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Five Nights World photo
Five Nights World

The next Five Nights at Freddy's is an RPG

Recruit the nightmarish machines
Sep 15
// Jordan Devore
Five Nights creator Scott Cawthon claims there "will NOT be a Five Nights at Freddy's 5." That's hard to believe, but one thing is for certain: those horrific animatronics aren't going away. In a post today, Cawthon announced...
Electronic Arts photo
Electronic Arts

EA silently kills a bundle of nice mobile games

Many older titles pulled from app stores
Sep 12
// Kyle MacGregor
Earlier this month, Electronic Arts removed over a dozen of its older mobile titles from the iOS and Android app stores with essentially no notice. The blow came on September 1, when the publisher whispered via its support site that the following games would be disappearing that very same day:

Telltale's Minecraft: Story Mode is an interesting change of pace for the series

Sep 10 // Alessandro Fillari
[embed]310121:60304:0[/embed] Taking place in the world, or worlds, of Minecraft, we take on the role of Jessie, a local resident living in the wilderness along with his friends and pet pig. With the upcoming event known as Endercon approaching, sort of an in-game take on the popular Minecon, Jessie and his friends prepare for the festivities along with the rest of their community. Unfortunately, an ancient evil known as the Ender Dragon is unearthed from the nether, and wreaks havoc across the land. With Jessie and his friends being the only ones to escape, it's up to them to restore the legendary Order of the Stone, a group of powerful adventurers capable of stopping the dragon, and save the rest of the world. While it may seem unusual to try and create a specific story and narrative with predefined characters within Minecraft, which is inherently about the relative and varied user experiences, Telltale's take on Story Mode is surprisingly charming. Sure, many of the jokes focus on Minecraft-related humor and trivia, which may confuse or fall flat for those who aren't too into the adventure game, but it does a pretty admirable job of finding itself within a game world that's so varied and almost infinitely diverse. With a pretty solid voice-cast featuring Patton Oswalt, Corey Feldman, Paul Reubens, Dave Fennoy, Martha Plimpton, Ashley Johnson, and Brian Posehn, this is likely Telltale's most star-studded cast yet. During the short segment I played, we find Jessie searching through the forest for his pet pig. Gameplay will be instantly be familiar to those who've played other Telltale titles, such as The Walking Dead or Fables. You'll explore the environment looking for clues, interact with other characters, and occasionally participate in action sequences that call for well-timed responses. When Jessie was ambushed by zombies, he had to defend himself with a hastily put together wooden sword, which broke during the encounter. Eventually, his friend Petra (voiced by Ashley Johnson) saves the day and they make their way back to town. Of course, this is only the start of their troubles. Essentially, this is a very family friendly take on Telltale's past titles. Easy enough to get into, but deep enough to wonder what choices will be the best in the long run. However, one of the more interesting aspects of Story Mode is that it allows players to customize the central character Jessie. From their aesthetics to even their gender (voiced by Patton Oswalt and Catherine Taber, respectively), players will be able to build their own story and show off their character however they see fit. Given the numbers of choices and turns the story presents, it's refreshing to be able to have more of a choice in how your character looks. I'm curious to see how this title will shape up. With the first episode coming this year, Minecraft: Story Mode has some big shoes to fill. While there are many fans who may turn their nose up at such a departure from what they know from Minecraft, the developers are seeking to make a narrative that not only rewards long-time fans with a long and eventful journey through series lore, but also serves as a great opener for those who haven't taken the plunge into the quirky and incredibly popular adventure title. And it's a promising start from what I played. 
Minecraft: Story Mode photo
The Creepers will remember that
Since its announcement last year, many fans of both Mojang's Minecraft and Telltale Games were caught off guard by this union of adventure developers. With one focusing on open-ended and procedurally generated jaunts thr...

