publisher.]
Forgotten Memories review photo
Horror-ible controls
Survival horror has always been one of my favorite genres, with Silent Hill being the absolute king. When I heard about a game inspired by and with voice actors from Silent Hill 2, arguably the best in the series, I was ...

Guacamelee photo
Guacamelee

Celebrate Cinco de Mayo with a few of the craziest references in Guacamelee


You might recognize a certain green robot
May 05
// Chris Carter
What better way to celebrate Cinco de Mayo than remembering Guacamelee, one of my favorite platformers in recent memory. Alongside of solid Metroidvania action, DrinkBox Studios created a memorable world that will stay with y...
Fake Game News photo
Fake Game News

Madden 16 simulation predicts which players will be arrested this season


Hide their kids, hide their wives
May 04
// Fake News (So You Cannot Sue)
The launch of Madden 16 is still months away and while many of the new game mechanics and features are being kept a secret, the developers today did reveal one addition to the storied franchise that will tell gamers which NFL...

What would your Silent Hill look like?

May 03 // Nic Rowen
I'm preoccupied with dementia. It runs in my family, both my grandparents have it, their parents had it, and so on. It's a terrible disease, a spiritual vampire that sucks the light and life right out of its victims while dooming them to shamble on as shadows. I've written about it before, but I tend to read into games and movies that deal with instability and uncertainty as allegorical to Alzheimer's. The darkest thoughts that creep into my mind when I can't sleep are about my own parents someday showing symptoms of the disease, or the looming threat that it may (likely) happen to me as I age. Which is why my Silent Hill would have to be a shitty, confusing, dump of a place. A maze that was always fading and rebuilding behind you, filled with asshats you don't recognize, or recognize as someone else. It couldn't not be. Silent Hill as a series has always leaned heavily on the psychological aspects of horror. Sure, there are jump scares, dark corners, and sharp rusty blades like any other horror game, but the real terror of Silent Hill has always come from within. The town, or realm, of Silent Hill is a crucible of sorts that directly confronts its visitors with whatever nasty shit they have floating around their head. It tips the subconscious over and lets all the sticky neurological puss ooze out. Out of all that guilt, anger, fear, and trauma, the city rebuilds itself into a brand new personal hell for whatever unfortunate soul happens to be trapped within it. Silent Hill 2's James Sutherland had to deal with his sexual frustration and the guilt of resenting his ailing wife. These issues physically manifested as Pyramid Head and the grotesque/sexy nurse monsters. Heather in Silent Hill 3 had to deal with her split identity as the poor, tortured Alessa and her messed-up, unstable life on the run. Shattered Memories, a reimagining of the events of the first game, finds Cheryl struggling to reconcile her idealized memories of her father with the bitter reality of their lives. Murphy Pendelton had to fight weird ghostly blow-up dolls in Downpour (still not sure what the deal with that was). Those games offered a look into the minds of their protagonists, but I bet they also crystalized some of the deepest fears and uncertainties of the creative minds on Team Silent (and the lack of that honesty is probably why the series has fallen off so hard in recent years). It's one of the reasons I'm upset that Konami took the promise of a Silent Hill headed by Kojima and del Toro and dunked it in a bucket of horse piss. With auteurs like those two at the helm, I bet Silent Hills would have let us peek behind the curtains of their psyches. I bet they would have brought their own personal fears with them to Silent Hill; they would have brought back the honesty of terror. Yes, P.T. wasn't even a demo. It was a teaser, a shadow of a reflection of what Silent Hills might have been. But when I look at the themes and ideas in P.T. and I look at del Toro and Kojima's past work, I can see connections, overlapping ideas to work they've done before. P.T. was set in a home turned into hell. It hinted at dark family trauma -- domestic abuse, fathers committing murder-suicides on their entire family (and worse). Del Toro is no stranger to those horrors, and he's blurred the lines between the unfortunately all too real and common trauma of domestic abuse and the supernatural before. I look at his movies he's directed like The Devil's Backbone, and Pan's Labyrinth, or as an executive producer on Mama, all of which swim in similarly murky waters. There are also glimmers of Kojima's trademark post-Cold War paranoia to be found in P.T.. The unsettling voice from the radio, constantly repeating a sequence of digits over and over like a haunted numbers station, hypnotically spurring the listener to violence. There are possible allusions to mind control and manipulation, themes found again and again in his games. YouTuber RagnarRox recently posted a video exploring links between some of P.T.'s most disturbing elements with the real-life (and extremely chilling) MKUltra experiments conducted by the C.I.A in the 1960s. It may seem out there, but the material would certainly jive with other ideas Kojima has dove into with the Metal Gear series. [embed]291456:58421:0[/embed] We have no idea of knowing exactly what Kojima and del Toro's Silent Hills would have been like, in the end. However, I look at what those two men have done before and what we saw a peek of in P.T. and I feel like I can make out its shape behind the fog. Something disturbing and vulnerable, a Silent Hill that is at once deeply, uncomfortably personal, but also shrouded in conspiracy. How could either of them resist the chance to clean out their mental cellar spaces with the psychological dust broom of Silent Hill? It makes me sad to think of what we missed out on thanks to Konami's bungling, but it also makes me curious. I wonder about what other people's version of Silent Hill would look like. If you wandered into Silent Hill and the Otherworld was being built on top of the fault lines of your psyche (or if Konami lost its shit and suddenly tossed you the reins as the next creative director of the Silent Hill series), what would it look like? What would your fears made manifest be? Maybe I'm the only one who thinks of this kind of stuff, but I'd be super interested to know what kind of Silent Hill some of our community members would create. Feel free to share your ideas in the comments, or better yet, write a blog about it. We might never see Kojima and del Toro's Silent Hills but we can still speculate on our own dreams, or in this case, nightmares. They might be all we have if Konami keeps up like it has.
Your Silent Hill photo
Konami could probably use some ideas
My Silent Hill would be a place you couldn't trust. Doors would disappear behind you the moment you turned your back, hallways and staircases would loop back in impossible ways, main streets would abruptly end or lead to a pa...

