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Impressions

Omni Plus Beanbag photo
Omni Plus Beanbag

Our butts and backs tested the Omni Plus beanbag


With improved model photos!
Jul 18
// Mike Cosimano
Unless you're one of those lunatics with a standing desk, you likely play a lot of video games sitting down. And whether you're a writer with a looming review deadline, a recently single game enthusiast, or a bored teenager, ...
PS4 / UE4 Ethan Carter photo
PS4 / UE4 Ethan Carter

The Vanishing of Ethan Carter looks better on PS4 but runs worse


There are some frame rate issues
Jul 16
// Jed Whitaker
It hasn't been highly publicized, but the PlayStation 4 version of The Vanishing of Ethan Carter was rebuilt from the ground up in Unreal Engine 4. The current PC version runs in UE 3. Due to the new engine, this mysteri...
The Swindle photo
The Swindle

The Swindle gets down with the sneaky sneaky


Here's a PC preview
Jul 15
// Zack Furniss
I’ve just spent a few hours with Size Five Games’ (of Time Gentlemen, Please! and Ben There, Dan That! fame) newest offering, The Swindle. As a coalition of thieves in alternate-reality Victorian London, you&rsquo...

Until Dawn still hasn't wowed me, but I'm intrigued

Jul 13 // Chris Carter
Until Dawn (PS4)Developer: Supermassive GamesPublisher: SonyRelease: August 25, 2015 This is largely the same experienced that's been teased for the past few years or so -- a horror movie simulator with stars like Hayden Panettiere, Rami Malek, Brett Dalton, and Nichole Bloom lending their likenesses and performances to the experience. As previously stated I played the first four episodes, which is roughly three hours, and enough time to ramp up the "horror" bit of the plot after three episodes of table-setting. Yes, this is very much an adventure experience similar to Indigo Prophecy and Shenmue, complete with mild exploration and plenty of quick-time events, so you can show yourself out if that's still not your thing. Until Dawn started its life as a Move game, but thankfully Sony has retreated on that device over the years, and it's now possible to play it with a traditional controller scheme or controller-based motion. After a cheesy intro explaining the butterfly effect (like no one saw the Ashton Kutcher movie here), Until Dawn places you a year before the current storyline, in a snowy isolated cabin in the woods. You'll learn of the tragedy that happened there through the eyes of the victims, which sets up the ensuing (and illogical) return to a year later, where all of the remaining friends attempt to move on with their lives. The key plot point here is that they don't know the deaths were actually murders, and they're setting themselves up for the same possible fate -- I mean, they should know, but this is a horror work after all. [embed]295431:59461:0[/embed] Visually, I actually dig the move to the PlayStation 4, and there are very little remnants of it being a PS3 game. I feel like with Arkham Knight we've finally started to move on in terms of fidelity, and I'm noticing the generational gap with each passing month. The setting is also sufficiently gloomy and impressive, but sadly, I experienced severe slowdown during some action sequences -- as in, sub-30 FPS -- something I hope is fixed in the final version. Gameplay mostly consists of walking around, picking up and manipulating items (like Resident Evil), and making choices that can either modify short-term conversations and actions, or long-term decisions that will drastically change the narrative, and perhaps even kill off major characters. Although I haven't gotten the full taste of this mechanic in just four episodes, it already feels far more impactful than any recent Telltale game. Telltale is great at telling its story, but that's just it -- it's its story for the most part. Until Dawn gives me hope that multiple playthroughs will be worth it. It's all very linear though, which I'm sure will scare some people away. There's very little in the way of exploration, to the point where at most, there's only one stray path (and it's usually obvious) to take beyond the other road that continues the story. QTEs, Until Dawn has 'em, and they're here in spades. Personally I still don't mind them, even if they're a cheap device when overused, so your mileage may vary here. As for myself, I found them to be entertaining and helped fuel the endearing cheese-factor of the package. And I mean that with sincerity -- this doesn't feel like a cash-in, but a proper love letter to horror in general, complete with a great atmosphere and creepy, ingenious camera angles. Cheesy it may be, but I actually wanted to find out more about the game's world, and that's where Until Dawn excels -- lore building. You can find totems that show tiny visions of the future (good or bad, but mostly bad), which eventually complete a little meta-narrative on the history of the surrounding area, and a possible curse that dates back hundreds of years. I also wanted to find out exactly who the assailants were and what their motivations are -- and I won't even spoil the insanely interesting meta-narrative with the always talented Peter Stormare. My gut is telling me that Until Dawn is going to turn out far better than the lackluster Heavy Rain or Beyond: Two Souls, and having grown up with the adventure genre, I'm excited to see what it can dish out. I suspect like many horror movie staples, this one is going to be pretty polarizing upon release regardless of your opinion on these types of games though.
Until Dawn photo
Murder at Teen Mountain
I'm a sucker for horror, even if it dips in "B," heck, "C" territory. While I can turn off my brain and enjoy slasher and gore flicks like the Saw series (they walk the line of "so bad it's good" so well), more often tha...

League of Legend's Tahm Kench is hard to play, but rewarding

Jul 10 // Chris Carter
First off, his overall design is brilliant. He's billed as a southern gentleman with an acquired taste, which works perfectly juxtaposed to his horrid visage. The character is hilarious, spouting out quotes like "I refuse to resign to culinary degradation" while devouring enemies whole, and his standard getup (as well as his chef skin) just work. It's a good balance between absurdity and fitting within the confines of the League universe. While a lot of depth lies under the surface, Kench is fairly easy to pick up, as he sports a skillshot tongue lash (Q), close-range devour (W), a passive/shield (E), and a straightforward (R) ultimate. By hitting an enemy with auto-attacks you can apply "acquired taste," which buffs tongue lash (giving it a stun) or devour. Devour specifically requires you to apply three tacks of taste before gobbling an enemy Champion, forcing Tahm Kench to be more aggressive than most people may like. It's also limited, as his movement speed is severely slowed while carrying an enemy -- so you can't instantly dive back to your own tower unless they're really aggressive. Stacks of acquired taste are shown very clearly with a fish-icon overlay, and applying a slowing debuff with tongue lash while chasing is a great way to gradually earn said stacks while an enemy is running away. Devouring enemy Champions doesn't feel cheap, as it requires a bit of finesse to pull off, and again, you're slowed as a result. His grey health regeneration passive can also be activated as a shield to deceptively increase his tankiness.  Kench's ultimate allows for a certain degree of map control since he can instantly become a "hub," so to speak, for another ally to click on. Reactivating said ultimate employs a swift means of transport to a target location in a large radial area. It's really fun to find an enemy teleporting in plain sight on the map, ult over, and tongue lash them to prevent them from running off. Likewise, you can easily set up ganks at early levels by transporting carries in and allowing them to get a kill. It's not instantaneous, though -- it takes a few seconds to channel and you have a second or so of a delay after arrival. One thing to note is that devour is a bit buggy at the moment. You're supposed to be able to tongue lash into a devour, but it doesn't work a good deal of the time. This (presumably temporary) limitation highlights the fact that if you want to play Tahm Kench at a high level, you need to work for it. Since he doesn't do much damage, you need to complement your team more than a lot of other supports. With the right amount of communication, he can shine. [embed]295757:59457:0[/embed] Playing Tahm Kench is probably the most fun I've had with League of Legends in months. He's unique from a gameplay perspective, with a personality to boot, and I think that once people start getting the hang of him, he'll be a viable pick in ranked play.
League of Legends photo
A real southern gentleman
Despite its tenacity in the past, Riot Games hasn't added a lot of Champions to League of Legends' roster this year. You have Bard in March, Ekko in June, and now, Tahm Kench this month -- that's it. Having said all that, all three have been great additions overall, and the fishy Kench is no exception.