Magic: The Gathering - Puzzle Quest found inspiration in Tinder

Sep 10 // Zack Furniss
I've always been curious about Magic, so I clenched my toes and resolved to understand everything the developer was going to tell me. Like other Puzzle Quest games, this is a match-3 game where you have to rearrange chromatic gems. You play as a Planeswalker of your choice, which the internet tells me is "among the most powerful beings in the Mulitiverse" and is also a cipher for the player. Each Planeswalker specializes in a certain type of mana, which correlates with a certain colored gem. By carefully choosing gems that are better for your P'Walker, you can cast spells, use items, and attack your opponents. As I aimlessly matched Swamp mana gems, developer man told me that while decks begin pre-assembled and tailored to each Planeswalker you can choose from, you can also earn new cards through the game or through buying booster packs. If you decide to buy a booster pack, you'll be shown more cards than you'll actually get and can choose from that pool. D3 Go! told me that they found inspiration by way of popular dating (fucking) app Tinder, in that if you like a card, you can swipe right to have sex with it acquire it, and if you don't you can swipe left to dismiss it. It's almost the same amount of fun, except here you're judging and subsequently throwing a card (instead of a person) in the bin. While there will be a set number of Planeswalkers at launch, more cards and characters will be available as time goes on. D3 Go! wants special events to tie into the physical card-based game when they can, and might even make certain cards easier to attain at these times. They haven't nailed down the pricing and timing of these events yet, but plan to make sure this month's variant of Puzzle Quest has a long span of life. Though my awkward time with Magic: The Gathering - Puzzle Quest wasn't enough to teach me all of the intricacies of the upcoming mobile game, I left curious. I might try it out this fall when it releases for free on iOS and Android devices, if only as an opportunity to symbolically apologize to D3 (kudos for being patient and fun!) for making their job harder for fifteen skin-crawling minutes. Let's see who'll be the first person to accuse me of not knowing anything about Magic in the comments. You have my permission to laugh at them. Or, you can be nice and point to the first paragraph. Your call.
Magic: The Gathering photo
Or, an adventure in ignorance
I'm telling you right now, if you clicked on this article for an expert opinion on all things Magic: The Gathering, you're in the wrong place. I know fuck-all about Magic! My only experience with Puzzle Quest is the five...

Hearthstone photo

Everyone dies in this 15-minute long Hearthstone turn

Dreadsteeds and Knife Jugglers... why
Sep 07
// Joe Parlock
Hearthstone can be at times an absolutely infuriating game, and at other times it can be one of the funniest games around. Every time I see people pull the kinds of play YouTuber The Optimistic Brit has, it usually ends...
Pokemon Shuffle Mobile photo
Pokemon Shuffle Mobile

Pokemon Shuffle Mobile squeezes more out of players

A mathematical analysis
Sep 04
// Darren Nakamura
When I started playing Pokémon Shuffle Mobile earlier this week, I noticed a weird discrepancy between it and the 3DS version. When the option to use a Great Ball came up, it was asking for 3500 coins, up 40% from 2500...
Pokemon Shuffle Mobile photo
Pokemon Shuffle Mobile

Here's how Pokemon Shuffle Mobile stacks up to the 3DS version

Pros and cons
Sep 04
// Darren Nakamura
After about my 50th hour into Pokémon Shuffle for the 3DS, I regretted getting into it late. When it released, I did what most people do when they hear "free-to-play;" I tuned it out without giving it a second thought....
Sonic on Piggy Island photo
Sonic on Piggy Island

Sonic's next adventure takes him to Piggy Island

NOT some messed up erotic fan-fic
Sep 02
// Steven Hansen
Something has happened to Sonic. It's been happening for years. Sonic is a weird porn figure, the subject of countless adolescent Deviantart drawings and erotic fan-fics by kids still figuring themselves out. Also, us, when w...

