hot  /  reviews  /  videos  /  cblogs  /  qposts

The Binding of Isaac photo
More structure, risk/reward
The Binding of Isaac is one of the kings of procedural generation, but Greed Mode in the upcoming DLC Afterbirth is set to give it a little more structure. Instead of a random layout, each floor has the same plan, with a stor...

Review: Nova-111

Aug 25 // Darren Nakamura
Nova-111 (Mac, PC [reviewed], PlayStation 3PlayStation 4, PlayStation Vita, Xbox One)Developer: Funktronic LabsPublisher: Funktronic LabsReleased: August 25, 2015 (Mac, PC, PS4)MSRP: $14.99Rig: AMD Phenom II X2 555 @ 3.2 GHz, with 4GB of RAM, ATI Radeon HD 5700, Windows 7 64-bit Conceptually, it's a little hard to wrap one's head around at first. Thankfully, Nova-111 eases players into the ideas a little at a time, introducing new mechanics throughout the six-hour campaign. Some science experiment has gone wrong and messed up time. Now it's all wonky (that's the technical term). Set on a square grid, each player movement counts as a single turn. For every turn taken, any enemies also get a turn. So far, it sounds pretty standard, but here's the wrinkle: some objects act in real time rather than being set to a schedule of turns. The first example are the stalactites. If the player bumps one from the side or travels underneath it, then it will begin to fall at a steady rate, whether the player (and enemies) are moving or not. It sets up a particularly satisfying scenario: get chased by an enemy, run under a stalactite, then stop dead and just watch as it crushes the pursuer. [embed]307759:60125:0[/embed] As it progresses, Nova-111 adds more and more combinations of real-time and turn-based gameplay. Some enemies' movement is turn-based, but when attacked set off a countdown timer before exploding. Some will grab the player and must be defeated quickly. Eventually, some enemies move in real time, independent of turns taken. It's a real brain bender at times. Just when I thought I had a good handle on the situation, taking things slowly and flawlessly taking out the dangerous aliens, I'd get thrown into a situation where I needed to react quickly and I'd fall apart. The combination of real-time and turn-based gameplay forces me to think differently than I ever have before. It takes two ideas I've known for years and turns them into something that feels totally new. Nova-111 doesn't stop with that basic idea. Through the course of the game's three main areas, new enemies, terrain, and mechanics are presented. There are doors, switches, sliding blocks, oil, teleporters, fire, stealthy bits, and more, each interacting with the weird time scheme in its own way. While tactical combat and puzzles are the main points, exploration also plays a role. The overarching goal is to collect the 111 scientists scattered across the game, most of whom are in fairly well-hidden locations. At first most of the secret areas are accessed by passing behind false walls, but the best are in plain sight but require solving a more taxing puzzle. The art design supports the exploration aspect well. At the beginning of a level, most of it is covered in a sort of fog of war. Any square in line of sight and within a certain range is uncovered, and the uncovering effect (and environments in general) look fantastic. I spent a lot of time in the early levels moving very slowly, just taking in the artwork as more of the world was revealed. The exploration aspect isn't all rosy. Individual levels are broken up into several smaller areas, but each area cannot be played independently. It isn't obvious which area a missing scientist may be in, so going back through old levels for 100% means replaying a lot unnecessarily and wasting a lot of time bumping into walls. The levels take between 20 and 30 minutes apiece, which is just too long for me to want to replay. I would have preferred if each bite-sized area were shown on the level select screen, with its completion statistics displayed. Those who aren't daunted by having to replay entire levels will enjoy the New Game+, which is essentially the same experience but with several cheats available to be toggled on or off. Where previously some care needed to be taken to conserve abilities, New Game+ allows players to go wild with them. Even though I don't see myself replaying Nova-111 for full completion any time soon, I liked what was here. It has a sharp look, some chuckle-silently-in-my-head comedy, and gameplay unlike anything else I have experienced. It forced me to think in a totally new way, which is increasingly uncommon with most established genres. [This review is based on a retail build of the game provided by the publisher.]
Nova-111 review photo
Champagne supernova
Genres and mechanics have names for a reason. When something comes up often enough, it's worth developing a shorthand and grouping things together that feel alike. In the past few years, mashing up genres has become the new i...