Tower Control is the best mode in Splatoon

Jul 08 // Patrick Hancock
[embed]295623:59421:0[/embed] Tower Control This mode starts with a neutral, floating tower platform in the center of the map and tasks players to move it into the enemy's base by standing on it. The path of the platform is marked on the map, so everyone knows exactly where you're going. My enjoyment with this mode largely depends on the map, but Tower Control has provided my best moments in Splatoon. Most maps are great in Tower Control, but one gets special mention for being not-so-great, and that's Saltspray Rig. I love map to death, but its Tower Control variant is just so darn small. I've won or lost rounds within a minute multiple times, often only being able to respawn once before the round is over. This isn't to say that it's impossible to have intense rounds on Saltspray, but I don't find them as common as in other maps. The beauty of Tower Control is how it made previously unappealing weapons super awesome to me. I've never touched a Squelcher before, but the Custom Dual Squelcher with Squid Beakons and the Killer Wail is a favorite in this mode. Squid Beakons assure that my teammates can come back to the action quickly, and the Killer Wail is absolutely perfect for defense. Remember, you know exactly where the enemy will be, and I've used this information to score a triple-kill many times using the Killer Wail in Tower Control. It's so good. I also started using the Classic Squiffer, which I used to think was a garbage weapon. Its sub abilities, the Point Sensor and Bubbler, are also perfect here. Many people "hide" in the ink when on the tower, so the Point Sensor allows me to show my team exactly where they're lurking. The platform isn't big, but the tower itself will block some ink if they're in the right spot. The Bubbler is always amazing, but when a team needs a final push, it's exciting to jump on the tower and protect everyone with a Bubble all at once! Plus, it doesn't hurt that all snipers are awesome in this mode, especially ones that don't need a long charge like the Classic Squiffer. .96 Gal Deco This weapon is a re-skin of the .96 Gal, but comes with a Splash Wall and Kraken as its sub abilities. The Splash Wall becomes way more effective in Tower Control, but the Kraken's recent nerf makes it way more underwhelming (see: balanced). As much as I love the .52 Gal weapon, the .96 leaves me hurting for ink too much to feel "in control." Considering Splash Wall takes a ton of ink, I'll continue to stick to the .52 Gal from here on out. As great as Splash Wall is for Tower Control, I still believe the original .96 Gal is a better option. Both the Sprinkler and Echolocator are some top-tier abilities regardless of mode, and their pairing on the original make it a hard option to pass up. Sploosh-O-Matic This is my new favorite gun. I generally stick to the Inkbrush or Blasters, so I'm a fan of close-quarters combat. The Sploosh-O-Matic feels like an honorary blaster with its short range and incredible damage output. I can't stress the short range enough, though. In an Inkopolis dominated by Aerosprays, short-ranged weapons are often caught out if they're not careful. One thing that surprised me was how incredibly fast this gun can fill its special. I was getting my Killer Wail ability way more often than with anything else. The best part is, since ink management can be tough with a gun like this, and using a special instantly refills ink, it's good to have a quick-use special like the Killer Wail. It's wonderful to ink a ton of ground, use the Killer Wail to kill or deny an area, and then keep on inking. Squid Beakons are just the icing on the cake, since they will always be a great choice to help out your team. Is anyone else as addicted to Splatoon as I am? If so, which new weapons are your favorite? Feel free to add P-Dude to your friends list to play together sometime!
Splatoon update is good photo
The Sploosh-O-Matic is my new favorite
Splatoon has gotten very frequent update ever since its initial release, and I have been gobbling them up as much as I can. New weapons, maps, and modes have consistently kept the game fresh, even for those who have alre...

