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Adventure Games

Telltale photo

Minecraft: Story Mode Episode 2 stealth launches today

Wow, that was fast
Oct 27
// Laura Kate Dale
[Update: While we were initially told by a Telltale staff member that the EU release of episode two was being held until Friday, it now appears the digital EU release date is in fact today.] In an unexpected surprise mov...

Review: The Park

Oct 27 // Chris Carter
The Park (PC)Developer: FuncomPublisher: FuncomRelease:  October 27, 2015MSRP: $12.99 At a base level, The Park seems to be about a mother and her lost child, but it crescendos into much more than that. Yes, this is a walking simulator alright, with limited amounts of items to inspect, and no inventory management. You'll traipse around, hear some monologues, learn more about the characters and the park itself, and essentially watch a film play out with some degree of interactivity. It's more involved than your average title, as you can ride the rides in the park (a Ferris wheel, rollercoaster, and the like), and look around at your surroundings while doing so. There's also a decent amount of lore-building involved, and not just because of the Lovecraftian themes that are intertwined with the Funcom-verse. I actually enjoyed reading tidbits about various incidents at the park, and how they involve the cast. While the park itself is cool, the exposition starts off a little stilted. The script is incredibly flowery with its opening monologues, and doesn't give you any real reason to care about the cast. It's almost like watching an amateur poetry hour at times, and there was a point where I rolled my mind's eye at some of the lines. Slowly but surely though, The Park spirals into a tale of depression, with some light adult themes. It gets better, darker, and examines mental illness in a rather unique way. [embed]317523:60854:0[/embed] As far as the presentation goes, in some ways, it would have been better as a short film. The Park might feature a sprawling setting, but a lot of it consists of filler. There are long paths that essentially function as loading screens. The Park isn't going to wow anyone from a visual standpoint, but the effects involved are cool-looking, invoking a perspective that is slowly losing grip on reality. Without spoiling anything, it kind of reminded me of the film The Babadook. If you're looking for pure horror, maybe go elsewhere. The Park isn't a "survival" game nor is it going for scares -- there's only one portion that provides that feeling, in fact. Instead, the narrative attempts a more disturbing tone, with realistic and relatable problems told through the veil of a creepy theme park. I don't want to give away too much as The Park is only an hour long, but I admire Funcom's effort with this experimental take on the genre. It really does try something different, even if you can feel the core themes sneaking up on you a mile away.
The Park review photo
Dunwich horror
The "walking simulator" genre has thrived in recent years. With titles like Dear Esther and Gone Home hitting it off with audiences, it's no wonder the "adventure lite" (as I call it) market is influencing new exper...

Ollie, ollie photo
Ollie, ollie

Goonies meets Stephen King's It in this new Oxenfree trailer

They all float down here, Georgie
Oct 23
// Jed Whitaker
Apparently when ex-Telltale and ex-Disney employees get together, they make things that are both horrifying and beautiful, such as their upcoming game Oxenfree. According to the latest trailer, you'll play as a teenage girl ...
Day of the Tentacle photo
Day of the Tentacle

Day of the Tentacle Remastered is looking slick

I've seen enough anime to know...
Oct 23
// Darren Nakamura
Yesterday evening, Double Fine teased some new developments on the classic LucasArts adventure game Day of the Tentacle. Today and all this weekend, Tim Schafer's studio will be showing off Day of the Tentacle Remastered at I...
Void and Meddler photo
Void and Meddler

Void and Meddler is a grimy cyberpunk point-and-click

Form and Void and Meddler
Oct 21
// Mike Cosimano
Cyberpunk is often a particularly nasty genre. It's an evolution of noir, which is why you see conventions of noir regularly appear in cyberpunk stories. The morally ambiguous main character, the even more ambiguous roma...
Game of Thrones photo
Game of Thrones

