Jul 21 //
Game of Thrones - A Telltale Game Series: A Nest of Vipers (Android, iOS, Mac, PC [reviewed], PS3, PS4, Xbox 360, Xbox One)Developer: Telltale GamesPublisher: Telltale GamesReleased: July 21, 2015MSRP: $4.99 (episode), $29.99 (season)Rig: AMD Phenom II X2 555 @ 3.2 GHz, with 4GB of RAM, ATI Radeon HD 5700, Windows 7 64-bit
[Editor's note: there will be no major spoilers present for the episode reviewed here, but events in previous episodes may be discussed.]
Throughout the series, Asher and Mira have been the more interesting characters to follow, the former for his action and wit and the latter for her suspense and guile. Ethan and Rodrik at Ironrath have been fine as central characters, but haven't stood out. Gared's exploits at The Wall and beyond have easily been the least exciting thus far.
A Nest of Vipers shakes up that split, if only a little. Asher still stands at the top with scenes dense with action and dialogue choices that feel important. He and his partner Beskha find themselves in a fighting pit in Meereen, seeking combatants to follow them back to Westeros. During this sequence, the stakes are high and it genuinely seems like failure is possible, forcing Asher to return home without any extra aid.
One other point for Asher is Telltale's injection of humor into his lines. Though Game of Thrones takes an entirely different tack than Tales from the Borderlands, the little pockets of comedy help to break up the oppressively somber tone of the episode. One line in particular had me audibly chuckling, which I think is a first for this series.
Mira's sections, on the other hand, lacked a lot of the punch they have had in past episodes. Where the coronation ceremony scene in Sons of Winter left me feeling smart for having successfully navigated and manipulated King's Landing politics, both of Mira's major scenes here just had me along for the ride.
The first scene is one with Cersei and the second features Tyrion in his cell, locked up and awaiting trial for the incident at Joffrey's wedding. Perhaps because she was playing opposite two of the strongest personalities in Westeros, Mira didn't seem to do anything important or have much of an impact. This episode does set up for one final showdown with Cersei, in what sounds like it might be a life-or-death situation.
Gared's journey toward the nebulous North Grove continues, and how it can possibly help House Forrester so many miles south is still a mystery. That said, it's finally getting to the point where Gared feels important again. The first four episodes were spent putting him in place, first getting him to The Wall, then getting him north of it. Now he actually gets to do something.
Of all the intertwined stories, Gared's feels the most hopeful at this point. He's in a pretty sticky situation, but it's difficult to imagine a scenario where he doesn't make it out to at least play his part in the grand scheme during the finale. Everybody else in House Forrester might die and the clan might be wiped from the map, but he's going to get to the dang North Grove. Next time.
The crux of the story still lies in Ironrath, with Rodrik dealing with the fallout from the last episode. It's a little disappointing; all of the clever politicking from Episode Four is essentially nullified by the traitor. Where it previously seemed like a peaceful resolution could be possible, it's now clear that this story can only end with bloodshed.
That isn't to say Rodrik's sections were bad; there were still plenty of interesting decisions to make along the way. They may not all have a major effect on where things end up, but a few appeared to have serious immediate consequences and a few others appeared to affect how the final episode will shake out.
This episode culminates with a particularly emotionally impactful finale, the kind Telltale has steeled us for with series like The Walking Dead. It's difficult to discuss without going too far into spoiler territory, but I can say that I was thinking about the last scene hours after I played through it the first time. It could go down as the most memorable section for the entire series.
It's strange. Detailing all of A Nest of Vipers' parts makes it sound about average, if not even a little disappointing compared to the previous episode. But this one ends up working well as a cohesive unit, even if some pieces fall flat. This episode has its highs and its lows, but it still leaves an unforgettable impression.
[This review is based on a retail build of the game provided by the publisher.]
Now we're getting somewhere Anyone following my exploits as House Forrester in Telltale's slice of A Song of Ice and Fire will know that the first four episodes have been a lot of setup for the main event. While only one episode felt like filler (The Lo...
