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Stories: The Path of Destinies is magnifique

Sep 07 // Kyle MacGregor
[embed]309565:60263:0[/embed] The narrative (or at least its delivery) draws on Supergiant's Bastion for inspiration, employing an omniscient narrator who recounts the game's events as if he were reading a child's storybook -- or in this case a dark, violent choose-your-own-adventure novel masquerading as something kid-friendly. Don't be fooled by the cutesy anthropomorphic characters, as within the first few minutes of playing I had the protagonist Reynardo (an airship pilot of a fox) kill his pal Lapino for some reason. Studio co-founder Simon Darveau told me it -- the evil route -- was a popular choice, and just one of many. In Stories, players will be forced to make a series of choices throughout the experience, which will have significant impacts on how the tale unfolds. To illustrate this, Spearhead brought a build to PAX Prime with no less than 32 possible endings. And these aren't minor departures, mind you, the decisions players make will determine who lives, dies, or even appears in the story at all. [embed]309565:61054:0[/embed] The forks players travel down will not only decide what takes place, but how the narrator will depict Reynardo. He can be a classic good guy, a selfish anti-hero, or somewhere in-between. Moreover, while playing the game, the narrator will react to what the player is doing. I recall breaking a bunch of pots and hearing him quip about something, only for Darveau to nudge me and remark that was one of several potential reactions (as there are apparently over 1,000 lines of voice over), and had I played more than once, I might not hear the same thing twice.  Something that was a tad more repetitive, though, was the combat, which I was told takes its cues from the Batman: Arkham series. However, unlike the Dark Knight, Reynardo goes to battle wielding a sword and makes no bones about carving up his foes or just kicking them into the abyss. [embed]309565:60262:0[/embed] I eventually unlocked an ability that enabled me to dash around arenas, hinting at the possibility of more than a one-note combat system. This allowed for guerrilla-style flank attacks, letting me pick apart enemy crowds, rather than charge up the middle to my death. On the one occasion I tried to brute force my way through battle, I was quickly overwhelmed by my adversaries. While I still have my concerns about the fights, thankfully, it's not all hacking and slashing. Between action sequences, the camera pulls back to an isometric viewpoint, giving players a commanding view of the lush, watercolored scenery (which is damn pretty, by the way). These segments have environmental puzzles, such as stealthing your way through a ruinous maze patrolled by sentry drones. Nothing I saw seemed too mentally taxing, but it provided some nice variation between the more action and narrative-heavy elements of the experience. [embed]309565:60266:0[/embed] Stories: The Path of Destinies impressed me on several fronts, and I'm typically wary of games that tout player choice and morality as key features. From what I've seen, Spearhead Games seems to be handing this in a more interesting, non-binary way, and backs it up with some killer aesthetics and solid combat. There's a lot of potential there, and I really hope the game can deliver on it. Keep an eye out for Stories when it launches exclusively on PlayStation 4 early next year.
Stories preview photo
You can go your own way
Anytime I attend a trade show or convention these days, I walk away smitten with a new game out of Québec. It's eerie, really. I don't go looking for them; they find me, as if there were some sort of gravitational pull...

Crazy racer has you drive multiple cars at once

Sep 06 // Kyle MacGregor
It's controlled chaos, though. Luckily, you need only take control of one vehicle at a time. However, in what might be one of the better "it's a feature" excuses yet, the computer in this game is as dumb as a post. AI-controlled cars (both yours and your opponents') are largely incompetent. This requires players to hop from one track to the next, either taking the lead or putting the computer in a position to do so before moving on to the next track. The challenge is more about management and strategy, rather than pure driving skill. And given there can be up to six tracks on any raceway, all of which sport differing speeds, steering your team to victory can be quite a handful. While Drive!Drive!Drive! is still somewhat early in development, it can be a  pretty rough ride. During my time in the driver's seat last week in Seattle, I discovered the title doesn't handle anywhere near as well as, well, any mainstream racers I've had the pleasure of playing in recent years. [embed]309532:60259:0[/embed] Midwood was the first to admit the experience could use some fine tuning, as sharp turns often resulted in messy pile-ups and ramps can send your vehicle flying onto another track with no means of returning to the correct one. But there's still time to fix mechanical issues and tighten up the controls, especially since the concept and aesthetics are already so attractive. The visuals are minimalist, but the pastel color palette and otherworldly track layouts more than make up for some technically unimpressive graphics. The trippy vibe is also enhanced by a trippy soundtrack, courtesy of synth artist Zombi, giving the game a distinctive look and feel. On top of that, there's a track creator, which should give the experience some legs, allowing players to build and share their own designs with the community, should one ever form around the game.  Drive!Drive!Drive! is targeting a 2016 launch on PlayStation 4, Vita, PC, and maybe more systems.
Drive!Drive!Drive! photo
On your marks, get set, go, go, go!
Game designers rarely go off-road when creating racing games and eschew lesser-traveled paths in favor of more established, familiar routes. Not Gordon Midwood, though; the one lone developer at indie studio Different Cloth i...