Sup Holmes photo
Sup Holmes

Underground Hangovers and hating your own game with Jordi de Paco


Meet people who make great videogames
May 03
// Jonathan Holmes
[Sup Holmes is a weekly talk show for people that make great videogames. It airs live every Sunday at 4pm EST on YouTube, and can be found in Podcast form on Libsyn and iTunes.] First, a word for our regu...

Experience Points .12: Metal Slug 3

May 02 // Ben Davis
Mission one start Right from the very beginning of Metal Slug 3, I could tell it was going to be a wild ride. The opening mission drops the player off on a sunny beach, which at first seems almost peaceful and comforting, until the rotting fish carcasses and crash-landed rockets littering the dunes come into view. Suddenly, a bunch of huge, mutated crabs swarm the beach and start attacking in hordes. Giant crab monsters for the very first enemy? Talk about starting off on a high note! The level then splits off into two different paths. One path leads to a mangrove area crawling with oversized locusts, and a boat that takes the player across a swamp infested with flying piranhas. The alternate path leads underwater, as the player takes a submarine and dives into a deep ocean crevasse. The waters here are teeming with electric jellyfish and are also home to four utterly enormous moray eels. These things appear to be 20-30 times larger than the submarine. They cannot be killed, but they can crush the player against the side of the wall in an instant. The eels also come out of caves which indicate that their names are Helen, Linda, Jenny, and Barbie. Quite adorable names for these hulking, majestic creatures. The eel crevasse has to be my favorite area in the entire game, and it's just the first level! And of course, once the player passes through the underwater cavern, they're met with the boss of mission one: a particularly intimidating crustacean by the name of... The Huge Hermit The boss of the opening mission is a gigantic hermit crab which makes its home inside of a military tank rather than a seashell. As the player runs along a boardwalk firing backwards at the massive crab, the Huge Hermit advances, easily destroying the boardwalk with its large claws as it moves. It also uses the tank on its back to fire projectiles from the cannons, keeping the player on their toes while they run. It's such an amazing adversary! The Huge Hermit is probably one of my favorite videogame bosses of all time, largely from a design perspective. Giant crabs are already awesome by themselves, but a giant crab with a huge tank on its back which it uses to shoot nukes and fireballs? You can't get much better than that! Plus, the animation team did a truly fantastic job bringing the sprites to life on this thing. Like pretty much everything else in the game, the hermit crab's movements are so fluid and natural, while the tank shifts around in a more mechanical way. It's almost mesmerizing to watch. And keep in mind, this is still only the first mission in Metal Slug 3. It's such an incredible introduction to all the craziness that the game has to offer! A Slug for every occasion Metal Slug's namesake, the Slugs, really help to set the game apart from other run-and-gun titles. The Slugs are mechanized vehicles which come in a variety of shapes and sizes, with all kinds of cool weapons and abilities. Metal Slug 3 has about ten different types of Slugs to find and play around with. There's a mecha Slug which walks around with dual arm guns and a crotch cannon, a helicopter Slug for increased air mobility, a submarine Slug for easier underwater movement, a rocket Slug for space travel, a drill Slug which is particularly effective against giant snails, and more. But my personal favorite is still the classic SV-001 "Metal Slug" which has appeared in just about every game in the series. It's essentially just a tank, but it's one of the most well-designed tanks around. I love the iconic design, with a roundish body and long, spiky treads. Plus, it's built in a way that allows it to actually jump and crouch, making it not only powerful and protective, but agile as well. What other tank can do that? In a game where one hit means instant death, riding around in a Slug feels extremely satisfying. The Slugs can take a few hits before they overheat, forcing the player to eject before they explode, so climbing into one is always a breath of fresh air. Of course, I usually lose my Slugs pretty quickly anyway, but