Game of Thrones Episode 6 dated, Episode 1 available free now

Winter is coming in Winter. Or something
Oct 21
// Vikki Blake
The final episode of Telltales' Game of Thrones series, The Ice Dragon, will release on November 17, 2015.  To celebrate, Episode 1 - Iron from Ice - is available for free on... well, everything (PlayStation 4, Play...
Sherlock Holmes photo
Sherlock Holmes

Sherlock Holmes: The Devil's Daughter announced for spring 2016, my dear Watson

And not a Benedorm Cumberdingle in sight
Oct 21
// Joe Parlock
If you’ve not played Frogwares’ fantastic Sherlock Holmes: Crimes and Punishments, you are seriously missing out. The game combined the visuals of BBC’s Sherlock with the Victorian setting of the source mate...

Review: Tales from the Borderlands: The Vault of the Traveler

Oct 20 // Darren Nakamura
Tales from the Borderlands: The Vault of the Traveler (iOS, Mac, PC [reviewed], PlayStation 3, PlayStation 4, PlayStation Vita, Xbox 360, Xbox One)Developer: Telltale GamesPublisher: Telltale GamesReleased: October 20, 2015 (Mac, PC, PS3, PS4)MSRP: $4.99, $24.99 (Season Pass)Rig: AMD Phenom II X2 555 @ 3.2 GHz, with 4GB of RAM, ATI Radeon HD 5700, Windows 7 64-bit [Editor's note: there will be no major spoilers present for the episode reviewed here, but events in previous episodes may be discussed.] At the end of the previous episode, so many questions were left unresolved. What happened to Felix? Where is Vaughn? How is Rhys going to deal with Handsome Jack? Who is the Stranger who kidnapped Fiona and Rhys to get the whole thing started? All of those questions get answered. The story of the Stranger is particularly well done. Over the course of the series it has become clear he was a known character. I had a couple of guesses, some of which were shot down along the way as people died. When it was finally revealed, it caught me by surprise, but doesn't feel like a cheap copout twist. Some hints were there on the way. The other big question looming over the series over its duration centers on Gortys. Most of the story takes place via flashback narration in which the perky robot is happy and healthy, but the present-day bits have had Rhys, Fiona, and the Stranger collecting her pieces all over again. What happened to her? [embed]315774:60751:0[/embed] It's a question I personally fretted over because Gortys has become my favorite character in the entire Borderlands universe. Her unrelenting optimism and childlike demeanor are so refreshing on the cutthroat planet of Pandora, giving her best lines that much more comedic weight. Gortys delivers several laugh-out-loud funny lines this time around, but a sad effect of Telltale design is that some players might never even hear them. My favorite came as a response to one of the dialogue choices. It almost makes me want to play through again just to see if there were any great lines I missed out on. This episode gives another substantial reason to warrant a second play through. Getting ready for the final confrontation, the usual gang of suspects has to put together a team, pulling from the supporting cast reaching back as far as episode one. In a move Telltale ought to adopt for all its series, it spells out exactly who is available and why or why not based on past choices. I covered for Athena when Janey was suspicious after the chase in Hollow Point, so she would be willing to fight with me again. I was hesitant to call myself a Vault Hunter, so Zer0 never took much notice and was unavailable. Not only would I have to replay this last episode if I wanted to see Zer0 in action again, I'd have to basically start from the beginning. Given how good this series is, I'm not upset about that. I doubt the final outcome of the fight with the Traveler is any different depending on which characters join in, but the battle itself is customized depending on who is there. It's intrinsically cool to see each character in action given the circumstances of the encounter, but I am reluctant to spoil the specifics. One of the aspects of this series that amazes me is just how impactful it can be on the Borderlands universe. What started out as a story about a middle manager and a lowly grifter has irrevocably altered Pandora as a whole. While The Pre-Sequel worked within the confines of the existing lore, providing back story for Hyperion and Handsome Jack, Tales builds new stuff on top, setting up for the inevitable Borderlands 3. Thinking of the future, there are a few open-ended plot points in this last episode. Though a lot of past choices were highlighted and their effects were explicitly shown, the choice that puzzled me the most is given to Rhys as he is describing his struggle with Handsome Jack. As far as I could tell, nothing in this series was affected by it despite its potentially huge consequences. Additionally, there's the very end. After the climactic battle with the Traveler, as the group is celebrating and grabbing loot, there's one final scene that might be setting up for a whole new adventure starring Rhys and/or Fiona. Whether that becomes Tales from the Borderlands Season Two or part of the mainline series, I don't know. But it will definitely get Borderlands nerds excited considering the possibilities. I cannot recommend Tales enough. Borderlands fans will love the fresh take on the dark comedy universe. Telltale fans will love the smart writing and callbacks to choices made throughout. People who don't fall into those categories might still love it because it is just that great. This last episode maintains the action, drama, and comedy present throughout the series. It ties up all the major loose ends while leaving just a hint of room for more to come. Most of all, it solidifies Tales from the Borderlands as Telltale's best series to date, a pinnacle of modern adventure gaming. [This review is based on a retail build of the game provided by the publisher.]
Borderlands finale review photo
Your journey ends here
[Disclosure: Anthony Burch, who consulted on the story for Tales from the Borderlands, was previously employed at Destructoid. As always, no relationships, personal or professional, were factored into the review.] What a...