Heroes of the Storm's Butcher is another great inclusion

Jun 30 // Chris Carter
The Butcher is an interesting mix of styles, despite his labeled as an assassin. While he is big, he's not necessarily "tanky" in that he's an easy target while being focused. You also have to micromanage him at the start, as he needs to collect "meat stacks," power-ups dropped by enemy minions to charge up his attack power. Using the various talents acquired on your journey to level 20, you can reward yourself for constantly staying on top of your meat meter, with abilities like a higher meat cap and the ability to heal yourself from pickups. Or, you can simply build up your abilities. His standard "Q" is a straight line skillshot, and slows enemies in its path. It's very aggressive. You can chase down enemies, Q them, and a few seconds later, Q them again. Much like wandering with enemy stealth combatants unaccounted for, going solo with the Butcher roaming around isn't a great idea. This is exacerbated by his "E," which is a mad dash that grants him "unstoppable" status and stuns the enemy for a second after reaching his target. I actually found some neat ways to use this, like running away from enemies by targeting minions, or saving teammates who are being chased. It's also a dramatic move, with the target getting a demonic mark on their head and the Butcher giving in to his inner, terrifying bloodlust. It's powerful for sure, but it also has a long cooldown of 20 seconds. His "W" is probably his least interesting ability, as it can mark a target for a limited time which grants him health while attacking said marked enemy. I've found that for the most part in teamfights, the amount of healing involved isn't really sufficient enough to prevent you from dying, and it would have been more interesting if it gave teammates a low leech percentage (though you can spec it to heal more and grant movement speed). [embed]295040:59292:0[/embed] His ultimate (Heroic) powers are much more interesting. Furnace Blast is an area-of-effect (AOE) blast in a circle around him, and Lamb to the Slaughter chains an enemy to a hitching post for four seconds (it chains anyone in the radius at level 20). The first Heroic doesn't sound all that interesting, but it has a cool visual effect and can be used while charging with your "E," making it a bit more nuanced. The hitching post is my personal favorite, as it augments the Butcher's keen ability to kill lone heroes while they're hilariously chained in place. This works even better if you're ganking enemies with a partner like Nazeebo, who has enough time to set up his Zombie Wall. I also had a chance to test out the "Iron Butcher" skin as well as the "Butcher's Battle Beast" mount that's exclusive to his bundle. The mount isn't anything to write home about, as it's mostly just an existing Battle Beast with some iron armor added on top. It's exclusive to the bundle though, so some of you may want to spring for it. As for the Iron Butcher, it's a pretty safe choice, but it does fit the character and the fact that his face is covered does give him a new enough look compared to some of the other skins. While the jury is still out on whether or not the Butcher is balanced (it's the first day!), he certainly feels like it. To really capitalize with the hero you'll need to play your cards right, and with a distinct lack of escape abilities and the meat mechanic, players will need to master his ins and outs to truly perform. For now though, I'm happy with the results, and I'm tempted to work on my fifth master skin with him.
Heroes of the Storm photo
15,000 gold or $9.99
Heroes of the Storm has just kicked off its Eternal Conflict event, which will bring more Diablo-related content into the game over the course of the next few months. Characters, mounts, and a new level are a part of the cele...

Rodea: The Sky Soldier might be a bumpy ride

Jun 25 // Kyle MacGregor
Rodea: The Sky Soldier was initially conceived as a Wii game, but it came too late in the day for a system nearing the end of its life cycle. It needed to be reworked as a Wii U and 3DS title. The thing is, the Wii is a special console, and Rodea was developed with its unique attributes in mind. Motion controls are a tad different than standard inputs, and the transition between the two seems to have left an indelible imprint on Rodea's design. Taking to the skies in this aerial action game doesn't come as second nature. With the press of a button, Rodea lifts into the air and hovers for a moment as you aim where you want him to go. He can't fly indefinitely, though, and will fall to his death unless you find another object for him to bounce off within an allotted time frame. It seems like the type of interface that would work seamlessly with the Wii's IR pointer, but on Wii U GamePad, I found myself flying off at odd angles, often coming frustratingly close to objectives that seemed just out of reach. Perhaps it's the sort of thing that comes with practice, but in a brief demo on the E3 show floor, I only got a glimpse at what sort of joys Rodea might have to offer.  Though it never felt intuitive, there were flashes when I managed to soar through the air with some semblance of precision. And in those fleeting moments I could really feel Yuji Naka's (Sonic Adventure, NiGHTS into Dreams) fingerprints all over the game, as I bounded from one floating isle to the next, collecting rings in this ethereal obstacle course. More than anything, my time with Rodea: The Sky Soldier made me oddly happy the Wii U version is coming tethered with a copy of the game on Wii. I'm not sure how much easier it will be to pilot on its original platform, but it feels like that's how it was intended to be experienced. Either that or flight isn't a skill easily mastered in a few mere minutes.
Rodea impressions  photo
Awkward aeronautics
My first flight with Rodea: The Sky Soldier wasn't a smooth one. But perhaps that's to be expected of a title that's seen such a turbulent development history. The project went dark shortly after its initial announcement in 2010, then underwent a change of platforms -- something that seems all too apparent after a few minutes with the final product.

Heroes of the Storm's Battlefield of Eternity may be the best map yet

Jun 24 // Chris Carter
[embed]294694:59216:0[/embed] The layout is extremely simplistic. It's the game's only other two-lane map, in addition to Haunted Mines, and sports a few extra hallways for mercenary creeps, as well as its main event in the middle (which I'll get to later). In short, I'm happy to see another smaller map in the fray, as Heroes is built on short matches and fast, frantic team fights even towards the beginning of the game. New minion and creep skins make everything feel fresh, as does the Heaven vs. Hell theme which permeates throughout the entire arena, and differentiates both sides more than any MOBA I've seen. Random Treasure Goblin events (which can happen on any map) featuring Deckard Cain as a guest announcer only drive this point home. The main gimmick (objective) is flashier for sure. In short, two immortals will be locked in battle after a certain period of time passes, and it's up to both teams to tip the scales in their favor. While your respective God is fighting, you can either defend it, or go after your rival, which will test your teamfighting mettle right off the bat. You'll have to do this while the other immortal is occasionally stopping to attack your team, so it can be a really risky affair (much like the Grave Golem) -- but it's worth it not only for the reward, but to see the badass animations that the immortals boast while fighting at certain intervals. It's a thrill, to say the least. Unlike some other objectives it feels paramount to help your God out, and constantly keeps you entertained. After destroying the other God your ally will jump into a lane and help you push, which usually destroys an encampment as long as most of your team is there to assist. The key is that the skirmishes feel like they matter, but they don't completely determine the flow of the game -- you can win some, and lose some. Another main reason why the immortals are a good idea is because they don't take you out of the game or force new players to learn a new strategy, like the Garden Terror and Dragon Knight do. Really though, it's just great to have another Blizzard franchise properly represented in Heroes of the Storm with an original work. Many complaints were levied against the current maps for being "Heroes of Warcraft"-esque, so adding in one that helps balance the scales a bit is a good move. It will be available on June 30, and a smaller map rotation will be implemented until July 7 so you have a higher chance to get Battlefield of Eternity.
Heroes of the Storm photo
Angels and Demons
The newest patch for Heroes of the Storm has hit the public test realm (PTR), which includes a number of character changes and reworks, in addition to the big piece of new content set to hit next week -- the Battlef...

