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Persona 4 goes full Miku in Dancing All Night

Jun 20 // Kyle MacGregor
This is all a set-up for a rhythm game, where the spotlight shines on Atlus composer Shoji Meguro's infectious tunes, including some new tracks to go along with remixes of old favorites.  Persona 4: Dancing All Night's gameplay is reminiscent of Sega's Hatsune Miku: Project DIVA series, which makes sense given the tiles were both created in part by the same studio, Dingo. Unlike the Project DIVA games, where the notes fly in from off-screen toward the center, Atlus is taking the opposite approach with Dancing All Night. Star-shaped objects appear and fly from the center of the middle of the screen toward six points on the outer edges of a ring, all of which correspond to parts of the D-pad and individual face buttons. As rhythm game veterans know very well, how you time your button presses as the notes fly into these zones will impact how well you score. There are various levels of difficulty to select between, so fans of the genre can challenge themselves while those just looking for a new Persona story can breeze through the stages with less resistance.  As you tap along with the beat, familiar faces like Kanji and Chie will groove out to the music on the Midnight Stage while Shadows look on the in audience. Eventually, the stages will culminate in a Persona summon, which I got a real kick out of. Seeing (the main protagonist) Yu's partner Izanagi jam out on a bass guitar put a big smile on my face. Atlus also showed us the game running on a PlayStation TV, which might be a tad more challenging than playing it in the palm of your hands on the Vita depending on how far away you sit from your screen. Since we were pretty close to the monitor during our demo, this required us to rely heavily on our peripheral vision, which added a layer of challenge. Whether it's an RPG, fighter, or rhythm game, more Persona is always a good thing in my book and seeing Persona 4: Dancing All Night in action this week at E3 has me no less excited about the game. I'm definitely looking forward to seeing more of it when it finally launches sometime this fall.
P4D preview photo
Just set it free and dance!
It's been months since the Investigation Team cracked the case and life is getting back to normal. That is, until members of Rise Kujikawa's J-pop group suddenly go missing. And, surprise, surprise: The rescue mission brings ...

Gravity Rush 2 photo
Gravity Rush 2

Sony 'waiting for the right time to unveil' Gravity Rush 2

The Vita isn't dead! Unless it's PS4
Jun 20
// Steven Hansen
As is always the case after a Gravity Rush 2-free show goes by, the lack of Gravity Rush 2 at E3 this year was a bummer, even after the report six months ago that it was, "in earnest development." With Sony skipping gamescom ...
Linguo photo

Sony pays lip service to Vita with 1 minute showcase video

Vita...dead? Vita...IS...dead
Jun 20
// Steven Hansen
Sony did pretty dang well with its press conference this year, but one area where it was sorely lacking is Vita support. The closest we got was World of Final Fantasy, which is also coming to PlayStation 4, and the furthest ...
Sword Coast Legends photo
Sword Coast Legends

Sword Coast Legends' Dungeon Master surpassed my expectations

A critical success?
Jun 20
// Zack Furniss
I was supposed to Dungeon Master a session of Dungeons & Dragons tonight, but that post-E3 fatigue comes in hard. So why not tell you about my hands-on session with n-Space's Sword Coast Legends, a new asymmetri...
Nier New Project photo
Interviewing developers can sometimes feel like pulling teeth. For example, when I spoke to Nier producer Yosuke Saito and director Taro Yoko about their game the other day, the pair spent a good portion of the interview dodg...

