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4:25 PM on 10.03.2011  

Improvements, Part 2

Okay, Destructoid. I know that this isn't the weekly topic, and I already made some suggestions a while back. Now that I've had a few weeks to think about the subject, I've got a few new suggestions, ones I don't think I saw mentioned. Feel free to acknowledge or disregard 'em as you like.

First CBlog Moderation

We get what, ten or twenty blogposts a day? Thirty on a really busy day? And maybe a couple times a week one of them will be by someone new and is generally an intro blog? I think it'd be beneficial to the community as a whole if the first blogpost any new member makes is kept private until a moderator of some sort takes a quick peek at it and okays it. I'm not saying we should new censor people who write poorly or create biased blogposts, but a quick check of "Is this new poster throwing pure spam up?" would be beneficial.

I don't think anyone but spammers would be annoyed by it, and frankly it seems pretty easy to implement. If a new user posts a new blog, an email, PM, or some other kind of alert finds its way to the moderator when one goes up, and a quick glance at the blogpost tells the moderator if it's a legitimate post or not. Simple and easy, which is always good.

Time Delays Between Blog Posts for New Users

Again, this is not meant to discriminate, but to keep the spam down to an absolute minimum. Perhaps for the first thirty days of a poster's time here (or two weeks, or three months, or whatever is deemed appropriate), it might be a good idea to limit them to a single blogpost a day (or one every twelve or forty-eight hours or whatever). Most community members stick to the unoffical rule of one a day anyway, but it'd keep the spammers from being able to post a copy and pasted game-related thing and then hit us with ten vacation spam posts.

This way, if the person is a spammer, they'll find themselves unable to do much to actually spam the Cbog readers.

Again, this isn't meant to discriminate. This isn't a suggestion about creating tiers of users, but just a suggestion for a short probation period. "Okay, you've joined, and your first blogpost wasn't blatant spam. Play nice for a X amount of time and you can post a billion C-Blogs in a row if you want."

And hey, if a spammer actually remembers to come back thirty days (or whatever) after posting one legitimate post... Well, anything you put in place to stop spam isn't going to stop them anyway. They're the T-1000 of spam: Nothing will stop them, and they can adapt to anything you throw at them. (Except maybe a pit of molten steel)

Comment Voting

Okay, I have seen this one before, but it bears repeating: A lot of websites have adopted a comment model where other users can upvote or downvote a specific comment, and if it recieves enough negative votes compared to positive votes, it gets hidden unless the reader specifically chooses to click on it and view it. We've all seen comments which we'd like to downvote, and it might help the community self-moderate a bit. A fanboy for any of the consoles shows up and is especially aggravating that day? Downvoted until nobody can see it. Someone posts spam to a shady chinese online store? Downvoted until nobody can see it. And so on.
The only problem is that this system does have some room for abuse. I'd suggest either limiting the number of votes in either direction a person can use on other comments in a day, or requiring a LOT of negative voting (like 20 more downvotes than upvotes) before a comment gets hidden. Either one would mitigate a lot of the abuse you might be able to get up to with such a system.

And of course, the ability for mods to remove a person's ability to downvote/upvote a comment. Someone abuses the system repeatedly? They don't get to use it anymore. Simple and easy.

Optional Profanity Filter for Comments available in Account Options[/b]

Okay, this might be tricky, it might not, but I'm sure there are some people who wouldn't mind a profanity filter. Personally, I don't mind profanity one bit. It takes some pretty creative name-calling to get a rise out of me, but other people might not want to see that stuff. The way I see it, you could do this two ways.

One would selectively replace certain words with asterisks, so fucking becomes ****ing, cunt becomes ****, etc. Either that, or if you do the comment voting system, have anything with swear words in it automatically hide like downvoted comments, with a note of "This comment contains profanity, click to show."

I'm not trying to say this community needs to clean up its act. Far from it... I fucking love you guys. But there are people who are probably turned away from the occasional profanity which is in the comments, and I think an option for people to participate while hiding their tender, virgin eyes from words like fuck, shit, or Jim Sterling would be beneficial. (Just kidding, Jim!) Honestly, it could only benefit the site by drawing people here who might otherwise not want to participate, while still catering to those of us who like to comment with "Holy shitballs, that fucking game looks awesome as cunting hell!"

Customizable Main Page

I don't know how technical this would be, but my gut feeling is that the answer is "Very." Still, it's a nice pipe dream.

Okay, so let's say that perhaps a certain, evil company known for jackass moves and bad PR is something you don't really want to read about any longer. Or perhaps you don't want to read previews or watch trailers for upcoming games, prefering to be surprised when you purchase the game instead of finding yourself spoiled.

Basically, you could pick the version of Destructoid you like, ala carte. You're presented with a list of common article types (Preview, Review, News, Game Announcements, Opinion Pieces, etc) and game companies (Activision, Bioware, Square-Enix, etc). Then you pick which ones you want to see on your version of the main page, and maybe even have an Inclusive/Exclusive option. Inclusive would mean that if either one was picked it would show the article (like, picking Reviews or Bioware would show a Bioware game review) and Exclusive would mean that you had to pick both for the page to show the article (like, you'd have to pick both Reviews and Bioware in order to see Reviews of Bioware games). Or something like that.

This actually benefits Destructoid, too, believe it or not. Bandwidth for a website like Destructoid has got to be relatively expensive compared to ad revenue, and anything that cuts it down is a good thing. It could either only load stuff you've chosen not to read if you click on it (like the downvoted comments thing I mentioned before), or it could completely not load it. Either way, the site isn't wasting bandwidth on pictures and text for an article I'm not going to read anyway.

And hey, it also has the benefit that it won't really effect ad revenue. Since the advertisements on the website are loaded everywhere, you're still seeing them every time you click on the stories you'd be normally reading anyway. A lot of websites count on saving things in the margins and pushing enough ads to meet bills while not pushing away too many readers/viewers to remain functional (see The Escapist and how they've done the exact opposite of both), so it might free up some dosh for other things. And there'd always be the option of seeing everything anyway, just in case you want to see if there's something you missed that you normally might not read.   read


12:09 AM on 09.24.2011  

Luckiest Studio Ever: Ninja Theory

Ninja Theory is the luckiest studio alive. The fact that Tameem Antoniades had the balls to blame consumers for Ninja Theory's woes, woes meaning Ninja Theory is still working instead of expanding, basically says all that needs to be said about his arrogance, and by extension, the arrogance of Ninja Theory.