Mobile Tomb Raider Lara Croft GO feels lovely

Jun 18 // Kyle MacGregor
[embed]294301:59143:0[/embed] At first glance, Lara Croft GO bears a strikingly close resemblance to Square Enix Montréal's first effort. It echoes the quiet, clean aesthetic of Hitman GO, while featuring similar turn-based puzzle design, but pushes the concepts further. Fresh elements like verticality quite literally add new dimensions to the experience, and go a long way to making this feel like a legitimate Tomb Raider. The characters are no longer static figurines, as the designers felt it wouldn't be natural for Lara, a character known for her athleticism, to be portrayed in such a rigid fashion. So while our heroine is still navigating an on-rails obstacle course, she's fully animated, looking very much at home as she climbs and scrambles around ancient, subterranean ruins. Perspective is also used to great effect, with the isometric camera allowing the developers to add little flourishes like a silhouetted beetle crawling along a tree branch in the foreground, or see a bridge appear in the distance when Lara toggles a switch. Square Enix Montréal is also keen on avoiding unnecessary hand-holding. The title's 40 levels (which are quite a bit larger than those found in Hitman GO) are based around trial and error. With each stage now divided into segments with checkpoints, new mechanics can be introduced and then used in rather sophisticated ways in short order without a loss of progress.  One example of this is terrain that will fall away when walked over or climbed across twice. Shortly after being introduced to this by falling to my death, I was using it to evade an enemy. Knowing a certain surface would crumble away, I used it to lay a trap for the giant lizard nipping at my heels.  Not all of the obstacles I saw were quite that compelling, though. While it was a rush to see an Indiana Jones-style boulder trap, the turn-based nature of the game makes this sort of scene less compelling than if were to play out in real time. Still, what I've witnessed thus far has me eager to see what else awaits in the full game. Lara Croft GO is coming to iOS and Android devices sometime later this year.
Lara Croft GO photo
Small in scale, but no less impressive
Square Enix Montréal possesses a genuine talent for artfully distilling series down to their essence. In 2014, the developer released Hitman GO, a turn-based deconstruction of IO Interactive's stealth franchise, w...

Deception IV photo
Let me show you
When Deception: The Nightmare Princess was announced, a wave of confusion crept up on every Deception IV owner. Is it DLC? Is an an expansion? Well, it's a weird combo! I just got my hands on a US copy of the game ...

Medieval fighter For Honor defies description

Jun 16 // Kyle MacGregor
While there is some sort of story mode to ostensibly explain why feudal soldiers from opposite ends of the planet are sharing a battlefield, Ubisoft is keeping quiet about the single-player campaign. Instead, the publisher has opted to thrust the multiplayer component into the foreground. And what a strange and alluring experience that is. On the heels of its E3 media briefing, Ubisoft whisked the press off to a tower in downtown Los Angeles to compete in a mode called "Dominion." There, groups of eight players skirmished in 4-on-4 matches with an emphasis on territory control. With three King of the Hill-style zones to vie for, it's set up an awful lot like an online shooter. And at a glance, it gives off a Dynasty Warriors vibe, with hordes inept minions fighting battles of attrition while player-controlled hero characters grapple over objectives that, you know, actually matter. Neither of those comparisons really nail what For Honor actually feels like, though. The combat system is far more intricate than Koei Tecmo's hack-and-slashers, at any rate. This is no mindless action game. Each and every encounter with the enemy requires a great deal of care.  For Honor is all about sword mastery; success or failure largely hinges on one's proficiency with a blade. Being overly aggressive is a good way to get flayed, as defense is of vital importance here. Predictable attacks are easily blocked and countered, and even knights, despite being clad in heavy plate mail, can be felled surprisingly quickly after a string of defensive miscues. In some respects this is more of a fighting game, where opponents feel one another out with pokes and jabs, hoping to discern the enemy's plan of attack and capitalize when given the opportunity. You really have to pay attention to where the enemy's weapon is positioned, be ready to counter it while working to read them, and get an opening yourself. I quickly found myself outmatched when going toe-to-toe with the developers on the other team. They seemed to move with lightning speed, feigning attacks and throwing me off balance, only to hit me from my unguarded side a moment later. Thankfully, strategy and teamwork play a central role. When I figured out I wasn't a skilled enough fighter to take enemies on by my lonesome, I focused my attention on sneaking up the flanks and capturing the objectives. Eventually, somehow, after flailing in the early going, our team came back from the brink of defeat to pull off an unlikely victory. (Maybe they let us win.) On top of that, players act as field generals, earning mid-game perks called "Feats" that allow one to call in ordnance support catapults and archers, or even inspire your cohorts to fight better. Knowing how and when to play these cards figures to play a key role in turning the tide of battle. For Honor is a fascinating fusion of genres that has me eager to return to the battlefield.
For Honor impressions photo
Whatever it is, I like it
Ubisoft Montreal's For Honor seems to borrow inspiration from as many places as it does warriors. The newly-revealed project sees medieval knights clash with samurai and viking raiders, warping time and space to bring together foes as distinct as the overarching experience that unites them.

Call of Duty photo
Call of Duty

I sucked at Call of Duty: Black Ops III's multiplayer


But I still had fun!
Jun 16
// Zack Furniss
It's easy to be cynical about a new Call of Duty release. Between the series' annualization and aggressive marketing, the urge to fire with phasers set to snark is strong. But every year I end up thoroughly enjoying an a...
Gears of War photo
Yep, it's Gears
At launch, Gears of War never really caught on in my circles. It was always second (or third) fiddle to Halo and Call of Duty, but I still played the campaign with my wife nonetheless, and dabbled in online play. N...

Runbow photo
Runbow

Runbow for Wii U is freaking weird and I kind of love it


Do a chicken dance as a red muscle-man
Jun 15
// Chris Carter
When I first heard of Runbow, I didn't know what to make of it. It's a nine player "runner," a subgenre that's become way too over-saturated with the dawn of the mobile market. But after actually playing it, I can definitely ...
Mutant Mudds photo
Mutant Mudds

Mutant Mudds Super Challenge is true to its namesake


About on par with the Granny levels
Jun 15
// Chris Carter
Mutant Mudds has enjoyed quite a ride on Nintendo systems and beyond. It was original released in 2012 on 3DS, but eventually made its way to the Wii U, PC, Vita, PS3, and even iOS. While it was touted as a return to retro a...

Roy's not quite our same boy in the new Super Smash Bros.

