With Shiovi Versus being released on the Vita recently, it seemed like a decent idea to repost my little look at its predecessor on the 3DS.
Well, colour me a little surprised. Just before I was ready to complete my Japanese copy of Project X zone, it was announced that the game would get a western release! Well, the game was my primary reason to get a cool-as-hell JP 3DS but not the only reason. That would just be silly! I do have a number of other JP only games which I wanted to try out and the next game is a bit of an oldie now... Senran Kagura Burst!
Now, one of the reasons I wanted to play this game is simply because there's not much info on it! The game got some coverage on western games sites but they were all mocking in tone. You can't really blame them though, since the advertising on the game basically revolved around the gimmick of being able to see animated boobies in 3D!! Hell, even the producer of the game said that was the reason why he wanted to make the game! Not the most auspicious of starts!
This is actually the second game released. It was billed as a sequel but, to be more honest, it's more like an expansion pack, which allows you to play as the villains from the first game while also containing the previous game in its entirety! Buyers of the first game must have been peeved!!! Anyway, if you watch the Promo videos, you do get to see a little bit of gameplay, in between the scenes of clothes being torn off and whatnot and it's basically a side scrolling fighting game!
There's a whole bunch of text to go through as well, since the game does try to tell a bit of a story (Which is sorta covered by the anime adaptation) though the stories from the 2 sides don't seem to have much overlap (and when they do, they tend to contradict themselves so best think of them as separate stories).but the bulk of the game is the side scrolling fighting, with similarities to streets of rage. Stages are separated into various missions which story missions being needed to be completed to progress and must be done by a specific character (initially) and free missions which can be done by anyone. Completing missions gives your character experience points to level up as well as fill up one of 2 bars which increase your stats in the game.
Controls are very simple, with a light and heavy attack button, dash and jump button for the face buttons and a ninpo buttons and a special attack which knocks enemies around you away but takes away health. As you take damage, your clothes do as well and eventually, your character can end up playing in their undies. You can also manually trigger a mode which removes the clothes off at the start of the stage which grants you enhanced speed and strength but reduces your defence to near nothing! It's also the only way to fill one of the 2 bars to power up your characters.
Initially, you are limited to very simple combos which usually end with a launcher attack which you can follow up by using the dash button to continue your combo in the air. Once you fill up your ninpo bar, pressing the L button triggers your shinobi transformation which gives the characters their better known looks like the ones seen on the boxart. It also unlocks the characters super moves and, as they get stronger, more combo options.
The battle system in the game is incredibly simple and somewhat reminds me of Muramasa on the Wii, but without the gorgeous hand drawn graphics. There is also a high emphasis on fanservice in this game, with the ability to customise your characters looks and costumes in the game with additional costumes unlocked as you progress. And you can't really escape from the clothing damage sequences either...
So, how does it fare?
• simple yet effective - the combo system in the game is a little too basic but you still feel like a bit of a badass when you're kicking the butt off huge groups of enemies.
• 2 games for 1 - as stated above, Burst has the characters and missions from the first game, so essentially, you get 2 games for the price of 1.
• Damn challenging - despite the simplicity of the systems, don't be fooled. Some of the missions in this game are balls hard!! Completing them all will take some time and unlocking the 2 secret characters will prove to be exceptionally difficult as well!
• Varied characters - Despite the characters having incredibly similar combos (at least initially and especially in the air), each one feels sufficiently different enough to require tweaking your tactics when you play as them. Ikaruga has long range and wide attacks so can handle large crowds well, but isn't so effective on 1v1 situations and is slower too. Katsuragi is really fast and can do hit and run attacks but it can be hard to launch opponents or get her to stop where you want her to since her attacks push her forward for example.
• Hebi Joshi Gakuen - I guess the makers thought that, by adding a story to the "villains" from the first game, it may help make them appear more human, but instead, it just made them more insufferable! Mirai and Haruka in particular are annoying as hell and none of the characters are as fun to play as the girls from Hanzo Gakuen.
• Too much service - It was made around the whole concept of fanservice in 3D but sometimes, it just gets in the way. There's just too much of it at times!
• Infinite combos against you! - In later stages, enemies come at you in larger numbers but some also gain projectile attacks, which are hard to see! To make things worse, there's no blocking in this game so it's very easy to find yourself being juggled from continuous projectile shots with no recourse for a counterattack. You just have to soak up the damage, which is a very frustrating occurrence and happens a little too often for comfort.
• The jump button - Aside from allowing you to perform an aerial ninpo, which you learn later in the game, there is absolutely no use for the damn thing!!
Senran Kagura (and Burst) are a little tragic in a way. The underlying game is playable and somewhat fun but not particularly memorable nor deep. It needed a hook to get people into it. Muramasa had a deceptive system which rewarded calm, measured play and also had amazing animated sprites to look at. Senran Kagura basically went full fanservice and that is what most people will see. Underneath is a serviceable game which people will enjoy but nothing to scream about. Not that anyone would hear you anyway over the noise regarding the stupid levels of boobies in the game. The Vita game, Shiovi Versus looks to continue the trend as well, swapping out the 2D movement for something akin to Dynasty Warriors, but with the basic combat systems in place.
The Senran Kagura series is basically like Dead or Alive. Those looking for something to mock will just go on and on about the clothes stripping and the boobies but if you play it, it's not half bad!
And yes, I'm likely to be getting shinovi Versus as well. Maybe I'll do a mini review of that too. read
OK, this one has been a long time coming. 2 months in fact! But then again, I did need to get a japanese 3DS to play it and then progress far enough to get a decent feel for the game but we're here now. This weeks post is a review of Project X zone on the 3DS
This review is going to be considerably longer than previous ones. I've noticed that the game hasn't really had much coverage since its release and there's not really any explanation on how the game actually plays. This might be because every news outlet knows something we don't and a western release is on the horizon, but I have my doubts for reasons I'll get into later. But what that means for is that this post is going to be rather long and wordy! I'll try and pad it out with some pics but there's such a dearth of pics on the net, aside from the stuff collected by andriasang.com that I had to take some myself using my trusty cameraphone (ergo, they suck!)
You might want to get into a comfy chair and have a hot cup of good tea handy as well...
OK? Here we go! Project X zone is a direct sequel to Namco X Capcom, a Strategy RPG which was released on the PS2 and combined many characters from various games from the 2 companies, spanning right down to some of their earliest titles. The game also tried to do something different by giving you limited control of your characters during the attack and defence phase. You needed to input basic button presses to launch attacks and, by careful timing, combo them together for bonus effects. Project X Zone continues in a similar trend but adds Sega into the mix as well as a good helping of another game which was developed by monolith soft...
The game occasionally references the events of NxC, especially between characters who made it into both games and certain stages from NxC are lifted wholesale and placed into Project X Zone, so it's pretty safe to say that this is a direct sequel. But for now, lets get into the meat of the game.
First, we'll get the cast out of the way. There are 2 types of units which are available to you in the game. The first is a pair unit, which are the ones which you will have direct control over. Each pair unit consists of 2 characters (obviously) who can be moved around the map and have items equipped. Each company provides characters for 6 pair units each with a new pair of original characters and the main characters of Namco X Capcom, Arisu Reiji and Xiaomu, taking another 2 pair unit slots. The second unit type is the solo unit. Unlike in Namco X Capcom, where there was nothing to distinguish between a solo and pair unit (you used both types as individual units and some start off as solo units but become pair units later in the game. KOS-MOS, Ryu and Kazama Jin were examples of NxC solo units while Chun Li started as a solo but paired with Cammy later. Morrigan also became a pair with lilith later in the game), in Project X Zone, Solo units must be attached to a pair unit to take part and cannot do anything on their own. If they are not assigned to a pair unit in the intermission, they cannot be used in the later battle. A complete list of characters available can be found on the wiki page for the game.
As for the selection roster, the companies chose to stick with some of their most recent titles with only a few exceptions but each one comes from a very famous and relatively recent series so there's no "who the hell is that?" moment like there is in Namco X Capcom (Did anyone who played NxC know of wondermomo, bravoman or kagekiyo before they started?) The only exception might be Valkyrie from the legend of Valkyrie. But she plays a big part in some of the humour of the game so she passes! For the most part, each character takes the form from whichever was their most recent game so Shinguji Sakura and Oogami Ichiro are an item (and Sakura gets jealous if Oogami spends too much time with another lady, like Kaguya from Endless Frontier…), Jill and Chris appear as they did in Revelations (Resi 6 wasn't out yet), Heihachi is young again, like in Tekken Tag 2 and the street fighters are all from SSIV:AE. The only exception is Megaman and Zero, who take their cues from Megaman X4.
Before each stage, you are taken to an intermission screen where you can save your game, equip certain items to units as well as work on your units by experimenting with different unit combinations. Some Solo units don't play well with some pair units. Initially, you will have gaps but when you complete the full roster, each pair unit can have a solo unit assigned.
Once you get to the main battle stage, things start to look familiar. You're presented with a 3D map with a fixed viewpoint. From there, each unit on the map is designated a turn which is decided mostly by their speed stat (which can be augmented by skills and equipped items). You move units directly using the circle pad and your maximum allowed movement is shown in dark blue. While on the map, you can come across destructible items and chests which can be opened or removed by pressing "Y". Unlike in NxC, this does not end your turn and that change is massively welcome! In NxC, using a unit to obtain items usually meant sending them far away from battle and wasting a turn getting it. With PxZ, you can use units to get the item and get back into the fight quickly! Action points from NxC have been scrapped so once all units have ended their turn, the system resets so there's a definite turn end here, as opposed to NxC where they all merged into 1 long queue and you could get units to skip up the wait list.