And really, what set it all in motion was Kung Fu Chaos. The game was a thoroughly mediocre, quirky title on the original Xbox. It's ranked at a 68% on Metacritic, and Ninja Theory was on the verge of collapse thanks to their unspectacular first outing when Jeremy San, perhaps on the tail end of a opium binge after the failures of I-Ninja and Bionicle: The Game, decided to save Ninja Theory and continue funding rather than keep his own studio afloat.

Now, nobody knows what sort of voodoo Ninja Theory cast to pull it off, but they not only managed to convince Andy Serkis to work with them, but they also convinced Sony that their upcoming title was so banging-hot that it not only needed to be licensed as a PS3-exclusive, but that the title deserved, nay, demanded the sort of advertising budget normally reserved for triple-A studios with well-proven backgrounds. Despite the advertising and critical fanfare, it took the studio eight months to break one million copies.



Eight months. For a game which, I swear to Christ, was seeing daily advertisements on TV on top of multiple advertisements on gaming websites and in magazines. It boggles the mind that shit shoved in a DVD case and sold to the masses would take that long to break a million copies with the sort of advertising might which Sony applied to the title.

Now in a perfect world, Ninja Theory would have become a second-party publisher. That would be true if they'd performed well, but as I've shown... Heavenly Sword probably underperformed for the advertising budget alone, let alone whatever the actual game cost to produce. A cost Sony probably had to eat, actually. Either way, if this game was half as successful as Tameem would have us believe, Enslaved would have been a PS3 exclusive.

Speaking of Enslaved... Don't get me wrong: Enslaved was great to watch. Visually speaking, it's a treat. And on top of the great script-writing and the fantastic acting in full display thanks to Andy Serkis and Lindsey Shaw, the game was a bit of a critical darling. However, despite the gobs of praise heaped on the title, they barely escaped the mess with half a million sales across multiple platforms, once again underperforming fantastically.



So at this point, we have...

-One title which nearly bankrupted the studio
-One title which should have made them a second-party studio, save for how unimpressive it was
-One title which underperformed rather spectacularly compared to the critical reception

For any other studio, any one of those three events would have crippled them completely. There are studios which used to exist which only did one of those things, and that was the end of them.

Bizarre Creations, despite being a fantastic studio with over a dozen hits under their belt, got cut the fuck up and spit the hell out when a single title underperformed, despite over a decade of producing hits. Black Rock likewise got the boot, ironically over the very title which killed Bizarre Creations.

Kaos Studio's latest release Homefront, despite selling over a million copies, caused them to see a flurry of pink slips. Despite releasing a game with some great multiplayer and selling well, the studio was disbanded.

In the face of any one of the failures Ninja Theory has faced, most studios would crumple and be disbanded. Being handed a well-established action series guaranteed to sell millions (plural) of copies by a large publisher is the last thing any studio except Ninja Theory and the horseshoes directly up each and every employee's ass could expect.


"Clearly, the Unreal engine is the future for a fast-paced third-person close combat game."

At this point, I've got to conclude that not only does Tameem Antoniades have a silver tongue, but it's equipped with an auto-fellate setting designed to break fucking gods.

Don't get me wrong. I have nothing against the studio in theory. It's just that the combination of their history and Tameem Antoniades talking about how disappointed he was in consumers in the wake of Enslaved struck me as incredibly fucktarded.

Of course, DmC is going to skate by on sub-par gameplay and the admittedly fantastic storywriting the studio is known for, critically speaking, and the legion of Devil May Cry fans hungry for anything are going to ensure that however the game plays, the sales are going to break into the multi-million.

And, of course, Tameem Antoniades is going to be right there to claim credit for the success of the latest game instead of acknowledging the several tons of horseshoes he's somehow missed lodged directly in his colon.   read


8:58 PM on 09.22.2011  

Contestoid: Gears of War 3 Epic Edition winners and an announcement



So... The final scores for the participants in the final task are as follows:

Roager 1638000
Blasto 1023040
SuperMonk 691060
HammerShark 663620
JohnnyViral 621250
ScottyG 515570
Morty 263710

Congrats to everyone who participated. However, the final scores are as follows:

Blasto: 32 pts
SuperMonk4Ever: 26 pts
Roager: 18 pts
ScottyG: 17 pts
HammerShark: 11 pts
JohnnyViral: 11 pts
Epic: 11 pts
Morty: 8 pts
Occam's: 3 pts
mrandydixon: 3 pts
knutaf: 3 pts
johnnyviral: 3 pts
PerfidiousSinn: 3 pts
Caiters: 2 pts
WyllVengeance: 2 pts

Now, I'd love to give everyone who participated a prize. Honestly, I would This has been damned fun to run, and I hope even the people walking away with nothing but their memories of this can look back and call it an interesting experience, but right now... Blasto and SuperMonk4Ever each win a copy of Gears of War 3: Epic Edition, as well as Blasto getting an additional prize of a bunch of cool action figures.

So you two, I'll be in contact tonight about sending you some free, awesome shit.

My Announcement

Now it's time for me to hang up my admittedly feather-filled Contestoid hat. At least until the new year. Even without the rush of fall games, this final quarter of the year is financially crippling for me. Three of my best friends have birthdays in the next month, and that doesn't take into account my family members with birthdays... Or Christmas. I have a large, extended family who I'm kinda close with. We're actually a clan, to use the classic term.

You guys think I'm generous with strangers. Man, if you ain't my friend or family, you ain't seen nothin'.

My wallet weeps looking at the next few months and Destructoid, I'm sorry... But my wallet has no room for you for a little while. I'd feel worse, but by the time I'll have shipped this contest's prizes out I'll have dropped what... just shy of a grand on you guys this year?

Don't worry. I'll be back to throwing random people random free shit soon enough. And you bastards have family and friends to give you Christmas gifts anyway. So keep an eye out for more opportunities for me to make you dance for my amusement come the new year.

Big thanks to everyone who participated thus far!   read


8:23 PM on 09.18.2011  

My apologies: Xbox 360 DOES sell far more exclusives.

First things first, a quick reminder: Contest closes tomorrow at 5pm. Get your asses moving if you want to compete. Moving on.

So... I'm sure you all saw that rant about how stupid people are that they think PS3 exclusives don't perform nearly as well as Xbox 360 exclusives. DNA619 made a passionate, if thoroughly under-researched and overly aggressive blogpost and it attracted all kinds of ire. I commented in that post, and I actually made a bit of a research error.