Jun 14 // Chris Carter
First off, it has to be said that Roy is even less similar to his Fire Emblem brethren in this game. He wields his sword backwards, which provides him with a unique set of animations, as well as different hitboxes for his attacks. Roy is a much more close-combat oriented fighter than Marth or Lucina, with nearly all of his attacks, including his neutral-B charge move, sporting a smaller distance. There's no tipping here -- Roy does most of his damage up close with the hilt, and feels completely different right off the bat. In addition to his neutral charge he also has his patented upwards slash, counter, and forward/backward sword combo. Don't dismiss him as a clone though, as all of these moves have different timings and animations to get used to. Take his Up-B -- it's a tad slower, but it hits multiple times, so you don't have to worry about executing it perfectly. Everything else is best used close-up, due to the lack of a tip-damage bonus. As a general rule, Roy is also speedier, so you won't be able to acclimate as a Marth or Lucina main immediately without getting a feel for how he moves. Oh, and his grabs are much better at setting up combos. Out of all of the Fire Emblem characters in the game, he likely has the most depth. While Ryu is a sexier brand new addition and Lucas is a fan favorite, I think Roy will end up being the best part of this DLC drop today as more veterans get their hands on them. Out of all three, he's my personal favorite. In fact, he really puts Lucina in an odd spot, as she feels less relevant when compared to both Marth and Roy's uniqueness. Yep, the crowd still chants "Roy's our boy" -- amazing.
Roy Smash photo
He's changed for the better
When playing Super Smash Bros. Melee, I always tended to side with Marth. I dug his aesthetic, his animations, and his moveset over Roy. But with the release of his DLC incarnation in the new Super Smash Bros., Roy is now my boy.

Payday 2: Crimewave Edition is yet another competent port

Jun 12 // Mike Cosimano
[embed]293774:58944:0[/embed] Payday 2: Crimewave Edition (Xbox One [reviewed], PS4)Developer: Overkill SoftwarePublisher: 505 GamesReleased: June 12, 2015 MSRP: $49.99 In Payday 2, you're a gang of criminals in Washington, D.C, intimately familiar with the ins and outs of crime and crime-related activities. You and three friends (or AI partners if that's how you roll) apply this skillset liberally, transforming places where once there was no crime into a veritable haven of villainy. In some ways, you could say the Payday Pals are some kind of wave...of crime. These dirty deeds range from bank robbery, to jewelry store robbery, to museum robbery, to art gallery robbery, to murder. To be fair, unless your team is quite good, each mission ends with a sizable body count, so there's murder to be found in just about every mission. This is a sticking point with Payday 2 -- it's very difficult to pull off a controlled heist. Even if you're rolling with a team of people you know and everybody's using microphones, there are still a lot of unknown factors and most of the best stealth gear is locked behind dozens of hours worth of progress. Since the core shooting is tight and responsive, stealth attempts quickly transitioning into explosive gunfights was never a genuine problem. At first blush, locking different approaches behind progression is at the very least disingenuous, but if you're going to be playing the game for that long anyway, rewarding time spent with variety is a smart play. But in this case, appreciating design must take a backseat to player enjoyment. Pistol suppressors -- a crucial tool for stealth missions -- are either the luck of the draw or hidden behind some labyrinth of menus. It's impossible to tell which. Although there's a limited pool of missions, I never saw them all in my 16 hours with the game. This is partially because I spent time grinding out shorter, easier missions for cash and experience, but there's still a fairly respectable amount of content available. Since Crimewave Edition comes with all the DLC released up to that point, there's a lot even beyond the missions. There's more guns, a new character class, and even new characters (including a female member of the Payday Pals, and the boogeyman himself: John Wick). Something also has to be said for the game's atmosphere. When the relentless, driving soundtrack kicks in right as a fresh wave of pigs rush your crew, it's hard to not get swept up in the moment. I'll always choose stealth over action, but I never felt the need to restart a heist in Payday 2 because I had grown accustomed to the combat -- it had become a regular part of life in this fictional capital. Maybe there's something there about the normalization of violence, about how the endless war of attrition between the law and those who operate outside it only serves to perpetuate a culture of death -- when the authorities perform a show of force, perhaps they are creating the very criminals they seek to apprehend. Look, there are a lot of re-releases in stores right now, and even more coming this year. More often than not, they are slight, if competent, upgrades from the last batch of consoles. They've got nothing on the PC versions, but not everyone can afford a monster rig. Payday 2 is reasonably engaging, and the Crimewave Edition works as advertised. The framerate is solid, which is a nice bonus. But this is still a slightly new wrapper on a two-year-old game. Know this, at the very least: if you choose to skip this game in the hopes of drawing a line in the sand regarding split-gen ports, there are worse titles to pass over.
Payday 2: Crimewave photo
Yeah, I'm thinking I'm back
Much like the president from Resident Evil 6, the last generation of games has risen from the dead to feast on the living. We’ve seen so many remasters, remaster collections, and straight ports in the past year that it ...

Based on the new demo, I have a good feeling about Shantae: Half-Genie Hero

Jun 11 // Chris Carter
[embed]293784:58947:0[/embed] The first ever playable build of the game that's been released to the public features three levels -- a water ruins location, a desert, and an action sequence that takes place on a conveyor belt. The first two heavily feature transformations, which thankfully have returned after their absence in Pirate's Curse. For the first stage you'll have the opportunity to change into Shantae's classic monkey form, which can climb up walls and jump with ease, and on the second, she sports a crab transformation with heavy defensive capabilities. As always, her new forms are downright adorable. Unlike Mighty No. 9, which doesn't match its great gameplay with a similarly impressive visual style (it still looks a little bland), Half-Genie Hero is gorgeously hand-drawn. In other words, it looks almost exactly like the concept art: a rarity these days. It also plays great, as the simplistic three-button system (jump, attack, and dance for transformations) works perfectly even in this early build. I dig the bright settings, platforming design, and art direction. Get a look at two of the stages above yourself -- you'll have plenty of time to decide on whether or not to pull the trigger, as WayForward has made it clear that there is still no solid release window for Half-Genie Hero.
Shantae: Half-Genie Hero photo
Three levels in Early Access
Back in 2013, WayForward crowdfunded a new project by way of Kickstarter called Shantae: Half-Genie Hero, the fourth game in the storied Shantae series. It managed to raise almost a million dollars in funding, whic...

