|By PlatformPCPS3Xbox 360Wii U3DSPS VitaAndroidiPhoneiPadOther HardwareEditor's Choiceby Author||By LatestThe best and worst s : May Returns Borderlands: The Pre-Sequel:... Grey Goo Pillars of Eternity Jump'N'Shoot Attack of Thrones: A Telltale Series:... Life is Strange: Out of Time Fossil Fighters: Frontier Bloodborne Frozen Cortex Bladestorm: NightmareMore reviews||By GenreActionAdventureFightersFree-to-playMMOMusicPlatformShootersSportsRPGStrategyMore genres|
Lara Croft and the Temple of Osiris once again offers all the action, puzzles and platforming reminiscent of the Tomb Raider franchise, all within the confines of an isometric view.
In Temple of Osiris, Lara Croft and rival archaeologist Carter find themselves branded with a curse as well as reawakening the evil Egyptian god Set after raiding an ancient temple dedicated to the Egyptian god Osiris. The two archaeologists now find themselves in a blood feud amongst ancient gods, as well as finding themselves racing against the clock to rid themselves of their curse brands before it kills them.
Temple of Osiris plays a lot like its predecessor Lara Croft and the Guardian of Light. You’ll find yourself exploring numerous well designed tombs, solving intricate puzzles and fighting hordes of enemies. The game manages to keep things fun and fresh with each stage by interchanging the layout and design of the tombs, making each tomb feel different despite them sharing a common setting. In addition to the main tombs, there are smaller optional tombs that players can raid. These tombs offer more simple puzzles to solve but the completion of these tomb raids are fairly worthwhile for the rewards.
The isometric camera gets the job done for the most part. Action segments are fun and this is mainly achieved by the frantic feel of combat as hordes of enemies rush towards players hoping to overwhelm them via their superior numbers. It is a shame that at times the isometric camera makes certain puzzles and platforming segments difficult and these segments really stand out, showcasing the major flaws of the game’s camera. Sometimes the flaws with the game’s camera will lead to player deaths however they never really feel consequential due to frequent checkpoints with the only penalty of death affecting the final score achieved upon a level’s completion.
There is a excellent variety of collectibles scattered throughout the world with the main collectible being gems. These gems serve as the game’s currency which unlock various treasure chests which contain useful items to aid Lara and her allies in their adventure. Items come in form of artifacts such as rings and amulets, all providing useful stat boosts such as increasing defense or improving resilience against certain elements. Finally, there is a nice assortment of firearms to obtain, some of which are found in the game’s optional tombs. With a wide variety of worthwhile collectibles to find, the game provides a good amount of incentive to explore every nook and cranny.
Boss battles are a major highlight in Temple of Osiris. Bosses are well designed and fighting against them combines all three elements of Temple of Osiris’ gameplay effectively, making overcoming these challenges incredibly satisfying. It is absolutely fun when a game challenges players to not only use all their skills to overcome bosses but these segments utilises all aspects of its gameplay.
Despite the highly apparent emphasis on multiplayer, Temple of Osiris functions well as a single-player experience. Unlike most games, multiplayer serves more than just having more playable characters on screen at once. It also alters the design and difficulty of the game’s puzzles and challenges requiring new solutions to puzzle solving and even navigating through tombs will require more thought. As such, Temple of Osiris’ multiplayer adapts to the changing conditions set upon it.
At its core, co-op works really well and encourages players to work together in creative ways tackle the game’s challenges making every success feel like a team effort where everyone has contributed. Multiplayer works really well in good old fashioned couch sessions but things fall apart when playing multiplayer online. The mode proves to be an inconvenience to everyone but the player that is hosting a session, overwriting their campaign progress with that of the host’s. Overwriting wipes away all your story progress, including the areas and features you unlock. Thankfully it still allows you to keep all your relics, weapons and other collectibles. Regardless this makes it feel that online multiplayer was designed as an afterthought as it has been poorly implemented in Temple of Osiris.
Lara Croft and the Temple of Osiris isn’t the best Tomb Raider game by far but it is certainly far from the worse. If anything, Temple of Osiris is an average Tomb Raider title. The game sets out to provide a fun adventure filled with all the elements that define the franchise however the game is held back by the flaws of its isometric camera and its online features.
Freedom Wars, the latest offering from Sony Computer Entertainment Japan with the collaborative efforts of Japanese developers Shift and Dimps has stood out as one of the most highly anticipated Vita titles of the year but did it live up to expectations?
Freedom Wars has a fantastic premise, taking place in an post apocalyptic world where the earth’s resources have been largely depleted and the last bastions of humanity have formed totalitarian states (known as Panopticons) to wage war with each other over the remaining resources. Freedom Wars’ world is a brutal place and throughout the game, players are continually immersed in its world and its bleak reality.This is achieved through the entitlement system. Want to leave your prison cell? You must ‘Request an Exit Permit’. Want to lie down when you sleep? You must be ‘entitled’ to do just that.This immersion fleshes out Freedom Wars’ dystopian setting, where Sinners (Freedom Wars’ equivalent for prisoners) are deemed as disposable resources who are barely even treated as human beings.
The game’s story revolves around our protagonist’s life as a Sinner who must work off a lofty 1,000,000 year sentence as punishment for being deemed counter-productive to society after suffering amnesia as a result of an injury in the game’s opening sequence. This sentence can only be worked off by serving the Panopticons and its free citizens by completing missions or donating resources and goods for what the government deems as ‘The Greater Good’.
While the premise sounds highly intriguing, the actual story itself is fairly underwhelming as it fails to fully capitalise on the game’s setting and as players progress further in the storyline, the intrigue slowly vanishes as the story descends into a generic tale. This is compounded by the characters who are unfortunately not distinctly memorable and fall under generic anime stereotypes, if you played any JRPG then don’t expect the cast of Freedom Wars to amaze you.
