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About Me
I'm Jon. I've been reading Destructoid since at least August '08, but only decided just recently (as of May '09) to start being an active community member. If you want to know more about me, feel free to read my intro forum post.

Long story short: I'm a grad student who enjoys video games and video game related news, but doesn't get around to actually play them that often. That's probably why puzzle and rhythm/music games are my bread and butter, since they're pretty easy to pick up and play. JRPGs used to be #1, until it dawned on me that I no longer have time to hunker down for hours at a time.

To anyone with a PS3 and a love of puzzle games: I bet you I could kick your ass in Puzzle Fighter and Critter Crunch with a probability of 50%. Game on!


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Science of the Arts: baby steps.
Changston | 10:44 PM on 10.31.2010 1 comments

Science of the Arts: baby steps.  photo



On October 20th and 21st, the Brain Science Institute aimed to bridge the two disparate fields together by hosting "The Science of the The Neuroscience of Aesthetics". The two day symposium brought famous artists and performers and neuroscientists together to engage in discussions ranging from the biological mechanisms of color processing to the complex coordination required in jazz improvisation. How did the whole thing fare? Hit the jump for details. 

There's a common idea that science and art are opposites. To some extent, it's justified. They attract different personalities and encourage different skills. Painters that follow strict rules and analyze every brush stroke often produce sterile imitations of art. Scientists that experience a stroke of luck in one experiment can't make any valid they need to ensure that what their results are replicable. The BSi aimed to repair this schism and show that both scientists can be creative and that artists can be logical. A group of ~300 patrons from both sides attended the events at the American Visionary Arts Museum and Baltimore Museum of Art to gain some perspective. &nbs


On October 20th and 21st, the Brain Science Institute aimed to bridge the two disparate fields together by hosting "The Science of the The Neuroscience of Aesthetics". The two day symposium brought famous artists and performers and neuroscientists together to engage in discussions ranging from the biological mechanisms of color processing to the complex coordination required in jazz improvisation. How did the whole thing fare? Hit the jump for details. 

There's a common idea that science and art are opposites. To some extent, it's justified. They attract different personalities and encourage different skills. Painters that follow strict rules and analyze every brush stroke often produce sterile imitations of art. Scientists that experience a stroke of luck in one experiment can't make any valid they need to ensure that what their results are replicable. The BSi aimed to repair this schism and show that both scientists can be creative and that artists can be logical. A group of ~300 patrons from both sides attended the events at the American Visionary Arts Museum and Baltimore Museum of Art to gain some perspective. &nbs



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