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The Boss Fight Appreciation Zone is where your greatest virtual foes are hailed as the champions that, deep down, you know they are!



Come join the fun!

___

About me:



I am El Dango, the pretzel-fueled bossfighter of the North. I post jokes, gif, songs and silly Photoshopped images on the front page, although sometimes I do want to have a bit of discussion, usually about game design, which interests me a lot.

Here's a fave game list, everyone else have them (alphabetical order):

Ape Escape
Batman: Arkham City
Beyond Good & Evil
Doom
Octodad: Dadliest Catch
Oddworld: Abe's Exoddus
Pacman Championship Edition DX
QWOP
Rayman Legends
Shadow of the Colossus
Sonic 2
Tekken 3
Tetris
Wario Land 2

(NOTE: I'm only putting one game per franchise now, for variety's sake. Some choices that I really truly love have therefore been removed. Doesn't mean that I love them any less.)

I also strongly enjoy games and series like Zelda, Burnout, Mario, Sly Cooper, Ratchet & Clank, InFamous, Jak & Daxter, GTA, Saints Row, Counter Strike, Splinter Cell, Tomb Raider, Worms, Roller Coaster Tycoon and Metal Gearrr, as well as tons of indie games like Limbo, Mutant Mudds and Guacamelee. I don't have these at the absolute top though, great as they might be. If I did, this list would be crazy long, and I prefer to keep it short and personal.

Platformers are my favourite genre, followed by third-person action adventures. I do enjoy a wide variety of genres though, with the only ones I tend to dislike being RPGs and, to some extend, RTSs (go ahead and pronounce that last one). I'm usually open to action games of any kind.

( ͡ಠ ͜ʖ ͡ಠ)

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You're struggling.

The battlefield has not shown you mercy, and you find yourself getting increasingly exhausted, as fierce enemies overwhelm you and grand obstacles stand before you. At times, it may look like you're attempting the impossible, that you are so weak and insignificant that it takes nothing to bring you down. At times, the challenge is almost scary to you, and the solutions seem out of the realm of possibility. You're running out of options, and you're running out of health.

But you do not give up.

You don't work that way. 'Life's as worth living as ass is worth kicking', is the code you live by. So you press on. For every step back, you take two steps forward. With every failure comes a little bit of wisdom. As the difficulty rises, your fear lowers, and you accept it. You get comfortable with it. As you polish up your strategy, you eventually reach perfection. Before you know it, you see your goal. There is your destination, right in front of you. What once felt like a distant dream has come true, and you finally get to advance on your journey. But that's when you see it.

That's when you face the boss.

Thinking you were at the end of your struggles, it now turns out that they have only started. Every enemy you've faced, every obstacled you've passed, everything you've fought for so far, has led to this. You now face the ultimate test of skill. Your fear returns.

It's not easy. The strategies that were flawless against everything else are not enough here, and once again, you're forced to think out of the box. After a good while being a chew toy, you start to consider your surrender, as the difficulty seems to be too much for you to handle. But then, you discover a weakness. Something unexpectedly starts working, the pieces start coming together, and it's just enough to turn the battle around. With this weakness exploited, your strategy suddenly has an effect. Your confidence is renewed. The battle lasts a while, but in the end, the boss turns out to no longer be a match for you. You strike the final blow, and emerge victorious.

You stand as a lone champion in the middle of what was once a battlefield, look upon your defeated, and walk off to seek a new challenge.

Welcome back!

 

Yes, it is once again time for gifs and gushing. As usual, commenters from previous rounds throw their own personal favourites into the mix, ensuring that even games that I haven't played myself (or haven't considered) get a chance to make it onto the list.

Spoilers are obviously going to be all over the place, so tread lightly.

(NOTE: Every gif is clickable, and links to each boss' soundtrack. Open it in another tab while reading for the ultimate BFAZ experience!)


"One of my favorite bosses ever is the Huge Hermit from Metal Slug 3. It's a giant hermit crab that chose a huge military tank as a shell, and it chases you down while shooting projectiles from the tank and attacking you with its claws, and also destroying the bridge you're running on. It's a cool idea for a boss to begin with, not to mention it looks freaking beautiful in motion, since the Metal Slug team's pixel work was just phenomenal!"

- bbain

First one on the list and we're already tits-deep in crazy!

By itself, the tank is already strange, with an impractical number of cannons pointing in different, random directions. Makes me wonder what cross-eyed maniac developed this thing. The hermit crab thing only perfects the piece, and it is a really cool idea.

The Metal Slug games are where I think people really started to see the potential in pixel art and animation, and the games have had a very clear influence on modern pixel artists and game developers. It's the kind of influence that has led to stuff like Rain World, which I really appreciate, so I have a lot to thank these games for. I wanted to pick up MS3 on PSN, but it wasn't available, so I got the first one as well, and it's been plenty of fun so far. I should probably return to it soon, even if I may not beat it.

 


"As for a boss I love, the final confrontation with Radec from Killzone 2 is easily the best boss in any FPS I've played. A highly strategic, punishing but fair fight. Doing it on Elite was one of the most amazing things I've ever done."

- GajKnight

Dude, this game looks Radecal! HAAAAAAAAAAAHAHAHAHAHAHAAA!!

No but seriously, I think GajKnight might have sold me on the Killzone series, or at least this one installment. This is considered the best one, right? In any case, this teleportation stuff, combined with Gaj's description, makes me really intrigued. It looks tactical, raw and tense, which is something that I really value in a shooter.

The franchise's name has always sounded cool to me too. It's so punchy, simple and straight to the point, while still being fairly original. That's the best kind of product name in my opinion, especially for entertainment.

Killzone may never be a Halo killer, but it's definitely welcome in my zone, hahahaHAHAHAHA!!!

 

"I'd like to nominate the "Liquid Ocelot" encounter from MGS4. Not so much because of the fighting itself but for everything that this battle encapsulates:
Two old men. Both have been pushed far beyond their limits and at this point in the game, it's all basically over. The GOP-Servers are destroyed and a virus is destroying what's left of the other Patriots.

Yet here we are and there is no turning back for the two. There are no flashy special moves this time. There aren't even weapons. They brawl it out on top of a secret submarine with their life-bars and the background music changing over time to resemble the respective ones from the previous games.
...Damn, I'm getting goosebumps while typing this."

- Zer0t0nin

I've talked so much about Metal Gear Rising on here that I've almost forgotten about the other MG's. The entire series has always been well known for its bosses, despite being based around stealth (although it has gotten more and more action focused).

Here we see two old men punching the arse out of each other, despite the main conflict seemingly being solved. They are just really tired of each other's shit, I guess.