Tabletopia Kickstarter photo
Tabletopia Kickstarter

Tabletopia wants to be the premier digital board game platform


A magical world made of tables
Aug 24
// Darren Nakamura
So we already have Tabletop Simulator, but a new challenger approaches. Tabletopia aims to bring board games into the digital space in a similar manner, and it has taken to Kickstarter for its last push in funding. It works b...

Review: Alphabear

Aug 22 // Darren Nakamura
Alphabear (Android [reviewed], iPad, iPhone)Developer: Spry Fox, LLCPublisher: Spry Fox, LLCReleased: July 8, 2015MSRP: Free (with microtransactions) The core mechanic in Alphabear is easy to pick up, but it bears an elegance upon close inspection. Letter tiles are placed on a variable-sized grid, and players are tasked with forming words with those letters. Using a letter clears it from the board, replaces it with a bear, and reveals new letters in any adjacent spaces. Bears can grow in size as long they have a full rectangle of cleared tiles to fill. Each tile has a countdown on it, decrementing by one for each turn taken. If any countdown reaches zero, that letter turns to stone, removing it from the pool of usable letters and taking up valuable real estate where bears could live. The end goal is to score the most points, which come from two main sources: words formed during a game and bear size at the end. Each letter's value decreases with its counter, so word values are calculated from both length and how close each individual letter is to expiring. For bear size, the aim is to create the biggest bear possible; one full-board bear is worth more than two half-board bears. [embed]307196:60082:0[/embed] All of these mechanics come together to make a game that isn't just about showing off vocabulary and anagram skills. For one, there is focus and direction. Tiles with low counters are shown in increasingly alarming colors, where those one turn away from fossilization pulsate with a deep red but those with four or more are a placid green. Instead of dumping upward of two dozen letters on the player and saying, "make some words," it makes using certain tiles more urgent, bringing them to the forefront. Maybe I could make a ten-letter word with these tiles over here, but I really need to use this J that's about to expire. It also causes the player to think ahead: not only does one want to use all of the tiles showing a one this turn, but he should also make sure he can deal with the tiles showing a two for next turn. Another important result of the base mechanics is the idea of spatial importance. The tiles all have a location, and clearing a tile in a certain area might be more beneficial than doing so in another. Some spaces are marked with a star or a skull, signifying the letter set to appear there will either have an unusually high countdown or an especially low countdown. Setting off a skull when there are several twos left in play is a bad move. The mechanics make the center of the board more important too, because a stone in the way there will prevent having a screen-filling bear at the end, but a stone along the edge or in a corner will only decrease its size by a small amount. The boards aren't all the same; the layout of a particular board affects how players will attack it. The last bit of significance that emerges from Alphabear's mechanics is a strong risk/reward scenario. Forming long words is worth more points right away, but it opens up more tiles at once. It brings more opportunities for even larger words but also more opportunities to miss using a tile in time. Play it safe, unlocking only a few new tiles per turn and banking on a large bear at the end, or go big on word scores at the risk of losing out on bears? There isn't a definite answer. In a word, Alphabear brings strategy to a genre that has severely lacked in it in the past. Considering the countdowns, board layout, and the available letters brings much more nuanced decision-making than the typical directive of "make the biggest word you can think of." Sometimes it's better to make a weaker word in the moment in order to pull ahead in the end. Every single turn presents this mental exercise. Outside of the main meat of the gameplay, there is also an almost Pokémon-esque collection mechanic. Completing a level above a par score nets the player a bear; completing it above a gold score gives a chance for a powerful rare bear. Each of these bears has its own costume and consistent with Spry Fox's modus operandi, they are all adorable. Look at Milky Bear (below)! It's a bear dressed up as a carton of milk. So cute. Each bear has its own powers to bring to the levels. Some only affect score, some have a noticeable impact on gameplay. By collecting the same bear multiple times, it levels up, increasing its multiplier. This makes high scores for future runs of the same board easier to attain. Not only does Alphabear inject strategy into a word puzzle, it also uses these light role-playing game elements to keep me playing. A particular level might be too hard now, but I can come back to it later with some beefed up bears and try it again. At the end of a level, the newly hatched bear will form a series of phrases using the words played during the game. You might have seen these on social media already. It's a silly little touch, but it adds another bit of meta to the experience. Not only do people go for high scores, they also go for words that would make for funny sentences to share with friends. The one big sticking point for many is Alphabear's free-to-play scheme. It uses an energy mechanic (honey), allowing for only a couple of games before honey is depleted. It builds up over time or can be accumulated by watching ads. Personally, I loved the gameplay so much I paid the five bucks for unlimited honey and haven't regretted it. Even then, the bears each have cooldown periods and the other currency (used to wake up sleeping bears and to play special levels) suffers from diminishing returns over the course of a day, so players who buy unlimited honey may still feel stifled. Spry Fox wants players to come back day after day; I'm fine with that, but I know there are many out there who aren't. Indeed, I'm still playing Alphabear on a nearly daily basis. I couldn't say how many hours I've put into it already (I'd estimate maybe 20?), but I'm not even halfway through all of the chapters. The injection of strategic concerns to a word puzzle is such great design. I would like that enough on its own, but the collection aspects, cute bears, and social media meta elevate it further. [This review is based on a free game with microtransactions purchased by the reviewer.]
Alphabear review photo
Word
If you had told me three months ago there was still untapped potential in the genre of using letter tiles to form words, I probably wouldn't have believed you. If you would have told me a word puzzle game would end up being o...

