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Adventure Games

Game of Thrones Season 2 photo
Game of Thrones Season 2

Telltale's Game of Thrones is getting a second season

Surprise, surprise
Nov 20
// Darren Nakamura
After finishing the season finale for Game of Thrones: A Telltale Game Series, I had my suspicions that it was all setting up for an inevitable second season. Speaking with The Hollywood Reporter, Telltale CEO Kevin Bruner co...

Primal Carnage photo
Primal Carnage

Primal Carnage: Extinction EU/AUS release date confirmed

Nov 20
// Vikki Blake
Primal Carnage: Extinction is coming to PS4s in Europe and Australasia next Tuesday, November 24, 2015. Though the price has yet to be confirmed, the game - which hits PSN two weeks after the North American release - sells f...
Read Only Memories photo
Read Only Memories

Read Only Memories is coming soon to PS4 and Vita

Turing breaks his way onto consoles
Nov 19
// Ben Davis
Read Only Memories, the cyberpunk adventure inspired by Snatcher, will be making its way to consoles soon on PS4 and PS Vita, as announced today on the PlayStation Blog. I reviewed Read Only Memories last month when it was re...
Minecraft: Story Mode photo
Minecraft: Story Mode

Minecraft: Story Mode keeps up its brisk schedule with Episode 3 out next week

The Last Place You Look
Nov 19
// Darren Nakamura
This minecart just keeps on a-rollin' (whether we care about it or not). After having met up with and then subsequently lost track of Ellegaard and Magnus in Assembly Required, the team is now searching out the fourth member ...

Review: Game of Thrones: A Telltale Game Series: The Ice Dragon

Nov 17 // Darren Nakamura
Game of Thrones - A Telltale Game Series: The Ice Dragon (Android, iOS, Mac, PC [reviewed], PS3, PS4, Xbox 360, Xbox One)Developer: Telltale GamesPublisher: Telltale GamesReleased: November 17, 2015MSRP: $4.99 (episode), $29.99 (season)Rig: AMD Phenom II X2 555 @ 3.2 GHz, with 4GB of RAM, ATI Radeon HD 5700, Windows 7 64-bit The reason I'm being so cavalier with discussing in general terms how my story ended -- spoilers be damned -- is that other players might see things play out quite differently. It took the whole season to make good on the promises that we may shape the future of House Forrester, but The Ice Dragon finally introduces significant divergence. Important characters may live or die, depending on not only the choices presented in this episode, but also on those made earlier. With Asher joining Rodrik and the convergence of those two paths at the end of A Nest of Vipers, more time can be spent on each individual thread. Up north, Gared and company finally make it to the North Grove. Down south, Mira learns who had been conspiring against her. Nestled in the middle of it all is the drama in Ironrath, with the Whitehills mounting up for war against the Forresters. Gared's path is probably the most disappointing of the three. After five episodes wondering what the significance of the North Grove is, I was hoping for a revelation when he finally made it. The main concrete takeaway is that it's important and must be protected, but precisely why is up for debate. [embed]321059:61115:0[/embed] What makes Gared's journey to the North Grove sting so much as a part of the story of the Forresters is that it feels like he made no measurable impact on any other section. The final recap does hint that he might have been a bigger player in the grand scheme if I had made different choices, but my personal Gared could have been cut from the story entirely and it would have made no difference. In contrast, Mira's scheming in King's Landing is at least mentioned by the characters on the home front. She may not have had any concrete effects on the conflict at Ironrath, but her path still feels important in the overall narrative. In Sons of Winter, I was so pleased with myself for winning a war of words as Mira. I was shrewd and calculating, manipulating the situation to get exactly what I wanted. Somewhere along the line I lost that slyness and turned into a softie, and Mira paid for it. I can't say I'm happy with how Mira turns out at the end of this episode, but I don't think I'd be particularly pleased with the possible alternatives either. Of course, the main action is at Ironrath, where the Whitehills have mounted up for war against the Forresters. There were hints in this episode at a possible diplomatic solution, but as Asher and his band of gladiators, battle seemed like the most appropriate option. The climactic scene is probably the most brutal in any Telltale game to date. There was figurative backstabbing followed by literal backstabbing. There was frontstabbing. There was sidestabbing. There was ramming a greatsword into someone's mouth and out the back of his head. Good lord, there was a lot of stabbing. It fits the universe perfectly, in that in one fell swoop a dozen named characters meet their ends, and the whole time I'm watching in horror, muttering obscenities to myself and wishing thing weren't the way they are. Valar morghulis: all men must die; fans of the source are well-versed in that concept, but it hurts more when it's my men dying. There may still be a glimmer of hope for the Forresters, despite being broken, beaten, battered, and beheaded. The finale leaves a few loose ends open (possibly for a second season), but the family as we have known it is done. In a way, I'm almost pleased the story finishes the way it does. In Iron From Ice, I noted the similarities between the Forrester clan and the more famous Starks. I realize now that I modeled my Forresters' behavior after them as well. I fought with honor and I did the right thing, though it eventually spelled my own doom. I can take solace in the moral victory. The Ice Dragon caps off a year of fretting and worrying. Telltale's take on Game of Thrones has been spot-on in that regard. Now that it's over it's almost a relief, even with a bleak end. [This review is based on a retail build of the game provided by the publisher.]
Game of Thrones review photo
A chilling finale
In my review for The Lost Lords, the second episode of Game of Thrones, I lamented that I was making all the wrong decisions and that my version of House Forrester was doomed. With The Ice Dragon wrapping up the series, my pr...