How and why Platinum Games is making Nier 2

Jun 19 // Kyle MacGregor
"So, with the previous game, we got some feedback from our fans, not only in Japan but also from abroad, that for being an action RPG, the controls weren't great," Nier producer Yosuke Saito told Destructoid (through a translator) earlier this week at E3 in Los Angeles. "And that's one of the things we've really learned from the previous game." "When I thought about developers that are really known for great gameplay and design (in terms of gameplay implementation), there aren't that many," Saito continued. "But Platinum is one of them. They're known for great gameplay and development of gameplay engines and so we brought up this conversation dialogue and decided to make this collaboration project." "Honestly, in my personal opinion, the best action game developer in Japan has to be Platinum Games," Nier director Taro Yoko added. "So, being able to collaborate with them on this endeavor on the new Nier project is a great feat for us." But Platinum Games is known for action titles, not role-playing games. I wondered how different from its predecessor the sequel might turn out. Would it just be a straight-up action game? "It's more of a varied approach," Yoko replied. "It's not necessarily going to be the same way as before. I want to keep trying new things. And obviously with Platinum Games, they're renowned for their action game controls. So, we may do a little re-balancing and redesign in terms of some aspects, but we are considering a varied approach." [embed]294470:59163:0[/embed] What does that mean exactly? "Obviously Platinum Games are known for their quick, speedy combat. But if we go too far that direction, it gets too difficult for other people to really enjoy. So, since this is a JRPG we're trying to do that good balance with typical Platinum Games-style action elements with JRPG-element combat." "A lot of people think of action when they think of Platinum Games, but with this team they really showed a lot of respect to the original Nier. We actually have several fans of the previous game on the team, and through that respect they haven't completely deconstructed the old combat system or created a completely new one. They've taken the old combat system from the original and out of respect sorted of added onto it, added their own sort of flair here and there to improve upon what we already had and make a better game experience." It sounds like people needn't worry about this being a linear action game. "It's not going to be a game on rails so to speak," Yoko said when asked about the game systems. "It's not going to be one straight path. You are going to have room for exploration similar to the previous Nier." Yoko has long lived in Tokyo, but the director recently moved across the country to Osaka, where he is now embedded at Platinum's offices. So I asked him to talk about the studio, while also expressing some concern about the sheer number of titles Platinum is working on at the moment. "I don't know what Platinum Games was in the past. I've only been with them recently. I can't really comment on Platinum Games. But for my team specifically -- it's a very young team. For example, the game designer [Takashi Taura] is 29 years old." "So it's a very young, but passionate team. They have a lot of desire and passion for our project to do a good job. They're extremely skilled and very quick. Obviously we may do overtime here and there, but it's not like we're slave drivers necessarily. They love their job, they love being in the industry. Honestly I've been in the industry and I'm just amazed at the amount of skill and how efficiently this team works." We can look forward to seeing more of what the team has been up to sometime this fall.
Nier 2 interview photo
An interview with the RPG's creators
Nier isn't the sort of game you would expect to get a sequel, but that's exactly what's happening. Square Enix surprised (and delighted) folks the world over when it announced the new project at E3. That news alone would...


The hottest booth babes of E3 2015 it gets sweaty in there
Jun 19
// Kyle MacGregor
E3 is over. But before we get back to our normal routines, check out these steamy booth attendants.
Yoshi's Woolly World photo
Yoshi's Woolly World

Yoshi's Woolly World is unbelievably beautiful

Nintendo really have nailed yarn
Jun 19
// Laura Kate Dale
While I was a huge fan of Kirby's Epic Yarn on the Wii, it was never a game I could really recommend that people play. The gameplay was overly simple, it was tough to actually die and the art style, while beautiful, really su...