League of Legends roundup: Azir, Kalista, Rek'Sai, Bard, and Ekko

Jun 09 // Chris Carter
Azir's whole gimmick is that he summons Sand Soldier units, which are statues of sorts. They're not really their own entities with health bars, however -- more like extensions of Azir, who is a mage first, marksman second. His soldiers cannot be targeted, which makes him fun (or a pain against) in the laning phase. He's also great at chasing as he can dash to his soldiers using his E. One of the best things about Azir is his innate ability to summon Sun Discs in place of destroyed towers, which creates a mini-tower for a limited period of time. He's very hard to get used to, but a worthy addition to League. I have a lot of fun using him in ARAM, but I believe he is a viable competitive Champion with the right composition. Kalista is a weird character, with a variety of different ranged attacks as a marksman. She can become "Oathsworn" with another ally, essentially boosting her stats and her damage while they are near each other or attack the same target. As you can probably tell, this requires a ton of communication, or at least, a lot of trust with one other player. While winding up her standard skillshot, you can cancel with a quick click to lunge in a direction -- think of it like a free dash. She can also send a ghost out to sentry, and her ultimate can "call" her Oathsworn player to her if they so choose to answer said call (with a range limit), which is also a knock-up. All in all I wouldn't say that she's a particularly interesting Champion, but going in with another friend and laning as Oathsworn buddies can be fun. She's also considered one of the most competitive Champions in recent months, though I won't be using her consistently. Rek'Sai is a bug who fulfills the fighter role, and does what many bugs do best -- she burrows. As one of her chief abilities, burrowing will modify all of her other powers. For instance, an ability that would buff her next three basic attacks is now a skillshot, and she can create tunnel exits to burrow back to, but burrowing does negate basic attacks, and thus, your damage output. Where Rek'Sai excels is mobility. She can quickly get from place to place, allowing her to assist in teamfights, small skirmishes, and when necessary, jungle situations. I enjoyed her as a whole more than Azir and Kalista, and it seems as if the community has taken to her as well. She was re-balanced shortly after her release, and a new nerf is on the way that may take her down a peg overall. Bard the support has an awesome aesthetic to him that fits League of Legends quite well. His Q is a standard skillshot that slows, but the sound and visual effects have a real pop to them. As a support ability, he can drop shrines that boost movement speed and heal -- this simple move is pretty deep, as Bard can place them strategically behind towers to reduce time away from laning or just put them on the ground below him to immediately heal. You'll also need to pay a bit more attention playing as Bard, as you'll be required to periodically grab unique chime icons on the map to buff your auto-attacks. His coolest ability though is the power to create a portal through terrain, which both enemies and allies can use. It looks cool, and it's an effective way of crashing in on enemy creep kills. Bard's ultimate puts everyone in a circle in a stasis, including all heroes and minions -- much like Zeratul's Void Prison ult in Heroes of the Storm, or many other similar MOBA abilities. All told, Bard is by far my favorite champion that I've played in months, and I highly recommend picking him up for fun. It's appropriate that Ekko, the boy who shattered time, has most of his abilities linked to movement speed. As an assassin, it's Ekko's job to pick out individual targets and burst them down rapidly. His passive allows him to build up stacks on a foe, slowing them after three stacks and dealing damage. Like most new heroes these days he has a token skillshot (that creates a slowing field), an area-of-effect slow dome, and a dash. His ultimate is where things get more interesting. Chronobreak is basically an "oh shit" button, making him invulnerable and transporting him back to his location four seconds ago. It allows him to get out of a sticky situation and continue picking off other Champions as well as deal some damage at the location. Ekko is a pure assassin, no frills -- and that's a good thing. While all Champions aren't created equal, I'm excited to see what Riot Games has in store for us in 2015 and beyond.
League impressions photo
Time to play catchup
It's been an eventful past six months for League of Legends. While I've been covering new Champions since 2013, I slipped a bit since Gnar late in 2014, as a few other major MMOs as well as fellow MOBA Heroes of the...

Veecaloid photo
Veecaloid

WayForward alumni made a mobile game about a shapeshifting Magical Girl pop idol


It misses the mark though, sadly
Jun 09
// Chris Carter
Veecaloid Pop is out this week on iOS devices, and the level of commitment you'll need for it is described as "Flappy Bird-esque." That's about on point, as the only commands on-screen are "tap" and "drag." The object of...
Guilty Gear XX Steam photo
Guilty Gear XX Steam

Guilty Gear XX Accent Core Plus R's netcode is passable on PC


It works at least
May 27
// Chris Carter
In the past 24 hours I've spent some time with the PC port of Guilty Gear XX Accent Core Plus R, and I'm partly pleased with the results in terms of the netcode. Your experience really does differ based on the connection rank...

Yep, Ultra Street Fighter IV on PS4 sure looks great

May 26 // Chris Carter
[embed]292798:58682:0[/embed] At this point there are 44 characters in all, and you can select a fighting style from every different iteration of the game. It's pretty comprehensive, but again, most people aren't going to dig into all of the configurations for every fighter. In other words, if you already have a previous version of Ultra, especially on the PC, you'll probably just want to stick with that, as it's proven to work well at this point. 1080p60 on a console is nice, and only the most trained veterans will be able to notice the minor input lag from the previous generation to the PS4 -- since it's going to be the new de facto build for tournies, you can only assume this will be patched soon, but nothing has been confirmed yet from Capcom. The menus are a bit slower compared to other versions, which seems like a bug -- still, it's not a dealbreaker unless you compete at a high level. In terms of my netcode testing, all of the matches I've played have been very smooth. My main issue has been finding games, which you can likely chalk up to a launch-day "wait and see" crowd. I can't predict the future in terms of the adoption rate on PS4, but so far I don't have any major issues to report. We'll update you if that changes. Oh, and as community member Beelz points out, PS4 USFIV is the standard for this year's EVO. Ultra Street Figher IV [PSN]
Ultra Street Fighter IV photo
But there's a few bugs to squash
[Update: Players have been reporting various bugs with the PS4 version across the net. While I didn't encounter any of these in my roughly 20 hours of testing outside of the ones mentioned here, it's important to be aware of ...

Pinball FX2 Portal photo
Pinball FX2 Portal

Zen Studios' Portal pinball table is pretty faithful, and fun


Not going to make a 'you monster' joke
May 22
// Chris Carter
I'm not as crazy about pinball as say, Chad Concelmo, but with the right theme, I'm on board. The South Park Pinball pack hit the spot with numerous references to the show, and more recently, the Portal board h...