Review: Lara Croft GO

Aug 27 // Zack Furniss
Lara Croft GO (iOS [reviewed on iPad Air], Android, Windows Phones)Developer: Square Enix MontréalPublisher: Square EnixRelease Date: August 27, 2015MSRP: $4.99 Lara Croft GO immediately establishes itself as a contemplative foray into a forgotten world. Meditative music gently ebbs and flows as Lara slowly walks up to a well-preserved ruin in one of the game's few brief cutscenes. The environments are vibrantly rendered in a simplistic yet gorgeous manner while gentle camerawork plays with the foreground, asserting a sense of depth. Lara's expedition takes you deeper into this ancient land, and before long a gargantuan serpent begins pursuing this new trespasser.  Similar to Hitman GO, you can only move along pre-carved lines on the ground and scalable walls, darting from spot to spot. Here, however, Ms. Croft is fluidly animated, doing somersaults and even her famous hand-stand ledge climb on occasion. It's initially jarring to see her do stilted little jumps between spots (there's no way to hold down a run button, as that would quickly end in death), but I stopped noticing it just a few levels in. Enemies and obstacles can only move whenever you do, so movement needs to be precise and measured. Unlike early Tomb Raider games, you'll never die due to stepping a tad too far or misjudging a jump.  Puzzles start as simplistic fare involving levers and floor panels that can only be safely crossed one time, but add elements every few levels (of which there are 40) to stave off repetition. Snakes, lizards, and giant spiders will do their best to prevent you from reaching your desired MacGuffin and each provide their own set of challenges. You'll eventually find single-use tools to combat them, such as a javelin and a torch. Then there are boulders, sawblades, and other traps that will make you doubt every step you take. Since the checkpoints are very forgiving and most levels will only take you a few minutes to complete, dying isn't discouraging. Death, more than anything, is your most reliable tool when it comes to deciphering the machinations of the deathtraps hindering your progress. You'll step on plenty of floor panels only to launch arrows into your soon-to-be lifeless body, but it's never a frustrating affair. While this is appreciated, the one and only quibble I have with Lara Croft GO is that it never quite feels like it fully ramps up to a satisfying difficulty. Despite a couple of "A-ha!" moments, the slow addition of complications and intensifying music build to a climax that doesn't deliver. It's always appreciated when a mobile game can be played in short sessions, but I wouldn't have balked at being stumped a few times. Perhaps it's my love towards past installments and the enjoyment of being utterly stonewalled by a puzzle, having to think about it even when I'm not playing. On the off-chance that you every get completely stuck, you can use microtransactions for hints (this feature was not online when I was playing for review). If you miss the older games in the series, you'll find cute references that aren't cloyingly nostalgic. The main menu is radial like it was in the olden days of yore, and that satisfyingly reverbed BRRINNGG sound effect denoting the discovery of a hidden treasure has returned. Find enough of those treasures and you'll even find costumes from the old games, like the wetsuit from Tomb Raider II. This affords Lara Croft GO some replayability (since you'll be able to finish it in around three hours depending on your skill level), but they aren't exactly well-hidden until the back half of the adventure. Though other games featuring Lara Croft have elicited a gamut of reactions such as horror and anxiety, I never expected to find spelunking so calming. The dreamlike soundscapes bring to mind a massage parlor and slowly slipping into sleep as someone caresses your tired feet. This is an easy game to fall asleep to, and I'm almost positive you'll have good dreams. I don't think Square Enix is claiming that one solely because of the lawsuits that will occur when players start rolling over and crushing their iPads. Lara Croft GO is clearly the product of a love for what the Tomb Raider series used to mean. Your pistols are more of a tool than a weapon, and you certainly won't be killing an island's worth of men. A lovely visual style and a zen-inspiring score provide backdrops to my favorite Croft adventure in some time. I'm now grateful for the delineation between the action-filled Tomb Raider and puzzle-focused Lara Croft games. Even though I enjoyed 2013's hectic reboot, sometimes you just want to stop and breathe it all in, tomb dust and all.
Lara Croft GO photo
Spa Raider
Last year, Square Enix Montréal surprised us by distilling the Hitman series into a minimalistic mobile game with a tabletop aesthetic. It was a risky move, but Hitman GO ended up a critical success that show...

Forest of the Sleep photo
Forest of the Sleep

Proteus developer announces Forest of the Sleep

A game based on Russian fairytales
Aug 27
// Joe Parlock
Proteus developer Ed Key has announced his latest project. Apparently making one pretty game with Proteus wasn’t enough, and so he’s back with Forest of the Sleep. Forest of the Sleep is a collaboration betwe...
Clicker Heroes photo
Clicker Heroes

We're doomed: Clicker Heroes hits iOS, Android

Be strong
Aug 25
// Jordan Devore
It's a good thing I swore off Clicker Heroes. It was bad enough playing the game on a desktop computer. Now, the perpetual time-waster is available for iOS and Android. There's no escape. For the uninitiated, this is an idle ...
Monster Strike photo
Monster Strike

Japanese mobile game making $4 million a day

Monster Strike is just printing money
Aug 22
// Kyle MacGregor
Monster Strike, a mobile action RPG developed by Japanese social networking service group Mixi, made $387 million between April 1 and June 30, according to the company's latest financial report. As Tokyo-based consultant Dr. ...