Game of Thrones trailer photo
Game of Thrones trailer

The Game of Thrones finale trailer hopes you have been following along

Spoilers abound
Nov 16
// Darren Nakamura
Don't watch the trailer below if you aren't caught up with the first five episodes of Game of Thrones: A Telltale Game Series. It highlights a lot of the major choices from the previous episodes, including the one right at th...
Telltale Games Story Mode photo
Telltale Games Story Mode

Documentary Telltale Games: Story Mode tells Telltale's tale

Thirty minutes to cover fifteen years
Nov 12
// Darren Nakamura
Telltale Games is a big deal these days. It employs over 300 people who work with huge franchises like Game of Thrones or Minecraft. But it hasn't always been that way. Released today, the documentary Telltale Games: Story Mo...
Life is Strange photo
Life is Strange

Life is Strange is getting a physical edition, out next year

In January
Nov 12
// Chris Carter
If you haven't played Life is Strange yet, you may as well wait. Square Enix has announced that there will be a limited edition version available, which will debut on PS4 and Xbox One on January 19. Europe will also be gettin...
Game of Thrones screens photo
Game of Thrones screens

First screens for Game of Thrones finale are non-canon (for me)

Gared fights a claymation bear
Nov 11
// Darren Nakamura
The long-awaited season finale for Telltale's Game of Thrones series following House Forrester is almost here. It releases next week, but today we have a few tastes of what to expect. Mira looks like she's in trouble with the...
Life is Strange 2 photo
Life is Strange 2

It sounds like Life is Strange 2 is happening (Update)

Dontnod co-founder mentions sequel
Nov 08
// Kyle MacGregor
[Update: Alchimy has significantly altered the text of the interview, changing it from "I worked as a script doctor on Life is Strange developed by the studio Dontnod and I will participate on Life is Strange 2 later" to...
Ghost Trick iOS photo
Ghost Trick iOS

Ghost Trick is back up on Apple's App Store

Now compatible with iOS9
Nov 04
// Darren Nakamura
A few months ago, Ghost Trick: Phantom Detective was removed from sale on Apple's App Store due to compatibility issues with iOS9. That in itself didn't make a whole lot of waves, but then last month it was removed completely...