While still able to move around, you can bring up a menu which allows you to save the game mid-battle (though you are limited to 1 save here), use items or skills on your unit. Items are used mainly to heal your units or raise your special bar, which I'll get to in a bit. Skills allow you to buff up or heal your units and each skill costs a certain amount of special bar. The more powerful the spell, the more it consumes. For the most part, you don't need to worry too much about them, aside from the heal spells and speed increase. One other skill you need to keep an eye on is the one which allows your characters to move a few more spaces than usual. This is especially important as a later stage requires you to defeat a number of enemies before they reach a certain part of the map and you CANNOT get to them without said skill!
The special bar in PxZ is called the cross gauge and is filled with cross points, confusingly called XP here. Experience points are labelled as EXP. XP are gained by beating up enemies or using up items and almost everything in the game bar moving, using items and basic attacks uses a certain amount of XP. Defence uses it, Skills uses it. the super moves of the pair units use 100 XP and the multiple assault attacks (moves which hit more than one enemy at a time) also uses them! Furthermore, in a rather boneheaded design choice, you only have 1 XP bar for your entire team! So if you have 100XP and decide to use them all on a super attack, your next unit will have 0XP (and not defend if they get attacked). This does mean that enemies can repeatedly pound a single unit until they are unable to defend due to lack of XP and kill them... This is, thankfully, rare but it can happen.
Still with me? Good! Next up, we'll talk about the attacks. There are 2 types of attacks available in the game. The first is when your unit attacks a single enemy. This is shown as yellow blocks when you move your unit. The second is when the attack can take on multiple enemies (up to 4) and is shown as a light blue block. The multiple assault moves, however, uses up XP and will not become selectable until you have 100XP. Furthermore, units need to learn their respective Multiple assault attack and some don't get theirs until quite late into the game.
Most of your damage will be done with the regular attacks and the system takes a few pages from NxC but the vast bulk of the combat system takes its cues from Endless Frontier: Super Robot Wars OG Saga on the DS. If you've played that game, you'll feel right at home. If not, basically, units can have up to 5 attacks corresponding to the "A" button and a direction on the circle/d-pad. Each attack is a short combo which is automatically done and every move has one of 2 properties; Knockback and floater. Knockback attacks throw the enemy to the wall, where they bounce back and floaters are where they are launched into the air. As they come back, you can time your attacks to continue the assault and prevent them from touching the ground. This is important because later enemies have shields which need to be broken before you can inflict damage. Once broken, they will roll with your punches but if they touch the ground again, the shield returns so you need to break it all over again.
Now, remember the solo units which you could attach to your pair units? They are mapped to the "L" button on the 3DS and you can call them to attack once per attack phase. You can use them as an additional attack after you have spent your attack points but you can also call them in while you are doing your main attacks. This is the better option as, if both units attack the enemy at the same time, you score a cross hit, which is shown as a green X icon over the enemy unit. The cross hit will freeze the enemy in place so they won't move as you hit them but it also increases the amount of XP you gain and furthermore, it's the only way to get more than 100XP. with cross hits, you can get up to 150 total XP and that can come in very handy! On the down side, your timing has to be very good because if you miss, the enemy unit won't stop and you could also end up freezing them high above your units where their attacks cannot reach effectively!
Furthermore, if you position your attacking unit next to an ally, your ally can also join in and perform an attack like the solo units. Your pair units also have a super attack which can be performed when you have more than 100XP. This needs to be done at the end of the turn though, as your move immediately ends upon completion of the move, so you can't do a combo afterwards to raise your XP again. Here's a short video I recorded of the basic stuff in the battle stage. It shows cross hit combos, super moves and also, multiple assault attack.
still with me? Nearly there! The only thing left now is the defence options. I'm just going to leave this to another video but basically, any action will cost a certain amount of XP. If you don't have enough, your unit will take the full force of whatever attack the enemy does to you. Furthermore, some units and all boss units have super moves and multiple assault attacks like your units. these cannot be blocked. But on the plus side, everything is over really quickly so you don't have to faff around with pressing the D-pad in a mini-game of "simon says" like in NxC.
Most stages follow a simple "kill everything" objective but there are a few which throw curveballs at you. Nothing major. They're usually something like "reach character X and press "A" within Y amount of turns" but be aware of them. There are probably some guides on the net to help you if you get stuck but most are self explanatory.
That's pretty much everything there is to the game... I think. How is it overall?
• In-jokes and references - I have no idea how localisation teams will be able to handle translations for some of these things but boy, did they put a smile on my face. The first one was when you get Kurt, Riela and Valkyrie into your team. The 3 meet in an underground cave after Riela and Kurt get teleported there. After a slightly awkward introduction where the 2 nameless introduce themselves by their numbers, despite valkyrie overhearing their names earlier. So, as a compromise, Valkyrie asks them to call her a number as well, 17. To most people, this means nothing but if I say that the voice of Valkyrie is Inoue Kikuko then, to anime fans who know her works, it has meaning! Valkyrie also says "saiyusen Jikou yo!" again, you need to be an anime fan to get the reference. But there's plenty for gamer fans as well. In fact, there's a cool little reference to the original Megaman X on the SNES (as well as another game) in the multiple assault by X and Zero. A later stage also brings back a familiar face in the form of Iris from Megaman X4. She doesn't do much but she does manage to throw zero out of the loop for a while.
• An active battle system which requires attention - for many SRPGs, it's a matter of "tell unit to attack -> think of next move" so it's really refreshing to have a system which forces you to pay attention and consider your moves more carefully. It makes it less automated and encourages experimentation. Some unit pairings also have unique dialogue between characters. Examples include X, Zero and Alisa Bosconovich as well as Lindow, Chris and Jill.
• Seriously cool attacks! - some of these animations are a joy to watch.
• The music - Hearing remixes of the themes for the characters is also really fun. Especially when Tekken Tag theme or Zeros theme starts playing! I still prefer the battle theme for Xenosaga episode 1 though! But hearing Subarashii Shin Sekai is sweet!!!
• The Camera - this was an annoyance which was much larger than it should have been. Basically, because the maps are fully 3D, there are times when the camera angle prevents you from seeing what you are doing. Here's an example.
• Artificially long stages - Later stages have nearly 100 units on screen at once. You'd think that would be cool but all it means is that you have a very large number of enemies to plough through and you can sometimes have to wait a long while between your moves while you wait for the AI to finish all its moves and attacks.
• Setting up your units... Again! - At certain parts of the game, your characters can get split into smaller teams with solo units going one way or another, depending on the story. This can wreak havoc on your unit setup as you may have spent ages moving units around until every pair unit has a solo unit which works with them and then suddenly, *poof* the units are split and you have to figure out something else with limited resources. And to add insult to injury, when the paths combine again, you need to put your original setup back manually!!!
• Missing some big titles - No Soul Calibur from Bamco? I miss Taki and Mitsurugi.
• Single XP gauge for the entire team! - This is just annoying and stupid. Particularly since super moves take a huge chunk of the gauge and yet are the only real way to inflict any serious damage on boss units. It just ends up dragging the fight. I would have preferred to have seen individual XP gauges for each unit but made them harder to fill or certain moves to cost more.
Overall though, I can't really complain. The game is lots of fun but it does feel like Monolith soft fixed many of the annoyances of Namco X Capcom but replaced them with new issues instead. The single XP gauge really irked me but overall, it's just great to watch these random mashups smacking things around! Veterans of previous monolith soft games may be glad (or dismayed) to hear that KOS-MOS has been severely nerfed in this game. She's no longer the one unit map clearing weapon of death she was in NxC (seriously, she could stand toe to toe against most boss units! ALONE!!!). She still hits hard but her speed is quite low (though one of her skills increases it for one turn) and she doesn't have a skill which allows her to move twice in one turn or have items which restores her MP like in NxC. Hell, she was stupidly powerful in Endless Frontier as well. Never take on a boss without her!! But in Project X Zone, she's just very good!
Also, Wing Wanderer is a decent enough song but it doesn't hold a candle to Subarashi Shin Sekai, the opening song for Namco X Capcom
It's just a shame that Nintendo has chosen to keep such gems out of the reach of most western gamers by putting in region locks on the 3DS. I know there's talk of a western release for the game and a part of me hopes it happens but I'm skeptical due to the licensing minefield the game is. Most of the units are fine but there are just a few which could cause headaches, such as Bruno from Dynamite Cop. That game was released here as Die Hard Arcade, so they might need to ask FOX for permission to use it. Sakura wars V is also licensed to NIS America and the Super robot Wars titles to Atlus USA. Now, they might be fine with the licenses and play ball or they may not. And it only takes one team to not play ball for the release to collapse. Legend has it, this is what happened when a company tried to bring Super Robot Wars alpha on the PS1 to the US. ADV held the license to Evangelion and sank the idea by asking for an extortionate amount of money to use the Evangelion license. Not sure if it's true though.
Speaking of which, Yumeria and .Hack also have anime shows attached to them. God knows where the licenses to those are held, but I know they aren't with Bandai! I'm not saying a release won't happen, but I wouldn't put my hopes up either. In any case, I've had the opportunity to play the game and I like it a lot! If other gamers get a chance to experience the game without having to import a whole new handheld, then I'm happy for them, but for now. I'm having a blast playing through the only release so far on my limited edition Char Aznable 3DS!
That's about it then. Well done for making it this far. If you have any requests for videos from the game, provided they won't take too long (no walkthrough requests), I'll take them under consideration. I've also purchased Senran Kagura aka 3D boobies game. Perhaps I'll do a review of that when I've played through some more... read
A few months ago, I posted a mini review of Pandora's Tower on the c-blogs and, while I spoke about various things about the game itself, I also spoke of a special item which was given to buyers of all three titles. Something unique to Europe. Sadly, Nintendo didn't like being straightforward so buyers ended up having to wait until October before we got the promised item and, since it's not often Europe gets to 1-up the guys over the other side of the pond, I just felt that I had to do a little gloat post!! It's a bit late, seeing as the item arrived at the beginning of the month but... meh.
And this is what you get if you bought all 3 games!
Yup! A box!!! And inside said box is the real prize.
That's it! A commemorative coin set. One for each game!
On one side, you get the title printed out as they appeared on the game boxes and on the other side...