La-Mulana 2 will probably break me

Sep 05 // Zack Furniss
Since the interface and overall graphical style of La-Mulana 2 looks almost identical to the original, it's appreciated that the new character is distinctive enough that you'll know which game you're playing. Instead of inhabiting the Indiana Jones-alike Lemeza Kosugi, you'll be playing his (maybe) daughter Lumisa. Skill-wise, the only major change I noticed is Lumisa seems to have slightly more air control; instead of being locked into a forward jump, you can ease off a bit. Though I eventually acclimated to the strict leaping rules in the first game, I immediately felt more comfortable exploring the ruins in this demo. That comfort was obliterated in approximately one minute. While a jovial PR rep was telling me that puzzles aren't necessarily easier, so much as they have better signposting, I stumbled through trap after trap and wandered up to a boss. I was supposed to whack him in the face, but he kept charging through and knocking me down, killing me in a few quick blows. This happened about four times, until I gave up and went in a different direction. Another change is that there's a more noticeable sense of depth (at least in the stage that I played). La-Mulana 2 is built in 3D in the Unity engine, as seen above. Though this first area didn't play with this too much, I imagine the late-game ruins will use this newfound depth to their advantage. I'll be damned if clues to certain puzzles won't be hidden in the background. With such limited time and access to the demo, it's hard to get a sense of whether the signposting has actually been improved. The first game played a sound effect when you had advanced a step in a puzzle, but there was often no clear way to figure out what exactly had changed. The platforming and bosses still feel as tough as ever, but a series like La-Mulana really demands at least a few hours to see just how inextricable the labyrinthine ruins will end up being.  The PR rep ended our meeting by saying that when they polled players about difficulty, Japanese players overwhelmingly wanted the sequel to be easier and the Western players wanted it to be harder. They're trying to strike a middle ground here with tricky riddles that still require a sharp eye, and more forgiving platforming. We'll see how that turns out when it launches early next year.
La-Mulana 2 photo
And I look forward to it
I only recently finished La-Mulana, Nigoro's "archaeological ruin exploration action game." It tried its damnedest to make me quit at every turn; with its obtuse puzzles and tricky platforming, I don't feel it's hyperbole to ...

Hob is a fascinating departure from Torchlight

Sep 03 // Jordan Devore
My demo at PAX Prime was short, and left me with questions that almost certainly won't be answered until I get to play the finished game, whenever that will be. It's still a ways off. I was dropped into an early area of the game -- but not the actual opening, it's worth pointing out -- and started hopping up hills and climbing vines. Hob is presented from an overhead view, but its camera dynamically zooms in on focal points. It pays to check out every tucked-away area for health, stamina, and weapon upgrades, sure, but also to take in the sights. Eventually, I happened upon some basic creatures and then a boss. My Souls instincts kicked in and I rolled, rolled, rolled. You can never be too cautious, y'know? The bigger foe was fairly easy but, in general, "The idea is that all of our monsters will basically destroy you unless you actually figure out how to beat them," according to Runic president Marsh Lefler. Moving on, I worked my way underground to an area like the one shown in this concept art, and used my arm to grapple around. The world is, in part, mechanical. It doesn't sit still. You might come back to a spot you've already gone through only to find that it has been altered. Runic wouldn't give much away about the story, but teased something unexpected. "What makes this game unique is what it hints at -- we have some pretty big ideas for it," said Lefler. He also believes the team is "going to blow people's minds when we start showing them what we're going to be actually doing with manipulating the world to the Nth degree." While there will surely be a Torchlight III one day, I'm happy we're getting Hob first. It sounds like the folks at Runic are genuinely happy to take a break from RPGs, too.
Preview photo
A new adventure from Runic Games
Zelda. Ico. Shadow of the Colossus. Even a little Metroid. Runic Games has borrowed concepts from these iconic adventures for its next PC and console game, Hob. Why "Hob?" Well, the name has a dual meaning that refers to litt...

PAX 2k15 Montage photo
PAX 2k15 Montage

Look at all the fun we had at PAX Prime 2015!

Scoville Returns
Sep 03
// Mike Cosimano
Boy oh boy, we had a blast and a half at PAX Prime 2015. We played some games, saw old friends, and got very sick. Very, very sick. I am dying. Please send a gun with one bullet so I can escape this mucus hell of my own creation. Anyway, that's what's going on with me and I still managed to edit this video for your enjoyment. Keep those hand sanitizer dispensers pumping, friends!