Review: Yo-Kai Watch

Nov 04 // Chris Carter
Yo-Kai Watch (3DS)Developer: Level-5Publisher: NintendoMSRP: $39.99Released: July 11, 2013 (Japan), November 6, 2015 (US), TBA 2016 (EU) For those of you who have never heard of Yo-Kai Watch, its premise is actually quite easy to explain. The gist is that a boy named Nate (or a girl named Katie, if you opt for the female lead), unleashes a mysterious Yo-Kai butler out into the world (Whisper) after an innocent stroll in the woods. As a result, Nate gains access to a special watch that allows him to interact with other Yo-Kai, which are part of actual Japanese folklore, and are a mix of sorts between a spirit and a gremlin. From there, you'll embark upon a "catch 'em all" style journey with a loose storyline woven in for good measure. Everything, from the tone down to the gameplay, is a lot more lighthearted than your average RPG. Instead of catching characters and forcing them into tiny living spaces, you'll obtain "friendship tokens," which allow you to summon them at a moment's notice. They still lead their own lives, and you'll often find them roaming around town at their leisure. The fact that the voice cast consists of the same talent from the TV show really adds to the game's charm, and I adore the dynamic between the protagonist and Whisper -- it makes for some surprisingly funny dialogue. Yo-Kai Watch doesn't technically take place in Japan (it's even called Springdale in the international version), but said country's personality is most definitely a core element of the adventure. Even little things like shoes being left at the door of every house you enter, temples and shrines with stray cats, and vending machines on every street corner constantly remind you of Japanese culture. Having visited Tokyo recently for the first time, I really resonated with it, and I was surprised at how alive Level-5's rendition felt. It's done in such a way where anyone can pick up the game and not get confused, and the localization did a great job of not neutering the content for a western audience. It's one of the best balancing acts I've seen as of late, actually -- when a team keeps in dancing toweled men in a bathhouse boss fight, you know they did the right thing. [embed]317946:60945:0[/embed] Do note that this is a game from 2013 however, so while the art still holds up, the engine is very dated, and despite the spot-on 3D, it looks like a DS game. You'll quickly get over that fact as the presentation as a whole is delightful, with bright, vivid colors galore and a catchy soundtrack. I also started to get attached to a lot of the characters in a way that I haven't before in similar games, mostly due to their infectious personalities and engaging personal storylines -- like Jibanyan, a cat that was ran over by a car and is constantly trying to prove his worth to his former master in death. As for combat itself, it's a very odd mix of classic JRPG tendencies and touchscreen-based minigames. The operative word here is "odd," because while combat is real-time, your party members will attack automatically. Players can control item management, choose targets, and queue up occasional special abilities (by tapping balls on the screen or tracing specific patterns), but your party members will still attack at their own leisure. It sounds overly simplistic, but there's a lot of nuance to it particularly when it comes to party management. For starters, you can have six Yo-Kai in your active team, but only three can fight at a time. As a result, you'll have access to a wheel of sorts where players can cycle new combatants in, and spin old ones out. Since each character has a type (similar to Pokémon's fire and grass elements, for example), and similar types power each other up when they're in combat together, this mechanic can get really tricky both in and out of fights. Also, a lot of character's specials (which again, you can engage manually) have unique status effects, like poison, so choosing when to act is key. Where I got most of my enjoyment out of Yo-Kai Watch however is exploration. It really reminds me of the best parts of Mega Man Battle Network when it comes to roaming around town, and it's so easy to just walk around and hunt Yo-Kai at any time. To find them, you don't need to walk around in grass patches, as they're openly located around the world. There's a perpetual "hot and cold" radar up on the screen at all times, leading you to locations like trees and underneath cars where you can search for companions or battles. Additionally, dungeons display enemies front and center on the screen -- yep, there's no random battles to sift through. There's no barriers to entry for recruiting party members either, as you don't need a specific capture item, though there is still a random chance of befriending them after the battle is concluded, so success isn't always guaranteed. There's also tons of fun, rewarding sidequests to participate in (that often bestow good rewards like new characters or shops), secret areas, fishing and bug catching minigames, special Yo-Kai to catch, post-game quests, and hidden items. There is a multiplayer battle component but it's very limited, and doesn't feature online play (that ability is reserved for the sequel and beyond). Yo-Kai Watch isn't the second coming of Pokémon, and that's perfectly okay. If you love to sit by the fire and train your Pokémon for hours, perfecting their EV and IV levels so you can be the very best, you likely won't find the same depth in Yo-Kai. Its world and philosophy is much simpler than that. But as a result, none of it feels frustrating or like work, and I'm constantly tempted to jump back into my adventures with Nate and Whisper. [This review is based on a retail build of the game provided by the publisher.]
Yo-Kai Watch review photo
Gera Gera Po
Over the course of the last month, I've gone from knowing next to nothing about Yo-Kai Watch to falling in love with it. My wife and I watch the localized version of the show, I have the theme song stuck in my head perpe...