Gassy Mob photo
Gassy Mob

Fart on everyone and run away with Gassy Mob


Devolver Digital publishing, of course
Aug 19
// Darren Nakamura
Fart. Toot. Fluff. Pass gas. Flatulate. However polite you want to be while describing gas escaping from a butthole, it's still a pretty impolite thing to do in public. Impolite and funny (to me). Like this classic gem: Why ...
Borderlands screenshots photo
Borderlands screenshots

Tales from the Borderlands: Escape Plan Bravo screenshots, we got 'em


Is episode five out yet?
Aug 18
// Darren Nakamura
Wow wow wow. This episode was so good, guys. I don't think I've ever given a 10/10 to anything on Destructoid before. Y'all need to play this series. For those who would rather just look at some pretty pictures, I have those ...

Review: Tales from the Borderlands: Escape Plan Bravo

Aug 18 // Darren Nakamura
Tales from the Borderlands: Escape Plan Bravo (iOS, Mac, PC [reviewed], PlayStation 3, PlayStation 4, PlayStation Vita, Xbox 360, Xbox One)Developer: Telltale GamesPublisher: Telltale GamesReleased: August 18, 2015 (Mac, PC, PS3, PS4)MSRP: $4.99, $24.99 (Season Pass)Rig: AMD Phenom II X2 555 @ 3.2 GHz, with 4GB of RAM, ATI Radeon HD 5700, Windows 7 64-bit [Editor's note: there will be no major spoilers present for the episode reviewed here, but events in previous episodes may be discussed.] Things were looking bad for Fiona and Rhys at the end of the third episode. Sure, Gortys found her first upgrade and the path to the Vault of the Traveler became clearer, but newcomer Vallory had the group pretty well pinned under her thumb by the end. Complicating matters was the revelation that the final Gortys upgrade isn't even on Pandora; it's up on Hyperion's moon base Helios. For a series known for fast travel between exotic locations and featuring interstellar travel as part of its lore, it's easy to forget just how infrequently anybody takes a trip off Pandora. Usually, denizens of the wasteland are stuck there. And so the first act of this episode involves the non-negligible task of actually getting from Pandora to Helios. The group grows as August and Vallory's henchmen ride along to ensure Rhys and Fiona don't try anything funny and Scooter hops in as the on-board mechanic. It's a pretty motley crew, well deserving of the '80s rock credits sequence rocket launch montage. [embed]306135:60017:0[/embed] Telltale continues to demonstrate its comedic mastery with Tales from the Borderlands. One of the funniest parts comes from a totally visual gag within the launch montage. It elicited more laughs with no words than some comedy games do with thousands. The written jokes here are on point too. Each of the characters brings something different. Gortys remains a highlight through the whole ordeal, even if she has fewer lines than she did in the previous episode. Fiona's sarcasm hits just the right notes. Handsome Jack is about as likable as a murderous psychopath can be. The plan that comes together even allows players to act like total assholes without having to feel too bad about it. The trip to Helios also allows for one of the most bizarre scenes in recent memory. Without spoiling too much: it's a classic Telltale quick-time event action sequence, but it involves a horde of Hyperion accountants and a lot of mouth-made sound effects. It isn't all laughs. The series has had its serious moments in the past, but Escape Plan Bravo will cement Tales into the overall Borderlands lore. It is no longer a side story on Pandora. It feels like its own proper entry in the timeline, with real effects on the world Gearbox built. It's a stark contrast with Telltale's other current series Game of Thrones. While the events in that series are important to the Telltale-designed protagonists, they aren't important to anybody else in that world. Telltale's characters and story in Tales from the Borderlands are important to Borderlands as a whole. I have to imagine there is at least a modicum of trepidation when handing over a franchise to another developer, but if Gearbox had any fears that Telltale wouldn't do right by Borderlands, those fears would be unfounded. If anything, it feels like Gearbox needs to hire the Telltale writers to consult on Borderlands 3. Escape Plan Bravo solidifies Tales as a must-play series for those interested in the Borderlands universe. I cannot wait for the last episode, The Vault of the Traveler. There is so much to resolve: Vallory, Handsome Jack, Vaughn, Gortys, the masked man, Felix, the vault. I'm stressing out just thinking about it all. There isn't much more to say without spoiling the best episode of Tales from the Borderlands yet. I laughed. I cried. I haven't been able to say that about a Borderlands game since Tiny Tina's Assault on Dragon Keep, or about a Telltale game since the first season of The Walking Dead. [This review is based on a retail build of the game provided by the publisher.]
Borderlands review photo
Encore! Encore!
[Disclosure: Anthony Burch, who consulted on the story for Tales from the Borderlands, was previously employed at Destructoid. As always, no relationships, personal or professional, were factored into the review.] Tales ...

