A little over a year ago I did what many normal gamers reluctantly do during this time of year; give into the loads of insane game deals on Steam. I was always interested in the Bioshock games since their release; however I never had a powerful enough computer or the money to purchase either of them. Now, with my nifty Alienware laptop and ten dollars I was able to purchase Bioshock 1 & 2 for my gaming pleasure. After that, though, I fell into another stereotype of Steam game purchases; I didn’t touch the games until months after I bought them.

With a little extra free time over the summer, I decided to finally play through the games to see if they were as good as their reviews said. And while this isn’t a game review per say, I can confidently say that I enjoyed both games immensely, if not the first one a little more than the second. However while playing through the games I couldn’t help notice the stark differences in my attitude towards one of the main characters in each game, the Little Sisters.

Their inclusion in the game dictated what was advertised as a sort of “karma” system, which affected the outcome of the game depending on how you interacted with the Little Sisters. Basically you had the choice of harvesting them for more Adam, a sort of upgrade currency in the game, but killing them in the process, or saving the Little Sisters, which led to less Adam but provided other helpful perks. At the time this system of game play was relatively new to the scene, and its effect of the actual game play ended up being minimal in relation, only changing what ending your game followed.

I am not initially a heartfelt kind of guy when it comes to playing video games, alternatively more of a running over hookers in Grand Theft Auto and mercilessly killing NPC’s that give me lip in Elder Scrolls. So, evidently, when I heard that I would receive more of this precious Adam just by killing these little girls that I had no other affectionate connection to, my decision ended up being a no brainer. And after I finished playing through the first Bioshock, harvesting any Little Sister I could get my hands on, I was still relatively pleased with the alternative ending that I received from my heinous actions.

This would be a boring end to the article if I had not continued on to Bioshock 2 after completing the first. The storyline of the second game follows a Big Daddy, the hulking body guards of the Little Sisters in Rapture, who had his Little Sister taken away from him and was left for dead by the heartless Sophia Lamb. This brings me to the first surge of humanity handed down by this game, and it will not be the last. The Little Sisters that I stayed relatively disconnected from in the first game had a new face, one of a cute, helpless little girl who depended on me for protection.



Now in the first Bioshock, my ability to kill these seemingly innocent children was my ability to not become attached to them as characters. It was very easy in the situations the storyline put me in; an outsider looking only to get home, surrounded by a strange and hostile environment. These Little Sisters had what I needed to survive and escape, and it’s not like they were completely helpless. I was destined for multiple trips to the Vita-Chamber as I tried to defeat their bulking protectors. And it didn’t help that when I finally beat the Big Daddy and grabbed the Little Sister for her Adam, I was forced to look at this:



Yes, Bioshock did little to sway me from widespread child genocide. But along came Bioshock 2, and a sign that I might actually have a heart. First of all, the design of the Little Sister was changed significantly between the games, which might have been determined by a better graphics engine or the attempt to make them seem more human, and I struggle to find another way to describe them other than “friggin’ cute”. It didn’t help that when I picked one of them up for the first time, with Sinclair in my ear urging me to harvest her for the copious amounts of Adam, she looked at me with her innocent, yellow eyes and trusting smile, completely oblivious to the internal struggle I had to kill or save her.



One of the reasons why I made my decision is just that; the Little Sisters in this game are just so damn trusting. I mean, here I come, this hulking, metal man running through a deteriorating city, gunning down any living thing I come across, while she watches helplessly while the closest thing she has to a father does mortal combat with me, and after he ultimately falls she runs up to the side of his lifeless shell of a body, probably traumatized for life after seeing him slain in front of her, and I lug towards her, breathless and bleeding, giving this innocent little girl no reason to think I’m not going to rip her head off without a second thought. But then she looks up at me like this:



I mean COME ON. And not only that, but before I have a chance to decide whether I want to harvest or save this adorable, helpless child to sate my bloodthirsty urge for Adam, I can adopt her as my own, carrying her on my shoulders as I escort her through dying Rapture to help gather even more of this Adam for me. I become to her the Big Daddy that seconds before she just watched me destroy, protecting her from the Splicers and giving her just as much agony upon my death as the one before me. And even after that, once I have used her up for my less than admirable purposes, I can still chose to harvest her, as if the Adam she just gathered for me and the little I’ll receive for saving her isn’t enough.