they're still great for those brief moments of feeling all-powerful among the hordes of puny enemy forces. Animals of mass destruction Metal Slug 3 offers a wide variety of helpful friends and modes of transportation, most notably from the animal kingdom. There's a bunch of animals to ride around on, like a camel, an elephant, and an ostrich, as well a cute little gun-toting monkey that can follow the player around. The monkey is especially adorable. It can be found during two different missions, wearing a diaper that it stores bananas in and carrying a gun that it's not afraid to use. I always find that it leaves me too quickly though. Come back, little monkey! Don't leave me while I'm being completely surrounded by zombies! The three vehicular animals actually count as Slugs. They all come equipped with weaponry strapped to their sides and they can't be destroyed. It's so much fun to ride around on camels and ostriches while mowing enemies down with mounted guns. You think you can take me down with your armored tank and helicopters? Too bad they're not fast enough to deal with my awesome weaponized ostrich buddy! Muahaha! The elephant is probably the coolest of the three, if only because of its unique grenade options. If the elephant picks up a crate of hot chilis, it will be able to shoot a huge ball of fire out of its trunk. Alternatively, it can pick up a car battery in order to shoot bolts of lightning. I mean, come on: a fire-breathing, electrified elephant with guns strapped to its sides? How do you top that? Mars attacks! There's just something about the Martians in the Metal Slug series that I find particularly compelling. It probably has a lot to do with their appearance. They've got huge, bulbous heads and a tangle of crazy, spaghetti-like appendages wiggling about all over the place. It's actually a pretty typical alien design, but somehow it really works. The animations for the tentacles are just gorgeous, and totally mesmerizing. I could watch the Martians' idle animation all day. These guys don't make an appearance in Metal Slug 3 until the final mission, where they retreat into outer space with hostages and use their advanced technology to slow the main characters down. The Martians play a role in many other Metal Slug titles as well, and I always get a kick out of the encounters. Even though they're usually the enemy, and cause a great deal of annoyance for the main characters, they're just such a joy to watch. I almost feel bad killing them. Almost. 101 ways to die With all the crazy, diverse enemies in Metal Slug 3, the main characters are bound to be killed in some pretty messed-up ways. Aside from being shot, burned, zapped, and crushed, they can also be stripped to the bone by piranhas, dissolved by acid, hit with spores that cause them to burst into a tangle of vines, and more. Certain enemies and objects can also cause the main characters to transform, often leaving them more susceptible to death. Bats and mummies can mummify the player, restricting their movement and weapons. Yetis can turn the player into a snowman, trapping them and leaving them open to attack until they can wiggle free. Collecting too many food items can cause the player to become obese, slowing movement but increasing firepower. But the best transformation by far is the zombie form. Being attacked by a zombie will cause the player to become a zombie as well. Like some of the other transformations, movement is restricted and only the default pistol can be used. However, the grenade becomes an extremely deadly, projectile blood-vomit attack, which blasts out in a huge arc from the bottom of the screen all the way to the top. It's possibly the most powerful attack in the game. It can even easily decimate the bullet-sponge of a boss if the player is skilled enough to avoid attacks with the sluggish zombie movement. Destroying helicopters and enemy hordes by barfing up a huge bloody mess never gets old! Past Experience Points .01: The Legend of Zelda: Majora's Mask.02: Shadow of the Colossus.03: EarthBound.04: Catherine.05: Demon's Souls.06: No More Heroes.07: Paper Mario.08: Persona 4.09: Final Fantasy IX.10: Mega Man Legends.11: Rayman Origins  
Metal Slug 3 photo
Rocket Launcha!
Experience Points is a series in which I highlight some of the most memorable things about a particular game. These can include anything from a specific scene or moment, a character, a weapon or item, a level or location, a p...