Review: Minecraft: Story Mode: Assembly Required

Nov 02 // Darren Nakamura
Minecraft: Story Mode: Assembly Required (iOS, Mac, PC [reviewed], PlayStation 3, PlayStation 4, PlayStation Vita, Wii U, Xbox 360, Xbox One)Developer: Telltale GamesPublisher: Telltale GamesReleased: October 27, 2015 (Mac, PC)MSRP: $4.99, $24.99 (Season Pass)Rig: AMD Phenom II X2 555 @ 3.2 GHz, with 4GB of RAM, ATI Radeon HD 5700, Windows 7 64-bit The one big risk Telltale took with this episode was hinted at the end of The Order of the Stone. Depending on whether players choose to side with Olivia and seek out Ellegaard or to side with Axel and look for Magnus, the entire first act of the episode will play out totally differently. On the one hand, it's a bold step forward for Telltale, which is often criticized for touting its choice-based gameplay while delivering roughly the same story to everybody regardless of the decisions made. With the choice of Ellegaard vs. Magnus, the consequences were immediate and impactful, affecting a huge chunk of this episode. The final outcome might not be any different, but the journey certainly is. On the other hand, it provides for an experience uneven among players. The first half of the episode takes about 40 minutes to get through, and most people will only see one of the two segments. It stings a little because I chose to find Ellegaard, but was later led to believe that the Magnus section is the more entertaining of the two. If nothing else, it might convince me to start up a second save file just to see what I missed. [embed]318431:60938:0[/embed] Speaking of Ellegaard and Magnus, both characters are fairly unlikable. Ellegaard is haughty and aloof and Magnus is snide and combative. It creates a conflict between the two that might serve a narrative purpose in the future, but mostly just makes me wish I could have chosen neither of them right now. That turns out not to matter much, since both make an exit not long into the collective journey and bring the group back down to the core members again. Just when Story Mode threatens to feature a real, interesting human moment, the action leading to the episode's climax starts up, postponing the good stuff until a future episode. The cast continues to perform adequately. Each of the characters has his or her own distinct personality, and the actors deliver well enough. The writing is still falling flat for me. Things are happening, the narrative is progressing, but it's just not especially good yet. None of the jokes made me laugh. None of the drama made me think. After two episodes of Minecraft: Story Mode, I find myself struggling to care. It's a story and I am experiencing it, but that's the best I can muster. It's not bad enough that I'm dreading having to play three more episodes, but it's not good enough that I'm looking forward to it either. It could cease to exist and I would be utterly unfazed. There is some hope for the future of the series, as Assembly Required has planted some interesting seeds of what's to come, but it's not quite there yet. [This review is based on a retail build of the game provided by the publisher.]
Minecraft review photo
The story is building...
Telltale fans have grown accustomed to a two-to-four month wait between episodes. So when the studio surprise launched Assembly Required just two weeks after The Order of the Stone, it caught everybody off guard. Even though ...

Telltale photo

Minecraft: Story Mode Episode 2 stealth launches today

Wow, that was fast
Oct 27
// Laura Kate Dale
[Update: While we were initially told by a Telltale staff member that the EU release of episode two was being held until Friday, it now appears the digital EU release date is in fact today.] In an unexpected surprise mov...