Atlas Reactor's competitive turn-based play shows promise

Sep 02 // Jordan Devore
Atlas Reactor is turn-based, but players have a limited time (30 seconds by default) to lock in their decisions, and everyone's turns are simultaneous. That goes for your allies and enemies. It's quick and chaotic and not unlike rock, paper, scissors. After committing to a strategy, your actions (attacking, shielding, buffing, trapping, moving) play out across different phases. There's an order of operations to keep things fair, in other words. During any given turn, you have to get into your opponents' heads and try to predict how they'll behave. If you're sure an enemy is going to dodge, don't plan to fire a shot that will inevitably miss -- lay a trap instead. If you're guaranteed to be hit hard and have no escape, set up a shield. It's a system that borrows from fighting games (reading your opponents), tactical games (grid-based positioning), and MOBAs (varied characters, free aiming). The end result is a promising fusion of genres that, at least to my knowledge, has never been explored quite in this way. [embed]308953:60233:0[/embed] "Once you have the basics, it's pretty interesting," said executive producer Peter Ju. "You want to play one level above your opponent. If you play two levels above your opponent, you're just going to out-think yourself and you basically are going to seem like a noob compared to the guy who doesn't do anything." Out of nowhere, another Trion Worlds employee, who was not a part of my demo, chimed in. He said he had far better results early on when he first started and didn't really know how to play. No one could predict his strategy because he simply didn't have one. I can relate. Atlas Reactor is only now entering alpha, and while the core mechanics are set and seem solid, there's still stuff to figure out. Which modes to create, for one. The match I saw was pretty standard: two versus two, first to four kills wins. Based on what players do with custom games during alpha testing, Trion will adapt to their preferences and "make more of that." I liked the sound of lighting rounds, where you have a precious few seconds to plan your moves. As for cooperative play, challenge maps of some sort are planned. "I really want to play XCOM with buddies," said lead designer Will Cook, "but I can't do that. This is the key to that." I'd be down to play with Steven. Between this, Hard West, and XCOM 2, there's a lot of love for turn-based strategy on the horizon. As long as Trion Worlds doesn't mess up the free-to-play aspects of Atlas Reactor -- I suspect it'll charge for skins and taunts -- it should turn out well.
Preview photo
I'm pleasantly surprised
Signing up to see an unannounced title at a gaming convention or expo can be risky. I've never been burned before, but I'm aware my streak could end in an instant. I went into my PAX appointment with Trion Worlds (Rift, Defia...

Kona is a hauntingly beautiful survival adventure

Sep 02 // Alessandro Fillari
[embed]308447:60214:0[/embed] Set in the wilderness of Northern Canada during the early 1970s, you play as private detective Carl Faubert as he investigates the mysterious events occurring at a remote village of Atamipek Lake. What starts as simple job of finding the unknown culprits behind the vandalism of private property, it soon becomes apparent that things are not what they seem and Carl finds himself in a whole mess of danger. With nearly the entire population of the town missing -- along with wild animals looking for their next meal -- he'll have to rely on his wits and resourcefulness in order to survive mother nature's cold embrace of the land, and learn the truth of what happened in the isolated town. As the first episode of a planned series, Carl will explore two square kilometers of land in search of clues and supplies. While on his investigation, he'll find abandoned homes and public points of interest that will give him leads. Along the way, he'll learn more about the town's unique characters while searching through their abandoned homes, notes, and other clues left behind. I really liked the atmosphere and tone that Kôna gave off. Exploring the town felt like opening up a time-capsule from the '70s, and many objects, media, and other knick-knacks from the era are presented in authentic fashion. Though be careful, exploring the environment will take a toll on Carl, and he'll have to look after himself during his journey through the wilderness. Interestingly enough, the game's survival elements do a lot to play into the core structure of intrigue and dread that the game encapsulates. While most adventure and narrative-driven games like Dear Esther or Everybody's Gone to the Rapture have players focus on story and not worry about their characters getting hurt, Kôna goes all in with survivalist gameplay. Players will manage Carl's health, temperature, stress, and carrying capacity, which adds another more pressing element to the title's structure. Eventually, you'll acquire firearms to ward off wild animals, such as packs of roaming wolves, but ammo is in extremely short supply. I was impressed to see that the two gameplay focuses, which are totally different from one another, actually work quite well together. If anything, having to mange resources and Carl's well-being adds to the urgency of the environment. Though my time with Kôna was quite brief, I really enjoyed what the developers have come up with. Blending survival elements into the narrative structure of an adventure title was alluring, and my short stint in the great white north offered a lot of intrigue. The developers are also working on special VR features for the title, which will create an even more immersive experience. Though the game is still some time away from release, Parabole has got something quite special with this evocative title.
Kna photo
Whiteout in the great white north
It's not often we see a title that blends one of the many hallmarks of the adventure genre, a focus on a rich and evocative setting, with the tense and resource-focused gameplay of survival games. But...