Solid Snake really seems to be at a disadvantage here, though. It looks really warm, yet he's still wearing his entire suit. I know it protects him, but that hardly matters if both are going straight for the face, which certainly seems to be the case here. Ocelot gets all the fresh air, and Snake's old ass is cooking. No wonder he's losing in the gif.

 

"...For me, one would be ... in Final Fantasy VIII. The first time you face Ultimecia at the end of the first disc, because (Spoilers for a half a million years old game here) when you "beat" the boss, she doesn't actually die, because Ultimecia ends up being the final bossof the game. You "willow" down (Is that a real expression, or am I hearing it wrong?) her hitpoints enough to progress with the story, but it shows you kinda giving her an attack, and she just kinda waves it off, and then she summons this giant icicle that's like the size of this massive spear, and then she just sends it into Squall (the main protagonist of the game) and kinda pierces his heart, so it looks like you die, and you see your team has been defeated. You have a second splinter team that failed in their mission as well. They've all been captured. And then it kinda fades to black and says: "alright, go to disc 2", so you're left with that cliffhanger of a boss..."

- djnealb (PStoid)

That is a very rough quote, yes, but it's the best I could do. You can't copy-paste audio, after all.

With JRPGs being alien territory to me, I don't know much about Final Fantasy. I know there's a guy named Cloud, and he has spiky hair and a huge sword that he couldn't possibly lift. The games are also extremely long, so you always need like ten discs to play them. There's a wizard. There's a cactus thing. That's about it...

Predictably, I can't comment much on the boss fight either, but I do love a good cliffhanger, especially one that you know will be resolved. That's actually a pretty clever use of having more than one disc, since there will inevitably be a break in the story anyway, and being part of the same game means that the player won't be frustrated by it. Instead, frustration is replaced by anticipation and excitement, like when you finish a season of a show on Netflix, knowing the next one is on there too.

So yeah, good on you Final Fantasy VIII. That's a cool thing that you did.

 

"I ended up picking Majora's Mask and Majora's Mask from The Legend of Zelda: Majora's Mask"

- Nanashi (PStoid)

The thing about Majora's Mask from Majora's Mask is that Majora's Mask always Majora's Masks when Majora's Mask, but not when Majora's Mask Majora's Masks in another Majora's Mask. It might be because Majora's Mask isn't really Majora's Mask without Majora's Mask and Majora's Mask from The Legend of Majora's Mask: Majora's Mask.

I want there to be a Minora's Mask, which is just a really shitty, poorly made version of Majora's Mask. Like, the eyes aren't fully circular, some of the paint is peeling off, stuff like that.

FUN FACT: Did you know? Majora's Mask was originally going to be named Major Ass Mask, explaining why the titular mask vaguely resembles a firm pair of buttocks.

(NOTE: Nanashi actually did go further into detail during the podcast, but I felt like making fun of the game's name instead, like an asshole. If you want to know the rest, and a couple of other cool boss opinions, go listen to the full podcast. It's only three hours, you have the time!) 

 

This time around, I have a few choices on here that are probably a bit unexpected. There are also a couple that I have been dying to talk about ever since I begun making these. Let's have a look!

Rayman 3: Hoodlum Havoc is a strange game. It's kind of the black sheep in the series, but not to the same degree as something like Zelda II. In fact, if you might find that a lot of people actually consider it the best in the series, likely preferring the more simplistic, combat focused gameplay over the other, more collection based games in the series. But it's generally either the first one, the second one or Origins/Legends that gets the most praise. I personally consider it the "worst" one, as little as that means, but there is one thing that I find it did better than any of the other games: the bosses. The bosses of Rayman 3 are just the coolest! They are creative, varied, fun, challenging and memorable. While the game's combat can get a bit repetitive at times, the bosses alone makes the entire game worth playing, and I strongly recommend it to any boss lover out there for that reason alone. It's actually a bit difficult for me to choose between them (especially from the first half), but I think Reflux will always be my favourite.

Reflux is a Knaaren (with a hard 'k'), a powerful species of creatures that you, usually, can't do anything against, meaning you have to run from them. But this guy, the strongest of them all, you will have to face. That's a very effective way of immediately making him scary. He's no pushover either, and he fully deserves his reputation. With many different attack phases, and with no real safe spot anywhere, this is a fight that forces you to constantly move and adapt to your opponent, which in this case often requires some quick reflexes. Once he's been through a number of attacks, he rests his staff, allowing you to do damage. But he never stops attacking you, as you still have to dodge fireballs while moving close to him.

The fight is on a high note the whole way through, and never lets up for a second. With a foe that spends most of the fight being invincible, never gives you a break, has a ton of health and gets more dangerous the more you hurt him, this makes for one of the game's hardest battles by far, and the game treats it that way. It takes place in an underground arena surrounded by smoke and lava, watched by an audience of your enemies. The music is weird, yet fittingly intense, and the whole thing is like a little climax in itself, ending off the first half of the game with a bang.

 

Has there ever been a movie that had an evil training montage? Like, it's just a montage of the bad guy getting stronger, and instead of feeling motivated, you're supposed to be scared? Because, for some reason, that's what the music of the Wardens makes me think about.

As for the Wardens themselves, they don't get a mention here for their difficulty (they are kinda easy), but for the system that they represent. In most open world crime games, once you get the highest possible wanted rating, it stays like that until you either die or somehow manage to run and hide for long enough for it go down. In Saints Row IV, getting the highest rating triggers this boss, and beating it takes the rating down to zero. That is goddamn revolutionary, and the real reason I put this one on here. It is at once a punishment and a reward for the chaos you've caused, and it's kicked off by such a sweet intro, with the Warden falling from the sky and roaring at you, and the music kicking off.

I once fought one at the top of a skyscraper, and managed to have both of us fall off during the final blow. Killed the bastard before I landed among the clueless, virtual citizens. Instant mood change. Suddenly, the fight felt like a distant memory, despite having happened seconds ago. Looking back, I think that was the moment that I really started to appreciate the Wardens.

They may not present that much of a challenge, but they are memorable for many other reasons.

 

Oh yea, catching up on those Zelda bosses!

I believe the excited fellows at ScrewAttack described this one fairly well in that one video. Originally I wanted the first Darknut to take its place during this round, but that one will have to wait. Priorities!

Strangely, it seems like Zelda bosses tend to be either extremely cute or demonic abominations, and while the Dead Hand will probably always be the scariest thing in the entire series, Stallord is by far the most metal! A huge, skeletal torso with long arms and a demon-like head. Or dragon-like. Is... is this Spyro!? Is this what's happened to him!?