Review: Life is Strange: Polarized

Oct 20 // Brett Makedonski
Life is Strange: Polarized (PC, PS3, PS4, Xbox 360, Xbox One[reviewed])Developer: Dontnod EntertainmentPublisher: Square EnixRelease date: October 20, 2015MSRP: $4.99 (Each Episode) To this point, Life is Strange's greatest strength has been in the Arcadia Bay that developer Dontnod created, which is a place that we experienced mostly on our own. We'd walk around, observe, converse -- whatever we could do to learn a little more about the town. Great depth was added simply by letting us look at everything. It's no coincidence that Max told us early on in episode one that she's "always looking." In Polarized, she isn't always looking. Instead, she's quickly pulled from scene to scene with little time to take in her surroundings. Life is Strange's most poignant bits are often the ones where Max is allowed to reflect, to slow down. The last episode put less of an emphasis on this, but it still worked. Pulling the same trick twice in a row doesn't fare as well, as this doesn't quite feel like the same game that we meticulously pored over for four episodes. More damaging than the quick pace is the manner with which Polarized treats Life is Strange's characters. So many of them were flawed yet sympathetic in some way. There were very few that existed outside of a moral grey area -- even the ones who seemed like they should be pure evil. Unfortunately, this chapter mostly does away with that nuance. Too many characters are revealed to be straight-up heroes, villains, or pawns. We were conflicted about these people in the past. Now we're essentially told how to feel about them. It takes away a lot of the heart-string pulling and leaves you numb to their arcs. [embed]316331:60781:0[/embed] As often as Polarized deviates from the Life is Strange formula, it's not always a detriment. Some parts are the strongest sections of the episode. These are the moments when Life is Strange is at its most Twilight Zone, which is a side that Dontnod has largely abstained from. There's an entire backward scene where everyone walks and talks in reverse; it's a real joy. Earlier, there's a conversation with an antagonist where Max has no dialogue options but to offer sincere admiration. It's weird and uncomfortable enough to make your skin crawl. While that forced interaction worked, others aren't as successful -- especially when they come at critical junctures. Apart from one very notable occurrence, much of Polarized gives the player very little agency over Max's choices. That's a problem when the four previous episodes thrived on it. Actually, Polarized goes so far as to retroactively render some previous decisions moot, sacrificing a major game feature for narrative good. Despite finding issues with this chapter at every turn, I found myself more or less fulfilled with the conclusion -- although, I firmly believe that's an enthusiasm for Life is Strange as a whole as opposed to this installment alone. I think Dontnod discovered that it created a world that sprawled a little too far, and it wasn't sure how to bring it all to an end. So, it went with the easiest option. Or, as an art critic in this chapter phrased it, it took the path of least regret. [This review is based on a retail build of the game provided by the publisher.] (Previous Life is Strange reviews: Chrysalis, Out of Time, Chaos Theory, Dark Room)
Life is Strange review photo
The path of least regret
It's perfectly fitting that Life is Strange's final episode is subtitled Polarized. I can't think of a more apt word to describe my mindset right now. Life is Strange's conclusion left me satisfied, but not for the same reaso...

