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Review: Sunless Sea photo
Review: Sunless Sea
by Ben Davis

Adrift at sea in a massive underground cavern. No natural lighting to speak of. Your ship's hull has taken a beating from enemy cannon fire and giant crustaceans. Fuel and supplies are running low, but you might be able to survive the journey back home if you're willing to make some sacrifices. Your crew is growing scared and restless. You think you hear something moving under the water...

Sunless Sea is a game of choices. Will you risk smuggling illegal cargo to faraway ports if it means extra money for supplies? Will you offer sacrifices to the gods of the sea, or remain firm in your belief that your frightened, pious crew are just being superstitious? Will you resort to feeding on rats if you can't find anything else to eat? If it comes down to it, would you even be willing to eat your own crew if it meant you could survive another day? These are all questions you will eventually have to ask yourself if you ever hope to be victorious in the cold, dark waters of the Unterzee.

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Review: Grow Home photo
Review: Grow Home
by Ben Davis

Grow Home is another entry in Ubisoft's recent string of passion projects, in the same vein as Child of Light and Valiant Hearts. It started out as a tool for a small group of Ubisoft developers to experiment with procedural animation, and sprouted into an idea for a full-fledged game as the team began to notice how much fun they were having just messing around. It's a charming origin story for a very delightful videogame.

The cute and simple visuals reeled me in, planting a seed of interest in my mind which grew into satisfied enjoyment when I finally began to play it. Everything in Grow Home hits that perfectly charming tone, from the adorable character to the quirky gameplay mechanics. What's more, all of this can be enjoyed without having to worry about Ubisoft's unpopular Uplay service.

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Review: Dolphin Up photo
Review: Dolphin Up
by Ben Davis

Let it be said that I am not one to pass up a good dolphin game. Or even a mediocre dolphin game. Seriously, just give me some dolphins and I'm happy!

At first glance, Dolphin Up may seem like a mobile title, and that's probably because it actually started out on those devices. It's a sequel to Dolphin Olympics, and has been available on mobile markets for a couple years now.

Now it's finally coming to consoles years later with a Wii U release.

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Review: Pix the Cat photo
Review: Pix the Cat
by Steven Hansen

Pix is a mix of the two most saccharine basic emoticons, :3 and ^_^, a face for the forgotten mascot age. Just too cute, and not in a way that ever betrays the fiendish score-chaser underneath. Sincere cuteness. A real testament to the species post-Flicky.

Now it's all about the cat collecting eggs through panel after panel of the Grid of Infinity and depositing a growing tail of ducklings into safe little holes lest they remain, stuck, as infinite guests. 

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Review: Apotheon photo
Review: Apotheon
by Patrick Hancock

Apotheon is the newest game from the developers at Alientrap, the team behind a small game called Capsized. Now personally, I loved Capsized and think it was overlooked by most. It had interesting mechanics and a plot that wasn't told through lines and lines of dialogue. It left a huge impression on me and I knew to look forward to whatever that team did in the future.

Well, the future is now, and Apotheon is out. It certainly lives up to the high standard set forth by Capsized, and pushes the bar even further. With an art style that is bound to get people's attention, this is a game can keep the attention with rock-solid gameplay.

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Review: Sons of Anarchy: The Prospect: Episode One photo
Review: Sons of Anarchy: The Prospect: Episode One
by Chris Carter

I was skeptical of Sons of Anarchy at first, but once I realized it was Hamlet on wheels I was in. Its seven season run wasn't perfect (particularly the Belfast plotline), but it kept me thoroughly entertained throughout, wanting to check in every week to see where the Sons took me.

Having just ended the show, series creator Kurt Sutter likely wants to keep the good times rolling, with a potential prequel TV series, and now, a brand new adventure game called The Prospect

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Review: Game of Thrones: A Telltale Game Series: The Lost Lords photo
Review: Game of Thrones: A Telltale Game Series: The Lost Lords
by Darren Nakamura

I would not last a day in Westeros. My best hope would be to spend some time in Oldtown to train as a maester, and even though it would help to protect me from personally going to war, I would probably be too close to the political intrigue underneath it all.

Game of Thrones: A Telltale Game Series: The Lost Lords is out, and now some of the seeds sown in Episode One are ready to harvest. As it turns out, I made all of the wrong decisions in Iron From Ice, and I continue to make all of the wrong decisions. With the path it is currently on, my version of House Forrester is doomed.

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Review: Brandish: The Dark Revenant photo
Review: Brandish: The Dark Revenant
by Kyle MacGregor

Antiques possess a magnetic quality, an appeal to our imaginations, a false nostalgia for a time most of us are too young to remember. There's a comforting allure to these relics. They offer a window into the past, a living history. It's a connection, however tenuous, to where we came from, a place to which we've never visited or cannot return. 