Spyro or not, the boss is amazing. You fight him using the most ridiculous item ever, a huge spinning top, which you use to surf around and hit him in the spine while he tries to grab you. He also raises a bunch of warriors from the dead to essentially act as goalies, as they try to prevent you from reaching his spine by standing in your way. There's even a second phase, in which you use the top to grind on the walls and basically chase his floating head around while avoiding his attacks. The entire thing is absolutely balls crazy.

What's even crazier is that Nintendo had Lamb of God do the music for this boss, as they felt it was the only appropriate way to do it. It's so weird that they would do that, but hey, I agree with them. It was a good decision overall, and I'm glad that it's a thing that they actually did, and not some bullshit that I made up because I thought the actual music was kinda dull compared to Stallord's design. Yup, glad that wasn't the very specific case.

Moving on!

 

In the first blog, I already had a gif of a Darksiders boss prepared for a proper mention, but I hadn't gotten very far in the game at that point, so I decided to hold off any mention of a boss from that game until I had completed it. It's a good thing that I did so, because this game has far better bosses later in the game. Many of them were a challenge, but Silitha gave me the most trouble by far, as she forced me to master a pattern rather than just learn it.

Silitha's attacks do tons of damage to you. Makes enough sense, as she pretty much uses her entire body weight against you, by teleporting over you and letting gravity do the work, when she isn't attacking you directly. Both attacks have to be avoided by dodging, which sounds simple enough. Dodging is a big part of the game's combat, so naturally, you should be pretty good at it by this point in the game.

But no. It is not nearly as easy as it may sound. See, simply pressing the dodge button isn't enough to escape an attack. You have to learn to use directions to your advantage, and in this case, do so by looking at Silitha's shape (and shadow), which lets you know where the closest safe spot is. Even then, you aren't given a long time to look, so you have to think quickly, and time your moves right, which is then made harder once she starts teleporting all over the place in an attempt to throw you off. When you actually get a chance to do damage while she rests, you will rarely make it over without using the grappling hook, which still doesn't reach all that far.

In short, there is a lot of things going on with this boss, and Silitha did kill me a lot of times. While most bosses in the game were mostly challenging because I didn't know how to hurt them, I knew how to hurt Silitha from the beginning of the fight, yet she still beat me multiple times. For that, she is definitely worth a mention here.

 

So far I've been avoiding fighting game bosses. Not because I dislike them, but because it's such a vague definition. They are almost always playable characters that you can unlock for yourself, and this is usually what most people remember them as. But I don't want to exclude them either, so I guess it's time to introduce them to the zone, and I'm starting with the one that's closest to my heart: Heihachi Mishima from Tekken.

I chose his Tekken 3 incarnation specifically, because that's the first one I played, and because of the remarkable achievement of being far harder than the actual final boss, Ogre. Ogre has a cool design and theme and everything, but he's child's play after dealing with Heihachi, who never fails to put up a fight. His style is a very heavy version of (classic) Jin's, and he's got some mean, hard hitting combos, as well as some brutal throws. He also has that one counter move that you never see coming, in which he pretty much kicks you across the room. This guy is no joke.

Jinpachi from Tekken 5 would also be worthy for a spot here, but he has a lot of weird, supernatural moves that are a bit too flashy for my taste (when it comes to fighting games). What I like about Heihachi his old fashioned toughness. He kicks your ass with nothing but his martial art skills, and has no need to breathe fire, shoot lasers, teleport or fly around in order to do so, which all the supernatural bosses rely on. He's just a buff old man who won't take anyone's shit, and that's a big reason why I like him so much.

I have become very familiar with his moveset ever since he became my main, so the fight against him has naturally gotten a bit easier over time, but the memories of him kicking the ass of my ass will stay with me forever.

Oh, and his music rocks!

 

"Oh, but those aren't real bosses you idiot, you never have to fight them."

Well, you know what you are? An anti-dragonite! Well, that and a non-existant strawman.

I know that these probably aren't technically considered to be bosses in a traditional sense, as they are avoidable obstacles, but the Blood Dragons have a lot in common with most bosses. They do a lot of damage, take a lot of hits to kill, and always require your full attention whenever they are close. Because of this, I still consider them bosses, and them being optional to fight doesn't change that.

Aside from being huge and fast, Blood Dragons have the ability to fire lasers out of their mouths. This makes a fight against these creatures much more intense, considering the increased range of their attacks. Add to that a very smart and organic AI, and you have an endless possibility of exciting combat scenarios, as a Blood Dragon can appear anywhere on the map (except in water).

Interestingly, you also have the option of using them to your advantage, and turn them against regular enemies. This is very helpful for taking over enemy territory, even though it might leave you and the Blood Dragon alone by the end, depending on how efficiently the enemy soldiers fought.

When you get a certain super weapon by the end of the game, these creatures unfortunately become way easier to fight, and it's a shame that they don't get to stay threatening. But during most of the game, they are still rulers of the jungle, and the've made for some very memorable fights.

So happy I chose the Blood Dragon in the round that uses red.

 

Are you a HUGE Member? If yes, you probably know about all the perks you have access to, such as increased site customization. Every HUGE Member gets to upload their own, very special background, and I have been so kind as to make one themed after Boss Fight Appreciation Zone, featuring bosses of all different shapes and sizes, for all of you out there who love to put up a good fight!

Here you go!

Unfortunately, it only really works on a widescreen monitor, and making a resized version is tricky, because the amount of space available on each side changes, meaning a complete redesign. I hope you widescreeners like it though.

Furthermore, for all the Steam users who are reading, feel free to follow my curator, Boss Lovers, to find some of the games with the best boss fight that the service has to offer. Most of them have already made an appearance here, so now you have a nice, comfortable list of the BFAZ games that are available on Steam. It's not all of them, sadly, but there are more than you might think.

BUT WAIT, THERE'S MORE!

I'd like to do something special for the distant Round 5, by having a fun little exercise that happens to be relevant to the theme:

Are there any characters you would like to see as game bosses?

From any media, really. It doesn't have to be restricted to movies or TV, it can be anything from books to music to sports to cereal boxes. Anything you can think of.

Some examples:

O-Ren Ishii from Kill Bill

Skilled at swordfighting, and one of my favourite characters from the movie.

Mike Ehrmantraut from Breaking Bad

Has proven himself to be a very clever, tactical guy, who comes up with a lot of ways to mess with you on the spot.

René Dif from Aqua

His voice is a deadly weapon in itself.