You get an icon that represents the game. For Xenoblade, you get the kanji which appears whenever the monado is fully charged, the last story gets the flame which gives Zael his power and Pandora gets the curse mark.
I have to say, the coins are really well made and have a significant weight to them! They really didn't cut any corners when they made these! Were they worth the wait? Probably not, but they are still appreciated nonetheless and a very cool little item to add to my collection of gaming memorabilia.
But there's more!!
If UK gamers bought pandora's tower from HMV, you also got a little box to hold all 3 games together!
The Box also came with a small artbook
Nothing outstanding in there either. Just some bits of art from each of the 3 games. Some may be familiar to you all.
Nothing to really write home about but a nice touch in any case. The high point is definitely the coin set. You Yanks will be happy for us eternally suffering brits, right? Afterall, it's not often we get to gloat about getting something you guys don't, right? It's usually the other way around!! read
a few weeks ago, a promoted clog by RenagadePanda talked about how he loved Bad games and it got me thinking about bad games in general. I'm sure we've all had experiences with games so bad, we can't possibly defend them. yet we don't necessarily like them but we still remember them, even if it's not for the best reasons…
I will openly admit to owning a few duds in my games collection but there are just a few which I will be talking about. The first is Bullet witch.
I bought the game on the cheap as it was a pretty aged title by the time I got it though I have no idea why I went for it anyway. When I popped it into my 360, I found a very shoddily made but fully functional game. I played through it a couple of times in a rather painless fashion and then… Nothing! After I had my fun, the disk has been sitting in it's case just wasting space. When i try to think back to what the game was like, I pretty much draw a blank. With no real memories of the gameplay, I find that I have no desire to play it through again to remind me of what it was like the first time around.
The next game is Another Century Episode R. A Next gen sequel to a trilogy of games released on the PS2. The ACE games (as the series is more commonly known as), are known for allowing players to control mechas from a variety of anime shows which have been thrown together into a mashup of epic proportions. Think Super Robot Wars but with you controlling just 1 unit instead of an army. Now, the first ACE game was OK but had flaws, quite big ones. The second was a masterful game and fixed everything that was wrong with the first game and the third game refined the formula.
Then we got ACE:R. And it sucked!! It sucked HARD!!!! The main problems were due to ridiculously unwieldy controls and a shit camera and lock on system which almost actively hindered your ability to play the game. I didn't get too far into the game because my mind (and my controller) couldn't handle it. But when I see my copy of the earlier ACE games, I think to myself "how could they screw up ACE:R so badly?" or when I play other mecha games, I find myself thinking "thank f*ck it's not as bad as ACE:R!" The bottom line is that I remember ACE:R, even if it's for being unplayably bad. Heck, recently I tried playing it once more, thinking that I must have been too harsh on it and it's not as bad as I thought (hint: I was wrong. It is that bad!)
And then finally, there are the anomalies. These are different for everyone but they're basically the bad games which know are bad beyond belief but yet don't quite hate them. For me, one of the more recent titles like this was Hyperdimension Neptunia.
Destructoid reviewed it and slammed it. Heck, most publications did. Eurogamer even went on and ranted about the over sexualised character designs. The thing is, Neptunia was designed for a specific type of gamer in mind, and they weren't one of them.
But even the gamers which the game was made for would find it an almost impossible task to defend the game. Where do I start? Maybe the level structure which split the world of the game into 4 distinct areas where you were expected to complete one after the other but weren't designed to be played sequentially? What do I mean? Imagine a game where you are taken to area 1. You play through the area, completing quests and level up to a decent level and finish the area. You then move over to area 2 and the first enemies you encounter were designed to fight you as if you had just started the game.Yes, it was that retarded!! Then, there was the fact that you could only use healing and resurrection items if you were in battle and had the appropriate skill equipped as the game only had an auto-item usage system available. You could not heal outside of battle. Let me give you a moment to let that sink in… YOU CANNOT HEAL OUTSIDE OF BATTLE!
*ahem* these were only 2 of the flaws inherent in the game and yet, in spite of those flaws, I managed to complete the game.
But the biggest mystery is yet to come. Even greater than the question of "how the hell did I manage to play the game until the end?" Even greater than "how the hell did this game manage to spawn not 1 but TWO sequels?" but rather, how did they make a sequel which had none of the failings of the first game but was utterly pedestrian?
Neptunia mk2 had a lot of things going for it.The game structure was more linear and better catered to you ever increasing strength, Items could be used at any time and at your discretion and the battle system was completely rewritten to make things far more tactical and severely limiting your characters abilities to transform into their powered up modes.
And yet, when all things are said and done, it doesn't stick in my memory as much as the first game. Mechanically, it's superior in every way to its predecessor but yet, it feels far more bland and pedestrian because of it.
Taking things a step further, when one talks about older retro consoles, you will see a plethora of top ten best and worst games on the system. There may be some general differences but most of the lists will be populated with many of the same titles. But what about the rest? You don't honestly think that those lists cover all the games that were released on those consoles, right?
It is said that the worst insult is to be ignored. If that's the case, then it has been inflicted on far more titles than the ones which are genuinely considered good or bad. And there were lots of titles which have been forgotten. Like Plok on the SNES.
Everyone remembers rise of the robots almost as much as Mortal Kombat and StreetFighter 2, but what about the other fighting games which flooded the 16-bit generation? And let's not forget that almost every other game in those days was a platformer. How many do you remember which wasn't Mario, sonic, Bubsy the bobcat or Zool?
The truly bad games will be remembered just as much as the truly great as time passes. They may not be remembered in the same way but the bad games have a way of sticking in our memories and get recalled far more easily than many other titles that have come and gone, just because they were that damn bad. As for games we initially pass off as bad, may not be as bad as we initially think… read
I'm back! And with an uber late mini Review of Pandoras Tower, the 3rd major JRPG release along with Xenoblade Chronicles and The Last story. This was originally posted a couple of weeks ago on my personal blog lookingglass.kokidokom.net but now I'm putting it on the CBlogs so others can take a gander and try to make up their own choices about the game!
OK, this mini review is late... Really late!! In fact, I could have finished the game twice more since I last saw the end credits up until now, but I have a good reason!! Basically, in an unprecedented move where Nintendo wants to appear to actually care for European gamers, they announced a special offer whereby if you register your copy of all 3 major JRPG releases (Xenoblade, the Last Story and Pandora's Tower), they were going to give you a cool little something for free to commemorate their release. You needed to register within a few weeks of the release of Pandora's tower to be eligible so we're not talking huge numbers here! Anyway, once registered, we got a message saying that they would contact us in the first week of June to ask for a shipping address. I think most of us assumed that they would spend the time crafting said items ready for shipment since they knew how many they needed by then. Then, after we told them our addresses, we got a followup email saying that the item would be shipped in October... FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF!!!!!!!!!!! Even when they try to act nice, Nintendo still manages to screw over European gamers!
The original plan was to wait for the special item and then show it off as part of the review, but that's not going to happen now if I'm not going to get it until November (they ship near the end of Oct!). By that time, even the US might actually get the game, leaving us with one less thing to gloat about! So I'll revisit the games again later but for now, here's a very belated review of a very underrated game!
Pandora's Tower is the 3rd in the "JRPG trilogy" release after Xenoblade and the Last Story but without any big names or companies behind it, many people dismissed it as the weakest of the three before it even arrived in the shops! A view which is incorrect IMO. At its core, it's a dungeon crawler RPG. The setting is a world at war between 2 major powers. You play a soldier named Aeron who fought for the opposing side from where the story takes place and was nursed back to health by Elena, your love interest in the game. Then, during a festival, Elena was cursed and slowly started transforming into a monster. With the help of an old lady who knows more than she lets on, the 2 of them make their way to a desolate area which has been closed off and houses the 13 towers, where the game is set.
Very early on, you are provided with a weapon called the Oraclos Chain and find out that feeding Elena flesh from the monsters in the tower allows her to revert back to her human appearance. However, only by eating the flesh from the most powerful monsters at the top of the towers will stop her change completely so your objective is to climb all 13 towers, defeat the monsters and feed Elena their flesh to cure the curse affecting her. The initial 12 towers follow 6 distinct themes representing the elements (fire, water, earth, etc) and each element has a tower guarded by a male and female deity, and boss. What that means is that once you complete the first 6 towers, the next 6 will look and feel very familiar as the basic layouts are the same although they are not identical or even mirrors. There is one cool bit at the end where the 2 towers are actually linked and you need to warp between them in order to find a path to the top as one will allow you to progress faster than the other.
When first arriving at the towers, you will find that the doors to the bosses are locked by a number of chains which increase as you proceed to later towers. Your first order of business is to break those chains to gain access to the boss and then defeat them to acquire their flesh, usually by using your chain to pull their cores out of them. While this is going on, the curse is still affecting Elena, who will slowly transform into a monster again unless you feed her flesh. So your exploration is peppered with trips back to your base to feed Elena the required flesh to keep the curse at bay as if she transforms completely, it's game over! (As a side note, it's worth noting that the religion of the game (which plays a prominent part of the story) ensures that everyone who follows it is a vegetarian, yet Elena is forced to eat meat in order to survive.)
In terms of gameplay, it's an action RPG with some similarities to the legend of Zelda series but the exploration and layout of the dungeons themselves, remind me more of a metroidvania style game, which is a shame because there are several points where you wish that the dungeons were interconnected to allow you to move around and find your own shortcuts and ways to progress. The structure definitely feels like it could support that style of gameplay and you do acquire new abilities for your chain as you progress but it feels like the developers didn't want to push things so the dungeons are independent and, for the most part, rather linear. Combat is simple but effective. You start off with a sword which can be upgraded as you collect items in the dungeons and give them to the old lady, Mavda. 2 other weapons become available as you progress but I stuck with the sword throughout. Your chain can also be used to immobilise the enemies as well as throw smaller ones around. In a neat little twist, the larger enemies have various areas to target so attaching your chain to their weapon arm allows you to disarm them if you're quick or attaching the chain to their legs prevents them from moving. Where you attach your chain also affects what item you can get from them once they are defeated. Aside from that, the chain also operates like a hookshot from the legend of zelda, allowing you to hoist yourself up to ledges, swing off certain ornaments and also unlock certain doors.