I stated that the sales numbers for titles on each console which sold more than a million were the following, per Wikipedia:

Total Sales of Exclusive PS3 Titles which broke 1 Million: 38.69 Million Units
Total Sales of Exclusive Xbox 360 Titles which broke 1 Million: 37.9 Million Units

I also posited that with that information in hand, and the general nature of release schedules, you could extrapolate from the currently available data that the PS3 and Xbox 360 sell more or less equal numbers and that saying one side or the other 'wins' at exclusives was childish bickering and nothing more.

Then, while checking the the page in question, I noticed that the Xbox 360 list I used to arrive at the 37.9 Million Units above actually only listed the titles which sold more than three million units. Springing into action, I have corrected that oversight below.

Total Sales of Exclusive PS3 Titles which broke 1 Million: 38.69 Million Units
Total Sales of Exclusive Xbox 360 Titles which broke 1 Million: 51.17 Million Units

Thus, everyone who claims that the Xbox 360 sells more exclusives, rejoice! You were not fully wrong, as DNA619 claimed. You were not even half-wrong, as I'd originally thought. You were completely and totally right! The Xbox 360 sells far more exclusives than the PS3, which means that by comparison, PS3 exclusives DO, in general, do fairly poorly.

I'm glad we cleared that up.   read


5:09 PM on 09.14.2011  

Relaxation: Docile Body, Active Mind



While I've got a warehouse job where I'm management, it's a far cry from simply sitting at a desk. The warehouse in which I work is massive, and my duties require me to traverse the length of the place multiple times a day in between bouts of frantic movement or heavy lifting. Needless to say, when I get home the last thing I want to do is move, no matter how cool some of the games which require movement can be. More to the point, I want something that will engage my mind in some manner and prevent it from turning into a pile of sludge, since work, while interesting, isn't always the most stimulating environment.

It's no surprise that I turned to video games as a source of evening-time relaxation. What did surprise me, was learning that my work environment was directly responsible for the sort of games I was playing in the evening.



I first noticed something strange a few weeks ago, when I was playing Super Street Fighter IV: Arcade Edition on pretty much a nightly basis, often three hours a night or more. When I wasn't playing that, I was playing Call of Duty: Modern Warfare 2 (my brother having loaned out Black Ops) or some other twitch-action game. Something that was really testing my reflexes as well as my ability to think. I considered that strange, given the fact that I've got a Marriage playthrough of Catherine to finish, as well as getting to the end of my first playthrough of Tales of Vesperia.

I'd really like to stress what odd behavior this was for me, in retrospect. I've got a horrible case of ADHD when it comes to video games, since I've got pretty good memory retention when it comes to storylines and gameplay which interest me. Jumping back into a title I haven't played for months (or even years) is like riding a bike, and often I pick up and play like I'd just finished my last session a few hours ago. So generally, unless it's a really, really new, hot title, I'll switch between it and other things over the course of a night, and playing the same thing for more than a week without switching things up is almost unheard of for me.

At the time, I wondered why I didn't want to play any of the thinking gamer's titles in my backlog. At the heart of things, I do consider myself a more cerebral gamer than a twitch gamer. All other things being equal, I'd prefer a game that gives me time to think compared to a game which forces me to react. Even though I count a few series like Devil May Cry and Dead or Alive among my favourites, I generally spend my gaming time working on ways to game the system rather than learning to execute a perfect combo.

It was something that continued to bother me until I picked up Deus Ex: Human Revolution and things became a little more clear.



Now, Deus Ex: Human Revolution is a fantastic game. However, unlike the Mass Effect series, the choices one makes are more often a matter of pragmatism and convenience, rather than having any effect on an arbitrary morality bar. The choice of whether or not to kill an enemy is one of the player's choices to make, rather than being a nondecision in between parts of the game where you can make choices. It all feels like Alpha Protocol but done to perfection, actually.

However, I'm afraid to say that any fear Adam Jensen's co-workers might have about him being unable to handle his augmentation would be justified by my schizophrenic playthrough of the campaign thus far. Adam has, with no rhyme or reason, switched from quietly sneaking through an enemy fortification without being seen, to hunting every gang member down with a shotgun surprise, to silently stalking enemies in the pod apartments so he could play with their blood using his extendable knives, to just outright walking into the front door of a place and using a heavy rifle and/or revolver with explosive shells (now called Thunderfucker Mk 2) to mow down everything that moved.

Now, this actually was causing some concern for me, as well. Usually I have the patience for stealth games, and little things like getting caught for the dozenth time and mowed down wouldn't cause me to flip and decide a full frontal assault would be better. Hell, until about three hours through the game, I hadn't killed a single person. Then after a boring day of doing inventory at work, I stalked through the gang territory in the north part of town and hunted down every single gang member with a shotgun. As more and more boring paperwork filled my day, more and more bullets and/or shrapnel filled my enemies at night.

Right now, my Adam Jensen thinks of his recent invisibility augmentation as something to use to get closer to an enemy to kill them, not sneak past them. And he used to be such a quiet, non-lethal boy.


This weapon is basically Viagra for gun enthusiasts

Looking back, this is a pattern well-reflected in my more recent gaming habits. If I had a boring day at work, I'd fill my nights with round after round of playing Ryu versus any comer or matches of Domination. If I had a hectic day at work driving a forklift, I'd come home wanting to figure out the best way to climb a block tower or figure out the best skills and party members to use to get through the enemies in a certain dungeon.

I suppose it makes a certain amount of sense. Spending a day dodging idiot co-workers who don't understand that walking out of the lunchroom or bathroom into the forklift lane without looking is a stupid, stupid idea relies on a certain amount of reflexes for said idiot co-workers to avoid spending time in traction, so whiling away the subsequent night relying on those same tired reflexes might not be the most appealing thing for me. On the flipside of that, spending all day looking at pages and pages of quantities and weights and figuring out how to move them might not make studying the status screen in an RPG as much fun as I'd normally find it.

Regardless of what manner of work my job has inflicted on me to make me tired, it's nice to know there's always a relaxing game suited precisely for my day waiting for me when I get home. God knows there's going to be enough variety in the coming avalanche of games to fill any gamer's need for variety.   read


7:46 PM on 09.11.2011  

Contestoid: Gears of War 3: I'm waaay too fucking generous.



Look, at this point, it's spectacle. Unless you're one of the bastards on the leaderboards below, you're not going to win. But hey: You could still take first place for the final contest and totally fuck things up for the guy aiming for second, so that's something to aim for!