Review: Volume

Aug 18 // Darren Nakamura
Volume (Mac, PC [reviewed], PlayStation 4, PlayStation Vita)Developer: Bithell GamesPublisher: Bithell GamesReleased: August 18, 2015MSRP: $19.99Rig: AMD Phenom II X2 555 @ 3.2 GHz, with 4GB of RAM, ATI Radeon HD 5700, Windows 7 64-bit Bithell has cited Metal Gear Solid as an inspiration for Volume, and the similarities are easy to see. Specifically, it evokes Metal Gear Solid: VR Missions with its simplified visuals and a structure that follows a string of small, self-contained rooms to clear. Volume is more stealth puzzle than stealth action, with some levels leaning further than others in the pensive direction. The starkly colored, clearly delineated environments work exceptionally well to communicate important gameplay information. Coupled with the enemy vision cones laid directly onto the floor and the visible sound radius, there is never any question what might have set a particular guard off. Protagonist Robert Locksley (get it?) starts off with nothing but his wits and whistle. He defaults to a slow, sneaky walk and can crouch lower behind single-block walls to stay out of sight. He is also able to set off sinks and toilets to lure the guards from their posts, or he can just purse his lips and let out a sound that will cause them to hone in on the position. [embed]306112:60012:0[/embed] Eventually, a host of gadgets unlock to help Rob on his way. The Bugle can be thrown to cause a faraway noise. The Oddity will hold an enemy's attention regardless of any sounds. The Mute allows Rob to run silently. There are more, and each one feels useful and fun to play with in its own right. Smartly, gadgets are tied to levels and Rob can only hold one at a time, so the right tools for the job are always there without overwhelming the player with unnecessary options. Of course, this gives rise to some occasions where a particular gadget would fit the situation perfectly, but the challenge is in solving that problem with something else. Over the course of the 100 story levels, Rob uses an old "Volume" -- a VR simulator in the future -- to broadcast to the world how to break into properties of the wealthiest citizens and steal their belongings without harming any person. He isn't exactly robbing from the rich and giving to the poor; he's teaching the poor how to rob from the rich themselves. Therein lies a bit of a discontinuity between gameplay and narrative. The more gamey aspects of Volume work well in the context of having clear objectives and solve puzzles, but when Rob broadcasts himself alerting every guard and touching the exit square just as he's about to be shot, it doesn't really make sense for somebody to want to replicate that performance in the real (in-game) world. A worse offender in this regard is with the checkpointing, which, like most of Volume's gameplay elements, is very lenient. By touching a checkpoint, current progress in a level is saved, but enemy locations are reset upon restarting. It's clear why this is the case: it keeps the player from being caught in a death loop if he were to hit a checkpoint just before being killed, but it brings up some edge cases where the fastest solution involves being caught and resetting the enemies. The fact that it doesn't gel with the idea of Rob showing the public how to pull off these heists just adds to the weirdness. The leniency makes Volume a one-and-done type of experience. The par times are easy to hit on the first try for most levels even with a few flubs in play. (I only had to go back and retry two.) I would have appreciated some extra incentive to really master a level, like bonuses for exceptional times or for completing a level without being spotted. Still, even without any added replay value, the campaign runs about six hours; it's not meager by any means. I ran into a handful of bugs during my playthrough, though most were reportedly squashed before launch. I did still encounter one particularly annoying glitch in the level editor, where menu items were constantly scrolling, making it difficult -- though not impossible -- to engage in my usual level editor ritual of making a playable Mr. Destructoid likeness. When I think about Volume, I'm of two minds about it. From a pure gameplay perspective, it handles stealth in a way that always feels fair and, if anything, is almost too forgiving. It conveys information clearly and it's never too frustrating. My biggest complaint of what's here is the ability for a player to cheese through a level, abusing the checkpoint system or the exit square to call something a win despite feeling like a clumsy mess. However, a lot of where Volume suffers is in what's not here. I wish I could pan around a level to formulate a plan before diving in. I wish I were given incentive to play well instead of just adequately. Volume is not a bad game. But it still leaves me wanting for something more out of it. [This review is based on a retail build of the game provided by the publisher.]
Volume review photo
Does not go to eleven
[Disclosure: Jim Sterling and Leigh Alexander, who are both credited in Volume, were previously employed at Destructoid. As always, no relationships, personal or professional, were factored into the review.] I went into Volum...