That's pretty much it. Unlike the previous 2 games, there's not too much depth or development in the story. As you proceed, you do learn more about what happened in the tower before it was abandoned and, by helping Elena and providing her with gifts, your affinity with her will increase and will affect what ending you get at the end of the game. So, how was it?
Boss fights - To heck with the Lollipop Chainsaw bosses! The ones in Pandora's Tower may lack the personality of the zombie horde, but they're unique in their own right and the methods of defeating them are totally different and require completely different tactics. They're definitely the highlight of the Dungeons!
Simple but effective story - There's no "gotta save the world" or "must protect my Country" plot here. It's just one guy trying his best to help the girl he loves. That's it! And it feels kind of refreshing. It also helps that Elena isn't a girl you're chasing after or a hindrance. You're never left with the feeling of "Why the hell am I having to chase after this girl through all this crap?" like you do in the Legend of Zelda games nor does she get in your way during the bulk of the gameplay.
Surprisingly deep combat - Initially, I didn't even realise that I could aim my chain at other body parts of the enemy, but once I was certain, it definitely livened up things as I was able to disable one enemy while focusing on another and there were even little puzzles like lighting lanterns around a darkened room by throwing flaming bugs at them to light them!
Characters you actually care for - When you think about it, not that many RPGs do this part right. Even for the best ones, you don't often progress through a game wanting to genuinely help a character. Instead, you do it to find out how things progress or what happens next, like the plot in a film or book. There's a slight disconnect between you and the game characters so it's pretty impressive that Pandora's tower made me care for Elenas wellbeing rather than just simply looking at her as a way to push some parts of the plot forward.
Dubbing - All I can say is, I'm really glad that Aeron is mostly silent for the game as his voice is just awful! Elena is a weird one as she seems OK when she's just talking but at certain parts of the game, she sings... and there's a MASSIVE disconnect between her singing voice and her normal one. There's just no way that her speaking voice could produce singing like that! Then again, the original Japanese VA was Noto Mamiko. Not my favourite VA, but even she would probably sound a little off. The singing was a proper full blown Soprano part!
Dark as HELL! - *SPOILERS* this game does not have a happy ending!! There are 7 ending in total and each one basically has someone being screwed over, even the "best" one! When I first finished the game, I got the "B" ending and my first thought was "are you serious??" after working your way though the game, it really puts a downer on things, even if it is a logical conclusion!
Missed opportunities and a lack of Polish - As I stated before, there are quite a few points where one feels like this game could have been made into a brilliant metroidvania style game which pushed exploration if the designers were more clever with their level designs but it never happens. But the biggest fault of the game is simply how things seems to just stop at "satisfactory" without pushing beyond that, aside from the boss encounters. Combat feels like it could have been much better with some refinements, but it just stops short because it does its job well enough as it is.
Ultimately, Pandora's Tower feels like a game which could have been amazing but decides not to push the envelope and is happy with what it has accomplished. That doesn't mean it's a bad game but it keeps bugging you with thoughts about what if?
Having said that, saying it was a failure or even the weakest out of the 3 Wii JRPGs is off the mark. For me each one brought something to the table and had some glaring issues.
Xenoblade gave us a massive, expansive world with so much to do but was marred by poor storytelling which required you to suspend your belief several miles. At times, I wanted to just slap the characters and spell things out for them because it was just painful watching them progress the way they were doing.
The last story gave us a masterful story which was concise yet large in scope and put in a competent battle system but was marred by being too linear and felt like you had no control over where anything was headed, even though it wanted to give you the illusion that you had some say (the "choices" given to the player sums it up neatly).
As for Pandora's Tower, it gave us the best sense of exploration, made me care about the characters more than the previous 2 games and showed that a story doesn't have to be epic to be a JRPG.
And, incidentally, I enjoyed my time with Pandora's Tower more than Xenoblade. Xenoblade may have been the larger title in pretty much every way but it really started to drag near the end. At the same time, the Last Story felt a little too abrupt, even though you could see the end coming a mile off! Ultimately, there was no "best" between the 3 but each one catered to a different element that makes a great JRPG. If you miss out on one, you're missing out on something! read
I'm back with yet another mini review. Given how polarising the game has been if review scores are to be believed, it seemed like a good choice to review this game, which I did last week, but I haven't posted it here until now. Here's my Mini review of Ridge Racer Unbounded! _____________________________________________________________________________
This was one of those things which had to be done. I'm still a little amazed that I have this game in my collection seeing as I played an early build back at the Eurogamer Expo last year and hated it with a level of hatred saved for only the most heinous of things.
My original intention was to gleefully ignore the game and let it sink as I was confident that it would. Then I read the reviews and, instead of a critical mauling, I found that some respectable publications, such as Eurogamer and Edge magazine were giving the game very high scores and praising the game while others fell in line with what I was expecting. It was one of the most divisive games I have read up on for a long time and there seemed to be no middle ground. So, I decided to check it out as I was able to acquire a copy without having to pay full retail.
Now, if you've been keeping up with the game at all, then there's nothing much to add. This game is basically Ridge Racer in name only. The mechanics are more in tune with burnout and Split/Second as opposed to the "pure racing" that Ridge Racer Represents. There's also no Reiko Nagase so you KNOW that this isn't a canon RR game now!! There are several events available in the game, all of which ram home the point that this is not anything like the Ridge Racer you know. The main one is domination, a standard racing fare with destructible environments, hidden shortcuts and the ability to take out (or "Frag") rival cars. Next up we have Frag Race, where you just eliminate as many cars as you can in a set time limit; time trial, where the developers make weird stunt tracks with lots of ramps, half-pipes and god knows what else, pepper the track with tokens which shave seconds off your time and just tell you to get to the end within a certain time limit; Drift events, where you drive and perform drifts to accumulate points and extra time and finally, there's just plain old racing (though this is not a common event).
The unofficial slogan for Unbounded seems to be "Forget everything you knew about Ridge Racer" but it may be more accurate to say forget everything you know about EVERY racing game! And that was part of the problem when I first played it and it seems many others have hit the same wall. The developers of RR:U actually changed the method of drifting in their game to the point where it's pretty alien and there's not a single tutorial or set of instructions to explain this in the game! If you haven't played Unbounded yet, let me say this, if you try to play this game like any other racing game, you will fail HARD!!!
In Unbounded, the handbrake button has been changed to the "drift" buttons and to drift in the game requires you to hold down the button while simultaneously doing the usual steps of release accelerator -> brake -> accelerate like in almost every other arcade racing game. Except that the drift button also slows you down so you need to balance the presses with the other inputs to ensure that you don't slow down too much or spin. And it's VERY tricky to do well! My technique is basically down to lightly tap once on the brakes and then continue to tap the drift button repeatedly to maintain the drift and speed. It's not perfect but it kinda works for most situations and the game is more enjoyable once you break from the ways you are used to. However, there are quite a few other problems which rear their head when you play...
Drifting: As I said above, drifting is very different from other racing games and is quite hard to do. It requires a fair bit more thought and concentration but when you get it right, the feeling is sublime!
Pure Racing: It may sound odd, considering how the game has been marketed, but for me, the most fun to be had is when you're on the racing events. Just 7 other cars, you and boost. No shortcuts, no Frags. Just pure racing and it's here where I think the game excels
Track editor: the game allows you to make your own tracks and, once you've unlocked a number of parts from the main game, it's pretty in depth! Sadly, it can be abused for easy exp points to unlock other stuff, but the system itself is solid.
F**KING CHEATERS!!: Let's get this out of the way first because it's pretty much unavoidable. This game cheats like hell! The most obvious method is by the blatant rubber banding which is performed by the AI. We're talking Mario Kart Wii levels of rubber banding here! It doesn't matter if you're 5 seconds ahead of the pack, just one mistake, a corner taken too wide for example, will have your lead not only disappear but more than likely your position will be knocked down to outside the top 3! You don't need a catastrophic error like a crash or spin for it to happen either! They will always be right on your ass! Furthermore, I have seen some races where opponents will simply drive past you and gain a massive lead WITHOUT BOOST! At several points, the car in front of me managed to maintain the same distance from me while I'm boosting and they're not. That just isn't right!!
Fragging: Fragging is basically the equivalent to a takedown in other arcade racers but with the difference being that you can only really do it if you are either boosting or drifting. It hits almost ridiculous levels as you are practically invincible under normal circumstances until someone boosts or drifts, at which point, you become as strong as wet tissue paper. Even if you are fragged, should your flaming wreck of a car hit another car before you restart, the other car would come out pretty much unscathed. You need to get into several head-on collisions with traffic before your car hits "damage critical' levels but you still need one mighty shove before you get fragged. On the other end of the scale, if you're boosting, you just need to touch the bumper of another car to get a frag. If you're driving side by side and jostling for an advantage, boost is it because as soon as one of them boosts, the other is fragged! There's simply no consistency beyond you frag if you're boosting/drifting and you get fragged if you're not!
A general lack of understanding: The developers said that they didn't add any tutorials or help because they didn't want to hold the players hand when they played. The problem is that not explaining things made it arguably worse! Many shortcuts (which are marked but can only be accessed if you are boosting. If you just drive in at top speed or your boost cuts off just before you hit, you will crash!) don't seem to provide much of an advantage in terms of distance from other racers, if any BUT they do often provide significant boost power. This isn't explained so while you can get a free boost bar from taking shortcuts, it's often not economical to hold your boost you've accumulated until you reach one. Also, when you frag an opponent, at times, you can earn a lot of boost power while at other times, you get next to none. At this point 2/3rds of the way through the game, I still don't know what controls how much boost you get!! All these question marks hurt the game because it makes it very difficult to think up strategies and plan ahead! And there's always the guy right behind you just waiting to frag you!