Early Access Review: Black Mesa

May 10 // Nic Rowen
Black Mesa (PC)Developer: Crowbar CollectivePublisher: Crowbar CollectiveReleased: May 5, 2015MSRP: $19.99 Now that I've had a chance to replay the original (selectively edited) Half-Life through the incredible reproduction effort of Black Mesa (which had its first part released roughly three years ago), I'm not sure that choice was so wrong. In the end I think I broke even. Half-Life was a monumental game that will always be rightfully remembered as a masterpiece for its time, but its probably not as fun as you remember it (headshots on the other hand are, and forever will be, a timeless source of joy). First thing's first, the Crowbar Collective has done an astounding job of dragging Half-Life into the modern age. This is not a mere port like Half-Life Source which used all the same assets as the original with a bit of spit and polish added in the form of a higher resolution and some dynamic lighting. Black Mesa is a remake, built from the ground up to fully realize the vision of what Half-Life could be on modern machines. More than a straight remake, the Crowbar Collective has played with the nuts and bolts of the game. Black Mesa rebuilds, trims, and expands different parts of the original for a smoother experience, while still staying true to what fundamentally made Half-Life what it was. There are new puzzles to work through, new and expanded areas to explore, and the availability of ammo and supplies has been bumped and nudged by a team that has spent ages agonizing over the pacing of the game. Action scenes are frantic and aggressive, with plenty of ammo doled out to deal with the additional enemies and larger set-pieces provided by Black Mesa. But when the action slows down and Gordon is guided towards evasion and caution, supplies dip to an almost survival horror level of scarcity. The push and pull of tension and action, going from a rat in the walls to a one-man army was one of the most intriguing things about Half-Life, and Black Mesa nails it better than the original. Some areas like the On A Rail sequence that infamously overstayed its welcome in the original, benefit from editing. Sometimes more isn't always better and Black Mesa makes some smart cuts getting rid of the fluffier and more frustrating aspects of the original. All of the edits are an improvement to the game. In fact, I'd say they could have probably brandished the razor around a bit more. Maybe we were just more tolerant of rampant amounts of bullshit back in 1998. Or, I suspect our memories of Half-Life benefit from a healthy helping of nostalgia and a lofty appreciation for everything that game did for modern game design. Half-Life basically wrote the book on immersive storytelling, first person exploration and strategically minded A.I for enemies, it had to be fun, right? Kind of? There are great times to be had in Black Mesa. When the game works, you can easily tell why Half-Life is so highly regarded as a classic. But then there is a looming dark side; a great number of hours when the game stubbornly refuses to be fun. The overly long underwater sequences that have you searching about in the darkness for some nook or cranny you missed as the last of your oxygen bubbles out of your lungs. The obnoxious clunkiness of trying to just MOVE around on physics enabled debris, let alone when the game demands you try to make a specific jump or escape from a screen rattling auto-turret under those conditions. The arbitrary insta-kill traps and monsters that force you back into loading screens and more than a couple “gotcha” moments that you couldn't hope to avoid without active precognitive abilities. Even with careful editing and a mind towards evening out the pace of the original, Black Mesa still traffics in an almost unconscionable amount of backtracking and finagling. There were several sequences where the solution to the predicament I was in was so awkward and stilted that I was sure I was doing it wrong. Of particular disdain was a protracted sequence set in a waste disposal facility that merged all the “joys” of water exploration, insta-death traps, pinpoint jumping between moving conveyor belts and confusing map design into a single ultra dense black-hole of anti-fun so terribly dark and spirit crushing that I'm still not sure I fully escaped from it. Maybe I'm being tough on it, but I remember Half-Life being smarter. I remember liking its world and characters better. Maybe it's age or maybe games have just moved on, but this time around I was more exasperated than amused by the shenanigans of the Lambda research team. The game has one joke -- you wander up to some poindexter in a lab coat, he says something silly/smug/abrasive, then immediately runs headlong into bullets/fire/devouring jaws (whatever option would make what he said seem more ironic). I like to imagine Freeman giving the leftover blood smear a knowing smirk each time. Granted, it's a funny goof the first two or three times it comes up, but when you're nine hours deep into the game and Professor Egghead is still predictably blundering into the crossfire, the dismemberment gets a little rote. I think its interesting that almost all of my criticism for Black Mesa is directly related to content from the original Half-Life. Every other effort is fantastic. This game looks great, especially considering its roots as a community driven mod. The soundtrack of original compositions is fucking banging. Every edit and change they made to the game was for the better. It almost makes me wish Black Mesa wasn't a remake-with-cuts of Half-Life. I wonder if the team would have been better served making their own thing, or maybe a “inspired by the events of Half-Life” complete re-imagining of the original game. The way I see it, there are two potential audiences for Black Mesa. There are the players who missed the original in its heyday because they were too young, or didn't have a PC, or thought Freeman's goatee on the box art made him look like a barista stooge, but love Valve's other games and want to check out the legendary classic that started it all. Then, you also have the true-blue fans of the original, the generation that cut their teeth on Half-Life and remember it as a wonderful and mind expanding experience who would love to recapture the joy of those heady days. I'm in the slightly uncomfortable position of telling both of those camps that they can probably take a pass on Black Mesa, even though I truly respect the work that the Crowbar Collective team has done with it. If you want to play a great Half-Life game that has aged fairly well, Half-Life 2 and its accompanying chapters are fantastic and Valve practically gives them out every Steam sale. Those games have all the best parts of the original Half-Life, while cutting out most of the chaff that bogs it down. If you didn't play Half-Life back in the day, I can't really imagine someone enjoying it as a game. Maybe as an academic curiosity, but not as a play experience. If you absolutely loved the original, you may very well find something worthwhile in Black Mesa. It really is the singular best way to play Half-Life. That said, you could also find something you don't like. A terrible truth, an awful secret, the knowledge that one of your favorite games is actually kind of a pain in the ass to play. It might be best to leave those pleasant memories as they are. There is still more Black Mesa to come; the game is in early access and right now the story concludes on a cliffhanger right before the Xen levels, where Freeman is thrust into an alien world of annoying platform jumping and floating alien bastards. The Crowbar Collective is actively working on that final chapter and plans to include it in the full release. Considering that even the most stalwart fans of the original generally concede that “the game was perfect (except for the Xen levels)” I don't think those last levels will really swing my personal opinion on the game. I will say this though, I can't wait for whatever the Crowbar Collective does next.
Black Mesa photo
Half as good as you remember
Half-Life was like a magic trick. It was a game you could show to people who weren't gamers and they'd get into it, a gateway drug. A real game (not some glorified puzzle book like Myst) that had the cinematic flair and prese...

Splatoon photo
Splatoon

What did you think of the Splatoon Global Testfire?