Mother Russia Bleeds is a brutal throwback to classic brawlers

Jun 19 // Alessandro Fillari
Set in an alternate universe where the USSR has been crippled with crime and drug abuse, leaving society in an ever-present dystopian fugue-state, a group of street fighters take it upon themselves to fight back against the criminal element. Addicted to mysterious drugs in syringes that enhance their abilities, they'll have to use their skills to take down the Russian mafia, the powerful government, and a secret society of sexual deviants to exact revenge on those that have laid waste to the motherland. While the plot is pretty standard for a beat-'em-up, the story gets damn dark throughout. What's interesting is that you're not necessarily a good guy -- just a lesser shade of grey roaming the streets. The presentation does a great job of pulling you into this twisted world. Much like Hotline Miami, it uses dark and hypnotic lights to set the tone, and also manages to mess with your head. There were several points where I really tripped by the visual style. And I mean that as a good thing. The style is trance-like, and once it gets you, it doesn't let go. Much like the classic titles Mother Russia Bleeds pays homage too, its controls are largely easy to get into and remember. With a combination of heavy and light attacks, including grab and dash moves, you'll be able to take out the various enemies trying to rush you down. You'll also find weapons and gear in the field, such as bats, guns, and bar stools. Moreover, each character possesses their own moveset and stats. Out of the three characters available, I chose Boris, a seemingly homeless brawler with serious speed. With his moves, I made quick work of the mobs. Oddly enough, friendly fire was enabled by default, which made battles hectic but also irritating. Thankfully, you can turn it off (unless you're in need of an extra challenge). With that said, there are a number of cool additions to the traditional mechanics. The syringes that the fighters possess grant them buffs for periods of time. When used, the screen turns dark and the fighter on his high will gain super speed and increased strength. Also, they get access to a unique fatality, which instantly kills one enemy. They're brutal and satisfying to pull off, but you'll sacrifice the remainder of your buff period. Also, syringes are used to heal yourself and revive downed allies. Though if you're running on empty, you can sacrifice some of your own life to revive them. Playing Mother Russia Bleeds was a trippy experience. Though there were a number of odd quirks they'll have to iron out before released, I was very pleased with what I played. We also got a peek of some upcoming features outside of the story mode. Along with Boss Rush, challenge missions, Arena, and Versus play, the developers plan on giving the people the total package. I got the sense that this was made from folks that loved the genre, and with their aspirations to help revitalize the brawlers, I can say fans will find a lot to admire here.
Devolver Digital photo
Launches on PC, Mac, and PS4 in 2016
One of my favorite types of games from back in the day was the side-scrolling beat-'em-up. Though the sub-gene has sorta evolved into more standard and narrative-based action games, I still feel there's more to be done with t...

Crossing Souls is a stellar tribute to the 1980s

Jun 19 // Alessandro Fillari
Set in a small town during the summer of 1986, a group of friends stumble across an ancient artifact that allows them to connect with the world of the dead. Interacting with ghosts of former residents, both long-past and recently departed, they begin to learn that things are not what they appear to be in their boring, quiet town. But soon after, they discover that several forces want control of the relic for themselves, and they must evade police, the U.S. government, and other supernatural entities in order to keep it out of their hands. The developers behind Crossing Souls cite '80s films and TV, along with '90s video games like EarthBound and A Link to the Past as their major sources of inspiration. During my half hour with the game, it was clear that this was a love letter to the era. It not only exudes style channeling the playful rebelliousness of E.T. and The Goonies, but also the sense of adventure found in SNES action/adventure titles. Stylistically, it's a charming game featuring VHS-esque distortion during many of the animated cutscenes. And with music from Timecop1983, one of the Internet's more well known Snyth-Pop artists, Crossing Souls pulls those nostalgia strings hard, and it does so in an evocative way. As the group must keep the balance between the world of the living and the dead, they'll have to explore both realms simultaneously. Each of the five friends possess their own strengths, which necessitates switching between them. Some have certain skills for climbing and heavy lifting, while others have access to ranged attacks. While exploring the town, you can freely interact with the folks from both the living and dead realms. It's completely open, and you can uncover side-missions and events that will have you explore the furthest reaches of town. My favorite part of the demo was exploring the town square and seeing ghosts from the past comment about 1980s culture. It was interesting to see the changes between the two. In one world you could be relatively safe in a populated area, but in another you might get swarmed by vengeful ghosts looking to attack anything alive. Also featured in the game will be an Arcade mode. Throughout your adventures, you'll come across mini-games and special encounters that will have you take part in a trial of wits and timing, and after they're completed you can play them again at any time within this mode. During one segment, I had to evade the police on my bike in style very reminiscent of Battletoad's infamous speeder bike sequence. Thankfully, this one was a lot more fun and less stressful. I wonder what else the game has in store. The mini-games were a cool diversion from the core gameplay, and I'm sure most players will find one they'll gravitate to. I wish I could've spent more time with Crossing Souls. I'm a huge admirer of 1980s culture and entertainment, and it hit all the right nostalgic notes. This was totally the type of game any '80s and even '90s kid would want to experience, and it recalled all the cool moments I had playing video games or watching cartoons back then. Fourattic channels that sense of wonder and awe of experiencing something so fresh and charming. I can't wait to see more from this title in the coming months, and with its release next spring, you'll get to re-experience an era of exuberance soon.
Devolver Digital photo
Releasing on PC and Mac in spring
In recent years, Kickstarter has opened the doors for a lot of developers looking to make things happen. It's a real pleasure to see titles that would've never been greenlit by publishers find an audience willing to put up ca...