As you can see, I'm not necessarily looking for detailed descriptions here. I'd just like to see some fun suggestions. Excited to see what you peeps can think of! :)

 

What a bunch of craziness! Well, we're about to wrap this round up, but before we do so, I'd like you folks to participate in a little community vote thingy. See, there's a bunch of game related subjects I'd like to blog about, all of which are somewhat related, but I need to find out where to put my focus. As such, I've come up with three blog titles, each covering a theme, and I'd like to know what people are the most interested in.

a)

In which I talk about 3D platformers, and do my best to explain their appeal, while highlighting influential examples.

b)

In which I talk about how tricky it is to turn a desert into an interesting level, and take a look at how different games pull it off.

c)

In which I talk about game environments in general, and what makes some of them more interesting than others.

All of these subjects are fun to me, but some of you might like one more than the other. Just write which one you'd like to see in a comment, and it counts as a vote. :)

As always, all of you are encouraged to share your favourite boss fights in the comments below, (or anywhere else), and any of them might have a chance of making it to the next round.

This is it for now. I'm out!

 









(DISCLAIMER: I have no idea when most of these games are actually going to come out, but if they all hit 2015, that would be swell)

Hello, it's me! Jinx's blog had the very fortunate effect of putting a new game (Hellraid) on my radar, so I'm gonna make a similar one, in the hope that all you good little capitalists may get a few ideas for your own shopping lists.

Here we go, then:

 

Batman: Arkham Knight/Doom 4

These two are definitely my main ones, and the ones I keep mentioning, so I'll just group them together. Seriously, though, what's not to get excited about? Doom is awesome. Arkham games are awesome. 

Rocksteady is surely gonna deliver on their part, having more than proven themselves in the past. Playing Arkham City, I kept thinking about how the Batmobile was the only major thing missing in order to have a "complete" Batman experience, but I couldn't imagine how it would work with the rest of the game. Then E3 came, and so did I it blew my mind!

As for Doom 4, all I know is that Wolfenstein: The New Order is supposedly really good, and that the private preview was very well recieved, with a lot of welcome features making a return. It's a lot of good signs at once, and coupled with the Cyberdemon's badass new design, I allow myself to be very excited for this one.

 

Tekken 7

GRRR YOU KILLED MY MOTHER!! AAARGHGR YOU WERE TOO WEAK TO BE MY SON!!! GRARGHLR YOUR HAIR IS STUPID!!!! BRRUGHRUH I'M GONNA PUNCH YOU INTO A VOLCANO!!!

Tekken is back! Interestingly, while being Tekken is enough to make me interested, being Tekken is also what prevents it from being as anticipated by me as the duo above. Y'see, Tekken Tag Tournament 2 only came out two years ago, and it was huge and great and fun and satisfying, so I don't really need to have that particular itch scratched just yet. Furthermore, I would honestly rather see Tekken X Street Fighter be announced, simply because that game would add so many more new characters to the franchise. Still, for what it is, I have no doubt it will be great.

 

Mortal Kombat X

X is and always will be the coolest letter ever, and the fact that it happens to be the Roman numeral for 10 makes for the perfect opportunity for the tenth Mortal Kombat game to include it in its already cool title. You can't handle all this cool!

Fatalities looks more insane, creative and brutal than ever before, and the game itself looks gorgeous. I appreciate Mortal Kombat for being far more approachable than any other 2D fighter I've tried (I'm not very good at those in general), while still managing to be deep and satisfying to play. Can't wait for the brutality to start!

 

Titan Souls

Boss fights are the best. So good, in fact, that I believe they deserve an entire blog series devoted to them. If only someone would do that.

Anyway, when it happens that a game consisting of nothing but boss fights comes along, I tend to get very happy. It doesn't happen very often, but that just makes it more exciting when it does. Titan Souls seems a lot like Super Meat Boy, in that it's simplistic yet difficult, and victory is gained by reading your opponent, and figuring out how to move and when to attack. It's action in its purest form, and I couldn't be happier with it.

 

Metal Gear Solid V: The Phantom Pain

Okay, so before we move on, let's get one thing straight: this game has an identity crisis. It has absolutely no idea what it wants to be, whether it wants to be stealth, action, sandbox or something entirely diffent. Metal Gear has always been a bit like this though, and I still play those games a ton, so they definitely do something right.

Messing around with guards is my main reason for playing these games in the first place, and Phantom Pain looks like it's going to give me a lot of opportunities to do this in more creative ways than ever before, which is why I look forward to it. That and hearing Keifer Sutherland delivering crazy Kojima lines, which is certainly going to be a very unique experience. 

 

Rain World

Unbelievable animation and pixel art is something that the developers of this game have no problem bragging about, as they happily share gifs of the game in action, fully confident that their work is worth boasting about. Personally, I think it is, and they have every right to brag. It looks fantastic!

Gameplay-wise, it reminds me of Oddworld, a series that I adore, so bonus points for that as well. It looks intereting, the way you jump, climb and try to survive against predators much bigger than yourself. Everything I see from it makes me more interested, and I'm very much looking forward to giving it a shot.

 

Roller Coaster Tycoon World

This is very optimistic of me, I know. Especially considering the last one. I really just want it to be good, so I can make some really cool parks. Roller Coaster Tycoon is the only simulation game series I really enjoy (probably for the wrong reasons), so having another solid one would be swell. Fingers crossed!

 

2015 better be as cool as everyone's expecting. It's all up to you, year! NO PRESSURE!

Photo Photo Photo








The year was Windows 95. The grass was blue, the sky was green and the birds were barking. Pixels were as big as bricks, and I had to walk several kilograms to get to the glue factory every Thursday. Times were rough.

Good thing we had computers in this age, and some really weird games to play. Games like Commander Keen, and that weird Mickey Mouse themed puzzle thing. But none of those really stand out to me anymore. Not after the days of Sierra's Hunter Hunted.

Hunter Hunted isn't really a horror game. I might make it look like one in the header, but that's just to fit the theme. No, it's actually a sidescrolling arena combat platformer hybrid thing, with levels that exist in different layers. You get a bunch of weapons to use, there's health to pick up, some areas are secret and there is a wide variety of obstacles to surpass and enemies to go up against. It's actually pretty cool. It feels a bit like a competitive shooter, except that the levels are structured in a way that means you most likely won't see your opponent most of the time, which builds up a lot of tension.

You get to choose between two kinds of characters: a typical, buff 90s action hero dude, and a big, scary, horned monstrosity. The game is pretty cheesy in a lot of ways, all of which I like, but it might make one wonder why I would find it so scary. Well, there are a bunch of reasons for that, the most understandable of which was my age.

I don't actually remember my exact age, nor the exact year, but I was quite the little turd. Not only that, but I didn't speak a word of English. It was basically an alien language to me at the time, and as a result, I had no idea how to properly pronounce the game's title. "Hunter Hoonted" was my version, and I was fine with it, even when people tried to correct me. Guess it sounded spookier to me.

