On his inspiration given his young age and appreciation for JRPGs
There wasn’t any specific title that I used as reference, so I think it was all the games that I played from my childhood which subconsciously affected my compositions for Unchained Blades. In that sense, I guess you could say I was inspired by all the popular titles of the era, like Final Fantasy and such.
On working alongside Nobuo Uematsu, composer of the Final Fantasy series
Of course Uematsu-san is a master in the game music scene and the composer of many songs that I’ve loved since childhood, so there was a lot of pressure the first time I had the opportunity to work with him. However, every time I’ve felt that pressure, Uematsu-san would tell me, “Just believe in your style and do what you think is best.” Now, I feel more honored to be working together with a master than I do pressured to match his talents.
On the game’s opening theme, “UNCHAINED”
I wanted to make the song memorable to everyone who heard it, so I composed it with clearly defined sections but kept the chord progression very simple. Hiroki Ogawa-san at Dog Ear Records was the one who suggested making the song a little shorter than what it used to be, and having the transition for each section be a little clearer so it would stand out more. Since I enjoy writing battle music, it really didn’t take me very long to compose this one.
On our favorite track from the game, the ethnic-flavored “Titan of Aguila”
For each of the Titan themes, I assigned a main instrument (Temple of Trials = choir, Titan Darius = electric guitar, Titan Tortuga = piano, etc.) and for this song I decided to give that honor to both the dulcimer and bongo. I went with a slightly irregular rhythm and composed the bass section around the backbeats. I originally had it as more of an up-tempo theme with guitar and bongo for the battle elements, but after talking it over with Ogawa-san, I retooled it significantly (while stubbornly keeping that bongo solo, lol!).
On Narita’s favorite track, “The Very Strong”
When we first started on the project Ogawa-san said, “We should make this the second theme song!” and created this piece first (as you can tell, Ogawa-san helped out a lot). I wrote the musical score by arranging together a full orchestra, pipe organs and mixed choirs in my mind. I used the EastWest brand’s Play engine since the sound source structure was simple and it’s easy to use even for large orchestrations. Because angels, goddesses and temples play such important roles in the game too, I referenced a lot of church music for inspiration. Also, for “research,” I was able to go to churches in Macau, which was a pretty great experience for me (lol).