NieR interview photo
Director explains how they came to be
Nier is a game of extremes. For all its strengths, it has as many weaknesses. One of the roughest elements of the experience is fishing. The whole thing is poorly implemented and just as badly explained. And one of the fishin...

Frictional Games' SOMA brings true horror to PS4

Jun 19 // Alessandro Fillari
[embed]292979:58725:0[/embed] In an underwater research station, you play as an engineer, Simon, who must uncover the mysteries behind the disappearances and deaths of the crew. After finding himself alone in an unknown part of the station, he discovers that things have taken a turn for the worse as machines begin inhabiting human characteristics. Some robots have even gone rogue after merging with the biology of the deep, and will hunt down anything they find. Using his own resourcefulness and whatever gadgets he can find, Simon will have to evade these horrors to reach safety. Following the school of design found in Amnesia: The Dark Descent, the player will not have any weapons at their disposal to take on whatever creatures they encounter. And gadgets and other support tools to help evade the creatures will only do just that. The name of the game is evasion, and hiding behind crates or other furniture scattered around is usually your best bet. Much like studio's previous title, this can make encounters incredibly nerve-wracking. Though my session only had one real encounter with one of the deep-sea abominations, I got pretty tense during it. That sure made solving the puzzle to escape more challenging. The environment is an interesting setting as well. The underwater research facility is dank and in disrepair, and with the horrors of the deep seeping into the facility, it feels like an industrialized take on the Lovecraftian aesthetic. While venturing through the halls of the station, you'll come across the bodies of workers that still possess clues and other secrets. As each member has in internal black-box installed, you can experience their last moments in audio-log form. It's a clever take on the mechanic, and it does a lot to flesh out the story as well. Though I only had a brief session with SOMA, I found the developers made something that felt like a more natural evolution of Amnesia -- a continuation of the same hide-and-seek-style horror that many fans loved. And in such a rich setting, surprises are in store. Without saying too much, there's a lot more going on with the character's journey and his surroundings than you might think.
SOMA preview photo
Releasing September 22 for PC and PS4
Even though it doesn't seem that long ago, it's been five years since a group of indie developers struck it big with the release of Amnesia: The Dark Descent. The game became a hit with players looking for...

The Phantom Pain photo
The Phantom Pain

Konami's stance on Metal Gear Solid V microtransactions

And, uh, 40 minutes of footage!
Jun 19
// Jordan Devore
I'm back home from E3 2015 thanks to a too-early flight. I can safely watch this 40-minute demonstration of Metal Gear Solid V: The Phantom Pain without any guilt trips from Steven. Yes! Straight away, "While it is true that...
Feminism! photo

E3 2015: You play like a girl

And that's a very good thing
Jun 19
// Matthew Razak
[Here's a guest editorial from Matthew Razak, Editor-in-Chief of Flixist, and former Destructoid staff. You may remember him as Cowzilla. It's nice to have him back.] This year as I sat at home watching press events from all ...
Sony photo

