John Frusciante isn’t dead. He hasn’t even really stopped making music, so he really isn’t going anywhere. However, late in 2009, John confirmed that after 12 years of being a member of RHCP, he has now quit in order to pursue new musical interests.
This is something that is particularly depressing to me. I often have regarded RHCP as one of the most talented mainstream acts of the modern day. Containing amazing bassist Flea and the criminally underrated drummer Chad Smith is a good enough combo. But throw a guy like John Frusciante on there to helm the song writing and you really had a formula for the kind of pop rock that you could never find anywhere else.
Combined with Anthony Keidas’s catchy spoken verse rapping, they all created an excellent combo, but that wasn’t even the best part about them.
The best part of RHCP is watching their progression through the years. As a band, RHCP has seen more changes in formation than most bands did, which attributed to all the incarnations they’ve had over the years. Having John Frusciante joining RHCP due to him being inspired by their current guitarist at the time added a real hint of legacy to a band that was still in it’s infancy.
Eventually they reached stability though, and with Frusciante helming their song writing he carried RHCP into success within the release of two albums. And sure enough, he gave them hit album after hit album. He wrote the amazing bass lines, Flea played them, Chad Smith made amazing funk beats that complemented Flea perfectly and John Frusciante’s minimalist guitar style combined with his incredibly unique backup vocals catered perfectly to Keidas’s spoken verse.
And on top of that, they changed their style. They went from the funk rock of Mother’s Milk to the melodic Californication, to the then even more melodic By The Way. What was very striking was that you were given a portal into the lives of the musicians through their music. During Californication they’re still singing about chasing girls and flicking off cops while finally showing hints of growing up. They followed that up with By The Way which is a more sobering album that offerd one message. It was time to grow up. The funk was gone this time, and By The Way was full of songs featuring hints of regret with beautiful ballads like “Venice Queen” giving tribute to the Drug Consular who saved the lead singer’s life.
The Red Hot Chili Peppers were one of the few bands in the mainstream who truly operated as a unit. With so many bands emphasizing these big personalities who have a bunch of easily replaceable stock members who serve no purpose, having a band like Red Hot around was something that was very refreshing.
I feel as though I’ve missed out on something great having never seen them live. I’ve missed out on a band that aged like fine wine.
That being said, I still have hope for RHCP. Their new guitarist is a man named Josh Klinghoffer who is mostly famous for actually working a lot with Frusciante on his solo work. He definitely has the vocal range to preform Frusciante’s vocals, and I’m hoping that RHCP’s inevitable new direction ends up being something that elevates them, unlike the last album they made without Frusciante, that being the awful “One Hot Minute”.
And on the bright side, this means we’ll be seeing a wealth of more solo work from Frusciante who started off 2009 by releasing “The Empyrean”, which just so happened to be one of the best albums of the year.
It’s often hard to retain hope for the current state of the mainstream industry. It’s a bloated monster more concerned with creating personas and hit singles than it is with the quality of music anymore. RHCP was one of the few beacons of hope for the industry. That a band could survive on musical prowess alone, that a band could still achieve mainstream success while shoving all the previous conventions back into everyone’s faces. With him gone from the mainstream, that bacon has gotten a little dimmer. Here’s hoping that RHCP’s upcoming album only illuminates it, instead of extinguishing it completely.
The Californication video, with its video game theme, is still my favorite music video. So there's a handy tie-in.
A lot of the songs on BSSM are fun, and there are a few great ones on there, but Stadium Arcadium and By the Way had a lot of their most subtle work, and both of them feature a wealth of some of my most favorite songs.
Yeah.
I will agree hearing their progression is fascinating. You definitely hear in the music when the tension was at it's peak and the somber sound after everyone detoxed and shit.
I dunno where you get that idea that the mainstream is bloated and has no character but alas I think John's solo career will be welcomed with open arms.
If you think Pink Floyd were starting out in our current market, that they'd achieve the same mainstream success?
That's because nobody wants rock operas that covers the psychological progression of a troubled individual starting with the death of his father in a war and ending several decades later with a metaphorical conversation that the character has with physical manifestations of the most important figures in his life through a court trial.
There are still mainstream artists doing a lot of amazing things, but they don't have the embrace they once did. There just seems to be more emphasis on the single than ever, and mediocre bands are achieving unbelievable success.
There are people who are going to listen to nothing but Taylor Swift and awful gangster rap for their entire lives and never know any better. That's the current majority in the industry.
Again, I'm not speaking in absolutes. No generation is without it's great bands. Despite my wider range of love for the music of previous generations, most of my favorite bands are mainstream. I'm just saying that these are really dire times for artists of any merit to really get their stuff out there, which is why it's become a necessity to do things like search online to find the bands that are doing good shit.
I'm hoping that RHCP stays successful in this industry, but, honestly, I can't see that happening. With Frusciante gone, I'm sure so has morale, and all of the members going solo seems to be more likely to me than just getting a new guitarist and making a new album.
I have seen them live three times now, and they are truly amazing as a live act. I am hopefully optimistic about the future for the Peppers, but also excited to see what John Frusciante has for us next.
I like JF's solo work better anyways.