Telltale Borderlands photo
Telltale Borderlands

Tales from the Borderlands Episode 4 trailer blasts off


'I was wired ready!'
Aug 17
// Darren Nakamura
Tales from the Borderlands: Escape Plan Bravo hits this week, so as is its custom, Telltale has released a trailer to pump audiences up for it. In Catch a Ride we learned Gortys's second upgrade was somewhere up on Heli...
Rocket League DLC photo
Rocket League DLC

Rocket League's Supersonic Fury DLC is cooler than I expected


Love that new pearlescent paint finish
Aug 14
// Darren Nakamura
Rocket League just released two DLC packs: Utopia Coliseum is a new arena to play in and is available for free while Supersonic Fury contains a host of new car customization options and runs about four bucks. The two new cars...
Super Mario Maker photo
Super Mario Maker

Super Mario Maker's level components will be drip-fed


Tools, sounds, and effects unlock
Aug 12
// Darren Nakamura
Every time I think I know what to expect out of Super Mario Maker, a new video shows up with a little more information. The video below was just released and I'm having trouble keeping the hype in check. Here's what's new to ...
Telltale Borderlands photo
Telltale Borderlands

Tales from the Borderlands Episode 4 out next week


Have some screenshots
Aug 12
// Darren Nakamura
From the announcement of the "crowd-play" event at PAX Prime, we knew Tales from the Borderlands: Escape Plan Bravo was imminent. I figured the event attendees would have advance knowledge and the rest of us would get it the ...
Skulls of the Shogun photo
Skulls of the Shogun

Nerdist's new Skulls of the Shogun cartoon debuted today


'That's why they call this a cold open'
Aug 11
// Darren Nakamura
This is a little surprising. Skulls of the Shogun was a great little game that suffered from a rocky launch and never saw widespread success, even after breaking out of its Windows 8 exclusivity. So for Nerdist to pick up the...
Grow Home on PS4 photo
Grow Home on PS4

Ubisoft's robot beanstalk game Grow Home heading to PS4


A.I. grown home
Aug 11
// Darren Nakamura
Grow Home released on PC earlier this year, and it sort of took us by surprise. This is an Ubisoft game? The publisher currently best known for squirting out iteration after iteration of Assassin's Creed is doing a game ...
The Walking Dead photo
The Walking Dead

The Walking Dead: No Man's Land features tactical zombie killing


Voice work not as bad as 'Merlinderl'
Aug 11
// Darren Nakamura
Oh! A game based on The Walking Dead that focuses on tactical zombie survival? Sure, sounds great. Or maybe it doesn't technically sound great, as Norman Reedus really hams up the voice work in this trailer, going overboard w...
Lighthouses photo
Lighthouses

Today is National Lighthouse Day, go play To the Moon


Everything's Alright
Aug 07
// Darren Nakamura
We have a lot of silly "holidays" in the United States, when we don't actually take off work but instead just take a few minutes to think about a thing we maybe don't often think about. Today is National Lighthouse Day, so le...
Telltale Borderlands PAX photo
Telltale Borderlands PAX