No, I may be a cynic at times, but there are some places when I can draw the line. So, the same person who didn’t think twice about killing innocent children just one game ago can’t stomach the idea now, because damn you Bioshock 2, the Little Sisters are just too cute, and I have some sort of personal view against betraying such a strong sense of trust. And hey, over the course of the game, the lesser Adam I received for saving them was replaced by other perks, such as gifts of more Adam and helpful Plasmids from the grateful little girls. So I was content with my choice.

And then I beat Bioshock 2. And I’m still content; I saved my own Little Sister as well as the others from the underwater grave of Rapture and I felt warmth in my heart. But I had to check, like I did at the end of the game before this one, what ending did I miss by declining to harvest the little sisters? I enjoyed the first games ending even after my terrible deeds, was this ending the same? And lo and behold, *spoiler alert* activated, if I had harvested all of the Little Sisters, my own, older Little Sister would have adopted my heartless world view and used it to conquer the surface world as her own. AWESOME. Thank you, developers of Bioshock, for making me feel again, even if you have stripped away one of my dreams in the process. Damn you and your cute Little Sisters, damn you.

I like to consider myself a "gamer". The tag of gamer brings up another whole debate, but in my opinion a gamer is someone who is passionate about games and their design. Yes, leave it to someone commonly deemed a gamer to give it such a positive description, but a 35 year old man-child who still lives in his parents basement can still be considered a gamer in my eyes, as that is the most passionate (albeit sad) way one can experience video games. But I myself, with the lack of a dingy room in the basement, am a gamer, and yet up until a few months ago I had a terrible secret.


Duh duh duhhhhhhhhh!

I never played The Legend of Zelda Ocarina of Time. There, I said it. So I decided to finally do something about this horrible burden and finally play the game. Once again, I can open another can of worms with my opinion about this game (BRILLIANT!), but this is not the topic of this post (and I haven't beaten it yet). However, as one who never played the game before now, I still knew a good amount about it, whether from conversations with friends or internet references, I gained knowledge over the years about the contents of this beloved game. And one of the most debated and commonly known parts of LoZ:OoT is the Water Temple level.
As soon as I removed my Iron Boots and floated up to the surface, the dreaded name of this temple shining across my television screen, I thought of all the things I heard about this level over the years. Impossible, the most difficult in the game, frustrating, annoying, all kinds of negative buzzwords would be thrown around. I realized this overall hatred was caused by the necessity of putting on and taking off the Iron Boots throughout the temple. How it was tedious to go to the start screen and choose the desired boots. How the entire level consisted of pressing start, putting them on, sinking, pressing start, taking them off, rising. So tedious. (FYI, I'm playing it on the N64, not the 3DS).
However as I began my journey through the (then) feared dungeon, I found one thought overpowering my remembrance of these reviews of the level: WOW. This level was breathtaking; the sweet serenade of the calm waters, the amazingly detailed architecture, the soothing sounds. I was actually ENJOYING my experiences in the Water Temple. And this, above all, was surprising.


We all float on okay...