Assassin's Creed photo
Assassin's Creed

Assassin's Creed Syndicate has teeny tiny day one patch

Oct 20
// Vikki Blake
Another day, another OMGLOOKATTHISDAYONEPATCHSIZE post. Shock twist -- this post isn't a negative one! Though Assassin's Creed Syndicate will need a day one patch, redditters and NeoGAFfers have confirmed that the PS4 patch is only 534MB, while the Xbox One patch is just 520MB.
Life is Strange photo
Life is Strange

Life is Strange's final trailer is a dream nightmare

Just like Max's life
Oct 19
// Brett Makedonski
On the eve of the release of Life is Strange's final installment, Max is frozen on the precipice of catastrophe. Truthfully, she has been since the cliffhanger ending to episode four way back in July. Thus far, Life is Stran...
Borderlands photo

Tales from the Borderlands' season finale gets a trailer

Tales from Borderlands Space
Oct 16
// Mike Cosimano
I'll be the first to admit -- I was extremely skeptical about Tales from the Borderlands, especially considering how disappointed I was by The Walking Dead's second season. But I'm happy to have been proven wrong. This game l...
Apollo Justice photo
Apollo Justice

Apollo Justice will play a big role in Phoenix Wright 6

Great news
Oct 13
// Chris Carter
I had a chance to play Phoenix Wright 6 at TGS, and even though I can't read Japanese, I got the gist, and it seems like it's going to be another worthy entry. Fans will probably be excited to know that Apollo Justice's ...