PAX Prime attendees able to 'crowd play' Tales from the Borderlands Episode 4


Potential hints about its release date
Aug 06
// Darren Nakamura
With just a little over three weeks to go, PAX Prime is almost upon us. The full schedule isn't available yet, but Telltale sent over a snippet including its plans at the sold out gathering. On Saturday, August 29, Telltale w...
Nero on PS4 and PC photo
Nero on PS4 and PC

Sparkly narrative-driven puzzler Nero headed to PC and PS4 'early next year'


Or maybe 'puzzly visual novel'
Aug 06
// Darren Nakamura
Nero (stylized as NERO) released earlier this year on Xbox One. Our own Brett Makedonski liked it quite a bit, giving it a nine out of ten and saying it "prioritizes emotion above all else." I had been tentatively interested ...
Guitar Hero Live photo
Guitar Hero Live

Guitar Hero Live's new batch of songs is... actually pretty good


Boston, Rush, MGMT, and others
Aug 05
// Darren Nakamura
Past updates to the Guitar Hero Live set list have puzzled me, betraying how out of touch I am with popular music, but this one brings me back. I don't care how many times I have played Boston's "More than a Feeling" in a mus...
Mario's li'l dick photo
Mario's li'l dick

Mario's silhouette shows off his li'l dick


Also he shares animations with Kid Kool
Aug 04
// Darren Nakamura
Mario has been with us for a long time. He's an icon. He has been scrutinized, discussed, and deified among gamers. That doesn't matter at all right now. What matters right now is Mario's silhouette looks like it has a li'l d...
New Hi-Rez game photo
New Hi-Rez game

(Update) Hi-Rez announces tactical team-based shooter Paladins


Playable at gamescom
Aug 03
// Darren Nakamura
[Update: In an email with Destructoid, a Hi-Rez representative confirmed that Paladins will be free to play, but the developer is "still working out the specifics." To prognosticate for a bit, I would personally guess the mon...
Hue photo
Hue

Hue uses color to solve its puzzle platforming


ROY G BIV
Jul 31
// Darren Nakamura
Making objects disappear and reappear at depending on visibility has been done before, but Hue multiplies that idea by a factor of four. Instead of it being a simple light/dark dichotomy, backgrounds in Hue can be one of eigh...
Roll Playing Game photo
Roll Playing Game

Roll Playing Game gets the ball rolling this fall


And other ball-related puns
Jul 30
// Darren Nakamura
We might just be in a new renaissance of "roll the ball to the goal" games right now. Super Impossible Road showed us the benefits of breaking the rules. Polyball took it to a trippy otherworld. Now we have word about Roll Pl...
Hard West photo
Hard West

Hard West playable at gamescom and PAX Prime, releasing this fall


Kanye and Kim's second child
Jul 30
// Darren Nakamura
Hard West did enough to impress Kickstarter backers last year, with its bloody Old West theme and its tactical combat. Good news for fans: it's looking like this one won't be languishing in development limbo like so many othe...
The Banner Saga: Warbands photo
The Banner Saga: Warbands

The Banner Saga getting a cooperative tabletop miniature game


Warbands
Jul 30
// Darren Nakamura
Stoic released The Banner Saga last year, and it was a great strategy role-playing game. It had characters on a square grid, drama, and lots of death. Basically, it was ripe for conversion to a board game. Today at GenCon, St...
Iconoclasts photo
Iconoclasts

Iconoclasts finally gets a release announcement: Steam and Sony systems in 2016


Also drops the 'the' from its name
Jul 29
// Darren Nakamura
We have had our eyes on The Iconoclasts for a while now. It started development in 2010, and we have covered whispers of updates sporadically since then, including a rad mecha-worm boss fight using rail transport last year. G...
Severed delay photo
Severed delay

DrinkBox's Severed is being delayed past summer


A few new screenshots to show off
Jul 29
// Darren Nakamura
Guacamelee! was rad and DrinkBox Studios' next project Severed has a lot of the same stuff going for it, despite existing in an entirely different genre. It has that same sharp cartoon art style and it doesn't shy away from s...
Alphabear mad libs photo
Alphabear mad libs

Some of the best Alphabear mad libs out there


It's what's for dinner
Jul 28
// Darren Nakamura
Alphabear has been out for a few weeks now, but we haven't done much talking about it since its release. That's a dang shame, because it might just be one of my favorite games of 2015. On its surface it's just a word game, bu...
Legacy board game photo
Legacy board game

Risk Legacy designer working on new civilization-themed legacy game


Chronicles: Origins
Jul 28
// Darren Nakamura
It sure has been a long time since Risk Legacy originally released, and yet, I can't help but perk up at the news that Rob Daviau is working on something in that vein. Heck, I named the previously announced SeaFall as my mos...