Of course, the big Doom-esque bull monster (or whatever it's supposed to be) is another big reason for my pants pooping (THAT WAS A JOKE I DID NOT REALLY), despite being a playable character. It was difficult for me to relate to this strange being, but it also made playing as it all the more difficult. This thing also made a lot of noise when walking around, which is parts silly and scary.

It should be mentioned that you're never really outside in this game, to make sure you never really feel free. I guess this is mostly due to the game's lore, which has to do with you being enslaved by an advanced alien species, but it offers more than that. Always being surrounded by walls means that you never really get an idea of where exactly you are, and you never feel free at any point in the game. You never feel like you can escape, or that you have escaped. The environment is closed off, and everything wants to kill you. On top of that, everything is gritty, rusty and grim looking. It clearly takes place within a sadistic obstacle course that's meant to kill its participants. In a way, it reminds me a little big of TimeSplitters' level designer, which never allowed you to go outside either, and which could lead to some pretty creepy, isolated levels.

As you'd probably expect, the sound design is very unsettling. That was the case in most games from this era, intentionally or not. We have a lot of loud noises going on in this game, and with the lack of background music, they really stand out. I do believe you can hear an obstacle before you see it on screen, so you get to feel the thrill in advance. Isn't that just cunts wonderful? Not to mention the voice in the beginning of every single player mission, which is awesomely terrifying.

All things said, however, I'm pretty sure that the scariest part of this game, to me, was the Bruiser enemies. Big fucking robots that would attack you with missiles. Mhmm, yup, good times! Hell, for their size, they aren't even that slow. I clearly remember managing to get behind one, thinking I had a chance, but nope. In a single jump, it turned around, ready to blast my ass full of pain. I was not prepared for that, game. Thank you.

I never completed this game back in the day, and I'm not even sure if it was very good, but I've gotten pretty interested in trying it again. I'm not sure what reminded me of it to begin with, but thinking back, it really did shape my taste in gaming, giving me a love for difficult, grittier action games. It has helped making me appreciate variety in entertainment, and it probably changed my opinions in ways I don't even think about.

Oh, and I have this friend who used to be so scared of the game that he apparently couldn't sleep. Haha, what a wuss!

 

The game in action:









Hello again you cunts wonderful people!

I was just eating some pancakes and drinking some sexy chocolate milk when I decided to shit out another one of my delightful blogs. This one's about the one thing every nerd loves the most: Big, fat, smelly crossovers!

When a fictional universe and a fictional universe love each other very much, a magical thing happens, and one of them gives birth to a screaming abomination that mixes the worst traits of both its parents. This is known as a crossover. Now, seeing as the horrifying scenario I just described is something that I would like to happen a lot, here's a list of crossovers that could totally happen, as well as the names they could have.

 

BUT WHY?

Well, they already have a similar look. Very colourful, shiny, stylish and wacky. We're also talking about two franchises that became more and more about playing dress-up as they went along, and they now seem to be competing in the sport of 'who can have the stupidest outfit?'. Recurring themes in both also include beating people up, gang/corporation wars, supernatural elements, sci-fi elements, wrestling and animals (such as tigers and pandas).

Not sure if I'd want Tekken characters in an open world, or Saints Row gangsters in a fighting game. Maybe a little bit of both. If the two would come together in any way, I'd be down!

POSSIBLE TITLES

Tekken X Saints Row

Saints Row X Tekken

Saint Tag Tournament

'Fuck You Say?

Panda Penetration

 

BUT WHY?

Because I really want to explore Shadow Moses with Sam Fisher's shadow-based gameplay. Wouldn't that be the coolest? Cause it's called Shadow Moses, and now it would involve actual shadows!

Of course, another reason is that these games are so similar yet so different, in so many interesting ways. It's obvious that they are from completely different cultures, which would probably have to lead to some compromise on both sides, and I doubt anyone at Ubisoft would let Sam go up against a bee man. But the cool part would be how Snake relies on walls, bushes and cardboard boxes, while Sam takes advantage of darkness. One man is a legendary soldier, the other is a phantom that nobody knows about. Oooh, artsy contrast! Make it happen!

POSSIBLE TITLES

Metal Cell

Splinter Gear

Snaking Sam

Fishing for Snakes

Of Goggles and Boxes

Nightvision Nanomachines

 

BUT WHY?

Uhm, because they are both about assassinating people? All the 'duh' in the world! Why do you keep asking such stupid questions? Also why are you hitting yourself?

To be fair, I have no idea how the story would work. Maybe 47 finds a time machine and goes back to the past? To kill the shitty people that suck ass? So, like, he meets Altzio or Conward or whatever, and they go on a road trip and stuff.

The gameplay would kick ass though! What's your approach, disguise yourself to get in, or climb the building to find another way? Plenty of possible depth there, even for something like an assymetrical multiplayer mode. With pirates! Hitman with pirates! Wouldn't that be something else? Like, okay, it already had battlenuns, but still...

POSSIBLE TITLES

Hitman's Creed

Assassin's Creed: Bald

Hitman: Cannon Cruise

Hairless Hoods

YO YO YO YO YO YO

 

BUT WHY?

Both are space, sci-fi action games starring cutesy characters. One is a third person platformer/shooter with some flight sections, the other is an arcady space shooter with some ground sections. They have both shown vague interest in becoming each other, so why not a game with both? On planets, it could be Ratchet & Clank, and between planets, it could become Star Fox.

It might seem like an odd split, but I'd play it! Lots of nice, chaotic, explody shooting in two different types of gameplay. The simplicity of these games make it seem possible, and reasonable enough to happen.

The only weird thing (aside from, again, the culture clash) is that R&C has weird aliens, while Star Fox has animal people instead. Seems unusual that one creature would be a Blargian Snagglebeast, and the other would be a... wolf? But, in my opinion, that would be worth it. I'd still hit it.

Play it.

I'd still play it. Nothing else.

POSSIBLE TITLES

Ratchet & Clank: No Fox to Give

Ratchet, Clank & the Mysterious Space Animals

Star Fox: Cannon Cruise

Star Fox & Clank: Ratchet is Pissed

Slippy & his Bitches

 

BUT WHY?

They may have grown apart a bit, but back in my horribly pixelated day, these two looked very similar in style. Both are also platformers that reward exploration and both have to do with solving puzzles. They also both have ruins, pirates, zombies, weird machines, genies, swimming, dancing and a very "exotic" feel compared to most platformers of their kind.

Pirates is an especially important one, as both series have a villain that's almost the same character. Captain Syrup and Risky Boots are very similar in personality, and I can easily imagine them teaming up in an attempt to backstab each other. The protagonists couldn't be any different though, which makes it all the more fun!