Review: Minecraft: Story Mode: The Order of the Stone

Oct 13 // Darren Nakamura
Minecraft: Story Mode: The Order of the Stone (iOS, Mac, PC [reviewed], PlayStation 3, PlayStation 4, PlayStation Vita, Wii U, Xbox 360, Xbox One)Developer: Telltale GamesPublisher: Telltale GamesReleased: October 13, 2015 (Mac, PC)MSRP: $4.99, $24.99 (Season Pass)Rig: AMD Phenom II X2 555 @ 3.2 GHz, with 4GB of RAM, ATI Radeon HD 5700, Windows 7 64-bit To its credit, Minecraft: Story Mode does a lot well. The use of Minecraft's engine and iconic visual style is a nice workaround to keep the Telltale Tool from showing its age. It's hard to complain about low-polygon models for a world comprised mostly of cubes. Despite having fewer moving parts to work with on the character models, the characters are as expressive as they need to be. By narrowing or widening eyes and tweaking eyebrows, the block people (and pig) can show a range of emotions in a cartoony sort of way. The voice work aids in bringing the low-fidelity characters to life as well. The cast is impressive, including the likes of Patton Oswalt, Billy West, and Paul Reubens, to name a few. Though the characters look similar in the beginning, each has a defined personality that comes through thanks to the actors. Much like a session with Minecraft proper, by the end of the episode my brain stopped seeing everything and everyone as a collection of hard-edged polyhedra and just accepted them as regular places and people. [embed]315133:60717:0[/embed] However, the all-star voice cast does highlight The Order of the Stone's biggest shortcoming. With such big names in comedy doing the dialogue, it's disappointing how little comedy there is in the script. There are a few gags that find their mark, but most are worth only a smile or a chuckle; none really stood out. On the other end of the spectrum, the drama doesn't really deliver either. The elements are there: life-or-death situations, uncertainty, mistrust. Still, none of the prototypical "big choices" felt like they carried much weight. Of the five choices shown at the end, the first is just a judgment call with an unknown and arbitrary outcome, two involve whether you want to be an asshole to a guy who doesn't deserve it, one won't have clear implications until a later episode, and the last is a decision on which of protagonist Jesse's two friends has a better plan for what's to come. The choices highlight an emphasis on the future. Put plainly, The Order of the Stone is heavy on exposition, setting up the backstory, characters, and events for the rest of the season. While necessary, it misses some opportunities to be memorable in its attempt to lay the foundation. Story Mode will probably be more of a hit among Minecraft fans than general Telltale fans. The Order of the Stone features a few Minecraft-specific gameplay bits and references. A couple times during the episode, players are presented with a problem, given some materials, and tasked with crafting a solution. Recipes are given for those who don't know what to make or how to make it, but other craftable objects are present as well. While trying to make a stone sword, I accidentally crafted a lever. After a playful rib about me not knowing what I was doing, the materials were returned so I could forge the weapon. Later on, the group has to hit a pressure plate beyond a hallway filled with arrow traps. Recipes and materials are given for a couple possible tools to use. It would be great if there were other hidden solutions to discover for those who know the source material inside and out. In addition to the crafting puzzles, there is one classic adventure game puzzle found toward the end of the episode. It isn't especially original or taxing, but along with the crafting it does represent a step in a more gameplay-oriented direction from the recent story-only Telltale series. So far, Minecraft: Story Mode is like a Saturday morning cartoon. Sure, there is conflict, but it doesn't feel dire. Sure, there are funny bits, but the comedy isn't sharp or intelligent. Sure, there is a story, but it doesn't feel like it matters yet. There is some hope for this series to be great in the future, but The Order of the Stone is just okay. The Minecraft-specific gameplay is a nice way to shake up the usual formula. The blank slate of the universe allows the tale to go wherever it wants. The voice cast is full of actors who can do great work. But the writing needs to be more engaging if Story Mode wants to be taken seriously among Telltale canon. [This review is based on a retail build of the game provided by the publisher.]
Minecraft review photo
Exposition mode
Telltale has seen ups and downs with its licensed titles. With Jurassic Park the studio was still figuring out what works and what doesn't. More recently, The Walking Dead and Tales from the Borderlands have shown the strengt...

Firewatch photo

Firewatch is such a lovely looking game

Releasing February 9, 2016
Oct 12
// Jordan Devore
I'm supposed to tell you that Campo Santo's wilderness-set exploration mystery Firewatch will release on February 9, 2016 for PlayStation 4, Windows, Mac, and Linux. That's the news today. But I've fallen into an image gallery wormhole, and I'm taking you with me.
Telltale Borderlands photo
Telltale Borderlands

Tales from the Borderlands finale releases on October 20

Here's a teaser for it
Oct 08
// Darren Nakamura
You might have heard how the first episode of Tales from the Borderlands is now available for free. If you haven't, well, Telltale really wants to drive that fact home. That's how they get you. The first hit is free. You want...
Goosebumps photo

The Goosebumps game sure is gonna make you read a lot

R.L. Fine, I won't R.L. Whine
Oct 07
// Brett Makedonski
Reading? In my video games? I guess that's par for the course in a click-and-point title. And, if you're really twisting my arm, it's probably a big part of reading books, too. At least Goosebumps is thematically c...
Rise of the Tomb Raider photo
Rise of the Tomb Raider

Here is what's in Rise of the Tomb Raider's season pass

Well, kind of
Oct 07
// Brett Makedonski
It was just last week that we learned Rise of the Tomb Raider would have a season pass. We likely weren't meant to know quite yet, as it was a "oops, it suddenly showed up on a retailer's website"-type of thing. At the t...
Murder photo

Tokyo cyberpunk adventure Murder is releasing this month

Ghost in the Pixel Art
Oct 05
// Joe Parlock
Peter Moorhead, creator of Stranded, has announced his newest project: Murder, a sci-fi point-and-click inspired by the likes of Ghost in the Shell, Akira, and Gone Home. Set in a cyberpunk Tokyo, the game aims to explore &l...