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From that trailer, A Nest of Vipers seems like a perfect title for this episode. The question is: which character is in the nest? Asher finds himself in a pit fight (presumably to the death), Gared is north of The Wall in Wi...
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The fifth installment of Telltale's Game of Thrones series, A Nest of Vipers, will be released later this month.
Good news if you've been growing impatient, particularly as we're already halfway through July. Yay.
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Jul 14 //
Godzilla (PS3, PS4 [reviewed])Developer: Natsume Atari Inc.Publisher: Bandai Namco GamesMSRP: $59.99Released: July 14, 2015
Half an hour and several levels in, I wasn't sure Godzilla could really be hurt, much less die. That's not an inherently bad thing, as he's supposed to be tough, but I wondered where the challenge was. A few hours later, I found it. Godzilla is far too easy except when it veers into overwhelming, unfair, not-fun territory. Then it becomes a boring battle of attrition against the same old kaiju.
A lot of frustration lies in the controls. You use L1/R1 to turn Godzilla, which is weird at first but eventually feels fine. He's got a forward-charging attack (that you'll frequently use given his normal plodding pace), a standard three-hit punch combo, a heavy tail whip, and atomic breath. The latter needs to charge up before you can fire it, but the cooldown isn't terribly long, especially with upgrades. Aiming, however, is a total nightmare; you don't have exact control over it.
Say you want to shoot down a helicopter. You'll need to position Godzilla close to it -- but not too close! -- and line up his body. Next, you can turn the camera to confirm his head is more or less tilted in the correct direction. Now fire away and hope that a) the helicopter hasn't moved and b) the blast doesn't just hit the ground. That's my best strategy and it's not even consistently successful. Thankfully, it got me through the aggravating fights in which you're forced to take down a kaiju while multiple aerial vehicles (Super X, X2, and X3) come close, shoot you, then zip away.
For some baffling reason, there's no blocking in the traditional sense. While Godzilla's roar acts like a block to an extent, initiating it is by no means instantaneous. You have to know in advance that an attack is imminent or you'll be too late. There is also this odd invincible dodge move, but it runs on the same gauge as your atomic breath, so it's often unavailable when you need it most.
The end result is a slow, awkward fighting system that effectively recreates the movies but is annoying in practice. Although your attacks can and will be interrupted by strings of combos, you can't always interrupt your enemy's moves. To that end, I stuck with Battra whenever and wherever possible (Versus, King of Kaiju, etc.) -- the moth is quick, easy to control, and cheap.
The main mode, God of Destruction, is something out of an arcade game. Levels are tiny, bland, and feature the same goal: destroy the generators. That's the focus. Generally, you'll also need to fight a monster, work within a time limit, or both. As you blow up vehicles and buildings, you'll earn points that fuel Godzilla's growth. There's a multiplier to encourage you to move quickly from structure to structure. By the end, he'll be about twice as big as when he first came ashore.
Branching levels give you control over which kaiju you engage as well as the overall difficulty. You're meant to replay this mode several times to see all of the (super-light) story and unlock characters, but environments are so similar, so unengaging. I've literally punched hundreds of generators to death. There are variations on God of Destruction that have you invading as another beast, or defending as a protector like Jet Jaguar or Mothra. The format doesn't help.
The game's extensive character upgrade system requires even more replays. Godzilla has quite a few moves that are locked until you can find and defeat specific monsters, some of which appear under mysterious circumstances. King of Kaiju mode's six quick back-to-back fights help with gathering resources, but tied to such repetitious content, the progression system is flat-out awful.
It was also disappointing to learn that the Versus mode for up to three players is online only. No split-screen support. There are Godzilla-obsessed fans playing, at least, so it's not a total wasteland.