We crunched the numbers: Pacquiao wins tonight's fight (according to Smash Bros.)

May 02 // Brett Makedonski
The thing about these kind of events is that they really lend themselves to gambling. The fight's in Vegas, which will naturally draw a lot of action. But, more important than that, a fair contingent will look to bet because it's the quickest way to go from interested to invested. Without loss or gain on the line, it's an occurrence for casual viewing; putting money down makes it personal. Lucky for you, we have the inside track on any legal (or otherwise) wagering you want to do. Pacquiao wins, but it's a nail-biter. Plunk down cash now without a fret in your mind. This is as good as gold. We counted your chickens for you. How do we know? Super Smash Bros. told us. But, it took some science. We set Darren up behind a set of boiling beakers and test tubes. We outfitted Steven in an ill-fitting lab coat. Jordan shouted "We need empirical data, dammit!" over and over again. Chris cried in the corner. Eventually, our sciencing paid off. The simulation took place between two computerized Little Macs. Since Mayweather and Pacquiao are the best in the world, we cranked their skill levels up to nine. We decked Pacquiao out in red, white, and blue trunks to symbolize the Filipino fighter's national flag. Mayweather's in the standard Little Mac garb because it had a lot of green. That's for money. Because Mayweather likes to throw around a lot of money. Since the boxers are scheduled for a 12-round match consisting of three-minute rounds, we found it appropriate to let them duke it out in a 36-minute marathon match. No items allowed -- just fists of fury. The arena was a source of contention. The boxing ring holds up thematically. However, given what it's taken to get this fight to happen, Final Destination also seemed appropriate. We were also worried about the extra space in the boxing ring stage. Chances are slim-to-none that Mayweather and Pacquiao will take the brawling up the ramp, much less on top of the lighting rig. Ultimately, we went with the boxing ring. It was just too perfect for these two ferocious fighters. With all the details squared away (organizing a boxing match is hard!), it was time to get down to action. Pacquiao dealt the first blow as he took the initial stock. However, as one might expect, these skilled combatants went back and forth, no one really gaining an edge. That trend wouldn't hold up, though. Before long, Pacquiao pulled out to an eight to five lead, indicating that this might not turn out to be the coin flip we predicted. Mayweather was landing bigger punches, but Pacquiao was sealing stock, which is all that really mattered. Slowly but surely, Mayweather mounted a comeback. A lot of it was predicated upon rope-bouncing and ramp-fighting. If their well-trained strikes weren't so form-perfect, you might have mistaken this for a Chicago Street Brawl. At the 11-minute mark, Pacquiao was suddenly in trouble. He spent more time dodging, ducking, dipping, diving, and dodging than he did fighting. Mayweather was back, and he was landing K.O. after K.O. The tide had officially turned. Then, each fighter went on a flurry of small streaks. Two stocks here, three there. Time whittled down, and it was impossible to tell who was ahead. No one really outperformed the other noticeably. With 30 seconds left, the lights came crashing down for the first time in the match, but both escaped unscathed. When the timer hit zero, the announcer held off on declaring a winner, instead booming "SUDDEN