Review: Alphabear

Aug 22 // Darren Nakamura
Alphabear (Android [reviewed], iPad, iPhone)Developer: Spry Fox, LLCPublisher: Spry Fox, LLCReleased: July 8, 2015MSRP: Free (with microtransactions) The core mechanic in Alphabear is easy to pick up, but it bears an elegance upon close inspection. Letter tiles are placed on a variable-sized grid, and players are tasked with forming words with those letters. Using a letter clears it from the board, replaces it with a bear, and reveals new letters in any adjacent spaces. Bears can grow in size as long they have a full rectangle of cleared tiles to fill. Each tile has a countdown on it, decrementing by one for each turn taken. If any countdown reaches zero, that letter turns to stone, removing it from the pool of usable letters and taking up valuable real estate where bears could live. The end goal is to score the most points, which come from two main sources: words formed during a game and bear size at the end. Each letter's value decreases with its counter, so word values are calculated from both length and how close each individual letter is to expiring. For bear size, the aim is to create the biggest bear possible; one full-board bear is worth more than two half-board bears. [embed]307196:60082:0[/embed] All of these mechanics come together to make a game that isn't just about showing off vocabulary and anagram skills. For one, there is focus and direction. Tiles with low counters are shown in increasingly alarming colors, where those one turn away from fossilization pulsate with a deep red but those with four or more are a placid green. Instead of dumping upward of two dozen letters on the player and saying, "make some words," it makes using certain tiles more urgent, bringing them to the forefront. Maybe I could make a ten-letter word with these tiles over here, but I really need to use this J that's about to expire. It also causes the player to think ahead: not only does one want to use all of the tiles showing a one this turn, but he should also make sure he can deal with the tiles showing a two for next turn. Another important result of the base mechanics is the idea of spatial importance. The tiles all have a location, and clearing a tile in a certain area might be more beneficial than doing so in another. Some spaces are marked with a star or a skull, signifying the letter set to appear there will either have an unusually high countdown or an especially low countdown. Setting off a skull when there are several twos left in play is a bad move. The mechanics make the center of the board more important too, because a stone in the way there will prevent having a screen-filling bear at the end, but a stone along the edge or in a corner will only decrease its size by a small amount. The boards aren't all the same; the layout of a particular board affects how players will attack it. The last bit of significance that emerges from Alphabear's mechanics is a strong risk/reward scenario. Forming long words is worth more points right away, but it opens up more tiles at once. It brings more opportunities for even larger words but also more opportunities to miss using a tile in time. Play it safe, unlocking only a few new tiles per turn and banking on a large bear at the end, or go big on word scores at the risk of losing out on bears? There isn't a definite answer. In a word, Alphabear brings strategy to a genre that has severely lacked in it in the past. Considering the countdowns, board layout, and the available letters brings much more nuanced decision-making than the typical directive of "make the biggest word you can think of." Sometimes it's better to make a weaker word in the moment in order to pull ahead in the end. Every single turn presents this mental exercise. Outside of the main meat of the gameplay, there is also an almost Pokémon-esque collection mechanic. Completing a level above a par score nets the player a bear; completing it above a gold score gives a chance for a powerful rare bear. Each of these bears has its own costume and consistent with Spry Fox's modus operandi, they are all adorable. Look at Milky Bear (below)! It's a bear dressed up as a carton of milk. So cute. Each bear has its own powers to bring to the levels. Some only affect score, some have a noticeable impact on gameplay. By collecting the same bear multiple times, it levels up, increasing its multiplier. This makes high scores for future runs of the same board easier to attain. Not only does Alphabear inject strategy into a word puzzle, it also uses these light role-playing game elements to keep me playing. A particular level might be too hard now, but I can come back to it later with some beefed up bears and try it again. At the end of a level, the newly hatched bear will form a series of phrases using the words played during the game. You might have seen these on social media already. It's a silly little touch, but it adds another bit of meta to the experience. Not only do people go for high scores, they also go for words that would make for funny sentences to share with friends. The one big sticking point for many is Alphabear's free-to-play scheme. It uses an energy mechanic (honey), allowing for only a couple of games before honey is depleted. It builds up over time or can be accumulated by watching ads. Personally, I loved the gameplay so much I paid the five bucks for unlimited honey and haven't regretted it. Even then, the bears each have cooldown periods and the other currency (used to wake up sleeping bears and to play special levels) suffers from diminishing returns over the course of a day, so players who buy unlimited honey may still feel stifled. Spry Fox wants players to come back day after day; I'm fine with that, but I know there are many out there who aren't. Indeed, I'm still playing Alphabear on a nearly daily basis. I couldn't say how many hours I've put into it already (I'd estimate maybe 20?), but I'm not even halfway through all of the chapters. The injection of strategic concerns to a word puzzle is such great design. I would like that enough on its own, but the collection aspects, cute bears, and social media meta elevate it further. [This review is based on a free game with microtransactions purchased by the reviewer.]
Alphabear review photo
If you had told me three months ago there was still untapped potential in the genre of using letter tiles to form words, I probably wouldn't have believed you. If you would have told me a word puzzle game would end up being o...