Ultimately, I think the game is above average but has so many flaws, it might just stand out for the wrong reasons. From the looks of things, many of the low score reviews are "playing the game wrong" by adhering too strongly to traditional control styles while the high scoring reviews are giving the game too much credit. My experience with the game paints it as an incredibly frustrating and confusing racing game with some exceptional high points appearing from time to time. It says a lot when I say that the time I have the most fun on the game is when I don't have to worry about frags, shortcuts or any of the stuff which was pushed so heavily in the advertising of the game! It's best when it's just being a racer! The other side events feel out of place (especially time trial) and domination will frustrate many a gamer as this is where the cheating is most obvious and prevalent. There's a solid base to be found in unbounded but it needs a lot of refinement before it can stand up to the big boys. The burnout games are still the kings of the destruction derbies while racers still have the standard Ridge Racer titles and Reiko Nagase to hold up the series so where does that leave unbounded? read
This is actually a repost of my private blog post from last week but seeing as it's video games based and still kinda recent, I thought that some would be interested in it, esp since I doubt many ppl visit my personal blog here! Having said that, this comes with additional info after spending an even more extended time with the demo along with playing with Ayane after picking up my limited edition NG3
Hurray for boobies!!! Wait... nope, I got it right!
Seriously though, I am a pretty big fan of the Dead or Alive series. Afterall, I've played every version of the game and own all but DoA2 hardcore on PS2 and DoA for PS1. Heck, DoA dimensions is by far my most played game on my 3DS! Still, I have to say that the series did lose its lustre after the last few games. DoA Ultimate wasn't too great and it introduced that stupid "forward + hold" to counter just mid kicks which I hated with a passion. DoA4 has cheating AI, a fickle counter system and just felt less accomplished than earlier titles. For me, the best in the series were (and still are) DoA2 and 3.
Dead or Alive Dimensions did a pretty good job of scratching a small itch but when Dead or Alive 5 was announced, I was cautiously optimistic. This is, afterall, the first original DoA game since the departure of Itagaki (Dimensions doesn't count cos it was basically a remake) but my hands on with the Ninja Gaiden 3 demo at the Eurogamer expo last year left me with some major concerns on how the final version of NG3 will play, concerns which proved to be fact if the online reviews are to be believed. That leaves some big questions about how well Team Ninja will be able to handle DoA5.
I have the PS3 collectors edition of Ninja Gaiden 3 on the way but I was able to acquire a code for the 360 demo from a member of Destructoid (thanks, Chris Carter!) so I spent a while blasting through the demo which had Hayabusa and Hitomi as playable characters!
So, how was it?
The first thing which struck me was a sense of familiarity. Controls are still the same and the moves still have the same feel and impact to them but there were several noticeable changes to the formula. The most obvious one, from the videos released, was an increase in the interactivity in the stages. The demo has the rooftop stage which was shown on the very first video and if you hit some of the danger areas, the level will change as debris makes the stage smaller and the stage tilts slightly, opening up new tactical possibilities which are opened due to your character potentially being higher than your opponent. It also opens up a new danger area which will knock the opponent to the lower level. That's the bit from the video with the opponent hanging on the edge of the building. The DoA series were always the best at handling interactive stages out of all the fighting games and the new dynamic changes while you're fighting really takes things up a few notches. However, there's also a slight problem in that, at times, the screen is simply too busy. Especially with the debris falling. With all the parts falling down and potentially causing damage, it's easy to lose focus on what's happening with your character. This is particularly evident when using the new "dynamic" camera which has a tendency to move a lot to give a view of the moving debris while you continue fighting. This can be turned off in the options menu but then you have no idea where, for example, the overhead steel beams are so you could end up launching your opponent into them, which prevents you from following up with, say Hayabusas inazuma drop.
The next big thing is a new charge move which is triggered by pressing p+k+g together (or whichever button is mapped). Pressing the button causes your character to begin charging DBZ style and, should the following hit connect, the character will perform a short flurry of moves which conclude with a heavy attack which causes the screen to go into slow motion. During this time, the background become monochrome save for active danger areas and you are able to rotate the camera to a certain degree in order to line up your opponent with the obstacles and hit them into them to trigger set animations which will cause damage to your opponent. The most well known ones so far from gameplay videos are when you hit your opponent into some steel beams on the rooftop, which triggers an animation where the opponent holds onto the side of the building before you kick them off and a flying car which you can hit your opponent into when fighting at ground level. With regards to the flying car, theres a brief QTE which ensures that you do hit the opponent into the car. Not great but it could have been far worse but many (myself included) will bemoan the introduction of a QTE into DoA.
The charge itself is fairly brief but long enough to give opponents time to react. At this point in development, I think that will need to be tweaked before release as I don't think it'll be of much use when playing against human opponents right now. It just takes too long to pull off. pressing up or down while charging also controls the sidestep, and this will probably be used far more in high level play.
The counter system has also been reworked quite a bit.. I wasn't sure initially due to the fact that I was playing with the crappy 360 dpad but after playing on PS3 as well, I'm certain that the window for successful counters have been shortened quite significantly. It's still not too hard to pull off but it does feel less spammable compared to earlier games. Damage has also been reduced considerably. And at least they kept the retarded forward+hold counter for mid kicks out of this game. God, I hated that!
However, I can't say that I'm a fan of the new look for the characters. Dead or alive has always had exaggerated character designs which were more inline with anime characters than photorealism. So the sudden change in look which went more towards realism is rather jarring, particularly with the female characters. Ayane got off lightly but kasumi and hitomi do look off. There's some real "uncanny valley" work going on here! It's not all bad though. There are some nice touches like how the characters get dirty as the match goes on and if you look at them at the end of the fight, you can see sweat beads rolling off their faces. Of course, if you're playing Hitomi, it seems that she sweats like a pony, which isn't great when you're wearing a white top... or is it?
And from my playtime with the demo, I can say that fans of Hitomi don't have anything to worry about. If you played as her in any of the previous games (but mostly dimensions) then she'll be instantly familiar. Hayate has a few new moves but it won't take long to adjust. I've never played as Hayabusa in any DoA game so I can't say too much about him, but Ayane plays rather differently. She's got quite a few new moves which have different properties to her old repertoire. Her basic tactics still work but you won't be able to just jump in and get her if you've used her in previous games (as I found out!)
Otherwise, the alpha demo does look promising. Dimensions was a lot of fun, though I have heard people complain about the dumbing down of the system (like namco did with soul calibur 5) but that's really only people who take he game way too seriously. DoA is never going to reach the level of complexity or dedication of the likes of streetfighter IV or blazblue but it's a solid fighter in its own right. Team ninja may have dropped the ball with ninja gaiden 3 but it looks hey they are more intimately familiar with dead or alive and with dimensions already under their belt, I think we have room to be a little optimistic when it comes to #5. And there's always the boobies!! read
Some of the community members may know that I keep a small blog. Normally, I post about my garage kit projects, how they're progressing, what they look like once I'm finished, etc but every now and then, I break off and post about current anime seasons and (more frequently) I write mini-reviews for some games I've completed recently.
Most of the time, I don't bother cross posting here as the games are often the big titles which people already have opinions of or they're so late, I don't see the point in posting them again elsewhere.
OK, maybe I could have posted my review of Gundam Extreme VS...
But this time, there's a small PSN game which I think IS worth posting about, partly because it doesn't seem like it's getting much coverage anywhere! And since this is the first review I'm cross-posting, I guess I should say that my style is kinda kotaku-like. I'll give a little backhistory about the game and some of the gameplay mechanics on it and then explain a few points which I liked and hated about the game before summing things up at the end. But before we begin, here's an obligatory warning about the wall of text you're about to see. You can find the original here. If you like this style of review, let me know and I'll consider throwing more out when I write them. The next one is likely to be either Catherine (which just recently got its european release) or the Last story.
Ready? Well then, here's my mini review of the PSN download title, Malicious:
And now for something a little different! Up until now, my mini reviews have been on boxed titles and I haven't really done a review for download titles found on XBL or PSN. The reasons are many, like how I often don't pick them up until much later than release or that, due to their nature, I don't really have that much to say about them. Even the best ones, like hard corp: Uprising, tend to fall into either category or both but a few weeks ago, I bought a PSN game which kinda needs to be talked about, mainly because nobody is!! That game is Malicious!
I first learned of the game via some gameplay trailers from youtube. It was released on the Japanese PSN back in 2010 and the trailers gave it an almost Bayonetta like flow to the combat and I was immediately interested.
This was the original launch trailer for the game. But afterwards, we didn't hear much until late last year when it was announced that the game was to be given a western release. And it arrived earlier this month in the UK!! There is pretty much no story to the game. You are a vessel given a power to defeat a great evil but are told that other beings contain parts of your power and you need to beat them in order to be powerful enough to defeat the big bad! There is a backstory which is contained within the game and it's loooooooooooooong! When the game itself gives you a bookmark to allow you to come back to reading it later, you know it's long! It does provide the setting though and also hints at the name of your avatar.
You can choose between a male and female character, though the impact on gameplay is negligible at best. Your character attacks with a mantle around their neck. Initially, only 2 abilities are available (excluding guard). Punch and shot. they're pretty self explanatory but you get more as you progress. The game starts in a white hub world and gives you access to the first 5 stages and you are able to tackle them in any order you wish, though ones tackled later will be considerably more difficult compared to if you took them on earlier. The stages themselves are rather small and the objective is to take out the boss which appears at the start of the stage. To do so, you are expected to take out the smaller enemies which appear to collect "aura" which can be used to augment your attacks to make them more powerful. Each boss holds a special ability which is passed onto you once you defeat them. For instance, one boss wields a sword and defeating her allows you to change your mantle to a similar sword which allows for wide, powerful but slow attacks.