Also... There's going to be a lot less comments during the daytime comments and comments in general. While I, in my infinite intelligence, only surfed the internet using proxy-condoms and also did so rarely, and didn't let it effect my work, the same cannot be said of my co-workers. Thus, anything related to fun (like, ANYTHING) is now banned from my work connection.

In theory, I could tether my phone to my computer's net connection, but the network admin, aside from looking good in a tight t-shirt, also ferreted out most of the sneaky shit I could pull. The first thing she looked for on the network block was people looking for cache'd google pages, which tells me she's smarter than a table.

I totally plan on seducing her, so even if I wanted to get around her connections, I wouldn't. Also, the doing work thing when I'm being paid to do work. I should do that.

Contest Information!

Now, for this one, I've decided we'll do something a little bit different. Like always, I'm going to come up with a random, painful, or otherwise aggravating task for you, the contestant, to participate in! Or, in this case, five tasks! To win Gears 3 Epic Edition and action figures!

But what's that?

I already pre-ordered Gears of War 3, this contest sucks!

In that case, you're in luck! Should you possess an inferior, regular edition of Gears 3 or a slightly cooler, but not prohibitively awesome edition of Gears 3, I will pay you the cash value of the copy you ordered (if you don't have anyone to give it to because you're nice), because yes, I am that awesome!

Yes, even if you've pre-ordered Gears of War 3, you're going to make out like a damned champion!

The Prize

For the prize, I'm going to begin by pre-ordering the contest winner a copy of the $150, holycrapexpensive! edition of Gears 3. If the contest winner has already ordered a copy, I will reimburse them for the full cost of it, plus shipping to me, the moment their inferior, not awesome copy is in my hands.

I'm not done. I mentioned action figures, right?

Beyond this already-awesome offer, I will be ordering the winner of the contest any five Gears of War action figures available on sale between $10 and $20.

This is a total prize worth, potentially, $200 to $250 before I buy the contest winner's copy of Gears of War 3 from them. And I'm buying the second-place person an Epic Edition as well!

Also, the second-place entrant ALSO gets a copy of the Gears of War 3: Epic Edition because fuck you Brazilian tax law! This will be my biggest and last contest until after the new year.

The Contest

Now, I'm not sure exactly what "tasks" I'm going to have each person partake in beyond the first, but I do know two things:

1) The final task has the following point values:

-First Place: 18 Points
-Second Place: 14 Points
-Third Place: 12 Points
-Fourth Place or worse: 8 Points

If you don't participate in a task, you get nothing, so participation, however elementary, could mean the difference between winning and losing!

2) There will be a total of four tasks. The theoretical "best" for this competition is 26 points, but I honestly expect the winner to be ranging in the 10-20 range. But I lie a lot, so whatever.

So, for the Wonderputt Leaderboards, we have:

Blasto: 151675
ScottyG: 147753
SuperMonk: 141600
HammerShark: 133744
JohnnyViral: 128671

With all that entails! Congratulations to Blasto for being a physics-defying wizard who has somehow gained first place. Now, based on my arbitrary rules, fight a good battle so that you can at least get second.

Leaderboards!

Blasto: 18 pts
SuperMonk4Ever: 14 pts
Epic: 11 pts
ScottyG: 9 pts
HammerShark: 3 pts
Occam's: 3 pts
JohnnyViral: 3 pts
mrandydixon: 3 pts
knutaf: 3 pts
johnnyviral: 3 pts
PerfidiousSinn: 3 pts
Caiters: 2 pts
WyllVengeance: 2 pts

The True, Final Task!

Bullet Heaven. Survival with Matt. List your Best Wave, High Score, and Most Kills using a screenshot.

Based on my own experience, you've got to at least beat

Wave: 17
High Score: 69540
Most Kills: 164 (80%)

If you want to stand a chance. give the game a shot and remember to screencap that shit!

Cheers!
-meteorscrap   read


5:02 PM on 09.09.2011  

The Future of Gaming

Alright, so I've discussed why retail bans of games won't work as a way of stopping digital distribution, as well as touching on the issue of how GameStop can prevent themselves from going the way of Blockbuster or HMV. That leaves me with only one way to go: Where Games Are Going in the Future.

As I said before, physical media is never going to fully disappear. However, it will not remain the same. Right now, we're starting to see the point where games are going to have to think about migrating from DVDs and BluRay to some other media. A large part of why consoles from the last few generations don't have the longevity of older consoles has nothing to do with quality and everything to do with the amount of moving parts in each. While the storage capacity and cost of manufacturing are impressive for DVDs and BluRay, the failure rate and noise the drives which read them make are less so.



While optical media is fine for data that can only be read in a single way, like music or video, it just isn't practical for games. I can't be the only one who installs certain titles to my Xbox 360 just to keep it from sounding like a jet turbine. Likewise, a lot of PS3 games have to install to the system's hard drive because of the same factor that makes the Xbox 360 loud: Transfer rate. Even if you doubled the transfer rate of currently available optical drives, they are slow, plodding beasts beside friction-free media like USB 3.0 thumb drives, current-generation SD Cards, and similar media.

Currently the transfer rate for those friction-free forms of media is scaling with increases in size, unlike optical media. This means that when video games finally get to the point where they need to transfer dozens of megs a second to keep up with the demands of a game's engine, they can do so with ease and do so silently, two things that even BluRay discs have problems have already, let alone in the future.

As a desirable media for tomorrow, optical drive media are in an arms race that they have already lost. They are a dead end clinging onto relevance only due to the extraordinarily cheap cost of manufacturing, and sooner or later that's an area where friction-free media will catch up as well. As a bonus for console manufacturers, the need to put in an expensive-at-launch optical drive will be eliminated, driving the cost of manufacturing the units down and decreasing the odds that some part of the console will fail.



I do, however, think that digital distribution is the future, as I mentioned. About the only thing that's going to change is the ability to purchase digital titles in actual stores. Perhaps even go a step further and actually offer a way for customers to bring portable storage media to the store and allow them to purchase and then take home downloadable titles. I imagine there are still going to be people who choose not to put their consoles online, or just don't feel comfortable purchasing their titles online. Even if it's a relatively small portion of the market, they'll be worth catering to.

A big thing coming in the future is the idea of console unification, or even the death of consoles entirely. A lot of analysts are saying that in the future, your TV is going to have the computer needed to play the latest games, that you'll have a controller that you use with it for your gaming, and that at the end of the day, it's going to be all about software and not hardware. To be honest, I don't buy all that.