iOS controllers photo
iOS controllers

The Gamevice is the best controller I've used for iOS devices to date

Only for iPad mini though
Aug 18
// Chris Carter
MFi (made-for-iOS) controllers have been around for almost two years now, and slowly but surely, they've risen above their once niche appeal. Previously they were only available for a few devices, and could run upwards of $10...
Rollercoaster Tycoon 3 photo
Rollercoaster Tycoon 3

Rollercoaster Tycoon 3 just got released on iOS

No microtransactions! Hallelujah!
Aug 13
// Joe Parlock
The initial reaction for lot of people have to “iOS port of ___” is to run away screaming. Microtransactions, ads, and Facebook integration. Mobile gaming for the most part is a total mess, but this time, someone&...
Zodiac: Orcanon Odyssey photo
Zodiac: Orcanon Odyssey

Final Fantasy vets, Scottish studio making a RPG

Introducing Zodiac: Orcanon Odyssey
Aug 12
// Kyle MacGregor
Final Fantasy VII writer Kazushige Nojima and composer Hitoshi Sakimoto (Final Fantasy Tactics, Valkyria Chronicles) have joined forces with French developer Kobojo's Scottish satellite studio to create Zodiac: Orcanon Odyss...
Bling Bling for Blizzard photo
Bling Bling for Blizzard

Wowzers, Hearthstone pulls in $20 million per month

How much of that is you?
Aug 11
// Jed Whitaker
Research firm SuperData is reporting that Blizzard's free-to-play Hearthstone: Heroes of Warcraft is making $20 million a month; more than any other digital card game. When compared to other popular free-to-play games, Hearth...
The Walking Dead photo
The Walking Dead

The Walking Dead: No Man's Land features tactical zombie killing

Voice work not as bad as 'Merlinderl'
Aug 11
// Darren Nakamura
Oh! A game based on The Walking Dead that focuses on tactical zombie survival? Sure, sounds great. Or maybe it doesn't technically sound great, as Norman Reedus really hams up the voice work in this trailer, going overboard w...
Bandai Namco photo
Bandai Namco

Bandai Namco might be localizing Tales of Link

Trademark filed in Europe
Aug 09
// Kyle MacGregor
As spotted by Gematsu, Bandai Namco filed a European trademark for Tales of Link last week. The free-to-play role-playing game launched on iOS and Android devices in early 2014, but only in the Japanese market. Given the publ...

Lara Croft GO captures the essence of pure Tomb Raider

Aug 08 // Brett Makedonski
Lara Croft GO fits soundly into that latter category by more than just name alone. Despite being a mobile title, it nicely captures the spirit of the very first Tomb Raider games. Donning her classic outfit, Lara works through level after level in search of an artifact. Puzzle-solving and exploration are earmarks, just as they had been all those years ago. However, the mobile format is what makes GO distinct. Rather than continuous action, this game is turn-based which places a greater emphasis on thinking before moving. A rudimentary example might be a pair of snakes that are facing opposite directions. You always have to attack from the side or back, lest they strike and kill you first. There's only one path that allows for the correct order of operations; the others just leave you dead. But, even when Lara Croft GO deals out frustration, it doesn't negate progress. This is the mobile crowd, after all -- a group that might not have the patience to have its time wasted. Checkpoints come frequently and everything is ever-so bite-sized. On a micro-level, the scale of each section is obviously intentional. Routon says that the studio knows who it's developing for. Despite Lara Croft GO allowing for minimal time investments, Square Enix Montreal is seeing a more encouraging trend. "People intend to play for five minutes, and they end up playing for an hour or more," Routon comments. "We tell playtesters they can leave, but they say they want to finish this puzzle first. I guess that's not a bad thing." [embed]297421:59880:0[/embed] It really doesn't come as a surprise that people don't want to put Lara Croft GO down. It elegantly encapsulates what makes Tomb Raider work, and boils it down to its purest form. Swipe, swipe, swiping on the screen is so simple, yet it doesn't feel cheap to lead Lara on an adventure in this fashion. Helping production values are the strong aesthetic and the narrative told only through gameplay details. Although it's in the mobile market, Square Enix Montreal prices its titles more traditionally. GO will be available on August 27, but the cost is unknown right now (Hitman Go released at $4.99). Once invested, this game is fully playable at any speed; there are no energy meters to temper progress. Routon confirmed that there will be microtransactions of some sort, but their nature will be puzzle solutions for those who are struggling. In a wasteland of freemium games, this price model is commendable. More commendable, however, is the way that Square Enix Montreal boldly gets back to the roots of Tomb Raider. Series veterans will rediscover a Lara Croft that they know and love in a format that's undiscovered to them. Fitting, seeing as Tomb Raider should be all about discovery.
Lara Croft GO preview photo
Swipe right
Antoine Routon grinned. "We have people knocking down our door saying 'Can you do our game too?'" Routon's the lead programmer at Square Enix Montreal -- the publisher's studio that's dedicated to mobile titles. Square Enix h...