Yoshida talks about PS4 backwards compatibility

TL;DR: it ain't happening yet
Jun 19
// Vikki Blake
Hoping backwards compatibility might be heading to the PlayStation 4 too?  Talking to Eurogamer, Sony Worldwide Studios boss Shuhei Yoshida said Xbox's backwards-compatibility announcement was "surprising" and intro...
Nintendo VR photo
Nintendo VR

Reggie Fils-Aime doesn't think VR is fun enough yet

Virtual Boy's the face on his knocker
Jun 19
// Joe Parlock
Seemingly still haunted by the rattling, wailing ghost of the Virtual Boy, Nintendo of America's President Reggie Fils-Aimé has ruled out the company picking a side in the growing virtual reality war. In an i...
Wish you were her!  photo
Wish you were her!

Hello from Destructoid at E3 2015!

Wish you were her!
Jun 19
// Steven Hansen
[From left to right: Steven, Alessandro Fillari, Brett Makedonski, Kyle MacGregor, Niero] We're not leaving much out of our E3 coverage on the homepage, but if you want to go behinder the scenes, follow us up on Twitter for i...
Boob size photo
Boob size

Senran Kagura producer: Small boobs need to be moved by hand

Larger breasts are easier to work with
Jun 18
// Steven Hansen
Senran Kagura is known for its large breasted women, but the series is tapped far as size goes. "If they got any bigger than this (he points to the screen where a particularly busty Estival Versus character is leaning toward ...
Hot Pockets photo
You see the depths I go for yous guys? I ate a Hot Pocket.

Zelda Wii U no-show photo
Zelda Wii U no-show

Zelda is still destined for Wii U, says Miyamoto

Nintendo wanted to focus on Star Fox
Jun 18
// Jordan Devore
Zelda was present at E3 2015, but not in the way we would've liked. Nintendo announced Tri Force Heroes, a decent-looking cooperative game for 3DS, but didn't say much of anything about the one we really want: The Legend...
Zelda 3DS photo
Zelda 3DS

Zelda Tri Force Heroes is pretty freaking awesome

Jun 18
// Laura Kate Dale
I'm a rather huge fan of the traditional console Zelda games, so like many I was a bit disappointed when Nintendo revealed that their newest Zelda game, the only one playable at E3, would be a weird looking multiplayer portab...
Super Mario Maker photo
Super Mario Maker

Super Mario Maker has a bunch of characters

Seemingly at least 90 slots
Jun 18
// Jordan Devore
By grabbing a question-mark mushroom in Super Mario Maker, you'll transform into a different 8-bit character like Link or the Wii Fit Trainer. The latter is adorable. Based on this screenshot, there are going to be tons&...
Metroid: Blast Ball photo
Metroid: Blast Ball

Metroid: Blast Ball is, y'know, alright I guess

It's not awful!
Jun 18
// Zack Furniss
I waited an hour or so to touch the filthy New 3DS that was running Metroid: Blast Ball, a chunk of the new Metroid Prime: Federation Force. I spoke to the friendly Nintendo rep and even shook my butt a bit whenever a ne...