Also, Wario as a bellydancer. Think about it all the time.

POSSIBLE TITLES

Call of Shantae: Modern Wariofare

Fantae

Wario's Big Fat Ass Shaking Dance Quest

Hot Sexy Wario Bellydancing Action For You

Wario Shakes His Ass So Hard That The World Turns Inside Out: Genies

IGN Watermark Adventures

Team Purple

 

BUT WHY?

I can't believe nobody has ever thought of this! It's such a perfect mix after all, and one I'm sure everyone would appreciate. Take the purple little fuck and throw him in with all the lovable, memorable plastic figures in the happy world of *googles* Skylands (that's with an S at the end, right?). Maybe they can show him a bit of dicipline while they are at it.

Man, this would probably make soooo much money. Think about all the cool things you could buy with all that money.

Things such as worthless plastic figures!

POSSIBLE TITLES

Skylanders: Spyro's Adventure

Spylanders

Skyro

Splyranders

Skpyrantleros

Skpykhjpretosantderfss

Feed Me Your Tears

 

BUT WHY?

Why not? It's basically the same thing anyway, it might as well happen.

POSSIBLE TITLES

Big Fap Appreciation Zone

 

Alright, that about wraps it up! Do you have any crossovers you want to see? Of course you do, so put them in the comments. Or your own blog, whatever, I can't stop you.

Goodbye.

 









I recently deleted PlayStation All-Stars: Battle Royale from my PS3's harddrive. I had gotten it for free via PS Plus, and I was curious about it. Not because I have much interest in these types of games, but because this one has a lot of characters that I'm very familiar with. It's the kind of crossover that, by all means, I should get excited about. It's a game that I should love.

But I didn't love it. I didn't even like it, honestly. It gets a few things right, but way too many things wrong, on a fundamental level. I feel like the entire game misses the point, and has been missing the point since development started. From the beginning, All-Stars was doomed to fail in its attempt to bring popular franchises together, as it fails to understand what made any of these franchises popular to begin with.

Of course, it's difficult to talk about this particular game without mentioning Super Smash Bros. (which really is the core of the problem here), and the only one of those games that I've played is Brawl. While I wasn't a huge fan of that game either, it did do a lot of things right as far as crossovers go, and it showed a lot of heart and passion, which is certainly more than what can be said about All-Stars. I'll be bringing up Brawl a bunch of times, because I think it serves as an important contrast, and it helps to show how to properly do a crossover.

PlayStation All-Stars could have been a beautiful thing, but what we got was bland, confused and underwhelming. I'll list a number of things that should have changed, starting with what is by far the biggest.

It really, really should have been.

Try counting the amount of characters in All-Stars that started their careers being limited to a 2D plane. Chances are you won't end up with a very big number. It's clear that all these characters are out of their element (even Sackboy, without the three layers of movement). Sure, the PlayStation has had a couple of 2D characters, but none of them are in this fucking game, so whatever. Hell, even if they were, they would be a tiny minority.

In Smash, it makes sense. Mario, Zelda, Pokémon, Metroid and Kirby all started without a Z-axis, so putting these characters in a 2D fighter is a logical choice. It's a no-brainer, really, and it feels natural within the game itself. Again, certain characters from 3D games do appear, but it's a sensible sacrifice to make. In huge crossovers like these, you can't possible make every character feel at home, so the best you can do is going for the majority, and the majority of Nintendo's properties are from the 2D era, so there you go!

But the original PlayStation was all about pushing 3D gaming as the new norm. Many established franchises from the Snenesis era made the switch on this console, and it introduced a bunch of new ones (such as Crash Bandicoot and Tomb Raider) that helped define 3D games as we know them today. Even the logo is an arrangement of the letters P and S as polygonal models. With all this in mind, having a big celebration of the PlayStation in form of a sidescrolling fighter is absolutely bonkers, and it clearly shows how cynical this product really is. It plays like Smash because Smash is succesful, and some executive wanted a slice of the pie. What could have been a genuine declaration of love for these games is instead a hard, cold business decision made by people who couldn't care less.

All-Stars should never have been concieved as a Smash Bros. clone, especially since Smash is pretty much a "fighterized" multiplayer version of Kirby. So what we got is essentially Kirby, but with Kratos. Hilarity aside, I don't think anyone would really want that.

Still, the approach is solid: Taking one of the franchises and making the whole game play like a crossover version of that means that at least one character will feel natural to play as. So the question is, which one would it be in this case? Well, if you ask me, the answer comes in the form of an unlikely, skeletal hero...

(PICTURED: Sir Daniel Fortesque, ready to... save the day?)

I picked up MediEvil alongside All-Stars, meaning it wasn't an entirely disappointing PSN shopping trip. See, this game turned out to be really good. It has simple controls, fun levels, really good puzzles and a surprisingly compelling narrative about a man whose bad luck on the battlefield had him wrongly labeled a coward, and who gets a chance to finally prove himself a hero from beyond the grave.

Though, obviously, the plot isn't the reason I'd have wanted MediEvil to be the fundament of All-Stars. That would be the simplicity of the controls. Here's the basics:

 = Basic Attack

 = Strong attack

 = Defend

 = Jump

Add something like R1 for a "Special" move (in Sir Daniel's case, this could be the crossbow), and you have a really good setup for a 3D arena fighter. Another notable element is the camera angle in certain sections:

Having the camera be zoomed out with somewhat of a bird-eye view is quite common in this game, especially during boss fights, and it makes the game an even better fit. I don't think I could possibly think of a better style of game for a PlayStation themed crossover. It's such a great balance between being complex enough to be a satisfyingly deep fighter (chain combos would be possible for certain characters), yet simplistic enough the involve characters like Sackboy, Sly Cooper and Fat Princess. It would also be easy to make it so that the button layout can be manually changed to fit each individual character.

There is a game on the Dreamcast called Power Stone. I haven't played it, but from what I've seen of it, I'd say it's probably the closest thing to what I'd like All-Stars to have been. Full 3D space in any other kind of game would have been fine too though, because that at least shows an understanding of what these franchises are, that they were born in 3D, and that they work best in 3D. The result would have been a completely different game, very unlike Smash Bros., which would have felt far more like an actual celebration of the franchises involved.

With the big, interesting one out of the way, let's move on to the second change.

PlayStation All-Stars has an embarrasingly thin amount of content. It's one thing to be a cheap rip-off of something else, but why be this cheap? There is so little to unlock, and most of it is insanely boring stuff like intros/outros for characters (yes, they seriously only have one of each to begin with), unique victory music, fighter icons and backgrounds for said fighter icons. No, that was not a joke. The only thing All-Stars has in spades are these tiny little piece of shit backgrounds for your icon. They actually came up with something even more lame than Brawl's stickers.