One of the reasons people use consoles in the first place is that they are easy. You don't have to worry about having the right video card, about having enough RAM, or anything else. You just set the console up, put the game in, and play. No fuss, no muss, no problems. The same principal works for developers, too: When they develop for a specific console or even two or three consoles, they know right from the start exactly what specs they're working to, what behavior they can expect from the hardware, and what method or methods of input will be available to the player.

A large contributor to the thought that consoles will eventually be eliminated comes from the idea that the processing power of devices in the future will be so powerful that developers won't need to worry about what the players are using: Everything will be powerful enough to run whatever game the player wants, just because the internals are so beefy that no game could possibly use all the resources available to it. I can't help but think that such a view is hopelessly naive, at least as far as the next few decades are concerned.

Games have a lot more room to grow. Games haven't quite hit their peak yet: graphics, environment detail, size, interactivity, and a lot more factors that we take for granted at the moment have some room to grow. Even factors players don't see like artificial intelligence still have leaps and bounds of improvements yet to be made.



Since we're talking hypotheticals here, let's discuss a hypothetical installment of Grand Theft Auto. In this version, every person in the city is tracked by the game, even if they're not rendered on-screen. They have schedules where they wake up, leave their home or apartment, go to work, maybe go out to a bar or restaurant, and then go back home. They can do this because the city the game takes place in is rendered fully thanks to procedural generation during development, right down to the individual rooms in apartments. An environment which, like Red Faction, is fully destructable with NPCs whose job it is to repair any damage you do. Just like a real construction worker.

And of course, sometimes people will spot the player and run in fear. That's because they recognize the player from that time one week ago when he drove his car into the restaurant the NPC works in and ran over three people. Of course, if the player has changed clothes, they might not recognize them right away, or at all. Of course, the persistent state of the people in the game will also give the player new ways of tackling missions: You can break into a warehouse during the day, allowing you to steal a needed car and kill a target, or you can break in at night and then drive to the target's house in the car you just stole.

Of course, the NPC population in general can also recognize patterns. If the player starts to just drive around willy-nilly spraying automatic fire into crowds, there's going to be a lot less crowds hanging around. Maybe more civilians will start to carry guns to fight back just in case they start getting shot at. If the player starts to jack only nice cars, people will respond by trading in their nice cars for cheaper vehicles, and the player might be able to start stealing those nice rides out of used car lots instead of jacking them from the street. Or the game could react to and emulate a thousand, ten thousand, or a hundred thousand other natural cause and effect changes.



Does this sound like a game computers will be able to handle, even ten years from now? Even with today's graphics, that game would be impossible with the computers we'll have in ten years... And we all know that in ten years, games will not have today's graphics. And all of that is just an argument for why computers outpacing game developers is impossible: It doesn't even touch on the fact that consumers don't want consoles to go anywhere.

While there is change on the horizon, I don't think in the end all that much is going to be different about gaming over the next twenty years. We'll have the opportunity to buy our games at launch through our consoles and finding a GameStop might be a little harder to do than it is now, but for the most part we'll still be playing our games on dedicated consoles instead of through a computer in our TV.

The controllers might have another button or two, we might have switched back to cartridges, leaving disc-based gaming in the dust, and games will certainly be bigger, better, and more beautiful than they are even today. Maybe we'll get a true 3D display somewhere down the road, instead of the illusion of 3D the industry is currently borrowing from film theaters.

And honestly, I'm looking forward to what the industry has to show us. Even if it's just so I can look back and see how far games have come since they first appeared in arcades. It's already quite the view today, and it's only going to get better as the industry grows older.

Well, I hope you've enjoyed this series of articles. I've had fun writing it, and I think I'm going to find the time to write more like it in the future. And hey, I'm open to topic suggestions.   read


7:52 PM on 09.08.2011  

How GameStop Can Stay Relevant Alongside Digital Distribution

In the previous article, I tackled the myth that the threat of a retail ban by GameStop or other retailers would prevent the rise of digital distribution. This article, I'll be tackling the simple question: How GameStop Can Stay Relevant Alongside Digital Distribution.

Note that for this second article, I'm specifically targeting GameStop, since they've got the most to lose from digital distribution while also being one of the bigger retailers out there right now. Walmart, Best Buy, and Amazon will easily survive a massive drop in retail copies of games being produced by simple virtue of their product diversity.



It's no secret that publishers would love to be dealing with their customers digitally, instead of having to produce physical copies. This is a fight that has already been won by PC gamers, with multiple services like Steam, Direct2Drive, and Good Old Games providing their patrons with pretty much any release they'd care to purchase, new or old, Triple-A title or indie-developed. Much like with graphical developments and raw power, PC gaming is providing a window of things to come for consoles.

However, the answer to the question of how retailers can stay relevant is really simple: They don't really have to do a thing, for the moment. If they do that, not that I'm saying they will, they'll see a small slump in their sales but will still have a decent portion of marketshare. The truth is, the console market has some fundamental differences from the PC market, and that's going to work in GameStop's favour.

For one, let's throw out the tech-savvy, internet-using gamer, someone much like yourself, who you picture as being the ones to adopt digital distribution. That is not an average depiction of the typical console user. In a study done last year, 78% of PS3 users, 73% of Xbox 360 users, and 54% of Wii users are connected online... Among Adults in the USA with access to broadband-speed internet. That last bit is very important, since according to some numbers, the same people might represent anywhere from just one-third to two-thirds of North America. Even if publishers wanted to go exclusively digital download, they'd have to pretty much cut their potential audience down to half or more, since broadband just isn't available in a lot of places and even where it is, not everybody uses it for their gaming.



That's even assuming that the gamers who have broadband and use it want to move to a purely digital distribution model in the first place. Setting aside the current generation's storage problem, something I expect to be dealt with decisively next generation, there are people who simply don't want to buy their products as a download. They want to buy a physical copy, with a case and instructions, which they can display on their shelf. They want to buy things like the Modern Warfare 3: Hardened Edition or the Halo: Reach Legendary Edition, with all the bells and whistles thrown in. They want a copy of the game they can take over to a buddy's place to loan to them or play together, or sell back to a retailer like GameStop to help fund their next purchase. Or they're simply the so-called casual gamers picking up a casual title, or they're family buying someone a present for Christmas or a birthday, or any of a dozen other scenarios.

However, it should be obvious that broadband speed or better connections, available to everyone, are on the way. Sooner or later, perhaps in another decade or two, both the percentage of consoles online and the percentage of people with access to fast internet are going to increase to the point where digital distribution has a strong shot at becoming a significant threat to retail distribution, and unfortunately there's not a whole lot that GameStop can do to stop it.