Review: The Park

Oct 27 // Chris Carter
The Park (PC)Developer: FuncomPublisher: FuncomRelease:  October 27, 2015MSRP: $12.99 At a base level, The Park seems to be about a mother and her lost child, but it crescendos into much more than that. Yes, this is a walking simulator alright, with limited amounts of items to inspect, and no inventory management. You'll traipse around, hear some monologues, learn more about the characters and the park itself, and essentially watch a film play out with some degree of interactivity. It's more involved than your average title, as you can ride the rides in the park (a Ferris wheel, rollercoaster, and the like), and look around at your surroundings while doing so. There's also a decent amount of lore-building involved, and not just because of the Lovecraftian themes that are intertwined with the Funcom-verse. I actually enjoyed reading tidbits about various incidents at the park, and how they involve the cast. While the park itself is cool, the exposition starts off a little stilted. The script is incredibly flowery with its opening monologues, and doesn't give you any real reason to care about the cast. It's almost like watching an amateur poetry hour at times, and there was a point where I rolled my mind's eye at some of the lines. Slowly but surely though, The Park spirals into a tale of depression, with some light adult themes. It gets better, darker, and examines mental illness in a rather unique way. [embed]317523:60854:0[/embed] As far as the presentation goes, in some ways, it would have been better as a short film. The Park might feature a sprawling setting, but a lot of it consists of filler. There are long paths that essentially function as loading screens. The Park isn't going to wow anyone from a visual standpoint, but the effects involved are cool-looking, invoking a perspective that is slowly losing grip on reality. Without spoiling anything, it kind of reminded me of the film The Babadook. If you're looking for pure horror, maybe go elsewhere. The Park isn't a "survival" game nor is it going for scares -- there's only one portion that provides that feeling, in fact. Instead, the narrative attempts a more disturbing tone, with realistic and relatable problems told through the veil of a creepy theme park. I don't want to give away too much as The Park is only an hour long, but I admire Funcom's effort with this experimental take on the genre. It really does try something different, even if you can feel the core themes sneaking up on you a mile away.
The Park review photo
Dunwich horror
The "walking simulator" genre has thrived in recent years. With titles like Dear Esther and Gone Home hitting it off with audiences, it's no wonder the "adventure lite" (as I call it) market is influencing new exper...

Ollie, ollie photo
Ollie, ollie

Goonies meets Stephen King's It in this new Oxenfree trailer

They all float down here, Georgie
Oct 23
// Jed Whitaker
Apparently when ex-Telltale and ex-Disney employees get together, they make things that are both horrifying and beautiful, such as their upcoming game Oxenfree. According to the latest trailer, you'll play as a teenage girl ...
Day of the Tentacle photo
Day of the Tentacle

Day of the Tentacle Remastered is looking slick

I've seen enough anime to know...
Oct 23
// Darren Nakamura
Yesterday evening, Double Fine teased some new developments on the classic LucasArts adventure game Day of the Tentacle. Today and all this weekend, Tim Schafer's studio will be showing off Day of the Tentacle Remastered at I...
Void and Meddler photo
Void and Meddler

Void and Meddler is a grimy cyberpunk point-and-click

Form and Void and Meddler
Oct 21
// Mike Cosimano
Cyberpunk is often a particularly nasty genre. It's an evolution of noir, which is why you see conventions of noir regularly appear in cyberpunk stories. The morally ambiguous main character, the even more ambiguous roma...
Game of Thrones photo
Game of Thrones

Game of Thrones Episode 6 dated, Episode 1 available free now

Winter is coming in Winter. Or something
Oct 21
// Vikki Blake
The final episode of Telltales' Game of Thrones series, The Ice Dragon, will release on November 17, 2015.  To celebrate, Episode 1 - Iron from Ice - is available for free on... well, everything (PlayStation 4, Play...
Sherlock Holmes photo
Sherlock Holmes

Sherlock Holmes: The Devil's Daughter announced for spring 2016, my dear Watson

And not a Benedorm Cumberdingle in sight
Oct 21
// Joe Parlock
If you’ve not played Frogwares’ fantastic Sherlock Holmes: Crimes and Punishments, you are seriously missing out. The game combined the visuals of BBC’s Sherlock with the Victorian setting of the source mate...