Speaking of Brawl, however, at least that game has a shit ton of unlockables that are actually cool, such as trophies (detailed character/object models with fun information, that you can even take pictures of in a seperate photo mode), alternate stage music, new stages and new playable characters. Shiiiet, the only additional characters in All-Stars are paid DLC, which is another problem, especially since having so much stuff be DLC in an already barebones game is simply unacceptable. Even with all the DLC, there wouldn't have been much content overall, but without it, the game's dry as a desert. PlayStation All-Stars is simply a bad deal, unless you get it with Plus, or at least for very cheap.

But it didn't have to be like this. Brawl's oceans of content and clear adoration for each franchise represented is the only thing that All-Stars should have "ripped-off", yet it's one of the only things it didn't. What if we got stuff that was actually exciting to unlock, and kept us coming back for both single and multiplayer sessions, trying to catch every little loving nod to the games we adore so much? It's a hearwarming thought, isn't it? How I wish it had been the case.

More characters were certainly possible. While I'd have loved to see fighters like Crash, Spyro, Abe and Lara Croft make it in, I understand that licensing deals aren't always easy, but even without those faces, there is plenty to harvest from the licenses already obtained. Yet, strangely, it seems like the game was developed with a "one character per franchise" rule (with few exceptions, the most stupid of which being Evil Cole), meaning we didn't get to play as Big Boss, Captain Qwark or even Sly's Bentley or Murray. That's a huge waste of potential, and it annoys me quite a lot, since it makes for an unnecessarily restricted roster.

Generally, the whole game is just hollow from a lack of passion, but nowhere is that more clear than in the soundtrack.

The soundtrack of this game is unbelievably half-assed, to the point where it's actually kind of depressing. It has a nice, somewhat cathcy opening/menu theme, but that's all the praise I can give. Making a good soundtrack may not always be priority number one, but as I've constantly been reminding you, this is a crossover, and it's pretty damn important to get the music right in one of those.

Some iconic themes are present, but several are not, which is mind-boggling. Why in all that is the fuck would you not put in anything from Metal Gear? Or Tekken? Those were kinda big deals for the PlayStation brand back in the day, and not having any recognizable music from either is just fucking stupid! There is no excuse for that, it just sucks, and everyone responsible should feel bad. Ape Escape's main theme isn't in there either. I love that theme, it's unforgettable to me. It's uplifting, fun and fast paced, and it promises a fun, light-hearted adventure that the game then delivers. But hey, guess they didn't like it. Instead, when Spike pulls of his super attack, we get this soulless replacement. Eh, thanks...?

At least the game didn't take out all the iconic music. Some music is entirely unchanged, and some tunes are even remixed. This should satisfy me, right? Based on everything I just wrote, I should at least be happy to hear some new versions of the classics, right? Unfortunately, that would also be a no, since the remixes are dreadful! I'd much rather have all the music be lazily ripped than listen to that half-assed, awkward version of the Sly Cooper theme. But seeing as I'd like to bring up Ape Escape all the time, let's take a look at the one piece from that game which did make it into All-Stars (seriously, they actually did include one song from the game, just not the main theme), the Time Station music. I love this track too, in its original form, but this version is an awkward mess. Let's compare them side by side:

Why is it so slow!? It's a fighting game, if anything it should be faster paced! That's not even half of the problems with it either, it's just the most immediately noticable one. Then there's the irratating change in melodies, and the complete lack of direction. I've heard way better fan remixes. Hell, I've heard some pretty fucking solid fan remixes. By people who didn't get paid. Unlike these people, who somehow did. Lovely.

It's so painfully obvious that nobody gave a single shit about the music in this game, and by extension, that pretty much goes for the whole game. Yet, it did make one desperate attempt to be innovative.

It didn't work out...

Here we are, the final nail in the game's coffin. While it completely and utterly fails in every imaginable way to be a satisfying crossover, at least being a half decent fighter could have saved it. Unfortunately, the fighting is not much fun, since you don't actually do damage through attacks. Actually doing damage through attacks would've been nice, PlayStation All-Stars, why can't we do that? Why can't we have nice things?

Instead of winning the fight by actually being, you know, good at fighting, you now have to punch your opponents until you get a super attack that actually does something. You can get 3 levels of supers. The stronger the super, the more likely you are to wAAAARGH I'M BORED! Goddamn, even writing a few sentences about this system is a snorefest. How the fuck did anyone even survive development?

C'mon, game, just let me beat people up! I know Smash is unorthodox in its mechanics as well, but at least, in those games, every attack matters. Every move can be a finisher. Brawl even had an option to have normal health. Where was that in All-Stars? All it has is an option to build up supers at a faster pace (which you have to use, as "normal" speed is unbearable!), so you can finally get to use one of the three attacks that actually matter!

At the very, very least, the fighting feels a good deal heavier than it does in Smash. It really feels like your attacks do something to the other players, despite this not being the case at all. Unfortunately, when everything else is this bland and boring, a bit of meaty punching does little to raise the entertainment value. It takes far more than that.

Pretty much all I'd want is being able to do traditional damage. It might not be original, but it works, and it might have been enough for me to give the game another chance. But while I'm writing down wishes, why not have bosses other than the final one? Why did the bosses from the games represented only show up as stage hazards? Why let them attack me when I can't attack them? That's just frustrating!

Old fashioned health and a couple of bosses may have saved this game even in its bland 2D form, but combined with the other changes, it could have made for something magical!

___

TL;DR version: A 3D arena fighter with a reasonable amount of content, a passionate soundtrack and engaging gameplay is what I believe that the concept for PlayStation All-Stars: Battle Royale could (and should) have evolved into. What we got fell far, far short of that.

Simply ripping off Nintendo's series is stupid enough, but the lack of trying to even compete is just downright pathetic. SuperBot (the developer) was clearly not an optimal choice for a project such as this one. If they had been, they would have fought against the decision to make it a Smash-clone, and they would have tried to make something bigger and better. All-Stars sucks, but it never had to. It never needed to be a copy of something else in order to compete with it. It could have done so while being something unique, doing its own thing, and making a name for itself by leading rather than following.

You know, kinda like the PlayStation.









Like boss fights? Check out the original trilogy:

 

Looks like it's time for the very first Boss Fight Appreciation Zone Bonus Round! *wicked banjo riff*

Now, it's generally known around these parts that I love bosses like a fat lady loves apples. My motivation for starting these blogs is that I wanted to take boss fights from several different games, and compare them side by side, in a largely positive light. Because of this, I never have more than one boss from one game franchise in the same blog, and I do my best not to give certain games too many repeated mentions, as I find variety important in these.