Banner Saga 2 is 'basically the same' as the first

Sep 01 // Kyle MacGregor
[embed]308796:60226:0[/embed] It might have been a refreshing moment of honesty, you know, if the statement were actually true.  While The Banner Saga 2 may not be a drastic revision that goes out of its way to reinvent the core experience, intimating it's a carbon copy that merely continues the story might be underselling it. In my limited time with the game, I witnessed a number of notable tweaks to the existing formula that figure to go a long way in addressing players' complaints about the original being somewhat of a repetitive slog. The sequel feels like a more dynamic, varied evolution on what's already been established, thanks to little touches like how battles arise and play out. The Banner Saga 2 reinforces one of its predecessors greatest strengths -- how consequences born from player choice ripple throughout the experience like stones cast into a pond -- by having them directly bleed into combat, starting out battles with scenes that stem from your decisions, rather than have them play out exactly the same way regardless of how a particular situation came to pass. Once a skirmish begins, you'll encounter new foes, such as four-legged creatures that can cloak themselves and ambush more fragile units (such as archers) that you figured were safe behind the front lines. New support units will also force you to make difficult decisions between targeting the enemy's bruisers or the guys making them even more imposing than they otherwise would be. Even outside of battle, players will have new options to manage their caravan. Clansman seem to be of more use this time around, as they can be recruited as fighters. However, much like everything in Stoic's universe, there are drawbacks to this; these new warriors will no longer focus on collecting supplies, making your caravan's precious resources dwindle at a faster clip. At a glance, it may not seem that too much has changed since The Banner Saga launched in early 2014, but upon closer inspection, the development team at Stoic appears to be making subtle, yet impactful changes to a blueprint that already worked in an effort to take its game to the next level.
Bad PR photo
Except not really
Game previews are an inherently strange part of this business. You wouldn't read a few pages from an unfinished book and render judgement about the final product. Likewise, we don't often have the opportunity to sample a song...

Shovel Knight photo
Shovel Knight

Nintendo isn't producing the Shovel Knight amiibo (updated with video interview)

Distribution also up to Yacht Club
Aug 31
// Mike Cosimano
At PAX Prime 2015, Yacht Club games "Captain" Sean Velasco told Destructoid that Nintendo isn't actually making the Shovel Knight amiibo. The figure's production and distribution was left in the hands of Yacht Club, which is ...
Win one of 10 copies!
The fine folks at Guru and Gambitious were kind enough to bestow 10 copies of Magnetic: Cage Closed upon me, so that I may give them to you fine folks! Magnetic: Cage Closed is a cool looking puzzle/platformer game, and if yo...

Through the Woods uses psychological horror to retell a classic myth

Aug 30 // Alissa McAloon
Conversations between the mother and her doctor drive the greater plot. The events of Through the Woods happened long ago; the players are simply helping the mother with her retelling of the tale. The demo begins with the mother alone in the dark woods with only a flashlight to guide her way. Branches crunch beneath her feet as she slowly makes her way through the environment. From time to time, an object in the distance catches the light of the flashlight. These objects, the mother explains to the doctor, are reflectors her son often collected. Reflectors sometimes trigger a short conversation between the mother and the doctor, but more often than not simply serve as a welcome reminder that you're on the right path. Eventually the forest directs her toward an isolated cluster of cabins. As she tries to open each door, she calls her son's name into the night. After finding every door locked, the door farthest from her creaks open and the soft sound of a woman's singing beckons her toward the cabin. I was somehow still surprised when the door then slammed shut behind her. The sound something loudly drooling and shuffling nearby filled my ears and it was then I became well acquainted with the run button. The game bills itself as psychological horror and it isn't hard to see why. Through the Woods uses a finessed merging of sound, design, and narrative to craft an experience that is equal parts intriguing and terrifying. I can't wait to give Woods another shot when it releases next year, but chances are I'll be playing with the lights on. 
Through the Woods photo
Norse mythology is messed up
I knew I was in over my head with Through the Woods the very second I started the demo. The moment I put those headphones on, the loud world of PAX disappeared and was replaced with the unsettling ambiance of a dark forest. ...

Dragon Age: Inquisition photo
Dragon Age: Inquisition

Dragon Age: Inquisition's DLC epilogue is called Trespasser

Plus, Golden Nugs for all!
Aug 30
// Josh Tolentino
Dragon Age: Inquisition isn't even a year old yet, but for some reason it feels like it's been forever since it came out. I played it, had a gay old time with my slender elven Knight-Enchanter, finished the story, then settl...
Mario Maker PAX photo
Mario Maker PAX

I made a terrible Super Mario Maker level at PAX

I had 20 minutes!
Aug 29
// Myles Cox
Super Mario Maker is playable on the show floor at PAX, and it turns out Nintendo is giving players a rather generous amount of hands-on time with the game. If you're patient and don't have anything else to do (also if y...