DEATH!" Holy shit. Two titans now at 300 percent damage, the next blow cementing both their places in history. There was no predicting what would happen, just the assurance that it would happen quickly. No more than seconds after sudden death began, it was over. Pacquiao landed a monster upper-cut and Mayweather almost instantaneously disappeared into a flash of light. The long-standing debate over who's a better fighter had a clear-cut answer. Appropriately, for all the carnage in the extraneous areas of the stage, the match was settled in the ring. The tale of the tape reflects the close-fought bout. Each fighter took 27 stocks from the other. Mayweather inflicted slightly more damage. Pacquiao landed one percent more of his blows. Although, Pacquiao took the belt, which is the statistic that's most important. [embed]291378:58412:0[/embed] For posterity's sake, we also felt it necessary to simulate what would happen in a first to one stock fight. After all, no self-respecting boxer gets knocked out 27 times in one match. Different circumstances, but same outcome. Pacquiao's the man. This news comes mere hours before the big fight, but we still implore you to make use of the empirical data. Jordan did too much work shouting to let it go to waste. Go ahead and bet the farm on Pacquiao. If you don't own a farm, rush out and buy one. Then, bet it. Pacquiao's leaving Vegas with that belt around his waist -- Little Mac has foretold it.
Mayweather & Pacquiao photo
Bet the farm
[Update: Oops, sorry about your farm!] Floyd Mayweather and Manny Pacquiao are going to fight one another today. Any two other names, and it's a run-of-the-mill weekend where boxing continues to be relegated to the far c...

Things that the Persona 5 trailer is better than

May 01 // Steven Hansen
[embed]287234:58408:0[/embed] The first thing I did the morning I knew the trailer would launch was paw around in the dark, eyes half closed, for my phone to watch it and it was somehow as good as I expected it to be despite unreasonable expectations. But how good is that? We need context. Here are some things that the Persona 5 trailer is better than: 1) Star Wars: Episode II: Attack of the Clones. 2) Having ten thousand spoons when all you need is a knife. 3) The love and acceptance of a parent, because a parent is just going to die and leave you alone. Persona 5 will never leave you. 4) The Iditarod. 5) The episode of Seinfeld where Elaine dances badly. 6) When America legalized standing with your feet close together, thus freeing public transport from sweaty, leg splayed wafts. 7) Ants. 8) Some cats. 9) This joke: "Need a friend named Nick so I can say 'what do you call a guy with no balls?' Eunuch." 10) The time 50 Cent's grandma made him take out the trash and he tweeted, "I'm rich fuck this I'm going home I don't need this shit." 11) Brett Makedonski's basketball game. 12) The time when I was like five years old, playing on the top of a bunk bed. I grabbed the guard rail, looked over the side, and the guard rail came loose, taking me down with it. I split my head open and lost so much blood that I had to be carried around the house (no, of course I didn't go to the hospital, what am I, made of money?) 12) List posts.
Persona 5? It's good photo
The Persona 5 trailer is better than a lot of things and here are some of those things
Kyle posted some new Persona 5 screenshots earlier, which got me excited, which got me watching the Persona 5 trailer again, which just got me more excited. I like when a trailer can turn me on (not sexual). I watch a lo...