There's no lifebar as such in the game either. Instead, when you take sufficient damage, the screen flashes red and your character loses a limb. If you lose 4, then you go into a "sudden death" like state. Limbs can be restored by using aura and the more limbs you need to repair, the more it costs. Sadly, you can't restore 1 at a time so if you lose 2 or 3 and don't have enough aura to restore them all in 1 go, you aren't able to!
That's pretty much the game in a nutshell. So, how well does it play?
Beautiful to look at - for a downloadable game, it looks really stunning. This isn't the kind of art-y "look at me" style of limbo but genuine "this could pass off as a boxed title" beautiful!
surprisingly deep - despite only having a rather limited set of moves, even after you unlock them all, the game still has a lot of depth and allows you to combo attacks surprisingly easily
Instant gratification - by making the stages somewhat small and showing the boss off straight away, you get right to the thick of things and take things on with aplomb from the offset!
Ridiculous difficulty spikes - Some of the stages are just insane. I did the red queen last and she was able to completely destroy my character with a handful of moves if I was not careful. None of the other bosses came close to that level of power, save for the final one.
Really crap camera - Remember how crap the camera was in ninja gaiden? Yeah, this one is at that level. It easily gets stuck around corners, locks onto the wrong enemy and can leave you totally blind in certain moments.
Story? What story?? - For all the effort the makers went to in order to establish a setting and story in the prologue, it means jack shit when you actually start playing!
Really short - With only 6 stages available and each one taking an average of 30 minutes for me on my first run, that doesn't add up to much gameplay time, but what it does provide is fantastic!
Lives? in 2012?? - The game provides you with 3 lives at the start of the game which allows you to continue exactly where you left off when you die to make things easier for you but there's no way to gain any more so if you use them frivolously at the start of the game, you'll end up in great difficulty on later stages. But if you don't use them, you have to start the stage you're on from the beginning. And just in case you didn't get this from the description, that's 3 lives for the WHOLE GAME! if you find youself stuck on a later stage and have no lives left, you have 2 choices, get a lot better so you can complete the stage (and subsequent ones) on 1 life or start from the beginning!
With its emphasis on boss fights and short stages, Malicious reminds me of Alien Soldier, a treasure game for the Mega drive/Genesis which was basically nothing but boss fights! Malicious isn't terribly long but it's wonderful to play while it lasts and you can't really argue with the pricetag of a mere Â£7. The game was able to distract me from Catherine until I managed to complete it, and that says something (not sure what though, as I can't say I was a fan of Catherine. I'll probably post my thoughts on that game soon). There's also a vita version in the works. If that gets a UK release, I'll be sure to get that too since my purchase of a Vita is pretty much a forgone conclusion. It's just a matter of when! This is definitely one PSN title which deserves more exposure than it has been getting and a genuine but pleasant surprise! Just go play it!! read
I will be the first to admit that I have a little vanity in me. Not the usual physical type where I love looking at myself in the mirror (hell, I wouldn't even count myself as even remotely handsome) but more to do with what I collect.
Being a big fan of Japanese anime figures, I've collected a number of figures and model kits over the years but unlike many others, I don't simply buy completed figures from online shops to display. That kind of thing has never appealed to me. Afterall, what's the fun in collecting and showing off things if your items are exactly the same as everyone else who bought the same item? As a result, my usual poison is making garage kits, Super limited items which require me to assemble and paint them myself. The end result being a completed figure which is uniquely mine. See where the vanity comes in?
This also stretches over to video games as I have a tendency to lean towards limited edition versions of video games (or at least steel case versions) when they are available. But the nature of video game buying means that you can't really stamp your purchases as your own. Other people will buy limited edition games as well afterall, Sometimes, you can make them stand out by getting them signed by the developers. I Managed to get Kitamura to sign my Final Fantasy XIII (the only reason I haven't banished the game from my home), Hideo Kojima for metal gear solid 3 and 4 among a few other trinkets but otherwise, my collection is pretty non descript.
But for a while now, I've been getting into fighting games and, as many similar gamers will tell you, it's all about using an arcade stick! So about a year ago, I purchased a Mad Catz Super StreetFighter IV TE:S fight stick. And one of the first things I did was to contact someone on a local forum to get it modded to run on both PS3 and 360. But it didn't stop there. After a little bit of thought, I figured that I would mod my arcade stick as it's one of the few things which I could stamp as being uniquely mine. And because I'm a big fan of Blazblue, I decided to wear my allegiance on my sleeve, or rather, my stick!!
It's taken quite a while to get to this stage. I bought the stick back when Continuum Shift was released a little over a year ago. Here;s how it looked for a long while
Aside from the dual mod, I also replaced 6 of the buttons from the standard Sanwa to Seimetsu for 2 reasons. The first was because I've never been a fan of the "squishy" feel of the Sanwa buttons. I prefer my buttons to give me a little more resistance when I press them. That and I always felt like I could accidentally press the sanwas down if I so much as rested a finger on them...
The second reason was because Seimetsu do clear buttons which let you do some cool things with the artwork! Take a closer look again!
The clear buttons allowed me to put some of the artwork into the buttons to give it a look of being unbroken.
As for the artwork itself, it was commissioned by myself and I asked Radiant Dreamer to do the honours. He and I have been friends for a while since we met up on Danny Choos website before he (and it) really took off and have been in contact on and off for a while. He was also the illustrator for the cover of the UK release of BB:Calamity Trigger. Not the best advert for his skills cos the cover sucked (even he admitted that he didn't like it as much as his other entries but that's what his client asked for) but at least it meant that I knew that he would be familiar with the source material. He also showed me a few other pieces which he submitted and so we started talking. The end result, after months of talking and throwing ideas back and forth, is a pretty damn cool custom artwork which is mine, and mine alone! No, you can't have it! (seriously, I'd get into trouble if I just handed it out)
The main section of the art is obviously, the Noel Vermillion who adorns the left hand side. Bet you can't guess who my main is!! I did also toy with the idea of having Tsubaki in there as well, but the cost would have gone way up and as we discussed it, it became clear that the art would have probably ended up too complex so the idea was shelved early on. Poor Tsubaki...
The right side was what took up the most time to decide on as I wasn't happy with the idea of leaving it too plain but couldn't decide on how I was going to full up the empty space. Radiant helped me out here and we went for Noels Emblem.
The Chibi characters are the ones used in the "teach my Ms Litchi" segments from the game as well as the Bururaji radio show from the game. If you haven't listened to them, find them on youtube. Some are absolutely hilarious! Sadly, there weren't any sprites for Makoto in her combat outfit at the time so I had to make do with the uniform. I was given the pst file from radiant so I should be able to update it later will little fuss.
There was a little worry that they would provide too big a distraction on the artwork as a whole but I stuck with it and I think it turned out pretty well!
But that's not all...
I also have the stick signed by Yoshinori Ono
... And Katsuhiro Harada
OK, it would have been even cooler if I had it signed by Mori Toshimichi and Ishiwatari Daisuke when they visited the UK last year but I got something else signed instead cos I wasn't able to take my stick to the event...
Well, that's enough about me showing off. Time to put the stick through its paces. And just in time for soul calibur V!
And for those curious, I wrote a personal blog post which went into a little more detail about the assembly process.
Being a person based on the east side of the Atlantic (UK), I couldn't help but chuckle when I read the bloggers wanted topic this time around. Afterall, Europe is still widely regarded as the toilet of the games industry when it comes to releases. We've missed out on so many classic games, that we would probably make this c-blog post a list of games which were never released over on our shores and shout "any you guys complained about not getting Xenoblade?"
And the more things change, the more things stay the same. We don't even get Catherine until a year after the Japanese release!
But we're meant to be blogging about games which we loved but had to import to enjoy. And in my case, trying to choose just one would be difficult. Of course, I could talk about Final Fantasy tactics on the PS1 or Valkyrie Profile. Two of my favourite games which never reached our little island until many years later when they were re-released on the PSP. But at least they got here in the end, right? But eventually, I chose to try and work around a theme. A very loose one, to be fair but one which allows me to endulge not only my love of games but also of a certain type of anime show which I have loved since childhood. To this end, I will be talking about 2 video game series which I hold close so I apologise about this post being rather long in advance. First up, we have the the Xeno- series
It seems fitting to start with the series of games which inspired this particular Bloggers Wanted topic. While Europe got Xenoblade before the US (for once), it's easy to forget that aside from Xenoblade, the series which spans a total of 5 games had only one other game in the series released in Europe. And it was the weakest one! I suspect that quite a few european readers will share the same reverence to the one which started it all as I do. Xenogears was, and is, one of my favourite games of all time. as an impressionable teenager, fresh off Final fantasy 8, Xenogears showed me something different. Even though I did not get the intricacies of the plot until much later (especially the Religious stuff), the game captivated me with its battle system which felt so familiar yet so alien. The way it forces you to pay attention and diversify your attacks was a stark contrast to the "mash X button" from the final fantasy games and it was a hook which worked brilliantly. It has been said that for an RPG to work, it needs either a strong plot or a great battle system. And this one was leagues ahead of anything else I had played at the time, and that includes FFVII (Hush, FFVI wasn't available to us Brits yet!)
The mecha designs were also something to behold and Xenogears remains one of the few games I went out and got the OST for. Second disk aside, the game is phenomenal and still stands the tests of time. I bought a physical copy several years ago and bought a digital copy on the US PSN but the game seems unlikely to ever be released in Europe, seeing as it's stuck in a licensing limbo.
But lets not forget the Xenosaga games, the pseudo-sequel developed by Monolithsoft. I picked up Xenosaga Episode 1 on a whim off ebay after acquiring a modded PS2 to play it on. While it was really showing its age by the time I got it (the game was over a year old by the time it was released in the US!), there was a firm sense of familiarity in the game battle mechanics and other elements which made me feel at home. It also introduced me to KOS-MOS, One of my favourite character designs from any video game. I love her so much, I paid over �600 to import a japanese resin kit...
which needed to be assembled...
Totally worth it too!
