In Disneyland when you get on a ride and it has a storyline that requires video
and or a mad tv skit... cheesy and pointless
surprisingly I have a strong desire to get this game now
wave after wave nostalgia is hitting me...
Awesome, awesome rape.
I also could not keep a straight face, especially with Billy Dee. I'm going to cry throughout every cutscene. That, and masturbate furiously. To Michael Ironside. And Grace Park. But mostly Michael Ironside.
The main reason I buy that game are those Cutscenes! The game itself is nothing special, just plain cc rts. I love that, but what makes it fun is the storyline presented by some cool oldskool B-Stars!
Toucan Sam: H-how would you do it?
Brian: Oh I don't know, I was thinking like... good. Like an actor.
Keep up the good work EA. Good to see the million dollar budgets put to good use
@creamsnake: Puleeze, Ironside is a pitcher, not a catcher, better lube up before you get wit dat. He'll split ya wiiiiide open. (Cripes, did I fall asleep at Destrutoid and wake up at GayGamer?)
"I even bought the whole Command and the conquer the first decade just because of the FMV clips."
Well let's not forget that westwood started the madness, and EA actually took it away in Generals. The fanbase went apeshit because of it too. I recently played Red Alert 2, with the FMV sequences. Not too long before that I played through the Allied campaign without FMV sequences (some pirated version that was stripped down.) The difference was huge, as cheesy as they were it added a sense of depth to the game that was missing before. When I played it without the FMV sequences I wasn't as interested in playing the "next mission." I would play one or two missions and the game would sit for a week or two. The FMV sequences got me involved more, I ended up playing the campaign all the way through in two days. It's not exactly scientific. I guess what I'm saying is I'm glad there around, and I still miss Westwood badly.
I can understand why many people was getting bummed when EA took over westwood and with generals nonetheless. Luckily I wasn't a fan of C&C at the time so why should I care? For all I know EA could've been the savior bringing sexy back while Louis Castle himself was occupied in the middle of a mustard party back in 2003.
But yeah definatly. I was playing the first game, I kind of hated it a bit towards the end but the FMV clips kept me going. Didn't bother with the Covert operations because of the lack of Kane. Speaking of that I need to play those secret dino missions at some point.
.... I chuckled
The huge budget for FMV actors must be the reason they had to borrow those costumes from the "sci-fi original movies" wardrobe department.
Though the demo made the game seem very promising, it also had the cheesy overacting (to use Niero's term) and all the hotties that accompany it.
All in all, I'll take hotties over bad overacting any day. Just turn off the volume and enjoy the show. When the action starts, turn up the volume for maximum carnage!
TRY IT.
Summa:
Kari Wuhrer and two nameless EVA chicks < The entire cast of Battlestar Galactica
I half expected it to turn into a porn flick.
You've seen those porn movies, the ones with a plot.
You can each have Jennifer Morrison first, but I want my chance. Maybe then she can actually enjoy some satisfaction.
Not quite.
Yes, EA has a shitload of money.
No, hot actors for crap cutscenese do not cost a lot of money.
EA is in LA and hot "actors" are a dime a dozen. Literally. You can go into Costco and buy them in bulk.
They're like phone books. When you come home from work at the end of the day, they're sitting in your driveway wrapped in plastic. You just stack them by the door and recycle them every Thursday.
I also like how Williams was channeling Shatner and Tony Curtis in his spastic over-acting (nice swinging lightbulb, by the way).
Also, how is it that Michael Ironside (Michael Ironside is obviously not this guy's real name, right? What is it? Josiah Lipstein?) has been doing these low rent gigs for what... four decades and he STILL hasn't amassed enough wealth or influence to move up to something a little higher profile.

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