Impulse is a start, but currently only serves as one of a dozen content providers for PC gaming, many of whom are eyeing the marketshare Steam has and wondering how they can get a piece of the pie. Should Origin prove to be a massive success, no doubt other publishers will be looking to follow suit. Impulse alone won't do much to keep the core of the company afloat even after they make some massive cuts to the amount of locations they have, let alone be the thing which keeps them relevant.



If GameStop wants to have a chance of surviving the next twenty years, they need to take a hard look at how they can either break in to, or supplement the digital market on consoles. Right now the PC pool is already happily full of dozens of competing services, and Impulse has a lot of work to do if they want to catch up.

Unfortunately, there's not too much which can be done on that front right now. Nintendo, Sony, and Microsoft have already got their own content delivery systems in place, and it'd take a lot more than GameStop is willing to offer for them to break into that piece of the pie. The only way they can possibly break into that market at this point is by developing a content delivery system which offers more features than Microsoft, Sony, and Nintendo provide and does so in a way that profits the publishers and console manufacturers at least as much as the current set up, while also being worth GameStop's time. If they pull all that off I'll be impressed, but I doubt it'll happen.

Rather, if GameStop wants to survive at anywhere near the size of a company it is right now, they're going to have to embrace the retail side of publishing and start to reach out to publishers to take care of actually manufacturing the publisher's products. There is always going to be a section of the market which wants physical copies of their games, and absolutely won't purchase their games digitally unless that's the only way to get them. Likewise, there's always going to be a market for collector's editions of games and inevitably there'll be people who want to pay for their products in cash. That will have to be GameStop's angle if they want to survive as a game store.

A good step might be to acquire a third party peripheral company or two, like Mad Catz or PDP. Little things like not being the middleman for some items might be a good way of keeping the profit margins healthy and it's not like, at the moment, GameStop doesn't have the cash to manage it.



That won't be enough, however. If they want to keep their stores open and keep their marketshare, they're going to have to also grow Impulse from simply a content-delivery service into a game streaming service like OnLive, marketing their own units to customers and providing them with the means to play them. They have the infrastructure in place to get the titles to their customers, and a little work and a few deals made on the side could even provide unique opportunities like emulation of older console titles.

Of course, Gamestop could always go the route where they diversify their inventory. I hear they'll be taking iOS devices in trade soon, so maybe in twenty years they'll be a phone store/console store/knitting center. Whatever they do, GameStop as they currently stand are getting a step closer to going out of business with every step the console games industry takes towards digital distribution. They are so large that dialing back their numbers won't be enough. They have to adapt or die.

In the final part of this series of articles, I'll be discussing the future of physical products versus digital downloads, and how I think the industry will grow in general.   read


1:18 AM on 09.07.2011  

The Threat of a Retail Ban Is Without Merit

Back in July, I wrote an article about Digital Distribution. And the thing is, I noticed a common theme in the comments for the article:

The fact that retailers, specifically GameStop, could crush a revolution in digital distribution before it got off the ground.

Now, I put a lot of thought into this problem, since it does completely stymie the idea of digital distribution ever gaining a foothold in the retail market. Then I realized that there's an equally simple solution. So join me for a three-part series of articles on exactly how publishers can take power away from retailers and make them a single link in the chain in one of many revenue streams instead of being the all-powerful titan that they are.

We'll start with the first bit: The Threat of a Retail Ban Is Without Merit



One of the worries I've seen paraded around is that GameStop and other retailers can simply threaten to not stock a publisher's latest release, or even going further and threatening to remove an entire publishing line from their retail library. Indeed, this can be a massive deterrent for even Activision or EA, two of the biggest publishers on the market. It would seem to be a major catastrophe for any company if GameStop or any company were to follow through with such a threat.

I've seen numbers paraded around anywhere from forty percent to eighty percent of all units sold, but regardless of the actual market share GameStop enjoys a retail ban would directly impact the bottom line of any company. Not only does GameStop account for a number of titles sold, but they also do their own marketing to push new titles and take pre-orders on top of it all. They keep the upcoming games fresh in the mind of their customers and push the newest hardware and software with a tenacity which would impress a door-to-door salesman.

With both the work they do to bolster the games industry and the potential threat they hold over the heads of the largest publishers, it would seem like pure folly to even challenge them on the issue of digital distribution.


Photo by Rafael Matsunaga

Or would it?

Let's talk about the sweet, sciency magic of economics. Before your eyes glaze over, let me reassure you: I'll be vastly simplifying things and I promise I won't be bringing any numbers, theoretical or otherwise, into this series of articles. All you really need to know is that supply and demand generally equalize and that the market has an endless ability to adapt to changing conditions where the demand is constant and the supply has the potential to be there.

Or in other words: If a lot of people want games and a lot of publishers are willing to supply those games, the rest is just paperwork. The games will get to the people through the easiest route possible, and there's a large profit there to be made for the person who can handle both the number of games people want and the number of games publishers want to sell.

Right now, GameStop is the easiest route, and has been for a number of years. Yet ever since the debut of services like Xbox Live Arcade and the Playstation Network Store, that's been subverted. A lot of smaller titles like Megaman 9, Castle Crashers, Shadow Complex, and Flower have gone on to be critical and commercial successes completely under GameStop's nose, with the retailer seeing none of the profit between publisher and customer.

Even independent developers like Iridium Studios and Zeboyd Games have found success on Xbox Live Indie Games, a rarity in the console market.



GameStop is currently facing something of an identity crisis: Right now they're in the same position that HMV and Blockbuster were in a decade ago, ludicrously powerful at the retail market for the moment but poised for a sudden, sharp fall from grace whenever the market finally shifts from underneath them.

Picture a world where next year, Activision decides that they're going to go for it. Call of Duty: Whatever Treyarch's Developing will be debuting, on launch, at $44.99 through both the Playstation Network Store and Xbox Live Games on Demand and if GameStop doesn't like it, they can kiss Activision's ass. GameStop could, in theory, reply by stating that they wouldn't stock Activision titles at all in response. However, even the greediest of GameStop executives could take one look at the percentage of their new-game sales that Activision represents, a number likely in the double digits, and realize that this would be as disastrous for them as it had the potential to be for Activision.

