2:29 PM on 11.28.2007
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Nex
Sleater-Kinney is sort of an institution in my part of the world. See, they began in this tiny Northwest microculture and since then have gone on to the sort of bizarre limbo of indie groups where they're simultaneously unknown and widely beloved. Like The Decemberists, The Exploding Hearts or everything Courtney Taylor-Taylor has ever done, this region exists perennially on the sharp bit of the cutting edge by knowing the hip unknown first and best and fighting fiercely to keep things permanently that way. That's why when I see something like Sleater-Kinney bassist down-tuned guitarist Carrie Brownstein reviewing Rock Band for Slate, I'm immediately giddy (and vaguely wary that she's encroaching on my damn territory).
Putting aside the e-mail I have to write in a few moments threatening her pets and family if she continues writing about video games, her review is phenomenal. Sure, Nick's cool and all but what was he up to when I was 15? I can almost guarantee he wasn't melting faces in one of the pre-eminent female rock groups of the least quarter-century. In fact -- and I may be wrong here -- I don't think Nick has ever been a woman, let alone a successful female musician whose name you could drop to impress cute indie girls with thick glasses in the alley outside of the now-defunct Satyricon.
In short, go read that review. Also, while you're there, try not to sound as idiotic as the people in the comments in case you decide to open your virtual gob. We'll take your damn scarf back if you do.
[Sending a box of scarves to Analog Pidgin for the tip]
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By the way, satyricon aren't defunct. I saw them last summer. They still suck.
Cool review though
I'm always amazed by the defensiveness of "real musicians" regarding Guitar Hero and now Rock Band. It's not meant to take the place of playing an actual instrument. I mean, Roy Jones Jr. wasn't sweating Wii Sports boxing, was he? For god's sake, it's a toy with a few colored buttons that is supposed to be FUN. I appreciate that Carrie Brownstein realized this, even if many still don't.
"I suppose it's pointless to try to break it down in this way, into a dualistic Rock Band vs. real band. Not even the creators of Rock Band could possibly believe that playing the game is tantamount to making your own music. There is, however, a sad similarity between Rock Band and some actual bands, and that is the attempt at realness. With so much of music blurring the lines between ersatz and authenticity, at least the Rock Band game is a tribute to rock, rather than an affront. In the realm of fakery, I would choose Rock Band over American Idol or over any of the other flimsy truths masquerading as music. With Rock Band, you can play along to Black Sabbath or Nirvana and possibly find new ways of appreciating their artistry by being allowed to perform parallel to it. Rock Band puts you inside the guts of a song."
I like the idea of musicians reviewing the game. Especially ones that don't totally suck.
Priceless. Brownstein writes pretty well, and this great review has actually made me want to check out Sleater-Kinney, even though I’ve never heard of them.
Whoops, my spite is showing... I'll try that again... nice review.