The paradox of selling The Beginner's Guide

Oct 03 // Darren Nakamura
When the game begins, writer and narrator Davey Wreden talks about a person he used to know named Coda. He builds a history between them: they met at a game jam, Wreden was fascinated by Coda's games, this one particular game was the first Wreden saw though it isn't the first presented to us, and so on. He inserts little details about the relationship, like how they used to argue about whether games need to be playable to be meaningful. Given the mundane setup, there's no reason not to take Wreden at his word. He speaks directly to us, letting us know our role. We are people playing a collection of art games, and he is our guide through it all. Everything fits as a nonfiction work. As we play further, we see the games get darker in tone. Coda crafts inescapable prisons. He has players destroy the machine that produces his ideas. He creates game worlds with obstacles that are impassable without altering the code. Not only that, but the time between each "release" increases. In the beginning, Coda's games have only a few weeks between them. Toward the end, he is spending months. Wreden takes notice, and he worries about his friend. At this point, I was a little worried myself. So Wreden went on to show Coda's games to others, thinking the validation of hearing how good his stuff is might work him out of his funk. This sets in motion the climactic sequence, a game built specifically for Wreden. After some grueling tasks only surmountable through attrition or reprogramming, we come to a hallway filled with messages. They are the first explicit thoughts we get from Coda, after a whole game of supposing from themes and symbolism. And the message is clear: Davey, stop trying to analyze me and stop showing my games off as if they were yours to share. This sequence hit me hard. "Oh god," I thought, "I've been wading through this guy's personal space this whole time without his permission." I felt like I just took part in something terrible. I felt a chill run down my body. I felt awful. Wreden addresses the irony himself, in his increasingly distraught voice over. By releasing The Beginner's Guide, he's doing the exact opposite of what Coda wanted, and he's a terrible person for it, but he just can't get it out of his mind and he needs help finding Coda, to find out what makes him tick. It was here I went back through other details I hadn't previously given much thought. In the original email chain Davey Wreden sent to Destructoid, he made it clear William Pugh, his collaborator on The Stanley Parable, was not involved in this project. At the time I shrugged it off as an unimportant piece of information for my purposes. Looking back on it, it only gave more credence to the whole narrative; Wreden wanted to leave Pugh out of this, making sure everybody knows he alone had done a very bad thing. But then I thought about one thing: the price. Wreden is selling The Beginner's Guide for 10 dollars. He took a collection of somebody else's games, which include a game about not sharing his games, and is selling it for profit. That's just unthinkable. Suddenly, the illusion popped. I had been taken for a ride. Coda is not real. He never was. Herein lies the paradox. As a complete narrative package, The Beginner's Guide had me fooled. I was so emotionally invested in the history and events because it felt so real. I felt genuine regret over my actions affecting a real person in this world. But the entire history surrounding Coda is a fabrication. It has to be. Wreden crafted a fiction so convincing I was sad and angry. I couldn't stop thinking about it. Isn't that worth 10 bucks? For me, there's no question. Of course it is. But the fact it costs anything pulls back the curtain on it. Would the experience be even more powerful if it were free? I think so. I would probably still think Coda is real if it weren't for this detail. The Beginner's Guide is easily worth the price, but it would be worth even more if it cost nothing.
The Beginner's Guide photo
Or, I'm sorry if you're real, Coda
The Beginner's Guide released a couple days ago, and it made me feel stuff. If you are not averse to having feelings, you might want to play it. More importantly, if you have not yet played it, you probably don't want to cont...