Lara Croft GO photo
Lara Croft GO

Lara Croft GO launches on August 27

Just in time for PAX
Aug 08
// Kyle MacGregor
I was pretty fond of Lara Croft GO, the new minimalist Tomb Raider from Square Enix Monréal, when I checked out the game at E3 a couple months ago. So, I'm delighted to hear we needn't wait too much...
Camp Pokemon photo
Camp Pokemon

Camp Pokemon, that kid-friendly iOS app, gets an update

For kids...right ::shifty eyes::
Aug 07
// Chris Carter
If you have kids and you want them to chill out for a while, you can try handing them a tablet with Camp Pokemon on it. It's basically an iOS app with various Pokemon-related activities on it, and as of yesterday, it jus...
gamescom trailer photo
gamescom trailer

Pac-Man 256 turns infamous glitch into gameplay

Namco not using Pac-Man inappropriately?
Aug 07
// Steven Hansen
Namco has finally managed to do something with Pac-Man that is not hopelessly sad. Here's an extended look at Hipster Whale's (Crossy Road) Pac-Man 256 out of gamescom. It's coming this summer to iPhone, iPad, Google Play a...
LEGO Marvel photo
LEGO Marvel

LEGO Marvel's Avengers pushed back to January 2016

Block quotes
Aug 05
// Steven Hansen
LEGO Marvel's Avengers will miss its fall 2015 release and instead come to North America on January 26 and Europe on January 29. Some real missed holiday sales opportunity there, looks like, especially with it coming to every...
FNAF dev is a nice guy photo
FNAF dev is a nice guy

Five Nights at Freddy's dev delivers motivational speech

Five Nights and seven bears ago...
Jul 29
// Jed Whitaker
Love it or hate it, the Five Nights at Freddy's series is a roaring success, and is surely raking in even more cash after the recently released fourth game. Developer Scott Cawthon has taken to the Steam Community forums to answer the haters and inspire his fans. 
Dropsy photo

Well, I'm no longer afraid of Dropsy the clown

I am scared of whatever that was at 0:35
Jul 29
// Jordan Devore
Dropsy is a well-intentioned, upbeat clown who happens to be utterly terrifying. He's misunderstood! Given my fear of grotesque clowns, I've kept my distance, but curiosity got the better of me here. I clicked the trailer. It...
Cool iOS game photo
Cool iOS game

Prune looks like a must-play for iOS users

No in-app purchases
Jul 24
// Jordan Devore
Every now and then, Twitter throws a wonderful iOS recommendation my way and I'm immediately captivated. Today, it's Joel McDonald's Prune, "a game about the beauty and joy of cultivation." By smartly slicing off a tree's gro...
Fallout Shelter photo
Fallout Shelter

Fallout Shelter has made over $5 million in revenue already

Jul 16
// Chris Carter
Here's the part where I tell you that a Fallout game made millions of dollars -- except this time, it's a mobile title. According to SuperData, a media tracking organization, Fallout Shelter has taken in more than $...
Game of Thrones trailer photo
Game of Thrones trailer

Telltale's Game of Thrones Episode Five: A Nest of Vipers trailer ramps up

The calm before the storm (of swords)
Jul 16
// Darren Nakamura
From that trailer, A Nest of Vipers seems like a perfect title for this episode. The question is: which character is in the nest? Asher finds himself in a pit fight (presumably to the death), Gared is north of The Wall in Wi...
This War of Mine mobile photo
This War of Mine mobile

This War of Mine now available on Android and iOS tablets

Take this war with you
Jul 15
// Darren Nakamura
Released late last year for PC, This War of Mine provided a thoughtful perspective on war in a video game. Rather than focusing on the glory of battle and how cool it feels to land a headshot on a bad dude, it looks at the l...

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