Review: Divide by Sheep

Jul 24 // Darren Nakamura
Divide by Sheep (Android, iOS, Mac, PC [reviewed])Developer: Victor Solodilov and Denis NovikovPublisher: tinyBuildReleased: July 2, 2015MSRP: $2.99 (Android, iOS), $4.99 (Mac, PC)Rig: AMD Phenom II X2 555 @ 3.2 GHz, with 4GB of RAM, ATI Radeon HD 5700, Windows 7 64-bit Like many well-designed puzzle games, Divide by Sheep starts out with a simple premise, which it builds upon as the player progresses. Groups of sheep in numbers ranging from one to nine are spread across platforms whose sizes can vary within that same range. Sheep can be moved between adjacent platforms, but if a group size ever exceeds the destination platform size then the excess sheep are thrown into the water and drowned. The goal is to load life rafts with sheep, but only in specified numbers. Too few and the raft won't launch, too many and the raft will spring a leak and sink. Hitting one numerical goal for a level will unlock the next, but mastering a level requires three quotas to be met in a specific order. In the beginning, there isn't a lot to think about. The options for adding and subtracting sheep from a group are small: combine two groups together to increase the number or throw more sheep than a platform can hold to decrease. It might sound complex in writing, but it's an easy concept to pick up after a few minutes of play. [embed]296494:59650:0[/embed] Not far in, Divide by Sheep introduces new elements to use toward the end of filling up life rafts. Fences block movement between adjacent platforms. Dynamite platforms explode and disappear if they have no occupants. Laser fields will slice sheep in half so one divided sheep takes up two spots on a platform. (This is where the name of the game comes in.) The first major change comes with the introduction of wolves. If a wolf and a sheep share the same platform, the wolf will eat the sheep and become so obese it cannot be moved or fed again. Wolves have their own life rafts and the two species can never commingle on rafts. It almost reminds me of the old fox/rabbit/cabbage puzzle; there are constant calculations for when and how to feed the wolves in order to get the right number of animals to safety. A wolf can be fed to completion on half a sheep, so one sheep sent through a laser can feed two wolves. With all of the mechanics put together, there are several ways to add and subtract from groups of sheep and wolves. What I like about the setup is that even though there is often only one three-star solution to a puzzle, there are several different avenues to mentally attack it from. In some levels when the quotas are high, it's important to note exactly how many animals can be safely sacrificed. Others require a different kind of foresight, forcing one initial move since all others would lead to failure. Still more are so complex that a sort of trial-and-error can reveal the path to the best answer. The next big wrinkle comes in the Dark World, where Death finally shows up. He has rafts of his own, and he is collecting souls. It doesn't matter how the animals die; they can be drowned, sliced, eaten, or burned and he will take them. It eventually gets to a point where sheep can do double duty in terms of raft occupancy. The sheep can be cut in half to fill Death's raft, then duct taped back together to fill a sheep raft. That highlights the odd tone of Divide by Sheep. At a glance, it looks like an average cartoony mobile title. The soundtrack is bouncy and upbeat. So the juxtaposition of that G-rated presentation and the graphic slaughter with copious amounts of blood is funny in the same way the fictional cartoon The Itchy & Scratchy Show is. It would be disturbing if it weren't also adorable. Divide by Sheep hits the perfect level of difficulty, where every stage makes me think for at least a few seconds (and often for several minutes), but each one is also small and self-contained enough that persistence and critical thinking can always lead to victory. It has never felt too easy nor have I ever been permanently stumped. It's smart, it's pretty, and it never dwells on any one idea for too long. At its heart is a quality math puzzler, but what makes it shine is the dark comedy found in killing cartoon animals just to satisfy some arbitrary numerical requirements. [This review is based on a retail build of the game provided by the publisher.]
Divide by Sheep review photo
Not baaad
Death is lonely. Death wants some company. So naturally he would flood a plain filled with sheep and wolves, then float rafts requiring very specific numbers of dead creature souls at a time. Obviously. Divide by Sheep is a math-based puzzle game and to that end it works well. What makes it noteworthy is the window dressing, a whimsical cartoon presentation of fairly morbid subject matter.


Auto-loading more stories ... un momento, corazón ...