As such, Freedom Wars’ exciting and interesting premise feels wasted due to its plain storyline.
Thankfully, it is in the gameplay where Freedom Wars shines for the most part.
Freedom Wars is focused around obtaining resources and materials used to acquire better gear and weapons upon the completion of missions. There is a fair variety of missions ranging from citizen rescues to escort missions, however the mission themselves aren’t entirely original and unique. This also applies to the game’s handful of mission environments which is unfortunately lacking in diversity as such players will find themselves completing missions on the same maps multiple times. These mission can be played with either an AI controlled party or a party made up of other players.
However, players will derive most of their fun from the game’s excellent combat system and mechanics.
Battles are daunting and combat is viscerally fast-paced and frantic. For the most part, players will be battling giant mechanical-like monsters known as ‘Abductors’. These Abductors are difficult to take down as they can withstand a lot of punishment as well as dealing out devastating attacks of their own. This difficulty perfectly reflects Freedom Wars’ world in which every mission may be your last and it is incredibly satisfying to survive these life and death battles. While combating Abductors is incredibly fun it is unfortunate that fighting human opponents is just not as satisfying in comparison. It feels that the game’s combat mechanics were primarily designed for fighting Abductors as they don’t translate well into Sinner VS Sinner combat.
In combat, players can switch between two weapons (ranged or melee) at any given time. From assault rifles to grenade launchers, players will find themselves a large variety of options to choose from when attacking from a distance and this extends to the game’s melee weapons. Each weapons feels distinct, each coming with their own set of special moves and strengths and weaknesses. In addition to these weapons, players are also able to equip and use support items ranging from first aid kits to stimulants as well as a good variety of different traps and explosives.
Freedom Wars’ combat revolves around three concepts: maneuverability, team coordination and constant adaptation to changes in battle.
All Sinners come equipped with a special tool known as the ‘Thorn’. These thorns allows players to travel quickly across short distances as well as latching onto surfaces and enemies. The thorns also come in three different classes, each one serving a different contributing role to the team. These thorns gives the game’s combat a sense of verticality and speed where players feel that they must quickly maneuver and make full use of the environment to both dodge incoming enemy attacks as well as exploit opportunities to deliver devastating amounts of damage.
During combat, players are also able to issue commands to both their personal mechanical team mate overseer (known as Accessories) and their fellow Sinners. There is a good variety of orders to choose from and further in-game, players will be able to customise these orders. Surprisingly not only is the AI highly competent, easily holding their own against enemies in combat but they are also very responsive to player commands. This really makes it feel that players are not fighting lone battles encouraging the use of the game’s command system which is easily accessible at the simple press of the Vita touch screen.
When fighting against Abductors players are able to sever and destroy certain limbs and mechanical parts. This results in weakening the offensive capabilities of enemy Abductors however in turn, the enemy AI’s behaviour reflectively changes and adapts to its new conditions. As such, Abductors feel smart, adapting and changing their attack patterns to reflect their current condition. This makes battles feel dynamic and makes enemies feel more challenging thus it becomes more satisfying to bring them down as you slowly tear them to pieces.
The customisation in Freedom Wars is highly extensive. Besides the good variety of weapons available, players are also able to customise and modify these weapons, increasing both their stats as well as applying elemental effects to them. Customisation isn’t just limited to weapons and equipment. Freedom Wars character customisation is staggeringly deep with extensive customisation ranging from physical appearance to attire and equipment. As such it is thankfully relieving for players who can at anytime upon a submitting a ‘Request’ (once unlocked) can return to the character creator to update or even fully change the models of both their character and their accessory. This gives players the ability to adaptively change their physical appearance to suit their new available customisation options and preferences. Though it is strangely unusual from a story context as the game’s characters don’t respond at all to your new look in any form or way.
While the game’s learning curve is significant, not only is the tutorial readily available upon returning to your prison cell but the game’s excellent pacing is highly accommodating easing players to new aspects of the game. However, as missions in-game become longer with further story progression, the game’s portability is somewhat lost as it requires players to open up fairly long amounts of time to complete missions. Freedom Wars pacing also suffers from a fair amount of backtracking but this is rectified by the game’s quick travel and notification systems.
The game also has a trading system however this aspect of the game is implemented poorly. Throughout the game players can engage in conversations with other NPCs however they constantly repeat the same dialogue. Players can trade with some of these NPCs but the problem is that the game provides no information into what players will receive for their goods. It is incredibly frustrating to travel around the entire Panopticon to find that one NPC who has the item you want but the game provides no way to direct you to them. This makes the trading system feel completely reliant on players remembering where they got their trade goods from amongst the game’s many NPCs.
In addition to the lengthy single player campaign, Freedom Wars' multiplayer extends beyond cooperative missions, featuring a PvP mode.
The game’s has some highly appealing visuals featuring an anime inspired aesthetic which is crisp and detailed with very minor degradation during combat but this is mainly a result of the game’s frantic battles and solid frame rate which rarely dips. The game’s soundtrack is solid and diverse ranging from upbeat tracks to stark, deep bass. Unfortunately the game has no english dubbing however the Japanese voice-overs is done well and the game’s english subtitles is well translated.
THE VERDICT: 8/10
There is no doubt that Freedom Wars is an excellent game and a great action RPG. The combat is great and every fight feels challenging leading to plenty of satisfaction upon completing a successful mission. The game’s customisation is extensive and provide players a large magnitude of options to tailor their character and the combat to suit their ideal playstyle. It is just unfortunate that the game’s excellent premise is held back by the game’s average story and that the combat doesn’t translate well when battling the game’s non-primary enemies.