However, I previously discussed how the demand of the gaming customer is always met by the supply of the publishers by the easiest possible route, and let's face it: I'm a guy who blogs about the industry for fun. Activision has got to have some people who know better than I do what a good idea it'd be to have a deal with Best Buy, WalMart, or even Amazon about how you could only get physical copies of the next Call of Duty game through one or several of those retail outlets ready. Such a document, well in hand and ready to be taken to the appropriate contacts, would very likely quiet GameStop up about the notion of a ban of any sort.

GameStop is the middleman. The customers are the ones who create the demand, and publishers are the ones who fill it. Ascribing them any more power than that of someone who gets the goods from the publisher to the consumer is ludicrous. If they were to go belly up tomorrow, the games industry would not crash horrifically, never to recover again. Someone else would step into the profitable gap left behind and fill the needs of the customer. No matter how much GameStop would like to present a united front to publishers with other retailers, there's too many avenues the retail stream could take and there's always retail chains willing to buck a ban like this and sell anyway.

Because customers don't care about where they get their products: $64.99 spent at Walmart, Amazon or Best Buy is no different from $64.99 spent at GameStop, and unlike GameStop, none of those places earn their big bucks just from the sale of video games. For them, losing a quarter of the sales from a big-ticket game to digital distribution is an adjustment of stock purchased, not a catastrophe.



If any publisher, or more likely multiple publishers acting together, takes this route, there will be a transition period. Sales will slump a bit, and how much sales are hit is entirely dependent on the preperation and deals the publisher or publishers make to ensure that their customers have as many avenues as possible which are convenient for getting their products. However if done properly, GameStop won't have a leg to stand on and their only path of action will be to accept what's coming gracefully and attempt to regain their relevance before what little credit they have finally dries out.

Like it or not, digital distribution is on the way. The path has long since been paved first by songs, and then movies and books. Physical media, like it or not, is eventually going to become out of date and not worth the effort of producing. Likewise digital distribution is going to become even more convenient than it already is, with easier, better ways of getting the games you want to play in your hands than traveling to a store and picking up a copy.

In part two, I'll be discussing just how GameStop and other retailers can hope to stay relevant in a world where customers can download the latest releases directly to their game consoles.   read


7:35 PM on 09.01.2011  

Contestoid: Gears of War 3, It's a-gettin' close!



Contest Information!

Now, for this one, I've decided we'll do something a little bit different. Like always, I'm going to come up with a random, painful, or otherwise aggravating task for you, the contestant, to participate in! Or, in this case, five tasks! To win Gears 3 Epic Edition and action figures!

But what's that?

I already pre-ordered Gears of War 3, this contest sucks!

In that case, you're in luck! Should you possess an inferior, regular edition of Gears 3 or a slightly cooler, but not prohibitively awesome edition of Gears 3, I will pay you the cash value of the copy you ordered (if you don't have anyone to give it to because you're nice), because yes, I am that awesome!

Yes, even if you've pre-ordered Gears of War 3, you're going to make out like a damned champion!

And the second-place entrant ALSO gets Gears of War 3 Epic Edition. Because fuck it, I'm awesome.

The Prize

For the prize, I'm going to begin by pre-ordering the contest winner a copy of the $150, holycrapexpensive! edition of Gears 3. If the contest winner has already ordered a copy, I will reimburse them for the full cost of it, plus shipping to me, the moment their inferior, not awesome copy is in my hands.

I'm not done. I mentioned action figures, right?

Beyond this already-awesome offer, I will be ordering the winner of the contest any five Gears of War action figures available on sale between $10 and $20.

This is a total prize worth, potentially, $200 to $250 before I buy the contest winner's copy of Gears of War 3 from them. And I'm buying the second-place person an Epic Edition as well!

The Contest

Now, I'm not sure exactly what "tasks" I'm going to have each person partake in beyond the first, but I do know two things:

Each "task" is going to have the following point values:

-First Place: 8 Points
-Second Place: 6 Points
-Third Place: 5 Points
-Fourth Place or worse: 3 Point

If you don't participate in a task, you get nothing, so participation, however elementary, could mean the difference between winning and losing!

Leaderboards!

Epic: 11 pts
Blasto: 10 pts
SuperMonk4Ever: 9 pts
Occam's: 3 pts
mrandydixon: 3 pts
knutaf: 3 pts
johnnyviral: 3 pts
ScottyG: 3 pts
PerfidiousSinn: 3 pts
Caiters: 2 pts
WyllVengeance: 2 pts

The Task!

All you've got to do for the next task is register an account at Kongregate and then post your high score for Wonderputt! It's a tight race for three, but a high placing for any of eight other entrants thus far could shake things up.

Right now, the scoring stands at the following... Yeah, I'll figure this out at the end.

But right now, ScottyG, Blasto, and SuperMonk are fighting like rabid hyenas. I expect more, damn it!

I'll be closing this, for realz, on Monday. Whenever the hell I decide to close it. Probably at noonish, but maybe an hour before, maybe an hour afterwards.

And new people: Feel free to enter. The final task, I plan to double the scores for. Because I want to keep the current winners on their toes a little bit so they can't just skip it and get their prize. So two strong showings could see Gears of War 3: Epic Edition plus action figures in your hands!

Cheers!
-meteorscrap   read


9:10 PM on 08.30.2011  

Three Capcom Characters Who NEED to be SSFIV:AE, SFxTekken, or UMVC3 DLC

Hi Folks. Meteorscrap here to share three relatively quick thoughts on characters who flat-out deserve to be brought into the modern age. Let's start with the obvious:



Karin appears in only two Capcom games: Street Fighter Alpha 3, and Capcom Fighting Evolution (which, frankly, we're better off not discussing). In-story, she's a rich girl who practices a family art and who has declared herself Sakura's rival. Really, there's not much more to it than that.

Why she belongs in new media: Put bluntly, it's her Guren special move. Half of Karin's entire moveset is based around a single attack, which begins with a forward punch. After that, Karin has a variety of inputs which allow her to basically craft a dial-a-combo version of Fei Long's Rekkaken, but instead of just getting more of the same you can use specific moves relevant to the situation. Which, right there, is an awesome addition.

Not to mention the fact that her already counter-heavy style, mixed with her very aggressive main technique, mean she'd be a highly technical and fun character to play. I still play Street Fighter Alpha 3 on occasion just to be able to use her. She's a lot of fun, and manages to be a strong fighter without being broken.



Shoma Sawamura is basically what happens when you try to make a fighting character based entirely around baseball.

Why he belongs in new media: He's got a buster-sword sized baseball bat and he's a lot of fun to play. More importantly, Rival Schools has been entirely neglected by Capcom of late, and while Batsu was the main character, he's kind of bland. Shoma, on the other hand, has a lot of good going for him and he'd fit in well with the character designs of recent games.