Great alternative hamburger toppings that wouldn't go so well in a first-person shooter

Apr 30 // Steven Hansen
EGG "Egg" is short for "eggscrement," as it is the foul (hah!) byproduct of most poultry. In America, egg typically comes from the chick-hen, named for being the ladybird amore to the male cock. But just because egg comes from a chick-hen's buns doesn't mean it doesn't belong on yours! A nicely fried egg over easy with a drippy yolk makes for a great treat when biting down on a hamburger. It ain't a burger if you don't have to wash your hand after! Why it wouldn't go good in a first-person shooter? You have to crack an omelet to make a few eggs and executive types are more likely omelet someone work on wall textures than devote the processing power necessary for shell splattering particle effects or new viscous liquid engines -- and that's just in the butt-fresh, pre-cooked state. While the egg would serve as a good "Easter Egg" (hah!) in a grenade lob animation, the only scramble I want in my multiplayer shooters is towards a flag that needs to be captured. TOMATO CHUTNEY Have you seen what's in your grocery store ketchup? The All-American spread has been perverted by some strange new system wherein quality and safety become secondary to profit. And so ketchup becomes a slurry of high-fructose corn syrup, tomato flavoring and "spice." Take beck-up the ketchup! Or substitute it with a sweet, fresh tomato chutney. The onion, vinegar, and brown sugar will get you where you need to be. Why it wouldn't go good in a first-person shooter? Sounds foreign? GUACAMOLE No, not the 2D platformer, Guacamelee! We're talking the foodstuff for which it was named. I wanted to go "avocado" here -- a fine burger topping in and of itself -- but why not go-uacamole all the way! There are quite a few spreads that make surprising burger fixings. I recently mixed guacamole and an even spicier Calabrian pepper spread and loved the unexpected kick to my 'burg.  Why it wouldn't go good in a first-person shooter? The only spread first-person shooters seem to care about it bullet spread when discussing weapons such as shotguns. Also another spread they like are sheets. You know, like for accounting all the money they're making. Making guacamole, even if you throw the ingredients in a food processor, requires some manual dexterity to deseed peppers, deshell tomatillos and garlic. If you tried to make guacamole in the next big first-person shooter, it'd probably end up like playing Surgeon Simulator while the your enemy makes a nice spread of their own -- you! From your gutshot abdomen stirred up by your sucking chest wounds. JETPACKS My co-workers, public transit companions, and dentist have always expressed a universal thought when asked on a date: "Yeah, when pigs fly." The desire for airborne swine transcends race, social classes, and the irresponsibility of my request based on my familiarity or lack thereof with the responder. While not a "topping" per se, eating a hamburger (named for the gentle ham, the most ground-bound of all the lord's creatures) while in the air would be a noble gesture to the beast from which we derive so much pleasure. Why it wouldn't go good in a first-person shooter? No, no, no. Tightly controlled lanes of combat and no-more-than-two-story buildings are the "name of the game," and the game they are the name of is the first-person shooter. Jetpacks would require a complete design overhaul to account for them and do you know how hard that would be? I already know the buttons for shoot gun, aim gun, throw bomb, damn it. Look at Titanfall, languishing with no one playing but Nic Rowen and the "story-mode" robots. They think he's one of them. They don't even know he is alive. They trade self-deprecating asides about their faulty coding and sometimes run menial errands -- oil changes, circuitry hacks, taxes -- like he isn't even there. The idea of putting a jetpack into a first-person shooter is preposterous. That's what the sprint button is for. Are we supposed to just throw the stamina gauge baby out with the we-must-have-jetpacks-and-a-new-gauge-for-fuel bathwater? It's like putting a pineapple on a burger. Redundant, stupid, dunderheaded. Let me know in the comments if you have alternative hamburger toppers!
Hamburger toppings photo
Lettuce think outside the gun!
I recently picked up a controller to play some Mortal Kombat X with my lawyer after we finished working out (not sexual!) in the basement of his hilltop home. While he'd signed, sealed, and delivered (legal jargon) some Morta...







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