Cliff Bleszinski: We want players to actually use verticality

Aug 29 // Brett Makedonski
[embed]308291:60187:0[/embed] "I don't mean to slag any other games, because those core loops of getting a lot of kills quick are what kill streaks and kill streak rewards are built on," Bleszinski said. "With us, we want to have a little bit of that dance, a little more like Halo where if someone gets the drop on you, you at least have a shot at either getting away or at least taking a dent out of them so they might die by your teammate." The hook that allows LawBreakers this freedom lies in the world-building. Because of a cataclysmic event known as "The Shattering," Earth is left with pockets of low gravity in certain areas. Conveniently enough, LawBreakers' maps are set in some of these areas, which should make for interesting and varied gameplay. Bleszinski was visibly excited about this. "We see these moments where there's this giant zero-gravity pocket where everyone's vertical and people are actually knocking each other around with rockets. One of the comments on Twitter was someone asking if rockets actually propel people. Since you have a rocket jump now, you actually have a radius. We found that with rockets not being a one-hit kill (because we don't really want them to be), even with Kitsune who's a very light character, once we have the law equivalent of her, she probably might be a couple rockets minimum. Still, it's a light character, but we want you to juggle." There's a reason he wants players to juggle. "When you introduce low gravity and the concept of juggling as well as a rocket that you can air-burst with the alt-fire, you see somebody flying through the air blind-firing propelling themselves, and you can suddenly send them over to the other side of the map by air-bursting a rocket and then follow through with your stomp move and kind of chain your moves together. We want the FPS dance to kind of come back." That FPS dance means that players stay alive longer and actually get to make use of the game's vertical axis. "It's a lot greater than your Call of Duty grind. It's a little bit faster than your Titanfall one. It's somewhere around Halo-ish is what I like to say," Bleszinski ultimately said of Spencer's original time until death inquiry. Figuring out exactly how to properly execute all that action is the tough part. LawBreakers' gameplay trailer showed a handful of different characters, each with their own abilities and traits. Bleszinski and his team are now in the position of getting all of those characters work in conjunction with one another without any of them sticking out like a sore thumb. "Perfect balance is nearly impossible to get," Bleszinski commented. "We're still working on it. Right now, in the current build that people are playing off-site, it's very asymmetrical -- two unique classes on both sides. The Law has all sorts of weapons whereas the Breakers have like area-of-effect stuff. That's been really hard to balance. One of the first things we're going to do when we get back is, you have Breacher on the Law side, we're figuring out who the Breacher equivalent is on the Breaker side. That's something that when we go back to symmetrical gameplay, I think it's going to be easier to balance. But, it'll still be slightly asymmetrical." It may not be exactly what he's shooting for, but Bleszinski made reference to a revered fighting game when talking about balanced gameplay. "I saw a graph where they're pointing out the Smash Bros. characters from the original that we've used over the years. Smash Bros. may be the most perfectly balanced game ever because they kept finding a new character and a new exploit without the game ever being patched or updated." An interesting analog, but LawBreakers won't take that approach. Bleszinski continued "Thankfully, we're going to be a living product so we can keep introducing updates, hopefully every couple weeks. Pump that shit through, have test kitchens and things like that. Basically, if we find an exploit that breaks the game, fix it. But, also recognize when there's an exploit that adds to the game. You know, rocket jumping is one of those accidents that actually is cool." Bleszinski and Boss Key can expect to find a lot of those exploits given the combination of possibilities between several unique characters and maps with variable gravity. There are a lot of factors at play. Some exploits will evolve into part of the game, some will get squashed. Those that make verticality more enjoyable and contribute to the FPS dance (as Bleszinski put it) have a better chance of surviving.
Bleszinski interview photo
Doing the FPS dance
Just this week, Cliff Bleszinski and Boss Key Productions pulled back the curtain on LawBreakers -- the free-to-play arena shooter that has been in development under the codename Project BlueStreak. It's more than just the co...

Burly Men at Sea is such a delightful adventure

Aug 29 // Jordan Devore
[embed]308368:60185:0[/embed] I think I would've preferred to play with touch controls given the way movement flows, but using a mouse was fine. Burley Men at Sea is coming to Windows, Mac, and iOS, so we'll have that choice. The demo at PAX was only a hint, and I am intrigued. Toward the end, a whale swallows the bearded brothers, which one of them finds "really very discouraging." I helped them escape by finding and tugging on the creature's uvula, prompting a quick blowhole escape. It's real cute. There's promise of folklore creatures and I can't wait to see how they translate to this art style.
Hands-on preview photo
Scandinavian folklore
Strolling through the Indie Megabooth at PAX Prime, Burly Men at Sea stood out thanks to its clean, charming art direction. The adventure game has a small presence within the bustling independent area, but I sincerely hope ot...