Elite: Dangerous for Xbox One adds new multiplayer mode

Jun 18 // Alessandro Fillari
With its recent launch on Xbox One, Elite: Dangerous has seen immediate success on the console. Boasting over 500,000 active players, the community is very active and passionate about the game. The developers stated that though PC and Xbox One players can't play with one another, the economy and active-narrative within the universe is consistent with shared, which makes the universe feel more alive than ever before.During our presentation, we got to witness the upcoming multiplayer content, the Close Quarters Championship. Taking place in instanced arenas around the known universe, players will be able to take their best ship and compete with others in a variety of different modes ranging from Deathmatch, Team-Deathmatch, and a altered take on CTF called "Capture the Datasphere". As they level up and acquire currency, they'll be able to upgrade their multiplayer ship and build it up to be a top dog within the CQC. All upgrades made in CQC will only be available for multiplayer. The developers felt the mechanics and systems within the multiplayer were unique and required an extra boost, and that players can already acquire a massive amount of content within the open universe.Though the content is only set for Xbox One as of now, players on PC can expect to see it sometime later this year. The developers felt that the Xbox community was the best place to test out the new mode, given the existing player community that loves their MP content. Speaking of which, the Xbox One version of Elite has developed quite well. As it's in beta presently, the developers are still working on new features and tweaks to the port. One of the proudest accomplishments they had with the development of the console release was that they were able to place all the mechanics into the controller without watering down the gameplay. The controller utilizes context-sensitive prompts and hold-button options to bring up new options. It's pretty clever, given the scope of the original title.If you're interested in giving Elite: Dangerous a shot, and don't possess a beastly PC to do so, then the Xbox One release is your best shot. Currently on discount, this port retains all the best elements of the game, and might even make it a bit more accessible for those who may have been scared off by the scope of the PC title. And with new content coming to console first, there's plenty incentive to give it a go.
Elite: Dangerous photo
Launches in July, PC later this year
As one of the most well-known Kickstarter titles, Elite: Dangerous has really become a massive and seminal title within the PC community. With an entire universe to explore, built to scale according to the developers, they pr...

Total War: Warhammer changes the game of war

Jun 18 // Alessandro Fillari
Moving away from the historical settings of Rome and Attila, the Warhammer lore opens things up considerably for some intense and incredibly over the top action. Set in the high-fantasy universe, players will be able to choose one of four factions (Empire, Greenskins, Dwarves, and Vampyre) and build their nations, either through diplomacy, economics, or the raw might of their military forces. When things come to blows, each faction possesses its own unique style of combat and tactics that the opposing armies will have to deal with.The combat mechanics during battles have been greatly expanded. Units can utilize more moves and abilities from close range attacks to long-range tactics through magic or muskets. Along with the Hero characters, which can be leveled up and imbued with new skills to boost their units, players will be able to summon monsters and other creations to help their armies in a pinch. During one battle between the Empire and Greenskins, one of summoned a massive spider known as Arcanarok, which spawned mini-spiders that mowed down enemy units. I was very impressed with the sense of scale and the pace. I'm interested in seeing more of what the units can do once developed further.Rest assured, the nation-building gameplay from past titles is still present in Warhammer. But naturally, how each of the factions will go about expanding its civilization will vary. As each faction possesses its own unique culture, traditional diplomacy and negotiation may not be as effective as the swing of an ax, and some factions will be more focused on engagements than others. For the Empire, it'll have the traditional and more civilized routes for expansion with politics, trade, and economics as its biggest tools. But when it comes to showing off military might, the Empire will utilize its siege cannons and Demi-grifs to lay waste to invaders.For the Greenskins (Orcs), players will have to use brute force and cunning to expand their own empire. As Orcs don't really have much interest for diplomacy and the political aspects of nation-building, they choose the more direct approach to get what they want. While they possess the standard warrior and shaman classes, the latter who can utilize spells to summon giant constructs to stomp their foes, they also make use of kamikaze goblins that use leather wings to fly into enemy units. Launching catapults, they can be manually aimed while in flight for precision targeting.While the title is in pre-alpha, and the build we saw was hands-off, I was incredibly impressed with what I saw. The new visual aesthetic and a rich setting offers so much potential for what the Total War series can do within the fantasy genre. As you can spend countless hours with just one faction, building them up and taking down opposing forces, I'm very interested in seeing how much lore they can fit into this title. Though Creative Assembly was very hesitant to share any details about the Dwarf and Vampyre factions, it was very clear in stating that all of the factions will be very developed and possess their own unique cultures that will alter how they function on the world stage.It's still a ways off, but the folks at Creative Assembly are on track with developing something unique. Obviously, it's quite a departure for what the series has done before, but it's still very much a Total War title through and through.
Total War: Warhammer photo
Creative Assembly changes the scenery
The Total War series is known for its focus on intense real-time combat and simulation-based nation-building gameplay. As one of the more historical games, the series has garnered a lot of respect from fans and many critics a...