The only other bright spot is the Kaiju Guide, a collection detailing the playable creatures as well as quite a few not featured. I adored seeing old stills from the films and, sure, there is a certain appeal to playing as a bunch of these guys. But the feeling fades before long. A love of the movies can only get you so far when the experience is this frustrating and hollow. What a letdown.
[This review is based on a retail build of the game provided by the publisher.]
Better luck next time This was supposed to be the game for Godzilla fans -- an authentic adaptation that captured the look and feel of the films. In some ways, it is. There's a satisfying cast of playable characters including Mothra, Destroyah, an...
Jul 14 //
Deception IV: The Nightmare Princess (PS3, PS4 [reviewed], Vita)Developer: Tecmo KoeiPublisher: Tecmo KoeiMSRP: $49.99 (PS4)Released: July 14, 2015
Since the core experience hasn't changed all that much, head to the original review to get a full breakdown of the main mechanics. The gist is that you'll be controlling a character that, for all intents and purposes, can't attack on their own, and must rig an elaborate combination of traps to do their dirty work for them. You'll do this by pausing the game, bringing up a menu, and placing a number of wall, ceiling, and floor traps that can be used with one another for maximum mayhem. For instance, you can hold an enemy in place with a beartrap, shock them with a wall taser, then drop a giant boulder on their head from the ceiling. It's glorious.
So before you get confused, The Nightmare Princess is an all-new SKU that includes everything in the original package on top of another story with 100 quests, a new character with a different moveset, and a "Studio" mode so you can create your own scenarios. The extra campaign is easily the new draw, and I have to say, newcomer Velguirie holds her own here. Her tale runs concurrently with Laegrinna's and doesn't feel tacked-on in the slightest.
100 new quests also isn't really anything to shake a stick at either, though it must be said that there's only a few new zones (which are rather small), as some quests re-use old areas from the base game. The second campaign does stand up on its own, and even playing both stories back to back, they didn't overstay their individual welcomes. Velguirie's big gimmick is that she can kick enemies now -- something no other protagonist was able to do in the history of the franchise.
But it's important to put things into perspective here. She can't just karate-kick bad guys into oblivion with flashy combos. It's a simple timed kick on a cooldown that can be used to tactically slot foes into position for traps (or stomp them on the ground), which are still going to do the real legwork here. It's not a game-changer, but again, the story, bonus traps, and the new character design themselves are enough to carry another playthrough. Yep, I said bonus traps, including a deadly toilet, a bolt of lightning, a wardrobe that eats armor, and sticky flooring. At this point there are so many trap combos at your disposal that you're only limited by your imagination.
You'll get to test your inner demon plenty with the Studio mode, the other big addition in Nightmare Princess. Here, you can create enemies with various custom parts and name them, placing each creation inside an existing arena. You can craft fun scenarios like battling the entire Justice League, and even download or upload them online for all to see. It's not as expansive as I would have liked, but the fact that you can download new missions every so often is a breakthrough for the series. Keep in mind that your fun is also going to be limited by how many actual parts you have, which are unlocked by completing both campaigns.
Here's the bad news for those of you who already bought the original. While the new story is enjoyable and the Studio is fun to mess around with, you aren't getting a substantial new expansion to pour over for weeks here. Think of it more like a hefty DLC package. In other words, unless you absolutely love Deception, it probably isn't a good idea to shell out $50 for Nightmare Princess.
It's a really weird thing for Koei Tecmo to do, as it could have easily provided an "upgrade" for say, $20, and then released a package version on the side. As it stands, you either have to go all or nothing. At the very least, there is the added bonus of being able to import your old save data, so you don't have to complete the original campaign all over again to reap the unlock benefits.
Deception IV: The Nightmare Princess is in a really weird spot, but here's the rub -- as a Deception enthusiast, I was more than happy enough to take Velguirie's story for a spin, and I found myself beating the original game again as well as creating a few levels in the Studio. Just know exactly what you're getting into with Nightmare and make an informed decision.
[This review is based on a retail build of the game provided by the publisher.]
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