Review: Tales from the Borderlands: The Vault of the Traveler

Oct 20 // Darren Nakamura
Tales from the Borderlands: The Vault of the Traveler (iOS, Mac, PC [reviewed], PlayStation 3, PlayStation 4, PlayStation Vita, Xbox 360, Xbox One)Developer: Telltale GamesPublisher: Telltale GamesReleased: October 20, 2015 (Mac, PC, PS3, PS4)MSRP: $4.99, $24.99 (Season Pass)Rig: AMD Phenom II X2 555 @ 3.2 GHz, with 4GB of RAM, ATI Radeon HD 5700, Windows 7 64-bit [Editor's note: there will be no major spoilers present for the episode reviewed here, but events in previous episodes may be discussed.] At the end of the previous episode, so many questions were left unresolved. What happened to Felix? Where is Vaughn? How is Rhys going to deal with Handsome Jack? Who is the Stranger who kidnapped Fiona and Rhys to get the whole thing started? All of those questions get answered. The story of the Stranger is particularly well done. Over the course of the series it has become clear he was a known character. I had a couple of guesses, some of which were shot down along the way as people died. When it was finally revealed, it caught me by surprise, but doesn't feel like a cheap copout twist. Some hints were there on the way. The other big question looming over the series over its duration centers on Gortys. Most of the story takes place via flashback narration in which the perky robot is happy and healthy, but the present-day bits have had Rhys, Fiona, and the Stranger collecting her pieces all over again. What happened to her? [embed]315774:60751:0[/embed] It's a question I personally fretted over because Gortys has become my favorite character in the entire Borderlands universe. Her unrelenting optimism and childlike demeanor are so refreshing on the cutthroat planet of Pandora, giving her best lines that much more comedic weight. Gortys delivers several laugh-out-loud funny lines this time around, but a sad effect of Telltale design is that some players might never even hear them. My favorite came as a response to one of the dialogue choices. It almost makes me want to play through again just to see if there were any great lines I missed out on. This episode gives another substantial reason to warrant a second play through. Getting ready for the final confrontation, the usual gang of suspects has to put together a team, pulling from the supporting cast reaching back as far as episode one. In a move Telltale ought to adopt for all its series, it spells out exactly who is available and why or why not based on past choices. I covered for Athena when Janey was suspicious after the chase in Hollow Point, so she would be willing to fight with me again. I was hesitant to call myself a Vault Hunter, so Zer0 never took much notice and was unavailable. Not only would I have to replay this last episode if I wanted to see Zer0 in action again, I'd have to basically start from the beginning. Given how good this series is, I'm not upset about that. I doubt the final outcome of the fight with the Traveler is any different depending on which characters join in, but the battle itself is customized depending on who is there. It's intrinsically cool to see each character in action given the circumstances of the encounter, but I am reluctant to spoil the specifics. One of the aspects of this series that amazes me is just how impactful it can be on the Borderlands universe. What started out as a story about a middle manager and a lowly grifter has irrevocably altered Pandora as a whole. While The Pre-Sequel worked within the confines of the existing lore, providing back story for Hyperion and Handsome Jack, Tales builds new stuff on top, setting up for the inevitable Borderlands 3. Thinking of the future, there are a few open-ended plot points in this last episode. Though a lot of past choices were highlighted and their effects were explicitly shown, the choice that puzzled me the most is given to Rhys as he is describing his struggle with Handsome Jack. As far as I could tell, nothing in this series was affected by it despite its potentially huge consequences. Additionally, there's the very end. After the climactic battle with the Traveler, as the group is celebrating and grabbing loot, there's one final scene that might be setting up for a whole new adventure starring Rhys and/or Fiona. Whether that becomes Tales from the Borderlands Season Two or part of the mainline series, I don't know. But it will definitely get Borderlands nerds excited considering the possibilities. I cannot recommend Tales enough. Borderlands fans will love the fresh take on the dark comedy universe. Telltale fans will love the smart writing and callbacks to choices made throughout. People who don't fall into those categories might still love it because it is just that great. This last episode maintains the action, drama, and comedy present throughout the series. It ties up all the major loose ends while leaving just a hint of room for more to come. Most of all, it solidifies Tales from the Borderlands as Telltale's best series to date, a pinnacle of modern adventure gaming. [This review is based on a retail build of the game provided by the publisher.]
Borderlands finale review photo
Your journey ends here
[Disclosure: Anthony Burch, who consulted on the story for Tales from the Borderlands, was previously employed at Destructoid. As always, no relationships, personal or professional, were factored into the review.] What a...