Xbox originally thought backwards compatibility was impossible

Jun 18 // Brett Makedonski
To be blunt, I was sort of astonished to watch the Xbox One transform into an Xbox 360. With a simultaneous press of the menu and view buttons, the Xbox 360's guide pops up -- yes, the exact one that still exists on the legacy console. From there, it's fully functional to look at friends, launch games, view Achievements -- all that stuff that everyone's already familiar with. Maybe the most interesting aspect of backwards compatibility is its cross-platform ability. The presenter stressed that, because this is essentially an Xbox 360 running off of an Xbox One, anyone can play and chat with friends who are on 360. That's a nice way to bridge the gap for those whose friends haven't taken the "next-gen" plunge yet. But, just because it's acting as an Xbox 360 doesn't mean that it forfeits the perks of still being an Xbox One. The system's sharing and broadcasting features remain live, so snapping screenshots, capturing video, and Twitch broadcasting are all available options. Have your cake, eat it too. While all this seems great, one has to wonder how on-board third-party publishers will be with the feature. After all, they aren't making money if you're playing a game you already own. In an age of remaster after remaster, you have to think that it's a more alluring prospect to opt out of backwards compatibility and re-release a game at a higher visual fidelity and -- more importantly to publishers -- a price tag. However, Xbox doesn't necessarily think this will be the case. Or, at least it hopes it won't be. One representative went so far as to suggest that companies will use backwards compatibility to grow their brands. "Our group doesn't talk to the publishers directly, but if you listen to what Bethesda had to say on-stage on Monday where you get Fallout 3 for free if you buy Fallout 4, I think they'll do things like that to encourage customers to buy the latest games and to get into the IP. They want more people in the IP to grow their audience, not just the same people coming back. I think it's a good channel for them to be able to do things like that," he said. Microsoft's intentions for backwards compatibility appear earnest and sincere, but all these advancements make it sort of seem like the Xbox 360 is an obsolete machine. When I asked if consumers can just throw away their 360s after backwards compatibility is fully up and running, the presenters laughed and said "We wouldn't advocate throwing them away! But, like Phil said at the conference, now's the time for 360 customers to upgrade to Xbox One. We want them to say 'everything's there for me. Let's go.'"
Backwards compatibility photo
'The team never gave up'
Microsoft's E3 announcement that the Xbox One would be backwards compatible was a big one for fans who have thousands of dollars invested in the last generation of gaming. Two years ago, many struggled with the idea that thei...

Transformers: Devastation made me feel like a kid again

Jun 18 // Mike Cosimano
[embed]294389:59150:0[/embed] Transformers: Devastation takes place during Season 2 of the cartoon, right before the 1986 film. That's just one example of the attention to detail Platinum has applied to the game. They've even based generic enemies on the obscure Jumpstarter figures, a visual reference that earned a sizable grin. All your favorite characters are back too, with their original voices. Peter Cullen is unlikely to relinquish the Optimus Prime crown any time soon (despite having been outclassed by both David Kaye and Garry Chalk years ago), so he's still hanging around. Dan Gilvezan, the original Bumblebee, is back in the game too, delivering a solid performance. However, the death of Chris Latta has deprived us of Wheeljack, resulting in a competent sound-alike. The game has five playable characters: Optimus Prime, Bumblebee, Sideswipe, Grimlock, and Wheeljack. During the demo, we got our hands on Optimus Prime and Bumblebee. Although the characters feel different, there's a consistent undercurrent there -- a good sign of a solid combat system. Although this may come as no surprise to Platinum fans, Devastation's combat is simultaneously flashy and responsive. Even Bumblebee's light attack looks like it hits hard. Transformation is even incorporated; during a combo, players can transform into a car and ram into their foes, only to transform back and keep the combo rolling. This even works in midair. For example, during an enormous boss fight with the combiner Devastator, Optimus rocketed toward Devastator's head in truck mode before turning into a robot and smashing the Decepticon's face in with his Energon axe. This kind of spectacle is exactly what I was imagining on the floor of my living room, all those years ago. There's one thing in particular that stood out to me when I saw the game, and I think it perfectly encapsulates just what makes Devastation special. Optimus has a special attack where he transforms into a truck, summons his trailer from nowhere, drifts it into his foe, and then transforms back as the trailer disappears. Optimus Prime's disappearing trailer is a Transformers inside joke that's been turned into an attack in this real video game. Yeah, Transformers: Devastation plays like a dream. But it's nice to see one of my favorite franchises treated with the respect I believe it deserves. This truly is the Year of Cosimano.
Transformers: Devastation photo
Combiner Wars
Much like every other adult with an unhealthy love of The Transformers, I spent a good portion of my formative years on the floor, plastic robots in hand, crafting elaborate scenarios from whole cloth that would pit my diminu...