Brandish: The Dark Revenant is an antique, something of a refurbished one. Falcom's classic role-playing game began its life as a PC release in 1991. It would later come to SNES, and was then remade in 2009 for PlayStation Portable, albeit only for Japan. Now, more than a half-decade later, a localization has finally arrived on western shores. Better late than never.

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Review: #IDARB photo
Review: #IDARB
by Jason Faulkner

I'm not a huge fan of most indie games. There I said it. I find most of them derivative and lacking in quality, and I hate when quantifying a game I have to say, "It's a great indie game," as if that fact gives it an excuse for being less engaging or of lesser quality.

The duality of this is every once in a while an indie title comes around that blows my mind with how fun/clever/unique it is to the point where some of my most beloved experiences in gaming are with FTL, Out There, Little Inferno, Papers, Please, and now #IDARB.

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Review: Nihilumbra photo
Review: Nihilumbra
by Greg Tito

There's a nugget of a solid game here in Nihilumbra. Unlike many of the PlayStation Vita's offerings, it uses the touchscreen in a novel way that doesn't feel tacked on or forced. And the puzzle-platforming is supported well by an ethereal art style, score, and sound design.

You just have to wade through a jumble of pseudo-philosophy to get to it.

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Review: Gunman Clive 2 photo
Review: Gunman Clive 2
by Chris Carter

I don't think anyone, including the game's creator, expected Gunman Clive to be such a massive hit. As an homage to retro platformers it was a joy to play, and the ridiculously cheap base price made it easy to take the plunge.

Gunman Clive 2 delivers pretty much everything you'd want out of a sequel, even if it doesn't push the envelope.

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Review: Life is Strange: Chrysalis photo
Review: Life is Strange: Chrysalis
by Brett Makedonski

"If I'm not looking through a viewfinder, I'm looking through a window. Always looking."

Max Caulfield, the introspective protagonist of Life is Strange, spends her life searching, observing. Actually, it might be more akin to wandering. She's 18, a newly minted "adult." Everyone keeps telling her how much life has in store for her, but she's more intent on the short-term -- just surviving one awkward social interaction after another.

It's a situation that's easy to empathize with. Everyone's felt the uncertain pangs of adolescence, even the most sure-footed of people. Life is Strange gives the player a chance to walk in those shoes with Max -- to try to avoid the gaze of every set of judgmental eyes, and to skirt confrontational conversation lest things just get even worse. It can be weird and cringe-worthy at times, but, hey, doesn't that nicely sum up those formative years?

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Review: Call of Duty: Advanced Warfare: Havoc photo
Review: Call of Duty: Advanced Warfare: Havoc
by Chris Carter

Call of Duty map packs are definitely a mixed bag. Fifteen dollars is pricey by any standards, and the prospect of one or two remade maps and a grand total of four arenas isn't anything to get excited about.

Advanced Warfare's new Havoc DLC has just arrived this week on Xbox platforms, and it's par for the course in terms of what you'd expect. As usual though, zombies save the day.

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Review: Dying Light photo
Review: Dying Light
by Chris Carter

As you may have heard, we got our Dying Light review code pretty late. As in, the day before launch. A late show doesn't necessarily instill confidence in a project, especially since a lot of fans had no idea what to expect from Techland's latest.

It's strange that this situation even happened considering Dying Light is one of Techland's best games outside of Call of Juarez: Gunslinger.

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Review: Grim Fandango photo
Review: Grim Fandango
by Steven Hansen

Grim Fandango didn't need a remaster as much as it needed a re-release. Many, myself included, have found it difficult to track down a copy to play. We've had an entire digital catalog--GOG.com--devoted to getting good, old games up for sale on a digital storefront, but no Grim Fandango?

The touch-ups are appreciated. You can switch between the original and remastered look at the touch of a button. The latter has some nice dynamic lighting and new character models, but I stuck mostly with the former for its more vibrant colors. The in-game commentary is a nice touch. The non-tank controls are welcomed (as is the cheeky trophy for playing with tank controls).

No bones about it, though, Grim Fandango holds up on its original merits as a stylish, humerus adventure.

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Review: Gravity Ghost photo
Review: Gravity Ghost
by Darren Nakamura

[Disclosure: Ashly Burch, one of the voice actors for Gravity Ghost, previously created video content for Destructoid. As always, no relationships, personal or professional, were factored into the review.]

Traditional ghost lore states that spirits remain in the physical realm when they have unfinished business. That trope applies to Gravity Ghost's protagonist Iona. Less common are ghost stories about soaring between tiny planetoids to collect stars. So that's new.

It has been described in Internet shorthand as "like a 2D Super Mario Galaxy," but past the physics of elliptical planetary motion there is not a lot of similarity. Where Mario keeps on his toes to avoid traps and enemies, Iona's journey is a more zen-like experience of exploration and self-discovery. Gravity Ghost touches on some more serious themes and is more than just a platformer with unusual physics.

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