Mega64 photo

Exclusive: Mega64 announces foray into indie game development

Did I mention exclusive?
Aug 29
// Myles Cox
A disturbing and cryptic press release today from Internet comedy troupe Mega64 is making waves online. Naturally, Mike Cosimano and I were on the scene with an exclusive interview about their journey from making videos about video games to making video games themselves. Full Exclusive Interview™ below:

Get your XCOM fix this year with the brutal Hard West

Aug 28 // Steven Hansen
[embed]308273:60179:0[/embed] At one point in my demo I had to rescue a man held on a cannibal farm because I needed information from him. An elixir vendor further south, when pressed about the cannibalism (information gleaned from earlier adventure), admitted some of that crew come into his shop to buy spices and things. He offered to vouch for me if I drank one of his elixirs. I did, and it was poison, which weakened me a bit. But I was also able to take that poison to a well near the farm and poison their water supply, thus weakening all my upcoming enemy combatants. Plus, with the snake oil salesman's help, I was able to stealth my way through my turns and to the hostage's shack. With my cover, enemies would get suspicious if I got too close for too long, but I was able to get through fairly easily. After the rescue, that upped our ranks to three, leaving me even better off for the impending slaughter. (An optional objective was to try the human meat, which would restore strength, but it could've had some drawbacks; I opted to avoid it). There are a number of cool options available within the tactical half. Like XCOM, you have to reload, sometimes after just one shot, because of the period guns. You can also hold up an enemy if you don't want to kill them (or don't want to kill them yet). There's also no overwatch phase, so if you know where an enemy is and they aren't expecting you, you can run up on them and unload. Hard West also challenges the random number generator. You can permanently lose characters (as I did, last minute, with my would-be informant); the game is not easy. But it tries to reward you for playing well, which all comes down to positioning. Accordingly, you don't have those point blank, 98% chance shots that somehow always miss when you need them most. If you get close enough, you were playing well, and you're rewarded with sure hits. Which is important when both you and your enemies can go down in one or two hits. There are plenty of other wrinkles in Hard West I'd like to explore. There is full/half cover, but you can also make your own cover by, say, flipping over a table in the middle of a room. There are also challenging richochet shots, which I didn't try out, and each gun has secondary fire (a spread cone for the shotgun, fanning for multiple pistol shots). Playing card modifiers also enhance your characters -- by greater degrees if you also make a poker hand. And I didn't get to the early promised bit about dynamic sunlight casting shadows that can alert you to enemy positions (and vice-versa). Hard West is coming to PC this fall.
Hands-on preview photo
Cowboys and strategy
With XCOM 2 just pushed back into 2016 and, I assume, everyone needing a short break from 1,000 hours of Invisible, Inc, strategy-minded folks seem to have a good option this fall: Hard West. The Western turn-based strategy g...

Hang out with Destructoid at PAX Prime 2015

Aug 28 // Steven Hansen
The general schedule of funsies is as follows: THURSDAY Join the Destructoid staff and community for some pre-PAX drinking and arcades at Gameworks (1511 7th Ave). Meet new folks, catch up with the homies, play Taiko Drum Master, and let me coax you into drinking strange liqueurs (round of Fernet? Round of Fernet) Let's say folks roll in around 8PM allowing time for dinners (find people to dine with!). FRIDAY Nothing "official" planned for today, but you've made so many new friends last night at Gameworks that you'll have no problem coming up with some great plans, eh? SATURDAY Elephant & Castle, it lives! Located in the Motif Hotel (formerly the Red Lion, 1415 5th Avenue), it's a fake English bar to remind you of home. You're all from England, right? Let's plan for typical convening around 8PM, but note that this joint does food, too. SUNDAY Our yearly picture, days into the show, when when we look near our worst, but new and old friendships have had time to ferment and everyone has that glint in their eye, probably from all the sex. (No one is allowed to have sex, this is a family website - Ed.). Be ready for your close up at 12PM at Pike St in front of the convention center. MONDAY I'm leaving. I probably should get home and feed my cat. But elsewise, to quote the much better at this Andy Dixon, "Monday means sad goodbyes to friends you don't see nearly enough, and as always, we'll be meeting up at Rock Bottom (1333 Fifth Ave) about 8pm." - Plans can always change. Stay frosty. Keep friends in the loop. Use any means of communication you got. Take pictures. Get hugs. Give hugs. Say no to drugs. Let's have a lovely weekend.
PAX Prime 2015 plans photo
PAX Prime is this weekend. It's a yearly, consumer-focused gaming convention held in rainy Seattle, Washington that always has a large turnout of Destructoid folks. And I'm not just talking about us writerly jagoffs, though w...

PAX gallery photo
PAX gallery

PAX Prime 2015 show floor gallery (not literally)

Hardly any carpets (or sexy cosplay)
Aug 28
// Steven Hansen
We're in Seattle chillin' out, maxin', PAX'ing all cool. Remember that if you, too, are in Seattle, you should come hang out with Destructoid staff and community members. We even managed to stake out an entire sports table la...