Review: Life is Strange: Polarized

Oct 20 // Brett Makedonski
Life is Strange: Polarized (PC, PS3, PS4, Xbox 360, Xbox One[reviewed])Developer: Dontnod EntertainmentPublisher: Square EnixRelease date: October 20, 2015MSRP: $4.99 (Each Episode) To this point, Life is Strange's greatest strength has been in the Arcadia Bay that developer Dontnod created, which is a place that we experienced mostly on our own. We'd walk around, observe, converse -- whatever we could do to learn a little more about the town. Great depth was added simply by letting us look at everything. It's no coincidence that Max told us early on in episode one that she's "always looking." In Polarized, she isn't always looking. Instead, she's quickly pulled from scene to scene with little time to take in her surroundings. Life is Strange's most poignant bits are often the ones where Max is allowed to reflect, to slow down. The last episode put less of an emphasis on this, but it still worked. Pulling the same trick twice in a row doesn't fare as well, as this doesn't quite feel like the same game that we meticulously pored over for four episodes. More damaging than the quick pace is the manner with which Polarized treats Life is Strange's characters. So many of them were flawed yet sympathetic in some way. There were very few that existed outside of a moral grey area -- even the ones who seemed like they should be pure evil. Unfortunately, this chapter mostly does away with that nuance. Too many characters are revealed to be straight-up heroes, villains, or pawns. We were conflicted about these people in the past. Now we're essentially told how to feel about them. It takes away a lot of the heart-string pulling and leaves you numb to their arcs. [embed]316331:60781:0[/embed] As often as Polarized deviates from the Life is Strange formula, it's not always a detriment. Some parts are the strongest sections of the episode. These are the moments when Life is Strange is at its most Twilight Zone, which is a side that Dontnod has largely abstained from. There's an entire backward scene where everyone walks and talks in reverse; it's a real joy. Earlier, there's a conversation with an antagonist where Max has no dialogue options but to offer sincere admiration. It's weird and uncomfortable enough to make your skin crawl. While that forced interaction worked, others aren't as successful -- especially when they come at critical junctures. Apart from one very notable occurrence, much of Polarized gives the player very little agency over Max's choices. That's a problem when the four previous episodes thrived on it. Actually, Polarized goes so far as to retroactively render some previous decisions moot, sacrificing a major game feature for narrative good. Despite finding issues with this chapter at every turn, I found myself more or less fulfilled with the conclusion -- although, I firmly believe that's an enthusiasm for Life is Strange as a whole as opposed to this installment alone. I think Dontnod discovered that it created a world that sprawled a little too far, and it wasn't sure how to bring it all to an end. So, it went with the easiest option. Or, as an art critic in this chapter phrased it, it took the path of least regret. [This review is based on a retail build of the game provided by the publisher.] (Previous Life is Strange reviews: Chrysalis, Out of Time, Chaos Theory, Dark Room)
Life is Strange review photo
The path of least regret
It's perfectly fitting that Life is Strange's final episode is subtitled Polarized. I can't think of a more apt word to describe my mindset right now. Life is Strange's conclusion left me satisfied, but not for the same reaso...

Assassin's Creed photo
Assassin's Creed

Assassin's Creed Syndicate has teeny tiny day one patch

Oct 20
// Vikki Blake
Another day, another OMGLOOKATTHISDAYONEPATCHSIZE post. Shock twist -- this post isn't a negative one! Though Assassin's Creed Syndicate will need a day one patch, redditters and NeoGAFfers have confirmed that the PS4 patch is only 534MB, while the Xbox One patch is just 520MB.
Life is Strange photo
Life is Strange

Life is Strange's final trailer is a dream nightmare

Just like Max's life
Oct 19
// Brett Makedonski
On the eve of the release of Life is Strange's final installment, Max is frozen on the precipice of catastrophe. Truthfully, she has been since the cliffhanger ending to episode four way back in July. Thus far, Life is Stran...
Borderlands photo

Tales from the Borderlands' season finale gets a trailer

Tales from Borderlands Space
Oct 16
// Mike Cosimano
I'll be the first to admit -- I was extremely skeptical about Tales from the Borderlands, especially considering how disappointed I was by The Walking Dead's second season. But I'm happy to have been proven wrong. This game l...
Apollo Justice photo
Apollo Justice

Apollo Justice will play a big role in Phoenix Wright 6

Great news
Oct 13
// Chris Carter
I had a chance to play Phoenix Wright 6 at TGS, and even though I can't read Japanese, I got the gist, and it seems like it's going to be another worthy entry. Fans will probably be excited to know that Apollo Justice's ...