Don't get me wrong, I'm not trying to be a heretic and be all, "Oh, everyone else must be terrible at this game, I find no challenge at all." Let me say this, I did have to cheat a little. Sometimes the placement of the dungeon keys were near impossible for me to find without seeking a little push in the right direction. The one under the rising pillar in the middle area was overall the hardest to find. But my expectations were risen so much by the years of criticism about this dungeon, that I was thoroughly underwhelmed when I finally found the boss key. I stood there for a while, thinking, this is it?
One thing I can say about the game so far through my first ever time playing it is that the level designs are perfect. They flow seamlessly from one room to the other, silently guiding you to the next treasure. Every part of the levels seemed to fit like a puzzle piece, not one section out of place or egregious. And I felt the same about the Water Temple. I barely noticed myself putting on and taking off the Iron Boots, as I was more focused on the soothing rising and sinking of Link, the reflection and movement of the water on the temple structures. The dungeon mysteriously commanded me when to use the boots, where to go, what to do next. I didn't think they were being overused, or that I was constantly changing to transverse a small section of the dungeon. In my opinion, it could have been much worse (and I expected it to be).
I did find two things annoying about the water temple; the separation of places you could change the water levels, and the succession of locked doors. To raise and lower the water, I had to travel almost from one end of the dungeon to the other, and for a while in the beginning I had no idea how I was supposed to do it (I totally missed the symbol on the wall, they should have made that more prominent). I addition, I found myself cursing when I opened a door with a key and traveled across some dangerous terrain (the rising and falling blocks over the waterfall, anyone?) and found out that I needed another key to finish this section. Then I would have to go all the way back and raise and lower the water and try and find the key I missed. It got a little tiring after a while.


There you are! Now obey me waters, cause I am your master!

But again, I still expected a little more of a challenge. From the tense opening scene in the dungeon to the surprisingly underwhelming battle with Shadow Link (after failing to defeat his strategically the first time, I just button mashed until he was defeated the second) to the even more underwhelming final battle with Morpha (again, failed the first time, kept my distance the second), I found myself more and more doubting the validity of what I had heard about the level and more and more learning to enjoy it. Which I did, and when looking back I can now safely say that I enjoyed the Water Temple more than all the other levels I had played up to it.


Its like I'm fighting... myself! Whoa...

In conclusion, I just felt like I should be one of the few people to voice my positive thoughts on this highly debated level, for I feel like I hear more about the negative reactions and those who did enjoy the Water Temple and didn't find it as difficult or annoying as the vast majority seem to are drowned out. Once again, I am not trying to argue for arguments sake, in my opinion I found the Fire Temple harder and the battle with Volvagia one of the hardest boss battle I EVER experienced, I am just saying that I expected something more from everything I heard and didn't experience it. I enjoyed the Water Temple, it was calming where the Fire Temple was stressful and the Forest Temple suspenseful. I guess I can never know how good or bad a game or level is without experiencing it myself, and I am truly joyful that I finally get to play this masterpiece of a game. Now onward to the Shadow Temple...

You all have heard my opinion on the new game Madworld, but there is one other game in production out there that has me even more pumped then the bloody black-n-white; and that' Mushroom Men, developed by none other than Gamecock. Why so pumped, you ask? Well, it could be the largely explorable and beautiful worlds. Or it could be the ability to create your own weapons using human leftovers, such as pencils and paperclips. Or it could be the awesome setting and plot. It could be. But, its definitely one thing; and that's the games music being created by none other than Les Claypool.

Yes, that Les Claypool. The Les Claypool from Primus. The legendary bassist and quaint lead singer. Not only is Primus one of my favorite bands, but having Les do the music for this game is probably the greatest things that has ever happened. Nobody else could make the music for a game based around living mushrooms. I can't wait to chuck this game into my Wii and listen to the psychedelic background hums as I play. I mean, who else can you have create the music for a game about MUSHROOMS if he's not from PRIMUS. Yea, you see where I'm going.

Mushroom Men will be a great game even without the addition of Les Claypool. But this guy is just what Gamecock needs to bring this game into awesomeness. I'm looking forward to this game. Can't wait.

Now I practically grew up on this magazine, and I still subscribe to it today. But I've seen many of my friends who used to read it cancel their subscriptions and when I miss a payment and need to pick up the month I missed I find it real hard to locate a store that sells it. GameStop and EB Games don't sell it anymore, as well as Best Buy. It seems that if I want to find one without subscribing I have to go to Borders or Barnes and Nobles. Why has my precious Nintendo Power fallen so? Now they celebrate their 20th anniversary, but will it last 20 more years? In my opinion the writers at Nintendo Power remind me of the ones here at Destructoid, they're both funny and informative. I get all of my Nintendo fanboy info from that magazine,and I just need to know is anyone still reads it. Are they so hard to find because nobody buys them or do the people at GameStop and EB Games just have their heads too far up their asses? So does anyone read Nintendo Power here? Hello? Anyone?