Also, did I mention the giant bat? It's awesome. I can easily see him becoming a fan favourite, maybe even justifying more Rival Schools characters appearing, which would be a fantastic thing.



Ryu, of the Breath of Fire series, is a very iconic hero. Despite the five iterations of his existence (matched neatly by variations on his party), he remains constant in many ways: He's always an underdog, he always starts his true quest after meeting a winged chick named Nina, and he's always got a dragon-related transformation to help power him through the tougher battles.

Why he belongs in new media: Much like the beloved Blue Bomber, poor Ryu's series has been cancelled. The last we saw of him was his 2002/2003 outing pictured above, and the official stance is that it's a "resting IP". He deserves the same sort of love that other Capcom unfavourites such as Megaman, Zero, and Tron Bonne get.

As for why Dragon Quarter Ryu? That one's easy: Unlike the other iterations, his transformation is more "Sin against God" and less "Actual Dragon", so no need to come up with an entirely separate dragon model, for one. For two... His Dragon Breath attack is basically BEGGING to be a Super, and the rest of his moves, combined with his mobility, would basically make for a hard-hitting, lightning fast character who's about as fragile as a stack of plates, which I think would be a lot of fun.

Unlike the other two, he'd only fit in for Ultimate Marvel vs Capcom 3, but what a character he'd make...

Ah well.

So those are my thoughts. Does anyone have anyone that comes to mind when they think of Capcom characters they'd like to see brought into the current generation of fighting games?   read


5:45 PM on 08.29.2011  

Improvements: I've got ideas, too!

Hey Destructoid. Look, I love you. I really do. My employer probably pays me for about an hour a day to browse you. But there's a few things that you could do which would make me love you even more.

Moar Promoted Blogs

I know not everything can be promoted. I know that sometimes, there's just a lot of crap on the Cblogs which isn't worth Cblog watchers reading, let alone promoting to the main page. But on the other hand, sometimes you have slow News days (like today: 19 stories since 4:00 A.M.) and there is good content in the Cblogs which is fairly recent.

Blindfire's essay on Multiple Choice Protagonists, posted about an hour ago? Worth reading. Debatetoid? Generally worth reading AND a good way to generate discussion. Sephiroth and Andyman both wrote some pretty compelling counterpoints to the preview of DmC about why fans of the series up until now are concerned and went into detail for those who might not be fans, for example. I'm sure I could go back through the Cblogs and pull more.

More importantly, there's a reason I don't write more and a few others who, when they contribute, generally get promoted blogs probably don't write more: They don't feel that their stuff will get promoted, and whatever they've spent an hour or two writing is going to get passed over and maybe read by ten or twenty people. When the stuff you've just written doesn't get read and gets ignored, it dials down the eagerness to write more.

It works out great for both parties: Destructoid gets more content for the readers for slow news days, and the readers participate more in the community. It's a win/win for all involved.

Moar Site Consistency

I'm sure everybody else is going to beat you over the head with this, but let me just add this: Make the Cblogs and every other part of your site look like everything else. It'd also be nice if you could unify the forum/site logins, too. Fuck, Jim has a rant about how annoying it is to have one log on for everything, and you guys have TWO for a single site.

Plus, it might get the Cblog and Forum crews to integrate with one another a little more. More forum participation AND more Cblogs being written would be A Good Thing.

Moar Shit Set to Off by Default

Full disclosure: My computer is apparently a THREE Ghz processor with THREE gigs of RAM. That makes this even more relevant, because I mean, god damn.

Destructoid, my computer at work is not the latest model. It doesn't have a video card, but it does have two gigs of RAM and is running Windows XP Professional SP3 on a 2 Ghz processor. Do you know what happens when I log in with my work computer? It starts stuttering, even when the only other tab I've got is my work email.

This is not a good thing. Especially when what's causing it is the Destructoid Chat, which I'm not using. Which, if the population of available chat rooms is any indication, only 5% of your users are using. (5% = 20 people in Outer Heaven and nearly 400 users online). And having to maximize the chat (making my computer slow the fuck down even more?) before I can even turn the thing off? If I can because it's making my computer slow to a crawl? That's some bullshit right there.

Hell, checking the chat just now slowed down my laptop a bit. My laptop can run the source engine with no problem. I've got Team Fortress 2 installed right now, and it plays fine. YOUR SITE SHOULD NOT HAVE HIGHER REQUIREMENTS THAN A GOD-DAMNED VIDEO GAME.

I don't just say this for my sake, but for yours as well: If I'm stuttering, it's because I'm receiving a shit-ton of data from you. I know that websites require money to run, so save some of it by not freaking logging me in to the chat. I'm certain your bills would take a noticeable downturn if you did this.

Maybe time to reorganize?

Destructoid, that twenty story link thing you have at the top? I ignore that. If you must keep it, I'd suggest that you might want to stick it over to the side, on the sidebar. Right now it just means that whenever I come here, instead of seeing your new stories, here's what I'm seeing:



Destructoid, my webdesign teacher would viciously beat, with his fists, any student that submitted a site which featured all new content "under the fold", which means anything you have to scroll to see. Even the biggest resolutions would only see the title and header image of the top story.

Right now there's a LOT of wasted real estate in the main page. It'd be nice if that changed. Likewise, I'm pretty sure nobody uses the Top Comments on Reader Stories portion of the Sidebar. Why not chuck it the fuck out, stick a revitalized version of the 20-stories thing there, and then get back some real estate while getting rid of something nobody uses?

Second Opinion Reviews

I'm not going to touch on Jim Sterling's review practices, because frankly speaking, I agree with them. However, it'd be nice if more than one person took a look at new games, where feasible. It might be a dissenting opinion, it might not, but it's another way to offer more insight on the product in question.

Ooh, one more thing!

Okay, this Cblogs wanted thing? That's cool and all. I like it. It gives me something to focus on.

But how's about you pick a random staffer each week, thrust a finger at them, and yell: "Write about this topic!" in a rather dramatic tone? Or just shoot them an email and say they need to submit a 800-1500 word article on the topic.

It'd be nice to get an opinion on something like this from the other end of the fence. I'm sure Dale would have had something interesting to say about Handhelds given his fixation on the PSP, or Holmes could have had thoughts on the Downloadables topic.

Or perhaps even contact individuals outside of Destructoid for a guest feature? Not other journalists, but voice actors, developers, game writers, etc.   read







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