REPORT: This is what a Bullet Bill's butthole looks like

Live on scene at PAX Prime in Seattle
Aug 28
// Steven Hansen
Venerable Super Mario villain Bullet Bill (really, villain? He just a bullet, he goes where he is shot, he has no say in the matter!) is most often seen in profile thanks to his 2D leanings. However, if this official character mock up provided by Nintendo at its PAX Prime booth answers that age-old question: what does a Bullet Bill's butthole look like?
Steambirds Alliance photo
Steambirds Alliance

Spry Fox showing off bullet hell MMO at PAX Prime

Steambirds Alliance
Aug 26
// Darren Nakamura
Spry Fox (Triple Town, Alphabear) will be at PAX Prime, and in addition to the undoubtedly cute bear posters it's giving out for free, it will also be showing its newest title, Steambirds Alliance. In a newsletter, Spry Fox d...
Gassy Mob photo
Gassy Mob

Fart on everyone and run away with Gassy Mob

Devolver Digital publishing, of course
Aug 19
// Darren Nakamura
Fart. Toot. Fluff. Pass gas. Flatulate. However polite you want to be while describing gas escaping from a butthole, it's still a pretty impolite thing to do in public. Impolite and funny (to me). Like this classic gem: Why ...
Microsoft photo

Want to play 50+ new, unreleased games pre-PAX? For free?

Microsoft invites you to the next pre-PAX Open House
Aug 17
// Vikki Blake
More than 50 games will be playable at Microsoft's ID@Xbox Pre-PAX Open House, including eight as-yet unannounced games and "several first playables", including Inside, Playdead's anticipated follow-up to the delightfull...
Telltale Borderlands PAX photo
Telltale Borderlands PAX

PAX Prime attendees able to 'crowd play' Tales from the Borderlands Episode 4

Potential hints about its release date
Aug 06
// Darren Nakamura
With just a little over three weeks to go, PAX Prime is almost upon us. The full schedule isn't available yet, but Telltale sent over a snippet including its plans at the sold out gathering. On Saturday, August 29, Telltale w...
Hard West photo
Hard West

Hard West playable at gamescom and PAX Prime, releasing this fall

Kanye and Kim's second child
Jul 30
// Darren Nakamura
Hard West did enough to impress Kickstarter backers last year, with its bloody Old West theme and its tactical combat. Good news for fans: it's looking like this one won't be languishing in development limbo like so many othe...

Cosmochoria is a perfect blend of serenity and chaos

Apr 27 // Patrick Hancock
As Little Naked Guy With An Astronaut Helmet (I'm not sure he has a name), players are tasked with restoring randomly generated planets back to their beautiful selves. In order to accomplish this, Little Naked Guy With An Astronaut Helmet has to go around planting seeds and tending to them. After planting a seed, the player needs to hold a button down to tend to it, making sure that it is set to grow to its full potential. Once that is complete, the seed will slowly begin to grow. When they are done growing, they produce more seeds and the cycle can continue again. Once enough seeds are planted, the planet is restored and everyone is happy! Well, except for all the evil aliens in space who are constantly trying to destroy planets and Little Naked Guy With An Astronaut Helmet. Luckily, seeds are not the only thing at his disposal. Little Naked Guy With An Astronaut Helmet can also plant and tend defensive towers, each with different properties, to help keep back the aliens. The function of each tower is rather simple to grasp and use, making it easy to feel confident while playing. Towers are not free, and if players don't have the required resource, they cannot plant towers. Without towers, Little Naked Guy With An Astronaut Helmet still has a weapon at his disposal. There are a variety of weapons to choose from before beginning (these may have been unlocked from other playthroughs) but once one is chosen, that's it. I chose the shotgun, as I always do in games, and it was incredibly powerful. In fact, I rarely planted defensive towers and just focused on seeds and using the shotgun. The enemies are pretty varied and the game seemed to do a decent job of introducing new ones as I progressed. Some enemies fly above the planet while others walk on the surface. The biggest struggle is managing the plants and avoiding incoming damage while simultaneously dishing it out. It's a great back-and-forth that keeps the player constantly moving. Tending a plant gets very dangerous as more and more enemies head towards the planet. [embed]288910:57731:0[/embed] Little Naked Guy With An Astronaut Helmet uses a jetpack to get around space, but fuel is limited. It will slowly regenerate in case players find themselves floating out in space like Bender in that one episode of Futurama. There are dangerous enemies floating in space as well, plus gigantic suns that will instantly kill the player if they get too close.  There are also little side-quests that can be discovered, such as delivering items from one planet to another. Hints of a story were also present, though they were definitely pieces of a bigger picture that I couldn't experience in my limited time with the game. Cosmochoria is currently on Steam Early Access, and available through Humble on the game's site, and should be releasing very soon! 
Cosmochoria PAX preview photo
Plantin' seeds and killin' baddies
Cosmochoria is a Kickstarter success story that is now about to see the light of day. It's a mix of exploration and tower defense all wrapped up in a warming, yet occasionally stressful package. There's a strong sense of...

Here are the winners of Destructoid's PAX East 2015 community choice award!