The series in general never touched the heights of Xenogears but they were enjoyable in their own way. Except for episode 2. And it was episode 2 whch was also released in Europe for whatever baffling reason. The game came with a DVD which contained the cutscenes from episode 1 and was meant to fill in the plot from the first game for those who jumped straight into episode 2, since the plots were linked. Except the DVD was useless. It was also a pre-order bonus for the US copy and I had it. It was a complete mess which was impossible to follow since scenes jumped over the place and made no sense since there was no gameplay elements to explain how the characters got to where they were. No wonder episode 3 was never released in Europe as Episode 2, understandably, flopped. Who the heck wants to start a story in the middle? It's a shame that the series got cut short and episode 2 was pretty lame but episodes 1 and 3 gave me a fun time and gave KOS-MOS to the world so I thank it and Monolith soft for that! The mecha connection is a little weak for the Xenosaga series but lets not forget about the (admittedly useless AWGS from episode 1 and the ES units from the other games! ES Dinah was a beautiful unit to look at. I think that puts the games under the mecha unbrella!
But now, lets go onto the second series I'm planning to discuss. It's a series which has been around for years but only in its native Japan. It's the Super Robot Taisen series!
For those who don't know, the games are a Strategy RPG (think Disgaea or Final Fantasy Tactics) which incorporates mecha shows from the 1970s and beyond into a twisted mass of awesome which takes elements from the series to make a story which combines them all.
And it was 8 years ago when I played my first one. Super Robot Wars R.
I owe a great debt to my Korean friend who introduced the game to me by way of an emulator. He gave me the game to play on my PC and explained the basic controls which were all in Japanese and a few tips to help me on my way. So, armed with a rather limited knowledge of the mechanics and the 2 of the ability enhancing "pilot spells" I ventured into a brave new world. And what a world it was!
I still remember the first time I watched the battle animation for the Aestavales units from Martian successor Nadesico with a massive grin as I recognised the attacks and the midi music being played on the screen. Same for when I used the Gundam W units. My knowledge of anime shows in general was much smaller than it is now but I knew Nadesico and Gundam W. (I have to thank the Super Robot Taisen series for introducing me to shows which I would have otherwise missed. )
But it wasn't until my first SRW game on the PS2 when I really took a liking to the series. It was the second SRW game released on the PS2, dai-2-ji Super Robot Taisen Alpha (lit: the second super robot wars alpha)!
It was the game which introduced the squad system to the series so I ended up having to learn the whole game system all over again but it was worth it. Compared to SRWR, Alpha 2 had a much larger selection of mecha anime series and beautifully animated battle sequences and fantastic music. I remember singing along to a few of them as well as I played! And I couldn't contain my glee when I unleashed Shin getter robo for the first time! The plot in these games can be a little hard to follow but usually, it takes a few series as the core plot so if you know how the story goes for those, you know what happens in the game. For example, Alpha 2 introduced King of Braves GaoGaiGar to the series and covered the first half of the show, so you fought all the way up to the battle with EI-01 and defeat him near the end of the game. The penultimate stage was one where Char tries to crash an asteroid into the Earth, mimicking the end of the movie Char's counterattack, which also neatly ties with the ending for Crossbone Gundam where something similar happens with a different antagonist. And so, you get the idea!
From then on, I never missed a beat when it came to the main console Super robot taisen games. There were a few spinoff games but the core titles were released on the PS2 at the time and I got them all. I also played the ones on the GBA and DS. All in all, I have played the entire SRW alpha series (2 games on PS1 and 2 on PS2), all the DS games (3 of them), most of the GBA games, SRW MX and Z on the PS2 and Z2 on the PSP as well as all the super robot wars Original Generation games!!
Ah yes, Super robot wars original Generation. I guess a little explanation is in order here. In each Super robot taisen game since the second game, there have been original units designed by Banpresto (the developers) which do not belong to any anime series. Then, in 2001, they decided to release a game which contained just those units. This was significant because the first 2 games are the only official super robot taisen games to be released outside of Japan! And by that, I mean the US. Again, Europe got shafted!!
The reason why the super robot taisen games have never been released until then was because of licensing issues. A game which contains so many different anime shows would require permission from all the license holders in the region which it was trying to be released to. It's not so much of a problem in Japan where license holders are more flexible and having a series in a super robot taisen game is good publicity, especially for older shows. But in the west, it's not so easy. Heck, half the series aren;t even licensed, so who do they go to ask?
Legend has it that there was an attempt to release the first super robot taisen alpha game in the US but it fell through as ADV films, the license owners for Evangelion, supposedly asked for so much money to use the license that it made the venture unprofitable...
But the original generation games neatly sidestep those issues, which is why the first 2 games on the GBA managed to get a release late into the handhelds twilight years. Those 2 GBA games were later combined and remade for the PS2 and one more game was released, called SRW OG gaiden. And now, fans of the series are waiting for the first PS3 release in the series called, confusingly, SRW OGs 2. Sadly, only the GBA games were ever released in the US.
But I have a lot to thank the Super robot Taisen games for. As well as introducing a few of the older mecha series for me to watch, it also improved my understanding of Kanji, as I needed to know what all the buff pilot spells did! And, while completely following the plot is still beyond my meagre language skills, I have more than enough knowledge to understand the options for upgrading my units, pilots and also all the pilot catchphrases they say in the battle animations. Still, it's not like you need to know all this stuff to understand how the game plays. All you need is a desire to watch your favourite mecha kick some serious ass!!! The rest just falls into place.
At this point, I think this post has gone long enough. There's still the matter of the spinoff series like the Super robot taisen saga games and the ACE (another century episode) games, but lets take a break, shall we? Perhaps I will be able to talk about those games another time if readers are interested (the ACE games are particularly good!)
If you want to jump on the bandwagon without the intimidating language barrier, there are a few fan translations for some of the games (specifically, SRW A for the GBA and Alpha gaiden for the PS1) and you might stumble across the GBA releases of the Original Generation games if you look hard enough.
Years on, and us Europeans are still getting hurt by delays and non-release of games, far more than the US. But if you tread off the beaten path, you may just find some games which stick with you for life, and the entry barrier is getting lower all the time! read
[one of these days, I'll post a more timely c-blog post about a DtoidEU event!! But it won't be this one. I wrote a more lengthy recollection on my personal blog for those who aren't afraid of walls of text!]
November 5th 2011. Just over 11 months after after tickets were put on sale, Distant Worlds, the music of Final Fantasy finally arrived in London for the first time. Of course, the concert has been around the world several times, landing in numerous American cities, Singapore, Vancouver, Sydney and a whole bunch of other cities but not the UK.
And, despite the very long wait (regular tickets were sent to buyers months ago!), you could tell that people were looking forward to this! Heck, when people start applauding the orchestra when they're just tuning their instruments, you know that they're ready to go!!
The Legend of Zelda 25th anniversary concert was held a scant 2 weeks prior and enthralled and annoyed people in abundance. However, as I am a much bigger fan of the Final Fantasy series than the Zelda games, I was looking forward to this concert far more than I did the Zelda concert.
And as soon as you enter the venue of the Royal Albert Hall, the difference is like night and Day! Distant Worlds is a tried and tested production and they know how to put on a show! The seat where the above photo was taken was actually part of the VIP section, where (supposedly) the best seats in the house were. Well, I don't think I have the knowledge to argue and the tickets themselves cost considerably more than the regular ones outstripping the Zelda concert VIP ticket price once the booking fee was taken into consideration! It would have been cooler to sit closer to the floor and be closer to the orchestra but then you would really have to bend your neck to be able to see the screens, and the music would probably be blasting your ears into oblivion!
And here was the setlist for the evening. A piece of music from every mainstream Final Fantasy game released so far. Even FFXIV (which even Arnie Roth took a quick swing at, saying how it was "still struggling to be released!") which they fit in around memoro de la stono.
The concert was performed by the Royal Philharmonic Orchestra and the London Voices, the same duo who performed at the Legend of Zelda concert so we knew that we were in good hands, for the most part. There were a few duff notes played on a couple of tracks in the first half of the show but we won't hold that against them. More damning was the fault of the sound balance. The brass section of the orchestra pretty much overpowered all the other sections at times so great tracks like JENOVA and Blinded by Light were mere shadows of what they should have been as you could not hear the string sections clearly!
But when we had such an expertly performed Don't be afraid and Zanarkand, not to mention Dancing mad, the good vastly outweighed the bad. Besides, they had me at prelude, the very first piece of Final Fantasy music I ever heard, back on the PS1 when I was playing Final Fantasy VII for the first time in christmas 1997!
Of course, as promoted by the website, Nobuo Uematsu was present at the event and, as an encore, he joined the London Voices to sing the vocals of One Winged Angel!! I was also really impressed by his command of english!! But for me, the defining moment of the evening came right at the beginning!
After Liberi Fatali, Arnie Roth Addressed the audience and the orchestra played the victory theme to truly kick off the concert! He then went on to talk about how most of the music being played that night was composed by Uematsu and then asked the audience to show their appreciation for the man behind such memorable themes. At this point, one would expect him to appear on the stage and take a bow. But that didn't happen. Instead, a beam of light appeared on the left hand side of my vision to illuminate a part of the audience... And there he was. Just a few seats away from where I stood was Nobuo Uematsu. I could have taken a few steps to the side and I would have been able to put my hand on his shoulder! That was how close I was to him and he sat there for the entire evening, enjoying the concert just as much as the rest of us (I suspect!)!!
The benefits of VIP! The ticket also gave us access to a meet and greet after the show so I didn't leave that to chance!
I also got the programme for the evening signed...
And also both Distant World CDs
Sadly, the meet and greet was very strictly controlled (a far cry from the Zelda concert debacle) and we were only allowed to present 1 item to each guest to sign as well as 1 photo op. So yes, there is a photo where I am with Nobuo Uematsu, Arnie Roth and Susan Calloway and no, there's no way you are going to see it!
