Names Matt Razak and I'm just a gamer with a Wii and a 360. I'm also really, really, really, ridiculously good looking and a ninja...and humble. If you haven't noticed from my selfless self promoting or my Monday reviews I'm a film critic for a living at a local newspaper in Northern Virginia. I write at That VideoGame Blog but my heart will always belong to D-toid.
Right now I'm working on these games:
Mario Kart Wii
Before jumping into this you should make sure that you have at least read the the introduction to the What is a Hero? Then if you want move on to Link and Solid Snake. The opening paragraphs in those posts also flush out some other ideas so read them all really. Iím finally getting to the most famous videogame hero, and the guy I was planning to start with, Mario. It is very hard to write about Mario as a hero (or a character at all), Iím finding out, since he has so little back story in his games and the plots and gameplay never really lead to much character development for him, so when discussing what Mario teaches us about heroism it sounds a lot like pulling ideas out of nowhere, but I truly believe that as one of the most influential gaming characters and one that almost everyone grew up with Mario has helped define what a hero is for an entire generation, all without saying more than a few words.
(Authors Note: This will simply take into account straight Mario platforming games and RPGs. I donít think heís teaching us much about heroism while kart racing, baseball playing, painting, etc., etc., etc., etc. Also I havenít played Galaxy yet but Iím assuming it doesnít turn the world of Mario on its head character wise.)
Want to sum up what Mario does in three words? Save the princess. It doesnít get much simpler than that. There have been two variations on the norm in SMB2 where he had to save another world and Super Mario Land 2 where he has to save the world again and the games with more RPG elements donít always feature princess rescuing either. Mario usually travels through a variety of worlds with different themes like ice, fire, water etc. and each one is broken down into different levels. There are a few basic facts you can discern about Mario. Heís Italian, heís a plumber and he was either born in the Mushroom Kingdom (Yoshiís Island 2) or came from New York (everything else). The games never give him much background as to his motivations for tirelessly trekking through level after level of bad guys and jumping challenges other than itís the right thing to do and whoever his enemy is, usually Bowser, is evilÖor at least not very nice. Mario consistently receives a kiss from whatever maiden he has rescued for all his hard work at the end of games and beyond announcing that it is indeed him, Mario, at the beginning of Mario 64 he rarely speaks.
What Does He Teach Us About Heroism?
That is what Mario would look like in real life, that or Bob Hoskins. That is what is so amazingly striking about Mario and his continued success as a hero. He doesnít look like the norm for a hero at all, in fact heís might be the opposite. In a society and medium that prizes the type of hero who is ruggedly handsome, cooler than cool and usually shoots first and never asks questions Mario is an enigma. Heís short, chubby, hairy and has a thick accent. His only discernable skills are plumbing and jumping high and he kills (though itís more likely he only knocks them out) his enemies by bopping them on the head. Who does this guy think he is? Doesnít sound like a hero in any way.
Mario shows us that it doesnít matter what you look like, what you do or who you are, you can be a hero in some way. If the call goes out all you have to do is stand up and try. Sure we canít all go out and rescue a princess or defeat a giant lizard but Mario shows us that no matter who we are we can accomplish great things.
It is a shame he doesnít get more credit for being so boldly against the mold. No one is going around pointing out that videogames most well known and influential hero is a friendly, peace loving plumber whose acts of violence border on school yard bullying and who protects his younger brother from harm, his friends from danger and total strangers from anything and everything by consistently risking his life.
So if it isnít his ability to bench press 500 pounds or empty rounds of bullets into his enemies that makes him a hero, and it isnít his smooth talking and good looks, and it isnít any of the host of other stereotypes that crop up in our minds when we think of heroes, what is it that makes Mario a hero? Seems to me itís the dogged persistence to accomplish what is right and good, and although the Mushroom Kingdom is far more black and white in this area than reality his actions can still apply. Mario constantly pushes forward (both figuratively and literally). No matter how many times the ďprincess is in another castleĒ Mario never seems to give up. There are plenty of jokes made every time a Mario game comes out about how incompetent the Princess must be to keep on getting captured but she does and Mario just dives right in each time.
We see in Mario a hero who just keeps going through anything that is thrown at him. He teaches us that there is a way around anything and most of the time that way happens to be not giving up. Maybe this is just my own personnel interpretation, since his character is so underdeveloped but Iíve always seen Mario as set upon by hundreds of daunting tasks and tackling every one without complaint or protest because he knows that he needs to. One wonders if behind that moustache and smile thereís some hidden resentment for always having to pull through every time. If there is Mario doesnít show it and thatís part of what we learn about being a hero, that perseverance through trouble and doing good is more important than personnel gripes and complaints.
Of course Mario doesnít slam every heroism stereotype into the dirt. In fact he probably reaffirms one of the worst ones and he does it more than any other character. This stereotype being that men rescue women and women are absolutely helpless in the face of danger. In almost every game the princess (Peach or Daisy) sits waiting to be rescued in some fortress. In more recent years Nintendo has shown a little more of a strong independent Peach and she did have a playable role in SMB2 but it is clear that in general Mario as the man must rescue the weaker woman.
You can take these facts to teach two lessons about heroism, the first, is that Mario is reaffirming that heroism is a manís job and women arenít quite cut out for it, the second is that you should help those in need. I think there is a little bit of both in there. Itís highly insulting that the Princess seems incredibly helpless and totally useless but since Mario doesnít fit into any of the other male hero tropes itís hard to think of him as fulfilling some sort of dominant male role as a hero. The characters just arenít fleshed out enough to really know and when they are Peach is shown as a strong, smart and independent woman despite the fact that she canít seem to stop being kidnapped.
Much like Link and Solid Snake (and, you know, almost every character in videogames), Mario goes on his adventures alone, but unlike the other two there always seems to be a sense that he is not entirely on his own. Of the three heroes Iíve done so far Mario gives the impression that you canít just truck through on your own to be a hero, it requires help from friends more than any other thing, itís a strong message especially in a game designed for one. Maybe itís the fact that Luigi is usually around, or that Toad is helping out here or there, or that the worlds themselves are so vibrant and alive but you never get the sense in the many worlds of Mario that you are alone, that it is entirely your burden to see this through. Sure youíre the hero and you have to do battle but there are people cheering you on and pushing you forward. Heroism according to Mario isnít a one man show even if it technically is a one man game.
I think though the most important thing that Mario teaches us about heroes, and really all these other things add up to this, is that heroes are selfless. In fact it is the lack of character development and plot around him, the things that make discussing him as a hero so hard, which reaffirms this. The real message is that it doesnít matter the story around the man, but that the man is doing something for the greater good and the only reason is because it is good. There is no inner turmoil over greed or if he is being a hero or not. No depth to the reasons for his actions, they just need to be done and he gets them done. Of course itís much easier to justify these no question actions in the good vs. evil world of the Mushroom Kingdom but Mario shows that heroes are the ones who act for good without wanting anything in return except maybe a small kiss on the cheek and the possibility of a cake in the beginning of his next game.