Hitman release plan photo
Hitman release plan

New Hitman releasing unfinished, will get free content updates

Content updates through 2016
Jun 18
// Steven Hansen
Square Enix announced something of a reboot for the Hitman series this week. It's just called Hitman and is coming December 8. It won't be finished then, though. It will be $60. There will be "no DLC or microtransactions." St...
GamerGate photo

Posters labelled #GamerGate insulting Anita Sarkeesian surround E3

Multiple posters on every street
Jun 18
// Laura Kate Dale
[Update: It seems these posters were created by a group known as "Unsavoury Agents". The group frequently create art designed to turn groups against each other and cause public anger. The group is also known to place razor bl...

Mobile Tomb Raider Lara Croft GO feels lovely

Jun 18 // Kyle MacGregor
[embed]294301:59143:0[/embed] At first glance, Lara Croft GO bears a strikingly close resemblance to Square Enix Montréal's first effort. It echoes the quiet, clean aesthetic of Hitman GO, while featuring similar turn-based puzzle design, but pushes the concepts further. Fresh elements like verticality quite literally add new dimensions to the experience, and go a long way to making this feel like a legitimate Tomb Raider. The characters are no longer static figurines, as the designers felt it wouldn't be natural for Lara, a character known for her athleticism, to be portrayed in such a rigid fashion. So while our heroine is still navigating an on-rails obstacle course, she's fully animated, looking very much at home as she climbs and scrambles around ancient, subterranean ruins. Perspective is also used to great effect, with the isometric camera allowing the developers to add little flourishes like a silhouetted beetle crawling along a tree branch in the foreground, or see a bridge appear in the distance when Lara toggles a switch. Square Enix Montréal is also keen on avoiding unnecessary hand-holding. The title's 40 levels (which are quite a bit larger than those found in Hitman GO) are based around trial and error. With each stage now divided into segments with checkpoints, new mechanics can be introduced and then used in rather sophisticated ways in short order without a loss of progress.  One example of this is terrain that will fall away when walked over or climbed across twice. Shortly after being introduced to this by falling to my death, I was using it to evade an enemy. Knowing a certain surface would crumble away, I used it to lay a trap for the giant lizard nipping at my heels.  Not all of the obstacles I saw were quite that compelling, though. While it was a rush to see an Indiana Jones-style boulder trap, the turn-based nature of the game makes this sort of scene less compelling than if were to play out in real time. Still, what I've witnessed thus far has me eager to see what else awaits in the full game. Lara Croft GO is coming to iOS and Android devices sometime later this year.
Lara Croft GO photo
Small in scale, but no less impressive
Square Enix Montréal possesses a genuine talent for artfully distilling series down to their essence. In 2014, the developer released Hitman GO, a turn-based deconstruction of IO Interactive's stealth franchise, w...

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