Review: Read Only Memories

Oct 02 // Ben Davis
Read Only Memories (PC [reviewed], Mac, Linux)Developer: MidBossPublisher: MidBossReleased: October 6, 2015MSRP: $9.99 The story of Read Only Memories begins with the appearance of a peculiar robot named Turing, who breaks into the player character's apartment after their creator, Hayden, was mysteriously kidnapped. Turing decides that the player character, who is a journalist and a friend of Hayden's, is the most statistically likely to be able to help them. Thus begins the search for Hayden in the technologically advanced, cyberpunk-inspired city of Neo-San Francisco in 2064. In this futuristic setting, scientists have discovered many new ways of enhancing the human body through cybernetics as well as genetic modification, meaning it's common to see people with robotic limbs, blue skin, rabbit ears, and other such bizarre enhancements walking around as if it's completely normal. Not to mention the ROMs, robots like Turing, which are just as commonplace and are on the verge of becoming sapient, able to think and feel as humans do. As expected, anti-hybrid and -cybernetic groups such as the Human Revolution have begun to pop up warning people of the dangers of such technologies. [embed]313479:60589:0[/embed] During the player's search for Hayden, they will meet a colorful cast of strange and interesting characters and be asked to participate in some rather shady activities, sneaking around the law in an attempt to learn secrets and uncover truths. Some characters can be trusted while other cannot, but they're all able to provide leads, information, and other helpful things if the player can successfully persuade them. The gameplay largely consists of your typical point-and-click adventure mechanics, nothing really new here but it works just fine. People and objects can be interacted with by looking, touching, talking, or using an item. Interacting with the same thing multiple times might yield different results, so sometimes it's a good idea to look at, touch, or talk to someone or something more than once. There's also a wide variety of items at the player's disposal, which can be picked up and used in certain situations. There is no item combining to be done, however, and pixel hunting is not a problem since anything that can be interacted with will be highlighted by mousing over it, so many of the more annoying adventure game elements were left alone. Much of the gameplay centers around conversations and choosing dialogue options, but there are plenty of puzzle-solving sections as well. These include direct puzzles, such as looking at a map and closing off intersections in order to divert a cab back to the player, as well as more indirect puzzles like trying to find the right item to gain access to a house or figuring out how to coerce someone into giving up information. None of the puzzles are too obtuse, and some of them are rather forgiving if the player messes up at first. The story features several branching paths and alternate endings, depending on how the player chooses to interact with characters and how successful they are at figuring out puzzles. It's possible to befriend or make enemies with several of the characters, so try and decide who will be the most helpful and choose the appropriate responses. Breaking the law and causing mischief seem to be unavoidable, but how it's done is up to the player. As most of Read Only Memories involves reading text, I found the writing to be entertaining and engaging, if overly-technical at times. They did a great job of giving every character a thorough backstory, making each of them interesting and relatable with their own quirks and behaviors. I particularly enjoyed Turing's fondness for painting and the player character's strange obsession with plants. There were, however, a few groan-worthy references and an occasionally disappointing lack of variety in dialogue options. Read Only Memories originally set out to do one thing: foster the inclusion of diverse characters, especially those of the LGBT persuasion. Thankfully, the end product is much more than just that. The characters' sexualities and gender identities, which include plenty of gay and straight, trans- and cis-gendered individuals, are revealed in a natural way or left up to the player's imagination. Meanwhile, we have a story built around mystery and intrigue, with topics of crime, technology, and politics taking the forefront of the discussion in the lives of these characters who just happen to be a certain way. Personally, I felt the LGBT themes were handled appropriately and naturally without being too heavy-handed, but I'm sure some will disagree with me. I would recommend Read Only Memories to anyone who enjoys point-and-click adventure games, as it's an excellent addition to the genre, borrowing many of its key elements while ditching some of the more obnoxious ones. It's also a great choice for anyone who is looking for more diversity in their video games, as it does a wonderful job of promoting inclusion without making it the sole focus. Plus, there's an awesome, adorable little robot friend to hang out with, and who doesn't want that? [This review is based on a retail build of the game provided by the publisher.]
Read Only Memories review photo
Cyberpunk chic
MidBoss, the team behind the LGBT-centric gaming convention, GaymerX, has been having quite a successful time lately. After reaching its Kickstarter funding goals at the end of 2013, the team has been hard at work creating it...