ANYONE?

Cause I sure am. Now, lets face it, as much as I love Nintendo, I've been kinda disappointed with the lack of quality games over the summer. I mean, the only game I found good enough to buy was "No More Heroes", but I never got around to it (I will). But, lo and behold, I'm am really exited about the recent announcement of the new game from the independent developer PlatinumGames and Sony, "Madworld." And oh man, does it look awesome.

Literally, its LOOKS awesome. Its has the definite Frank Miller look with the black and white, and it reminds me of the movie 'Sin City' (based off of the comics by said mentioned) with the only color being red. From the, you know, blood. Cause this game is all M, not for those little kids and soccer moms who own much of the Nintendo Wii's. The main character is not loveable, he's all bad ass and such. The game play looks real good too, and its been confirmed that this game is all action. No pushing boxes and searching for keys. No puzzles, ACTION! AND BLOOD! Another great part is that its supposed to have lots of great weapons, as well as the ability to use the environment as one. This game is gonna rock!

After I wipe the drool from my chin, I'm gonna get to the universal look this game gives me. Another quality Mature game really gets my hopes up that this might be the first of a string of great games set to come out on my precious Wii. With "No More Heroes" getting much attention and great reviews, and hopefully "Madworld" will copy this, (what am I saying? Of course it will!) the possibilities are endless. Face it, both of these games are risk/reward, and when they succeed, maybe, just maybe, other third party developers will take those risks and make more games for the Wii.

Last but not least, I'm exited about PlatinumGames, formed by two developers who had worked on gems like Viewtful Joe and Okami, will provide more great games for the starving Wii. This game is sheer awesomeness, and hopefully it will bring more of these kind of games, though maybe not all Mature ones, in the near future. All I know is if I can impale a guys head with a road sign, I'm buying it.

I sure didn't. So one day I was watching Fuse and they had one of those countdowns for Rock music videos. If you like music and own Fuse you should watch it, I find many bands I didn't know exist on it, and sometimes they're pretty good. One of those bands is Shinedown. Now the first song of theirs I heard was the new single 'Devour'. I don't know if it was the sheer awesomeness of the song or the eerie Ozzy Osbourne lookalike lead singer, but I was hooked. So I, er, legally downloaded their discography and found out that some of their other songs aren't that bad either.

Now, as I listened to their albums, I found out that I actually was familiar with some of the songs but didn't know they were Shinedown's. Lets start with their debut album, Leave a Whisper. It's probably their weakest album. Now the song '45' is real good, but other than that its all pretty much the same. When I talk with some of my friends about this band, the term 'radio rock' comes up a lot. Now I'm not a huge fan of that term, but if you started listening to this band at their debut, you probably wrote them off as this 'radio rock', because that's what it sounds like. But wait! There's more! Stick with them!

Because in 2005 they came out with another album, having the same name as a certain psychedelic bands song from a certain multi-platinum album. (Don't know? Yea? Okay, I'll tell you.) Us and Them. And now your saying, "Mysterious stranger, if their first album was radio rock, what makes this one not?" Calm down, friend. The big difference is this album has three excellent songs on it; Heroes, Save Me, and I Dare You. Now it was weird cause when I first listened to this album I heard these songs and I recognized them, but I was like, "Wow, I didn't know these songs were sung by Shinedown." That and other quality songs makes this my favorite of their albums.

And last but not least is their recent album, The Sound of Madness. This album starts off with the still awesome 'Devour', which, if you don't know, is about the Iraqi War. Yea. This song is followed by other great songs, like 'Sound of Madness', 'The Crow and the Butterfly', and 'Sin With a Grin.' This is definitely a great album, and the lead signer is solid.

So there you are, a great band you probably didn't know existed. Or did. Whatever.