Review: Minecraft: Story Mode: The Order of the Stone

Oct 13 // Darren Nakamura
Minecraft: Story Mode: The Order of the Stone (iOS, Mac, PC [reviewed], PlayStation 3, PlayStation 4, PlayStation Vita, Wii U, Xbox 360, Xbox One)Developer: Telltale GamesPublisher: Telltale GamesReleased: October 13, 2015 (Mac, PC)MSRP: $4.99, $24.99 (Season Pass)Rig: AMD Phenom II X2 555 @ 3.2 GHz, with 4GB of RAM, ATI Radeon HD 5700, Windows 7 64-bit To its credit, Minecraft: Story Mode does a lot well. The use of Minecraft's engine and iconic visual style is a nice workaround to keep the Telltale Tool from showing its age. It's hard to complain about low-polygon models for a world comprised mostly of cubes. Despite having fewer moving parts to work with on the character models, the characters are as expressive as they need to be. By narrowing or widening eyes and tweaking eyebrows, the block people (and pig) can show a range of emotions in a cartoony sort of way. The voice work aids in bringing the low-fidelity characters to life as well. The cast is impressive, including the likes of Patton Oswalt, Billy West, and Paul Reubens, to name a few. Though the characters look similar in the beginning, each has a defined personality that comes through thanks to the actors. Much like a session with Minecraft proper, by the end of the episode my brain stopped seeing everything and everyone as a collection of hard-edged polyhedra and just accepted them as regular places and people. [embed]315133:60717:0[/embed] However, the all-star voice cast does highlight The Order of the Stone's biggest shortcoming. With such big names in comedy doing the dialogue, it's disappointing how little comedy there is in the script. There are a few gags that find their mark, but most are worth only a smile or a chuckle; none really stood out. On the other end of the spectrum, the drama doesn't really deliver either. The elements are there: life-or-death situations, uncertainty, mistrust. Still, none of the prototypical "big choices" felt like they carried much weight. Of the five choices shown at the end, the first is just a judgment call with an unknown and arbitrary outcome, two involve whether you want to be an asshole to a guy who doesn't deserve it, one won't have clear implications until a later episode, and the last is a decision on which of protagonist Jesse's two friends has a better plan for what's to come. The choices highlight an emphasis on the future. Put plainly, The Order of the Stone is heavy on exposition, setting up the backstory, characters, and events for the rest of the season. While necessary, it misses some opportunities to be memorable in its attempt to lay the foundation. Story Mode will probably be more of a hit among Minecraft fans than general Telltale fans. The Order of the Stone features a few Minecraft-specific gameplay bits and references. A couple times during the episode, players are presented with a problem, given some materials, and tasked with crafting a solution. Recipes are given for those who don't know what to make or how to make it, but other craftable objects are present as well. While trying to make a stone sword, I accidentally crafted a lever. After a playful rib about me not knowing what I was doing, the materials were returned so I could forge the weapon. Later on, the group has to hit a pressure plate beyond a hallway filled with arrow traps. Recipes and materials are given for a couple possible tools to use. It would be great if there were other hidden solutions to discover for those who know the source material inside and out. In addition to the crafting puzzles, there is one classic adventure game puzzle found toward the end of the episode. It isn't especially original or taxing, but along with the crafting it does represent a step in a more gameplay-oriented direction from the recent story-only Telltale series. So far, Minecraft: Story Mode is like a Saturday morning cartoon. Sure, there is conflict, but it doesn't feel dire. Sure, there are funny bits, but the comedy isn't sharp or intelligent. Sure, there is a story, but it doesn't feel like it matters yet. There is some hope for this series to be great in the future, but The Order of the Stone is just okay. The Minecraft-specific gameplay is a nice way to shake up the usual formula. The blank slate of the universe allows the tale to go wherever it wants. The voice cast is full of actors who can do great work. But the writing needs to be more engaging if Story Mode wants to be taken seriously among Telltale canon. [This review is based on a retail build of the game provided by the publisher.]
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