Bonus Rounds, on the other hand, allow me to break these guidelines, and make an entire blog based on a single game and/or theme. This helps me get a lot of bosses from particularly boss-heavy games out of the way. Metal Gear Rising: Revengeance seems like a good place to start, as the bosses in this game make for half of the experience.

As the silly name of the game would suggest, Revengeance is a glorious cheesefest. It's an action game that's set in the Metal Gear universe, although the game's presence is so significant that it's difficult for me not to consider it its own unique thing. A bit of cardboard box action is all it has in common with its mother franchise's gameplay, as the rest is over the top combat with swords and cyborgs.

Specifically, this blog will focus on the last three bosses, the trio of main baddies, who are the most evilest of them allest. All three of these bosses feel very climactic, and they left me entirely satisfied in my lust for destruction. Read on to find out why that is.

 

 

Sundowner

The rooftop of a skyscraber is a good place to fight. It's got plenty of room, a nice view and the always present danger of possibly falling off. Naturally, in a game like this, there would have to be a fight in such a classic setting. It doesn't disappoint.

After fighting your way through a bunch of crazy nonsense on your way to the top of Evil Inc.'s headquarters, you are treated to this guy, and he is not joking around. He was the first boss that killed me, as I was running out of health pretzels at the time, and apparently he wasn't satisfied doing it just once. My struggles largely had to do with his explosive shield. Dealing with said shield made the boss a bit more puzzle-y than the previous ones, since you always had to hit specific spots in specific sequences.

Simply getting the hang of this guy felt surprisingly good. The fight went from being entirely one sided to become far more equal, and it was all thanks to my own ability to learn. That's what I love about action games, especially ones as organic as this one. Sundowner might have brought me down, but I came back, stronger than ever, and took him out for good in a spectacular finish.

 

Jetstream Sam

Sam gave me a bit of an easier time, as I had gotten a chance to gather health packs. Unfortunately, relying too much on these would later come back to bite me in the shiny metal ass.

Taking place by a lonely road in the middle of nowhere, this fight takes place in what I'm fairly sure is the biggest boss arena in this game. I don't think I ever reached the edge, assuming there even is an edge. It's not like I tried, either, as my attention was entirely directed at everyone's favourite walking Colgate advertisement.

I couldn't help but smile at how much of a dick he was being throughout the entire fight. Many of his moves involve him doing something in a very casual and uncaring manner, such as throwing you over his shoulder if you try to take him on directly. The battle even begins with him simply standing around, waiting for you to attack, which I find to be a very effective way of building intimidation.

Aside from that, Jetstream Sam is notable for being the most Raiden-like boss. He has no gimmicks like floating body parts or explosive shields, just a sword and some fast legs. It's the closest you get to an 'evil clone' fight, but I actually prefer having a few unique twists, since it adds to the fun of thinking "how do I beat this guy?" at the start.

Overall, Sam is a great boss, and makes for one of the most memorable one-on-one sword duels in all of gaming.

 

Senator Armstrong

Considering how expensive it must be to have people turned into cyborg warriors, it seems strange that the alternative of pumping yourself full of nanomachine roids isn't the more popular choice. It clearly makes you way stronger.

Yes, it's time for Senator Steven Armstrong, one of the most popular characters to post gifs of on Destructoid's front page! His popularity is certainly understandable. Being a big, buff political figure with an agenda, and the fists of fury needed fight for it, Mr. Armstrong feels a lot like what every single goofy action flick ever has been building up to. Like, seriously, how do you not love this idea? It's amazingly insane, and it's the best possible finish to a game like this that I could think of.

Armstrong attacks by punching, kicking, bodyslamming, headbutting, throwing tanks, causing earthquakes and seemingly tearing open portals to Hell itself, as huge pillars of fire burst from the ground. He's pretty crazy, and he has at least three of those things where he attacks you, but which gives you an opportunity to turn it around and get a good hit on him. Needless to say, a lot of stuff is going on at once here, and you have to be well prepared in order to succeed.

Now, this is where my lenient use of health items finally turned against me, as I found myself having none left at the beginning. Due to this, I've lost count of how many times Armstrong murdered my unprepared ass. Death was a thing that I had to accept before I could move on, and many deaths were caused by the tank-slicery, as you have to hit a precise line of four weakpoints in very short time, which can take some time to get the hang of. In short, this battle was rough to me, even though it got better once I got to collect health within the fight itself. Still, the beating this guy was a special kind of satisfying. It seriously made me feel great about myself, in a way that made all the struggles worth it.

The music is definitely my favourite piece of the entire soundtrack. It screams 'final boss' from the very beginning, and it gets you pumped for what is basically a two man war! This song does not fuck around, to the same extent that the boss fight itself does not fuck around.

Finally, there's the way the entire thing looks. Again, as expected, it looks pretty goddamn final! Huge, intense fire surrounds an otherwise dusty, darkened arena, with metallic pieces of the previous boss scattered around, closing the area off. It's definitely a fitting look for something this intensely difficult, and it adds tons of atmosphere to an already intense finale.

Armstrong was brutal, and felt brutal all the way through. He definitely stands out as far as bosses are concerned, and deserves to be hailed among the greatest of them all.

 

 

As far as bosses go, Metal Gear Rising gave me everything I could hope for and more. I consider it a shining example of how to pull off the art of the boss fight, and I expect that it will be discussed for years to come larglely for this reason. The final trio especially was superb, with each member being vastly different and memorable for their own reasons. I am very glad that I played this, and I strongly recommend it to fans of action games.

I'm currently looking forward to the Legend of Korra game by the same developer (Platinum Games). In this one, instead of slicing and dicing, you manipulate the four elements. Y'know, earth, fire, water and... whatever the fuck the last one is. I might not be looking forward to it as much as, say, Arkham Knight or the new Doom, especially since it's a licensed game, but it looks really good so far. The combat looks satisfying, and if the bosses turn out to be nearly as great as Rising's, it will definitely be worth a purchase.

 

BFAZ is expanding outside of Destructoid

If you are on Steam, and you like a good boss as much as I do, check out the curator named Boss Lovers, in which games with good bosses are being picked out (Rising is on there, of course). Follow today!

Helpful link: http://store.steampowered.com/curator/6870261-Boss-Lovers/

If you have any games that you would like to make it in, why not let me know? I'll make sure to check out any suggestions. :)

As for now, I might be taking a longer break with these blogs. As always, comments on any of the current rounds will be read, so even if you wanna comment on something on the very first BFAZ blog, I may still respond to you, and anything on there has a chance of making it onto Round 4, whenever we may see it.

Cheers for now!