Review: The Beginner's Guide

Oct 01 // Darren Nakamura
The Beginner's Guide (Mac, PC [reviewed])Developer: Everything Unlimited LtdPublisher: Everything Unlimited LtdReleased: October 1, 2015MSRP: $9.99Rig: AMD Phenom II X2 555 @ 3.2 GHz, with 4GB of RAM, ATI Radeon HD 5700, Windows 7 64-bit The Beginner's Guide opens on a de_dust-like Counter-Strike map with Wreden narrating. It isn't Wreden narrating to save money on a voice actor or Wreden narrating the in-game story. Davey Wreden is narrating as Davey Wreden, telling a story about his personal life. He was once friends with another game designer named Coda. Ever since meeting at a game jam, he had been fascinated with Coda's work. Most of the games are short, five to ten-minute affairs involving walking and philosophical musing. All were built in Source, but the art styles vary. Coda never released his games publicly, but Wreden hounded him to play each one upon completion. What we play through is Coda's entire body of work, presented chronologically. All the while, Wreden offers insight about game design, from the nuts and bolts of the tools used to the deeper symbolism of a particular segment, whether it was intentional or unintentional. [embed]313130:60582:0[/embed] Unlike a lot of these narrative-focused games, which allow the player to passively experience the story, absorbing or ignoring as much as desired, it's the kind of experience that demands intellectual engagement. I mean that literally; Wreden explicitly asks the player to send him critical analysis, providing an email address toward that end. There is exactly one puzzle in The Beginner's Guide, and it is repeated a few times. It involves two doors and solving it requires an irreversible step. When solved, the entrance is sealed and the exit is open, providing only one possible path: forward. Wreden's interpretation of this puzzle involves a symbolic closure of the past, marking something as "complete" and putting it out of mind. While I was playing through, my mind went to thoughts about having to take risks in order to progress and the idea of finding comfort in familiar things.  The structure provides a strange sense of immersion only a few games can manage. I am not the avatar of the character in these environments navigating through them; I am the guy sitting at his computer, playing a game while another guy talks to me about it. The story being told is a history that took place in the real world, and together we are piecing together the deeper meaning behind these weird art games. The roundabout immersion is ironic in a way. Normally making it clear the player is just someone playing a game adds a layer of disconnect. Since the reality matches with the premise in The Beginner's Guide, it actually drew me into the meta-narrative even more closely. I realized about halfway through just how emotionally invested I had become. I found myself marveling at Coda's creations just as Wreden had done before me. I spent time reading every note posted in one section even after being told I didn't have to. I wanted to understand the person who made these just as much as Wreden. I was grateful for his aid when it came to surpassing the intentionally frustrating or impossible barriers. I had to see it through to the end. And then, just as my emotional investment hit its peak, the revelatory climax rolls in. Maybe Coda isn't the enigma Wreden paints him as. Maybe he just wants to be left alone. Wait, maybe he wouldn't want me playing his games. Maybe I'm violating his personal space by participating. Maybe I'm an asshole for doing things against someone else's wishes. Maybe I'm a bigger asshole for writing a whole review about it. My involvement as just the guy sitting at his computer playing a game is non-negligible at this point. I've been thinking about this game a lot for the past 36 hours. It demanded I think about it, at first only superficially, but later more substantively. I mulled over a lot of questions when I should have been sleeping. I continued thinking right when I woke up. I think I dreamed about it in between. I won't spoil with the explicit questions here, but I'm sure we will be talking more frankly soon. On the surface, The Beginner's Guide is a game about game design and critical analysis. Digging deeper, it provides a window into the mind of a man I might not have fully understood otherwise. It does all of this in a way only a video game could. More than anything else, it has caused me a lot of introspection, a feat few games ever achieve. [This review is based on a retail build of the game provided by the publisher.]
Beginner's Guide review photo
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