Splat happy or set to pass on toon?
May 10
// Jonathan Holmes
This past Friday and Saturday, Nintendo launched its first ever limited time online stress test/demo with the Splatoon Global Testfire. Due to multiple work-related responsibilities, I was only able to jump on for one match, ...
Yumi on Vita photo
Yumi on Vita

Sayonara Umihara Kawase+ is a great Vita port that comes with the original SNES game


And a few more stages
May 04
// Chris Carter
Roughly a year ago, Yumi's Odd Odyssey, a localization of the latest game in the Umihara Kawase series, hit the 3DS. Like its predecessors it involved the simple premise of guiding a young girl across a series of pi...

Shin Megami Tensei: Devil Survivor 2 is now better than ever

May 04 // Kyle MacGregor
Shin Megami Tensei: Devil Survivor 2 Record Breaker (3DS)Developer: AtlusPublisher: AtlusReleased: May 5, 2015 (NA), Fall 2015 (EU)MSRP: $49.99 Tokyo is in shambles. Earthquakes have ravaged the city, knocking out all lines of communication, derailing trains, and flattening entire buildings. There are fires, riots, refugee camps, oh, and an army of demons that threaten humanity's continued survival. Enter a band of plucky teens with demons of their own to save the day and stave off the apocalypse. That's the lead-in to the "Septentriones Arc," the main story from the original Devil Survivor 2, which is now accompanied by a second campaign called the "Triangulum Arc." The epilogue picks up right where the first part leaves off, leaving our heroes to deal with a new threat. The continuation isn't quite a full-blown sequel so much as it's a sizable expansion, one that should keep you busy for an extra couple dozen hours on top of the base game. Thankfully, the Triangulum Arc is available from the get-go; so if you've already played through the main story and just want to see the new content, you needn't start from square one. Of course, newcomers will want to begin with the Septentriones Arc. Despite including a quick refresher at the outset of the journey, the new campaign likely won't make much sense to neophytes jumping into the narrative in media res.  [embed]291439:58422:0[/embed] In addition to the new campaign, Atlus has put in the effort to upgrade the overall experience. After doing a side-by-side comparison with the original game, Record Breaker's music really caught my ear. The soundsmiths at Atlus really cleaned up the audio quality, making it sound way more crisp and clear while eliminating a scratchy, fuzzy quality that mars the DS release.  On top of the enhanced sound quality, the team at Atlus USA went ahead re-localized the entire script and kitted it out with full English voiceover, which is a massive improvement over the text-only original. Being able to hear the cast goes a long way to helping flesh out these characters, especially given how lively and rich many of their performances are. The visuals are also a shade nicer. Again, looking at the games side-by-side, I noticed Record Breaker looks a tad sharper and features slightly more vivid colors. The camera perspective in battle has also been pulled back, which make the sprites appear less chunky. One of the major complaints a lot of folks seemed to have with Devil Survivor 2 when it launched in 2012 was the difficulty. In our review, Dale North said "the first game's difficulty bar was already set pretty high, but Atlus has turned it up even higher in this sequel with battles that are so difficult that [he] came dangerously close to snapping [his] DS in half." This time around there are multiple difficulty settings, which hopefully should help you keep your system intact. At its core, Devil Survivor 2: Record Breaker is still a satisfying fusion of classic "MegaTen" and strategy gameplay. And with the new story content and other additions and enhancements, this is definitely the best version of the game. Whether it's enough to warrant a second purchase is debatable, but given a choice between the two, this is without question the one to get.
Break Record impressions photo
Record Breaker is finally here, and it was worth the wait
If you've ever wanted to experience Shin Megami Tensei: Devil Survivor 2 or wondered what happened to its colorful cast of demon tamers after the credits rolled, now is the time. Atlus is about to unleash Record Breaker, a new version of the 2012 tactical role-playing game that not only improves the title, but expands upon it with a new arc that advances the story.

amiibo tap: Nintendo's Greatest Bits is severely underwhelming

Apr 30 // Chris Carter
amiibo tap: Nintendo's Greatest Bits (Wii U)Developer: NintendoPublisher: NintendoReleased: April 30, 2015MSRP: Free (requires at least one amiibo) To even utilize amiibo Tap, which is a free download, you'll need an amiibo figure (MSRP: $13) -- full stop. After booting it up you're greeted with a menu noting that you'll have the opportunity to play various NES and SNES games (that are conveniently located on the eShop for purchase) by tapping a toy to the GamePad. Easy enough. The strangest thing about the app however is that it doesn't recognize specific characters. I mean, a lot of them are third-party or don't even have retro games, so I understand that much. But I thought for sure (despite the fact that it was already announced as randomized) if you tap a Mario character to the pad you'd unlock a Mario demo, but instead, it just opens up a random game. Once your amiibo is linked to that game it will automatically start up another demo with subsequent taps. For people with large amiibo collections, it's pretty confusing to keep track of. The demos themselves are straight-forward three minute "bits" if you will, with nine in all for every game -- to clarify, yes, that's nine 180 second sections per title. If you look at the video below you'll see a demo reel for The Legend of Zelda: A Link the Past, teleporting through various portions of the game, from intense scenes to boss battles. There's a timer on each sequence to prevent you from playing too much of the game, which is understandable. [embed]291278:58394:0[/embed] My opinion is that this whole app was rushed out of the gate, for any number of reasons. It would have been really cool to unlock new games by way of amiibo purchases, especially for figures that don't really have any functionality outside of a Super Smash Bros. NPC. A small homage to Super Princess Peach, the DS game, would have been cool, as would a new bite-sized demo for something like "Super Rosalina." The entire app isn't even future-proofed for new amiibo due to the lack of specificity, so there's no point in keeping it around to see how it will change when new figures come out. In its current state, it's not even worth downloading, as it's essentially a convoluted demo delivery service. If you have Super Smash Bros., just stick to the straight-forward Masterpiece demos.
amiibo tap impressions photo
Specific amiibo don't even align with franchises
When I first heard about amiibo Tap: Nintendo's Greatest Bits, I thought it was a cool idea at first, and a good concession for fans who may have missed out on a ton of amiibo opportunities this year. After actually playing it, I'm coming away extremely underwhelmed, and I'll likely uninstall it later today.

Tropico 5 photo
Tropico 5

Tropico 5 is like crack for your PS4


Multiplayer impressions coming soon
Apr 27
// Robert Summa
I'm a sucker for city-building and Civ-like games. Since the very early days of SimCity and SimTower, I've poured countless hours into building my virtual communities and empires. With Tropico 5 now ported over to the PlaySta...

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