Mar 21 // mrandydixon
Before we unveil the winners, I would like to thank all the community members who helped Caitlin hand out awards to the developers. I hear it was a great time, and many of the developers were honored to receive their awards. Thanks again! And now, without further adieu, your top 10 games of PAX East 2015, in order of votes received! Splatoon The Witcher 3: Wild Hunt Necropolis Enter the Gungeon Xenoblade Chronicles 3D Shovel Knight: Plague of Shadows Overwatch Final Fantasy Type-0 HD The Behemoth's "Game 4"Code Name S.T.E.A.M. Talk about an awesome group of games. Between this list and our staff's picks, 2015 is going to be a great year for gamers. Thanks to everyone who took the time to vote in our poll!
PAX East 2015 winners photo
We snuck around the convention and surprised these 10 games
Recently, amidst the hubbub of PAX East news and previews, we had the audacity to ask you to vote for your favorite game on the show floor. The nerve of us! Forcing you to choose from such a vast array of amazing videogames! Well, vote you did, and the results point to yet another amazing year for gaming. Read on to see which awards took home the prize!

Upsilon Circuit preview photo
Upsilon Circuit preview

Upsilon Circuit could redefine multiplayer in online gaming

Uncharted territory
Mar 20
// Rob Morrow
Robot Loves Kitty's ambitious Upsilon Circuit is what I would consider the quintessential slow-burn, developing story in independent games today. In keeping with the premise of the TV game show-inspired title, the New England...
PAX East photo photo
PAX East photo

PAX East 2015 community photo time!

Mar 20
// Caitlin Cooke
Now that we've all climbed out bed, it's time to rejoice over the good times of PAX before we went into PAX plague hibernation. What adventures we've had on this staircase year after year! This time, the cold and wind was bac...

Beyond Eyes abstracts the world as perceived by a blind girl

Mar 18 // Darren Nakamura
Representing blindness through a primarily visual medium is tricky. I can imagine a game that goes whole hog, only showing what a blind person skilled with echolocation can perceive, but then most players would shut down and quit. Beyond Eyes takes a more user-friendly approach; protagonist Rae can sense her immediate surroundings, which remain displayed for the player to see, leaving a painted landscape in Rae's wake. Some particularly noteworthy sounds and smells are displayed more prominently, or from further away. The PAX demo began with a church bell tolling in the distance, highlighting a sort of goal point to work toward. There were also notable aromas to follow, represented as visible gossamer wisps drawing Rae near. Even with the ability to paint her immediate surroundings, controlling Rae can be a bit jarring at times. Sometimes she'll be walking toward a brook, expecting the path to slope downward toward the water, when suddenly a huge stone bridge appears, giving an entirely new shape to the expected landscape. Other times she will be walking along a path with just empty space ahead, only to be stopped abruptly by a house that wasn't visible two steps before. More interesting is watching Rae's perceptions change as she gains new information. Early on in the demo, she interacted with some crows, and she did not like them. She curls up her arms over her body when she gets near things that frighten her, and the crows had that effect. Later on, she nears a chicken enclosure, but from far away she can only tell that there are birds inside of it. She imagines them as giant crows, and doesn't seem keen on investigating more closely. When she does near the chickens and she realizes what they are, they morph from the smooth black birds to fluffy white ones. Near the end of the playable section, there was an ominous black cloud. It clearly frightens Rae; it's loud and messy, but it isn't immediately obvious what it is. After she cautiously walks to it and interacts with a nearby object, players hear the screeching tires of a braking vehicle and the beeps of a modern crosswalk. The black cloud parts, allowing her safe passage across the street. Upon reflection, this scene was powerful in a sort of tragic way. We often take for granted something as mundane as crossing a busy street, but for Rae, all she really knew about it was that it was dangerous. She didn't even have a clear picture in her head of what the street was; all she could tell was that she could be seriously hurt if she came too close to it. The only real complaint I had with Beyond Eyes was with the controls, and even then I can't help but think that the issues are deliberate. Directing Rae is sluggish; starting to move from a standstill or changing direction take some time. Her normal walking speed is slow. Similarly, interacting with objects doesn't always seem to work, and when it does it still takes a bit of time to execute. Thematically, this could be another representation of Rae's blindness; she doesn't know exactly where she is with respect to the environment, so she needs a little bit of extra time to feel it out. Even so, as a player who wanted to paint as much of the world in color as possible, Rae's slow movement was frustrating, at least in the context of being at an appointment at PAX East and wanting to make sure I got the full experience. Perhaps at home it will be easier to play in a more relaxed state where the overall speed isn't as much of a bother. In all, the way Beyond Eyes handles its central conceit is commendable. Though representing blindness through colorful environments seems contradictory at first, it has some clever ideas in using the player's visual information as an abstraction for Rae's other senses. A few of these ideas showed up in the short PAX demo, and I am intrigued to see what else can be done with Rae and her painted world.
Beyond Eyes preview photo
Ironic beauty
I have been following Beyond Eyes since I first heard about it a year and a half ago. Videogames can be powerful tools for relating experiences that may otherwise be difficult to comprehend. Blindness both fascinates and terr...

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