Arnie Roth also took some time at the beginning of the concert to say that Distant Worlds was going to return in a years time! November 17th 2012 and you can bet your ass that I will back then as well!!!
Of course, I was not the only member of Dtoid EU present and to close off, I'll give the other guys the spotlight!
Have you seen such a sexy group before?
Now, if only Yasanori Mitsuda did a concert with the Xenogears and Xenosaga music, I would be in bliss! Heck, I'd settle for a short concert where the orchestra played the Myth Album!!
Fellow Dtoid member Nik Monroe was also at the concert and has given permission to share some of his pics! His seat was further away than mine but his camera was better suited to the job. EXTREEEME ZOOM!
Where he was sitting
The soloists for the concert
and some more dtoid sexy!!
Tickets for next years concert should go on sale early next month and I highly recommend that you join us there! Even if you're not a fan of Final Fantasy, it's still a night to remember!
And I don't care if I have to wait on hold for nearly 1/2 hr like I did last December, I'm going for the VIP ticket for next years concert too!! read
[Note: I know this is kinda late. I posted this up on my personal blog and then forgot to write up the C-blog. Still, better late than never, right?]
Nintendo do like pulling off a load of bluster for their icons don't they? Mario got a load of special edition items for his 25th anniversary and for the 25th Anniversary of the legend of Zelda, Nintendo announced a set of concerts to celebrate the music of one of the most highly regarded and lauded video game series of all time. There were already 2 concerts, one in Tokyo and one in LA and the last one was held last night in London! So, with VIP ticket in hand, I went along to the concert with other members of the Destructoid UK community.
The event was held at the Hammersmith Apollo theatre and tickets went on sale a few months ago, a far cry from the Distant Worlds tickets which were on sale around christmas last year! The event isn't happening for another week!!
The doors opened at 6:30pm but the queue was pretty big by then already. As a VIP ticket holder, there was a separate, shorter queue which I was instructed to go to in order to reach the box office so I could get my VIP tag for the post show festivities. Except that there were no signs explaining that. I only found out by asking one of the stewards where the heck the end of the queue was (it really was that long) and by the time I actually got into the venue, most of the regular ticket holders were in! For VIP tickets, one didn't feel very important when holding one...
Never one to miss out on a merchandising opportunity, there were stalls inside which were selling 3 types of posters and 2 types of T-Shirts. See those prices? Nope, they weren't a bad joke!! Still, I did nab one of the "25 years of the legend of Zelda" posters, which had a link from each of the games so far. I also got it signed, but more on that later...
As well as costing almost twice as much as the regular tickets and giving us access to some post show shenanigans, the VIP tickets also gave us some pretty sweet seats in the theatre! Well, sweet from an aural point of view, terrible for photography...
I landed a seat right at the front, near the right side of the stage.
See? Pretty close, right?
And here's the programme for the event. It came with some messages from Miyamoto Shigeru (who wasn't in attendance), Aonuma Eiji (the producer) and Kondo Koji (the music supervisor).
And here's a closer look at the programme list of all the pieces they were playing for the night.
There were also 2 pages at the back which left a few notes about the tracks that were played.
Anyways, the venue was pretty busy when the show got started.
And when the whole thing kicked off, we had Aonuma-san stand up on stage and speak to everyone with the help of a translator as he didn't think that his english was strong enough. He basically started off with the usual thanks to the audience for attending and what he thought the music meant to the player and how it helps identify the series. He also asked people not to record the concert and upload it on youtube. Someone probably did though...
Terrible place to take photos because of the lighting but it also didn't help that he wouldn't stop moving!!
After that, he introduced the conductor for the evening, Eimear Noone and we then got our first track of the evening.
And then after a few words from the conductor, we were introduced to the person who would basically introduce the remaining tracks to us and explain a little about them (not that anyone in the crowd needed an explanation) but that was when we were told that our "guide" would be Zelda Williams! You know? the hot daughter of Robin Williams who did the adverts for the Ocarina of Time 3D with her dad? And the good, down to earth kind of hot, like Natalie Portman and Audrey Hepburn, and not the sexpot kind of hot.
Ms Williams wouldn't stop moving either, but she's forgiven because she was clearly nervous. heck, she even made a gaffe later on in the show by saying Kakariko Valley instead of Village. But at least she managed to correct herself before the audience did (barely).
Then what followed was a couple of hours of sweet orchestral music, punctuated with a mix of live video of the orchestra playing and some gameplay video of the legend of zelda games. Now, here's where a little criticism comes in. It was billed as a 25th anniversary concert but it would be more accurate to describe it as a 13th anniversary concert as almost all the music was from either ocarina of time, Wind Waker or Twilight princess. Wind waker and Twilight princess got a whole piece each which basically took us through the whole game in a matter of minutes while the bulk of the concert was taken up by Ocarina of time. Being a fan of the earlier games, I was a little disheartened that very little time was taken to update some of the music of the earlier games. Links awakening and Zelda 2 had no presence at all but I did have a big smile on my face on one of the later tracks, the 25th anniversary melody as they put the dark world theme in along with some gameplay video of a link to the past, my favourite game of the series by far!
Other than that, I have to admit that, since I'm not as big a fan of the series as other people are, I found that many of the tracks gave me a sense of familiarity but not nostalgia. That doesn't take anything from the concert itself but perhaps I didn't enjoy it as much as the others. Some of the other Dtoid members who were in attendance loved the Wind Waker symphonic movement piece for example.
There were also some other minor bits of criticism as well, pertaining to the vocals. There were a set of vocalists at the back of the stage who were most prominent when they sang the song of time, but they used microphones to project their voices. That was disappointing for me as I would have preferred clear, natural vocals but then, they were situated at the back and would have had to fight against the orchestra to be heard. I guess that's more of a criticism of the venue rather than the skills of the vocalists. The other major criticism was when they played Ganondorf's theme. The theme itself is very organ heavy, since Ganondorf is seen playing it in the Ocarina of Time but since there was no organ present at the venue, they had a pre-recorded track for the piece, which the orchestra accompanied. And you could really tell it was a recording from where I sat. You could hear a lot of distortion in the music being played through the speakers. It made me wish that they had chosen a different track to play.
The concert ended pretty much the only way it could, with a rendition of the theme for the legend of zelda, a piece which has been in the games since the very first one.
Afterwards, Kondo-san took to the piano to give us one more piece from Wind Waker before giving us a speech in english and thanking the Royal Philharmonic Orchestra for their performance. Aonuma-san then took to the stage one more time to plug the new game, skyward sword. Rather awkwardly, he spoke of a new Zelda game which was being released in November and asked the audience if they knew what it was called. But he said it in Japanese, which I understood and I nearly shouted out the answer before he handed the mic over to his translator to ask everyone in english. Man, that would have been embarrassing if I was the lone guy shouting it before. Then again, there were people shouting random japanese at him earlier in the evening. Not sure if they actually knew Japanese or if they were just shouting what they knew. I don't think 大丈夫 was the correct reply to what he was saying at the time. Aonuma-san also told us that the game will come with a CD of the concert so if you want to listen to what was played, go and buy the game!! And to round things off, the Royal philharmonic orchestra played the theme to skyward sword as the encore to end the concert.
That was it for the concert, but for VIP ticket holders, we got to do a meet and greet. And this is where the knives come out.
The meet and greet was advertised along with the VIP tickets so we knew it was going to happen but there was no indication as to who would be there. And man, was it a disappointment. Now, I was at the back of the queue as I chose to wait for some of the Dtoid crew who needed to pick up their VIP passes so we ended up waiting a while before we got into the area as they were only letting in a small number of people at a time. To kill time, we got some freebies like plastic ocarinas and keychains.
When we finally got into the little room where the meet and greet was held, it was already late but when we got in, we saw that the people present were The conductor, Eimear Noone (cool), Zelda Williams, (also cool) and... The producers of the show... WTF?? No Kondo Koji and no Aonuma Eiji, even though we knew that they were present!! Bearing in mind that the VIP tickets were almost double the cost of the regular tickets, this was incredibly lame. It's possible that they were present earlier and left but that makes it even more lame and suggests very bad organisation. Why provide a limited number of VIP tickets if not all of them get the same treatment? Then again, this is a nintendo event and Ninty are known for kicking their biggest fans in the balls at almost every opportunity so perhaps this was to be expected. In any case, it soured what was otherwise a great night.
In short, if you paid £67 for the upper class regular tickets and got good seats, you got the best deal. The £125 VIP tickets were totally not worth it and left a really bad taste once all things were done and dusted. Not even getting my poster signed by Eimear Noone and Zelda Williams and getting a photo with Zelda made up for it.
Well, maybe just a little.
Now, lets see what Distant Worlds will have for us... They're already better organised that's for sure. They have an itinerary and everything!!
Roll on Nov 5th
[EDIT: looks like the lords and lady of DtoidEU have given their permission to post up some of the special pics we took late into the night at the event. Totally SFW so no worries there, though one may be somewhat rage inducing...]
Don't worry. We already have a squad of highly trained professionals hunting down that guy in the last pic. Gents, your tears of blood will not be in vain!! read
About GundamJehutyKai One of us since 5:23 PM on 10.30.2009
Greetings true believers!!
In real life, I go by the name of Chris, but in the realms of the internet, I am known as GundamJehutyKai!
The name itself came by an IRC chat many moons ago and is a combination of my 3 main loves: Anime (Gundam), Video Games (Jehuty) and Giant mecha, which can be seen from the names used. The "Kai" was just added later as a suffix.
I'm a pretty big collector of anime figures and spend a lot of my time building and painting resin kits, so I tend to be more active on the Destructoid sister site, Tomopop but I thought I would jump the gap and see what else is in store!
I've been playing video games since the days of the NES and I still own almost all my consoles which I have purchased over the years, all in still working condition!
As well as building anime model kits and playing video games, I also maintain a small blog which I use primarily to show the progress of whatever model kit I am working on but I also throw in a few random video games review and particularly noteworthy news as well.
Feel free to check it out if you wish.